Closer Still(s) | PT.XXV | Wilt in Nowhere | 35Chronicle

35mm, black & white, close-up, colour, fine art, macro, nature, photography, still life

Oh, I’ve Missed this Caper!


We all have our favourite genres when it comes to photography; me – I love IR and alternative wavelengths, people, waterscapes and boats and of course, if you’ve been reading me for a while, close-up & macro photography. As I was sitting at dinner with my family this evening it occurred to me that it’s been simply ages since I set-up to shoot any close subjects and, this was all because of one wilting Gerbera Daisy in a vase on the opposite side of the kitchen. 

As a predominantly black and white shooter, I was shall we say, uncharacteristically jolted into thought by its colour and the way in which it had drooped forward away from the rest of the bunch as if reminding me that I’ve lost touch with the finer details; and so, after clearing up, I excitedly pulled all the gear I needed, downstairs, and set up in the kitchen to photograph this forlorn but  beautiful little flower, perhaps not too many days away from being destined for the bin but not yet completely void of its former form; certainly worth a few shutters.

(Sorry for nicking the title from Tom Sharpe – it just, fitted.) I hope you will enjoy these few eagerly processed frames. This is about as hot off the press as it gets… 

– R –

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I | Ricoh GXR A12 33mm [50mm Equiv] Macro | 1/12th – f8.0 – ISO:100.

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II | Ricoh GR w/Hoya +10 Close-Up | 1/12th – f8.0 – ISO:100 | 35mm Internal Crop.

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III | Ricoh GR w/Hoya +10 Close-Up | 1/30th – f8.0 – ISO:100 | 35mm Internal Crop.

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2019 Photographic Review | 35Chronicle Photography

black & white, boats, close-up, colour, Indoor, infrared, landscape, macro, nature, night / low-light, people, photography, portraits, review, ruins, rural, skies, still life, structures, summer, trees, waterscape

As the Days Begin to Lengthen.


This time last year I was preparing my first ever photo-review here at 35Chronicle and, at the time, I could never have professed to have known just what a year 2019 was going to be for me. In every sense of the word it’s been an amazing year, and – a traumatically difficult one for the large part. Suffice to say that if you are a regular reader of my pages, you’ll know a little of what I’ve been up to and, subjected to and – you might also realise that as well as those closest to me who have kept me going throughout the year since spring, my love of all things photographic have been my main non-pulsatile impetus to get back out there and, get better. Better in health, at life, at shooting – just, better; in any way I can.

Despite some difficulties in getting back out there (you try shooting whilst holding on to your crutches while your camera bag is threatening to slide forward under the weight of the gear – with the express intent of taking one of your legs from underneath you!) I have enjoyed many excursions this year. Insosaying, I have done my best to represent each month of 2019 (by date of publishing) with what I feel is the one shot that truly made the cut. My cut. I hope I have done enough.

Of course, the whole reason I am writing any of this is because, well – you are reading it. As such, I need to say a massive thank you to a huge amount of people who have been with me this year and without whom, my 2019 would have turned out rather different and probably not as good. Therefore, to loved ones, to friends, to everyone here on WP, and to everyone who has been of support to me throughout the year, I thank you, from the bottom of my heart. You all know who you are and I forget not one of you.

Please do enjoy this selection of just some of my favourite frames of this year and I hope you’ll join me again in 2020. It’ll be great to see you again. (To H – thank you and please forgive me for my shameless and blatant use of your sign-off. It fits perfectly, expresses my intent to a tee and I truly can’t think of or find a better way to say it. I promise to only use it this once!)

See you on the flip-side, folks!

In Metta.

– Rob –


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January 2019 | Moss after Rain.

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February 2019 | The Wellspring – Kirkcudbright | 720nm IR.

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March 2019 | Thirlstane Arch – Powillimont, Southerness | 720nm IR.

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April 2019 | Dundrennan Abbey [AKA: The Day of Two Cakes!]| 720nm IR

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May 2019 | Angela.

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June 2019 | Gelston Castle | 720nm IR.

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July 2019 | River Nith to Greyfriars | 720nm IR.

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August 2019 | Angela & her Machines.

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[Just After] September 2019 | The Kelpies – Falkirk | Late Dusk.

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October 2019 | Light Muse (Sic!)

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November 2019 | Edinburgh, from the Castle.

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December 2019 | Paisley James – 4 Hours Old.
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Happy New Year 2020, to You All!

X

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New Lanark | PT.II – Outside the Machines | 35Chronicle

black & white, full-spectrum, night / low-light, photography, rural, structures

I am Automation.


