Hanging the Washing in Sleepy Hollow | 35Chronicle

35mm, autumn / fall, black & white, infrared, landscape, photography, rural, skies, structures, trees, waterscape

Views from Two Bridges | 720nm Infrared.


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I | On the Fleet: The Mill, Gatehouse | 720nm IR | 35mm.

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II | On the Fleet [II]: Behind the Crafty Crow, Gatehouse | 720nm IR | 35mm.

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Call Me Old Fashioned… | 35Chronicle

35mm, black & white, close-up, colour, fine art, full-spectrum, macro, people, personal, photography, portraits, still life

A Prior Engagement.


Okay, a little bit of an announcement. At the end of last month, after two years together through thick (and even thicker) I proposed to Bumble and – after her initial tears of disbelief and throwing her hands up to her face at the sight of me on one knee, she said, “Yes”! Needless to say, we are both ridiculously happy and our wonderful nuclear family, too, has a solidified and renewed direction. After everything we’ve come through over the last eighteen months or so, I couldn’t be happier. But this post isn’t just an announcement. This is a photography blog after all and I have been waiting until I had the requisite shots, before writing.

As an engagement gift to me, Bumble gave me a new cocktail watch for my wrist and also, for my growing collection. I have collected watches, (only certain movements it must be said) for many years and, this new gift had me rather stunned, even moreso because she clearly knows me so well. Insosaying, though I do feel a tad selfish posting these, it also stands as my little testament to the value of time and, how we spend it. Many of my readers will know that I don’t just shoot old ruins and infrared scenes – I enjoy many forms of photography and macro-photography is one of my firm favourites and major passions when I am forced to shoot indoors. Couple this with my love of mechanical watches (as opposed to quartz movements) where, I have always felt that there is more magic and fairy dust inside such a watch than levers, cogs and springs, well, you might understand just how marvellous and precious these instruments are to me, personally. And, a watch is a very personal thing. If it is thing of visual beauty, then I am in awe of it. Keats said something very similar, I recall. Such is the case here, with my beautiful (5147/8000) Seiko Presage SSA392J1.

With its 4R57 automatic movement, 41-hour power reserve indicator, gorgeous colours (inspired by the classic, ‘Old Fashioned’ cocktail – recipe at the bottom of this post!) perhaps it is indeed, itself, a classic in the making. What I am certain of however, is that for me, this combination is as classic as it’s possible to get and the value of time somehow becomes even more poignant when I wear it. So, by way of utter appreciation and gratitude for the love of the woman in my life, who knows me better than I do – I now post a few shots that I have very carefully selected after a painstaking couple of days editing, post-shooting. Whatever you photograph, it should always be shot with love. I hope I have done enough here.

(For anyone interested, these frames were made with my Ricoh GR III (the closest frame, with the Hoya +10 – front-mounted) except for frame two of Angela, which was shot on an LTFS converted Ricoh GXR, in full-spectrum – hence the slight softness of the focus). 

Thank you so much for bearing with me and for reading once again. I hope you’ll enjoy these few frames too.

… To Bumble – whatever I have to say to you, I’ll say it in private! 

R.

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To Mix an Old Fashioned:
  • Place the sugar cube in an Old Fashioned glass. 
  • Wet it down with Angostura bitters and a short splash of club soda.
  • Crush sugar with a wooden muddler, rotate the glass so that the sugar grains and bitters give it a lining. 
  • Add a large ice cube. Pour in the whiskey. 
  • Garnish with an orange twist, and serve with a stirring rod if you’re so inclined.

…and, relax!

R.

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Never Look a Gift-Horse in the Mouth… | 35Chronicle

35mm, autumn / fall, black & white, boats, infrared, photography, rural, skies, waterscape

Port, Starboard or – Straight Up? | Kippford [720nm IR]


It was to be a day of semi-relaxation – getting things done at home interspersed with doing not very much at all; a little of everything and not much of anything. After the initial rigours of an early Friday morning and a quick visit to town, on foot, I received a message on my ‘phone – “Looks a bit too nice to stay in all day!” This message was punctuated by an emoji indicative of a Bumble who was rather miffed by our joint lack of outdoor plans (something that regular readers of my pages will know already isn’t a habit I usually indulge in). Still, I had to agree that the day was looking rather splendid indeed and even by 09:30 I was excited to know that the little jobs around the house would have to wait until later that afternoon. As I walked home, I decided that a little jaunt to Kippford, a small sailing village not far from Dalbeattie – would be perfect. Lunch at the Mariner and perhaps, just perhaps – a few shots? 