From PT.I – a little more mono / full-spectrum fun in a few frames from inside a couple of the workshops. The ISO and Tv values might suggest use of a standard VIS light camera, however, the lack of natural light was a real issue, though reasonably easily overcome by LTFS and a steady hand, despite the distinct lack of UVIR infiltration. Despite a higher ISO in combination with what is essentially, technologically speaking, an ancient camera – I am delighted with the level of detail and contrast in these frames. I do hope you’ll also enjoy them, for what they are.

– R –

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IV | The Donkey Engine | LTFS 1/45th – f4.8 – ISO:1600 – 35mm.

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V | Back-End of a Donkey [Engine] | LTFS 1/75th – f5.5 – ISO:1600 – 85mm.

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VI | Spinning & Reeling | LTFS 1/30th – f7.5 – ISO:1600 – 35mm.

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[All images in this New Lanark series – snagged with a Ricoh GXR A16 LTFS (from ~280nm to ~1300nm) internal conversion, unfiltered.]


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New Lanark | PT.I – Overview(s) | 35Chronicle

black & white, full-spectrum, photography, rural, structures, waterscape

1786 [& the Legacies of Dale & Arkwright].


One of six UNESCO World Heritage sites in Scotland, New Lanark is situated approximately twenty-five miles south-east of Glasgow, on the River Clyde. Once a thriving cotton mill (using water powered spinning machinery) and now a tourist attraction, many of the old workers’ homes are now tenanted apartments however, the old mill buildings are beautifully maintained with much of the old machinery and the whole village makes for a truly fascinating visit.

More info. can be found here.

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I | Boxing Hares in the Roof Garden | LTFS 1/500th – f5.6 – ISO:200 – 35mm.

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Because the overhead conditions were unfavourable, extremely overcast and damp, I took along my LTFS camera outfit to make the most of any and all available light (UV, VIS & IR). Being able to take advantage of the availability of those extra wavelengths is a real bonus under such conditions and keeps the ISO down too, which I prefer, of course. What I hope to show over the coming posts from New Lanark is just how versatile a good true full-spectrum set-up is, for black and white work specifically and, how there really isn’t a photo-scenario where its benefits can’t be exploited. I’ll move outside and inside and aim to show you another world, not that far removed from our own, but with subtle nuances not always instantly apparent or appreciated, still, that I hope will either please, or inspire; or both, perhaps. If I fail in both regards, then I need to work a little harder, methinks.

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II | Little Touches (Roof Garden to the Church) | LTFS 1/500th – f5.3 – ISO:200 – 70mm.

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I’ll shortly be preparing my 2019 Review for posting during the next couple of days, but in the meantime, I hope you are all enjoying yourselves over this festive season and, as always, thank you so much for reading my pages. I hope you’ll enjoy these first few frames from what is a very special place. 

– R –

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III | The Clyde – from the Water-Wheel to the Caul | LTFS 1/290th – f5.3 – ISO:200 – 70mm.

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[All images in this New Lanark series – snagged with a Ricoh GXR A16 LTFS (from ~280nm to ~1300nm) internal conversion, unfiltered.]


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The Crichton Memorial Church | 720nm Infrared – PT.II | 35Chronicle

autumn / fall, black & white, infrared, photography, structures

Tails: Chased [Tick!]


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IV | Flare | 24mm | 720nm IR.

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V | South Face w/ Shadows – II | 24mm | 720nm IR

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VI | South & West Face | 24mm | 720nm IR.

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VII | East Face – II | 35mm | 720nm IR.

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[PT.I – Click!]
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On Human Connections | PT.II | 35Chronicle

35mm, black & white, people, personal, photography, portraits

Celebrations & Christmas Wishes.


Time is short today and as festive preparations continue, I would like to take a little time out to wish all of you a very Merry Christmas. It’s been a very different kind of year for me, but for others, the experience of this thing called life is only just beginning. Therefore, to each and every one of my readers and followers, I extend my warmest wishes and, especially to one little girl, who is about to celebrate her very first – though she’ll never remember it. This one’s going to be a blast

I hope you all have a wonderful holiday, no matter how you’re celebrating. 

Warmest wishes,

Rob.

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I | Four Hours Old | For Paisley | 35mm

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II |  Paisley, with Mum & Dad, Elaina & Arran | 35mm

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III | Angela Gets a Hold – Paisley at 4 Hours Old | 35mm

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On Human Connections (& the Withholding of Sherry!) | 35Chronicle

35mm, black & white, people, personal, photography, portraits

From my Quiet Corner.