Whenever we visit, I always seem to find much difficulty shooting here. Though my preferred light-source is IR when the sun is shining, I would always settle very happily for any decent light black and whites with the tide being in for once and, 99% of the time I will arrive here to look at glistening, soggy silt and sandbanks as the water of the Solway has already waved “cheerio!” for another few frustrating hours; a few hours that I don’t have, to wait for it to return, usually. Yes, I should check the tides – I mean, who wants to see boats (or shots of them, anyway) listing hard to port or starboard and resting either hull on what is essentially a mud-flat? On this day, however, I got lucky and, after lunch, I still had plenty of time. An hour or so anyway, before the tide tucked-tail and started to run out again. 

With all this said, please enjoy a few of my infrared frames from another of South West Scotland’s beautiful little ‘postcard’ villages. I hope you have a fabulous week and, thank you for reading! 

R.

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I | Kippford – from a Pontoon | X100-IR – 35mm.

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II | Little Land, Big Sky | X100-IR – 35mm.

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III | Up & Away | X100-IR – 35mm.

 

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IV | Signals? | X100-IR – 35mm.

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Restricted: Dryburgh Abbey | 720nm Infrared | 35Chronicle

35mm, autumn / fall, black & white, history, infrared, landscape, ruins, rural, skies, structures, trees

On Certainty &… Unwavering Gratitude.


To my mind, there is only one thing better than having a solid seven days off work and that is, waking up on the first morning after a busy run of shifts and knowing that you have seven days off until the roundabout starts spinning again. This morning, I woke almost immediately at the sound of Bumble’s 7:00 alarm, (almost two hours after my usual start) and felt nothing but bliss at the realisation that I had nothing specifically to get up for and, nowhere that I needed to be. It makes it easier to rise – to accept getting out of bed as a part of the day; especially for one who enjoys his sleep as much as I do. When I can get it. Shit! I make myself sound so lazy – I’m really not! At around half-past, Flynn called from outside the bedroom door, “knock, knock!” (because his hands were full) and as I greeted him back, he carefully tip-toed in with a mug of coffee, gently placing it next to me on my nightstand; he barely spilled a drop! From his left hand he then revealed a piece of kitchen-towel, wiped up a few drops with a smile and then we agreed, we wouldn’t tell mum! Such foresight for one so young! As he left the room, I caught up on the news of the day as I supped, smiling. Another bliss. Across the landing, I heard Flynn cheerily getting ready for school.

Though the news, the world over, is pretty much the same – and not often something to smile about of late, I am happy today because I am grateful. For the life that I live now after such an awful event last year is one of positive recovery, much improved health, work, purpose, enjoyment, reason, acceptance – and most of all, my family. That closest of circles full of love in all directions and understanding without shadows. Feelings like these are essential for me on days like this – when I have nothing specific to which I must attend, yet, in the knowledge that if I were to achieve nothing by the end of the day, would leave me feeling much disappointment in time wasted. The older I become, the more I loath wasted time. And so I write. Forgive me if you can’t see the link yet.

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I |  The Ruins of Dryburgh [I] – 720nm IR – 35mm

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As I read the news (and before I continue, I would like you to know that I do not wish to blabber on about the latest ‘C’ word – even though apathy is spreading, an apathy to which I absolutely cannot subscribe or agree with, the news of it is becoming as tedious as Brexit had) – I felt more grateful still. We are all well, until the day that we are not and days of wellness should be seized and – enjoyed. So many are suffering as a result of this modern problem, made worse by the lack of understanding that sometimes, only old methods have the real and lasting solution. Whether we liked it or not, we all grew up hearing those words – “do as you’re told!”. It was for our own good. And look, we’re still here, more than likely because on occasion, we actually listened. Many are not hearing, not listening and this is doubtlessly exacerbating the problems which we are facing now – like a horrendous, ugly pyramid-scheme, hurtling towards the ground at freefall speed before we realise it. But many are listening and, actually doing something about it and soon, I hope – we will start to see our lives and our potentials open up and bloom again. I say this because a recent visit to Scott’s View (see post #240) was terminated by a visit to the beautiful, richly historical Dryburgh Abbey, near Melrose in the Scottish Borders – the final resting place of Sir Walter Scott, in 1832.