It’s not often that I photograph people anymore, however this post for me at least, is a little more poignant. This year has seen hospital visits very frequently on my agendas. Not only for myself have I spent time in one or another, but sadly with an ageing family member and the problems exacerbated by the very same and unstoppable process,  this has brought on the necessity to spend even more time in various departments and wards throughout the year. But there’s something else about hospitals other than the obvious that runs deep in their very ethos that, if you simply look around you – can be seen everywhere. 

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Now, I know it’s absolutely not ethical nor even polite to photograph at random the unfortunate plights of others in such a personal context, so, I’d like to share instead a couple of simple frames which for me epitomise the deeper connections between human beings  that I have only ever witnessed so emphatically – in hospitals. Though I have hung on to these shots for a good number of months, (I found it very difficult to find a cohesive context in which to publish them) now – I feel I can share them in such a way that I would hope makes such clear sense as to render the message obvious. 

As I sat in the corner of a nearby community hospital, observing Angela with her ninety-nine year old grandmother, Ellen, who had by then been a patient there for over two months, the intimacy and love that filled the room was something that I just had to try to capture. Heart-melting moments, right there in front of me.

Thankfully, Ellen is home again at the time of writing and is doing very well indeed. (We’ve had to withhold the sherry though; just in case.)

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II.

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[Both frames were discreetly captured on my secreted Ricoh GR, set to my preferred 35mm Crop mode.] 

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Portpatrick | PT.II – 720nm Infrared | 35Chronicle

35mm, black & white, infrared, photography, ruins, rural, structures

Old St. Patrick’s Kirk [Circa: 1629]


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III.

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[All frames: Ricoh GR Internal IR Conversion w/35mm Internal Crop]

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Portpatrick | PT.I – 720nm Infrared | 35Chronicle

35mm, black & white, boats, infrared, landscape, photography, summer, waterscape

The Harbour Series.


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[All frames: Ricoh GR Internal IR Conversion w/35mm Internal Crop]

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Edinburgh Nightscapes | PT.II – LTFS Series | 35Chronicle

black & white, full-spectrum, night / low-light, photography

In the Black.


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IV | Scott Monument | 1/18th – f5.6 – ISO1600

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Following on from my previous post, I cannot resist sharing a few more frames from Edinburgh, shot from the Christmas Market on Princes Street and, a last night shot from the castle. All of the shots in this post and PT.I were made with my LTFS (Luminous Tone Full Spectrum) converted GXR A16 unit, without any external filtering and, handheld. Shooting in full spectrum for night-time black and white is a real treat, largely due to the fact that even artificial lighting can emit strong UV and IR wavelengths, adding to the amount of light that the camera is able to capture, thus, reducing Tv values and making for steadier shots without a tripod. Not only this, but the level of detail in the blacks, when compared to making the same shots on my standard, unconverted units, is – to be frank – completely wonderful. A little IR softening and a slight increase in grain is inevitable but, for me, these aspects please my eye to the point where I run out of words. I do hope you’ll enjoy these few frames as much as I do.

– R –

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V | Scott Monument | 1/45th – f5.6 – ISO1600

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VI | From Edinburgh Castle | 1/7th – f8.0 – ISO1600

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Edinburgh Nightscapes | PT.I – Final Postcards from the Recovery Position | 35Chronicle

black & white, full-spectrum, night / low-light, personal, photography

Multiple Exposures, Perhaps?


In a way, I suppose that blogging is as much about diarising as it is about simply sharing what we do, think, or feel, sharing who we actually are – adding little pieces of ourselves to a community that in some way might appreciate it, and give back too. For me, it’s about all things – including the sometimes more personal side of my own life. Though I am not one to purposefully overshare (believing instead in the sacred and private aspects of life) I would like to share these few words, inspired by someone very, very special who has been here for me tirelessly and in every conceivable way – throughout my recovery from multiple spinal (and other less serious) fractures and injuries, back in April. It’s been a winding road thus far – and the fact that I can share these words and images with you all, is a testament to many, many people, and yet most of all, one.  It’s about as real as it gets but I don’t often share like this, so you’ll please forgive me for opening up this way. Photography for me, is so important – probably my biggest ‘thing’. But it’s not – everything.

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‘Tis the Eve’.

‘Tis the eve’ of my return to work,
Though much to do, no blogging I’ll shirk.
With broken bones, through healing too,
Small takes on a life, I’ve shared with you.

As I look now to brighter times,
Routines return, lay-ins subside;
And, before my mindset changes tack,
Special memories are skipping back.

Many of them circle my mind,
But, the fondest here, I think you’ll find,
A recent jaunt, a cold birthday weekend,
In celebration of my love and, my friend.