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II |  Scott’s View – 35mm w/Lens-Ball – 720nm IR.

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Dryburgh Abbey was founded in 1150 (10th November to be more precise) and, is the Daughter House of Alnwick Abbey in Northumberland. In 1322 it was burned down by English troops and, after restoration it was burned again by the armies of Richard II in 1385. During the fifteenth century though, it is known to have flourished – until that is, the coming of 1544 when it was destroyed completely. What remains of the building, as of the grounds too, are considered to be a Scheduled Monument (of national, or historical importance) and, happens to be one of the most beautiful sites I have ever had the pleasure of visiting. The weather helped of course. But, Bumble and I were still hampered.

For almost a year, we had Dryburgh on our list of ‘must visits’ and, indeed when we had visited Jedburgh and Melrose last November (on a most miserable of days, climate-wise), we simply ran out of daylight and had to re-schedule – date as yet unplanned. After an hour or so looking out over Scott’s View though, we were so close to the abbey that to not stop by would have been (from an infrared photographer’s point of view anyway) a cardinal sin. (No pun intended though in retrospect, apt!) As we drove down the hill from the ‘View’ – Bumble checked the oracle and we were happy to know that we had about an hour before the gates would be closed. What an end to a fabulous daytrip this would turn out to be! We even bypassed the statue of William Wallace so that we’d have time to see it. After a few more minutes though, we arrived to park the car behind the entrance to the abbey –  the sign read,

“Closed to Visitors”.

Bollocks!

We stood a moment in disappointment, bewilderment, joint frustration and even disbelief as the sun shone through the trees, squirrels seemingly taunting us from the other side of the wall within the vast acreage of their rich and autumn-tinged playground. We even called the site office to enquire as to why coronavirus had any impact on opening times to such a vast outdoor space – as if they would see sense, come down and re-open the gates just for us. But honestly, as so many organisations seem to use this current predicament as an excuse to fold up early without letting anyone know, it’s a frustrating experience to say the least. Even the local Post Office has seen fit to close its counters two and a half hours early, as if herding the same amount of customers per day to their two windows in a shorter space of time would have a positive impact on the spread of C-19? Any excuse to knock-off early and balls to an explanation? Okay, so my frustrations clear, fuzzy thinking acknowledged – how to get a few frames of this gorgeous ruin?!

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III | The Ruins of Dryburgh [II] – 720nm IR – 35mm

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Being made of more ‘abiding citizen’ than ‘ah, what the hell?!’ – we decided not to test Scotland’s ‘no-tresspass’ law, especially given the residing occupants of the lodge cottage at the gates directly to our left. Instead, we drove around to the hotel around the other side of the ruin, the sign for which, in my former excitement and anticipation I had completely ignored in passing and yet, Bumble hadn’t. We parked up outside the front of the hotel and I quickly retrieved a couple of cameras from Molly’s back-seat. (Yes, my car has a name :0) Looking around we were waiting for a bow-tied, waist-coated employee to perhaps tick us off for not at first coming in for so much as an afternoon tea, however, no such interaction ensued and we were glad of it. Time was running out and the light was threatening to fade on us. Over a high wall separating the hotel from the abbey’s grounds, we could instantly see that, as luck would have it, we were far better off where we were. The view over top is just incredible. As I prepped my cameras for a few shots, the sun again burst through the clouds as if on cue and I raised my hands above the wall, now so high over my head that I was unable to use the viewfinder – the screen would do just fine now. Though I wasn’t able to shoot any other angles than these (or slight variations of very similar) as I walked the length of that wall, I can honestly say that I remain extremely grateful. Yes, a return visit is necessary – but we’ll phone the office first, I think. Just to make certain!

Thank you for reading and I hope, as always, that you’ll have enjoyed these few frames.

R.

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An Alternative ‘Scott’s View’ – Melrose | 35Chronicle

35mm, 50mm, autumn / fall, black & white, history, infrared, landscape, nature, photography, rural, trees

The Site of Trimontium: A Trilogy.


A single day’s journey into the Scottish Borders last week had us purposefully perusing local maps for all of the sights we’d hoped to visit – while the threatening weather remained (mostly) on our side. One of the day’s most anticipated sites was here, at the renowned and history-steeped Scott’s View – Sir Walter Scott’s favourite view out to the triple-peaked Eildon Hills. At over 420m in height they look out to Teviotdale to the south and the northernmost peak has been discovered to be covered in over 5km of ramparts which enclose an area of around 40 acres within which at least 300 level platforms have been formed within the rock itself in order to have provided bases for houses. It is believed that the site was occupied as far back as 1000BC. During the 1st Century CE (common era) – the Romans had erected the huge fort of Trimontium of Newstead (named after the three peaks) at the foot of the hill on the bank of the River Tweed. As sights go – they don’t get a lot better than this on such a glorious day.

The hollow (as legends would have it) hills are actually marilyns and are steeped in folklore, as well as history, as the words of ‘Thomas the Rhymer’ would attest. Formed by the upward push of an underground volcano around 300m years ago, they were cleft in three by the magician Michael Scot as written by Walter Scott in his poem ‘The Lay of the Last Minstrel’, in 1805. With all this said, however, words alone cannot describe the feeling when standing at this spot and looking out at all of… this.

As most captures from up here would depict a very similar view with my standard set-ups, I decided to do things a little differently. The lens-ball treatment was a huge amount of fun and, I could never have left this scene without having grabbed an IR frame or two as well. (If you have been reading my pages for a while now, you’ll know this already, I guess).  Thank you so much for reading and have a great weekend, all!

R.

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[Equip: X100-IR & X100s w/50mm TCL]

I | Through the Ball – 50mm.

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II | 720nm Infrared – 35mm.

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III | The Magic of a Fair Maiden’s Hand.

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The Rat was a bit of an Unexpected Sight… | 35Chronicle

35mm, black & white, cityscapes, infrared, photography, structures

Chester: An Impromptu Jaunt in Infrared.

Ten days ago, we were on the road to Chester for a (kind of) mad-dash visit which, I am sure, will be of no huge interest to anyone reading this now, however, arriving early(ish) on the Sunday meant that we could take a walk around the city and see a few sights before the rigours of the impending Monday would find us somewhere between A and B or, B and D or – even C and F! You get the idea. It had been a good thirty-plus years since I had seen Chester and still I thought I would remember a few landmarks; yet – I remembered barely anything of the place at all. That is pretty odd for me because I am not in the habit of forgetting much and I was certain that I would at least remember something.  But no. On the plus side, however – I was seeing the place with fresh eyes, undistracted by memories (or the distinct lack of) and this alone made the city centre a bit of a playground for me, because, under beautiful sunshine (though periodically a little bit on the harsh side) I was able to grab some pleasing IR frames between coffees, doughnuts and, well – other indulgent diversions. I do have a few more captures to post in the near future but for now, I invite you to find Basil the Rat! It shouldn’t be too difficult – but I did have a chuckle when I saw it once I had got down to the editing stage. 

I do hope that you’ll enjoy these few captures and, that you’re having a great week. 

R.

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I | Chester Town Hall [720nm IR | 35mm]

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II | Desperately Seeking Basil [720nm IR | 35mm]

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III | Queen Victoria Clock Tower [720nm IR | 35mm]

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Closer Still(s) | PT.XXX | Sunflower [II] | 35Chronicle