For these frames you see were only made
Of patience, love and a care that stayed,
That helped me heal in body and mind,
And to keep me giving, of the very same kind.

– R –

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I | Over Princes Street Christmas Market & Waverley Station from Edinburgh Castle. The Light-Beam, Shining from the Castle to Nelson’s Column on Calton Hill. | 0.5″ – f7.6 – ISO:400 – Ricoh GXR A16 LTFS Conversion [Unfiltered].

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II | Waiting to Cross – Edinburgh | 1/25th” [Handheld] – f4.8 – ISO:3200 [No NR] – Ricoh GXR A16 LTFS Conversion [Unfiltered].

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III | Moonrise from Edinburgh Castle, with Light-Beam to Nelson’s Column. | 0.5″ – f8 – ISO:1600 – Ricoh GXR A16 LTFS Conversion [Unfiltered].

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Now, we can move on.
X


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Down by the River | PT.III | 720nm Infrared | 35Chronicle

autumn / fall, black & white, infrared, photography, structures, trees, waterscape

Sound Reflections of Light?


Here are just a few more frames, shot a couple of weeks ago along the River Nith, not far from my home. On a glorious afternoon like this, I can just grab my bag and within a couple of minutes, I’m here; looking ahead of me, looking around me, looking for a patch of light that might catch my eye in a way I haven’t yet seen, and then, I’ll look back – to see what, if anything, has changed in the scenes that I have passed. Light can alter so quickly, especially at this time of day when the mid-autumn sun is dipping fast away to the west and it’s all too easy to miss what we have perhaps dismissed already. It’s better not to. It’s better to look back and not miss it. If it’s there. And it was here.

Though I was running a tad late on my walk to collect a certain young lad from school, I can justify that in my slight (and uncharacteristic) tardiness were in fact a few beautiful reasons. At seven, I’m not certain he’d understand, but a forgiving soul, he is. Looking back, it’s a wonderful view.

I do hope you’ll enjoy these few frames.

– R –

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I | The Sound of Light.

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II | The Grey Heron.

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III | Through the Eye of the Beholder.

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[All frames: Ricoh GXR A16 LTFS Conversion w/Hoya R72 – 720nm IR Lens Mounted Filter]


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An Old Sentinel | 720nm Infrared | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, skies, structures, waterscape

Dunskey Castle Ruins, Portpatrick.


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[All Images: Fujifilm X100 720nm IR Internal Conversion]


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The Crichton Memorial Church | 720nm Infrared – PT.I | 35Chronicle

35mm, autumn / fall, black & white, infrared, photography, structures, trees

If I Had a Tail, I’d Never Stop Chasing It.


Why the heck has it taken me so flippin’ long to get back up here to shoot this gorgeous church? As with the Goldielea Viaduct (Post 163) – Crichton Church has always been one of those places regularly on my map, a constant and long since dog-eared post-it note in my head to come and photograph it on some such blue-sky day as this.

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I | The East Face | 35mm | 720nm IR

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Lately, I have been seeing it rather a lot (four times a week as it happens) because, I pass it each time I head out for another of my twice weekly physio sessions. Set virtually in the centre of the beautiful 100 (or so) acre grounds of the Crichton Campus (this place has so much history, it’s ridiculous – see here, at Wiki if you’d like to have a read up) it commands a vast space, popular and well known to anyone who has ever had any reason to visit; and they’d be many. 

The Crichton Campus itself  is home not only to the University of the West of Scotland (this happens to be its smallest campus) but also local businesses (which have, since 2013, set up in many of its grand, sandstone buildings throughout the estate – after the closure and relocation of the old psychiatric hospital); it’s also a very popular location for wedding parties and holiday-makers and, as you might imagine from this, the grounds are usually a lot busier with people than these frames might suggest. On this day, I got very lucky. 

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II | South Face w/ Shadows | 24mm | 720nm IR

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I really do hope you’ll enjoy these first few frames of this little series, photographed during mid-morning only a few weeks ago, as the season seemed to more firmly dig its heels in, we did have to hang around for a good hour or more while we waited for the lower mid-autumn sun to gain a little more altitude for these captures. (Thankfully, there’s a wonderful bistro on campus that serves a fabulous cooked breakfast!)  Frame 2 is a little hello from us, to you – as I prepare to return to work next week after what has been a strenuous seven months to say the least, and also, a proud statement on my part that the one who has been right here with me through it all, is still smiling, even in shadow.

As am I. 

For now, toodle-pip!

R.

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III | West Face | 35mm | 720nm IR

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