35mm, black & white, close-up, colour, macro, nature, photography

Not My Usual Caper…

Seeing as how I rarely shoot or, process for colour – it was a lot of fun the other day to make a few more frames with the GR III  which is, in my opinion a black and white gem of a camera. Marketed, written about and most often thought of as a street camera, I have been shooting close-ups and macros with the GR line for years. My last post (a giant sunflower shot at 720nm IR) was made on my old, converted Fujifilm X100  but these three frames were in fact made on the GR III, believe it or not – albeit in my favoured 35mm crop mode. They were handheld shots (I had little time to set up the tripod, I’m sorry) and because the light was so appealing, I decided to leave a couple of frames in colour. I wrote a long time ago about how I only usually think in terms of colour when the colour itself is the reason why I make the images in the first place and, my intentions were the very same when I made these. This GR’s lens focuses a lot closer in macro-mode than the first two iterations of the camera and I’m pretty sure I could have got even nearer to my points of interest but, that would have ruined my framing. Close-up parallax during focusing sometimes makes it tricky especially when shooting with a wider lens, even when having moved the focus-point beforehand but as you can see here, it does a fine job. 

I do hope you’ll enjoy these few frames. Have a great weekend, all! 

R.

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Closer Still(s) | PT.XXIX | Sunflower – 720nm IR | 35Chronicle

35mm, black & white, close-up, infrared, macro, nature, photography

Looking Up!


Fujifilm X100 – IR Conversion | 35mm
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Bridging Gaps [with the GR III] | 35Chronicle

35mm, black & white, Long Exposure, night / low-light, photography, structures, waterscape

If I Take Just One Camera…


I | Devorgilla Bridge [Long Exposure]

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II | Suspension Bridge Over the Nith.

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III | The Caul & Devorgilla Bridge [Long Exposure]

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U-Turns | Ricoh GR III | 35Chronicle

35mm, black & white, close-up, fine art, Indoor, macro, photography

I Know! I Said I Wouldn’t Do It…

Back in March 2019 I wrote a post about the (in my view, amazing) Ricoh GR entitled ‘You Can Call Me – Jack’ (post #121 from my archives page, if you’re interested) in which I wrote: “If the GR III is as good as it’s going to get, then I’m sorry Ricoh- you already got it bang-on with the first one – nuts, bolts, the lot. And I’m not moving. I mean, what would be the point?” Okay, so I have had the GR III for a few months now and whilst all the reviews are out there – I’m not about to write another one; not yet anyway. (I have a very early start tomorrow. That’s my excuse and I’m sticking to it!) What I will do now, though, is just post a couple of macro / close-up frames of another of my favourite things and, let the images do the talking. I love how the GR line just gets better and better. I hope you’ll enjoy this little smidgen of self-indulgence. I have never found a camera so good at macro as the GR series and the III gets even closer than the I/II. All frames were shot using my favoured 35mm internal-crop mode and I didn’t even need my Hoya +10 for these… blows my mind!

Have a great week, all!

R.

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Feel free to join me on Instagram (click below) and, thank you for visiting.
@35chroniclephotography

In Contrast: Two Lighthouses | 720nm Infrared | 35Chronicle

35mm, black & white, boats, infrared, photography, rural, skies, structures, summer, waterscape

Some Overdue IR Fun with the X100.


It’s been a good long while since I took my IR converted X100 out for a spin – preferring usually, the utter versatility of my wonderful GXR A16 full-spectrum conversions instead. However, every now and then, when the conditions are just right, it’s wonderful to travel a little lighter still and restrict myself to just one focal-length; it avoids all the choice and confusion over which FL I’m going to shoot with and allows me to just – make pictures. Compose, frame – capture. If there is one thing I love about the X100 series, it is simply that. It just doesn’t get in the way. At all. So, after a jaunt to the Mull of Galloway and then up through Port Logan, travelling as (camera) light as I believe it is possible to do so, here are a couple of rather pleasing frames that, I do hope that you’ll enjoy too.


Port Logan Lighthouse | X100 [720nm Internal Conversion] | 35mm – 1/220th – f8 – ISO:200

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Mull of Galloway Lighthouse [as a Smoking Chimney, Perhaps?] | X100 [720nm Internal Conversion] | 35mm – 1/420th – f8 – ISO:400

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The Mono-Archives | PT.VI | 35Chronicle

35mm, black & white, infrared, landscape, photography, rural, skies, structures

Room with a View? | Mouswald Parish Church. 


Elevated yet still very tucked away here in the quiet village of Mouswald, stands this beautiful little parish church that dates back to 1816 – up for sale to anyone who’d want to make it… home. From here, there are beautiful views over the Solway and out to Criffel and, no troubling neighbours. But a lot of buried stories, I’m betting. I’ve had this place on my shoot-list for a lot of years and, thankfully – just a few weeks before lock-down, I finally made them.  I have to wonder though – once it’s sold, will the resting still be left to rest? I hope so.

Idyllic; even on a moody day like this.

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I. [Vis.]

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II. [720nm IR.]

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III. [720nm IR.]

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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
Feel free to join me on Instagram (click below) and, thank you for visiting.
@35chroniclephotography
R.
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Ptolemy vs Ptolomey: Some Mathematicians are More Credible than Others, Perhaps? | 35Chronicle

35mm, black & white, infrared, photography, rural, structures

Comlongon Castle – The Anvil & the Hammer.


Dating back as far as the late 15th – early 16th century, the Tower House of Comlongon was purchased from the Earl of Mansfield estate in 1984 after it had been on the market for some years. The most recent owner, Philip Ptolomey – took over the hotel from his parents in 1995. During the most recent thirty-five years since its purchase from the Earl’s estate, Comlongon was the subject of almost continual and extensive refurbishment and operated as a prestigious and exclusive wedding venue. Its name was synonymous with luxurious hospitality and indulgence. As such, engaged couples could be expected to pay huge sums of money in order to take their vows here.

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Leading up to April of 2019, couples were reportedly surprised to receive notification of Comlongon’s impending liquidation (mostly by local rumour) and, its owner (who’s hotel was still taking deposits for bookings even days before it went into liquidation) wrote on the hotel’s website: “Every penny generated goes to the restoration of the castle and estate. This work will probably never be finished as constant upgrades require a budget far in excess of that generated by being run as a hotel.” I wonder if perhaps anybody received their deposits back. But I suspect not. One local couple who had been planning their wedding for over two years paid a whopping £6,000 deposit, the latter instalment was delivered in person at the hotel to staff who gave no indication of any problems at all, days before its door closed forever.  Sadly Comlongon now stands as a neglected treasure – but its existence will provide no comfort to some; a bitter taste, instead.

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These shots were taken on a (fittingly) very gloomy day but I simply could not pass it, without stopping. It truly is a stunning place, amidst its 140 acres of grounds – yet steeped heavily in its own murk.

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
Feel free to join me on Instagram: @35chroniclephotography
Thank you for visiting.
R. 

Down by the River | PT.V | 720nm Infrared | 35Chronicle

35mm, black & white, infrared, photography, spring, trees, waterscape

Reflections: Spring in Full Bloom.


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I | GXR – 1/400th – f6.3 – ISO:200 – Hoya R72

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II | GXR – 1/400th – f6.3 – ISO:200 – Hoya R72

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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
Feel free to join me on Instagram: @35chroniclephotography
Thank you for visiting.
R. 

Going Home | 720nm Infrared | 35Chronicle

35mm, black & white, infrared, nature, photography, rural, spring, waterscape

If it Wasn’t for the Night-Shifts…


Travelling home a couple of weeks ago, I passed, as I always do on my commute – the utterly beautiful Castle Loch. It’s a sight I see hundreds if not thousands of times a year and one that I never tire of but, it is rare to be near it when its surface is quite as millpond-still as this. As the sun was only a couple of hours awake and still rather low in the sky, I wasn’t even sure as to whether I would get any decent IR frames and through the trees to my left, I did my best to spot the condition of the light before I decided to pull-in. I caught a glimpse through the foliage, decided it might work and, quickly checked my mirrors – nothing behind me; time for a sharp left and a swift look at the scene. It was worth it.

As a passing thought: given that one of my favourite coffee mugs is emblazoned with the all-too-accurate words, “I am Not a Morning Person!” –  I can only say that if I was left to my own devices on a lazy day-orff, I wouldn’t have managed to grab this early frame. I hope you’ll enjoy it!

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Castle Loch [Low Sun] | 720nm IR | GXR [LTFS Conversion w/Front-Mounted Hoya R72] – 35mm – 1/220th – f7.2 – ISO:200

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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
Thank you for visiting.
-R-