Lincluden Collegiate Church – 590nm IR: PT.I | 35Chronicle Photography

35mm, 50mm, black & white, history, infrared, photography, ruins, structures, urban

After the Fire.


In April of 2019, I took my old infrared converted X100 to the church and snagged a good few frames of this gorgeous ruin; situated in a spot where ordinarily you wouldn’t think to find it, relentless urban spread has ensured over the decades that the houses will always get built as long as there’s a market for them and of course, it’s a big town so – no problems there. Insosaying, in this quiet corner on a patch of ground of perhaps just an acre or so, the Collegiate Church at Lincluden sits quietly alone, visited by children after school when the weather is favourable, dog-walkers who don’t want to have to stroll too far and, the occasional photographer. (Anybody else is probably contemplating getting up to no good. I jest, of course.) But not long after I first photographed this ruin (see posts 144 & 165 if you are interested in this kind of photography) I had heard that the building had been subjected to some amount of vandalism – including a fire within its walls. I wanted to go back, I honestly did. However, the first frames I made here were captured at a time in my life which, whenever I have looked back to it – hold great significance for me and no small amounts of both melancholy and gratitude; and so, holding the romance of this place firmly inside me, I didn’t return; I guess it was something not entirely dissimilar to watching the football results and being told to “turn down the volume and look away now if you don’t want to know the results”. Eventually though, I made it back, just last week. It was Valentine’s Day, to be exact. Quite fitting now I come to think about it. 

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I: Longer Shadows | 35mm – 1/310th – f7.6 – ISO:100 | 590nm Infrared

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In complete honesty, I did not expect to see it looking as well as this, the heart made a little skip at the sight of it again and whilst the sun played silly games for the forty-five minutes that I was here (doesn’t it always do that when we get our cameras out, like it knows?!) with a little patience I was happy to grab a few more frames between lengthy moments of shade of this stunning old ruin. Do have a look at the older posts linked above if you get time – I see a shift in my techniques which I am really enjoying and, I do hope that you will, too. 

Wishing you all a fabulous week and, thank you again for reading!

VB…

R.
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II: Arches | 50mm – 1/60th – f7.6 – ISO:100 | 590nm Infrared

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III: Framed | 35mm – 1/40th – f7.6 – ISO:100 | 590nm Infrared

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2021: A Photographic Review | 35Chronicle Photography

28mm, 35mm, 50mm, autumn / fall, black & white, candid, cityscapes, close-up, fine art, full-spectrum, history, Indoor, infrared, landscape, Long Exposure, nature, people, personal, photography, portraits, review, ruins, rural, skies, spring, structures, summer, trees, urban, waterscape

Doesn’t it Come Around Quickly?


It is hard to believe that it’s this time of year again, the year almost over, the shortest day has passed and, I’m sitting here at my laptop – pondering over my favourite frames from 2021; a year of lockdowns, socially-distanced days out, home-schooling, trip disappointments and yet gratitude in abundance. A new grandchild has graced us, three weddings are in the offing (Bumble & I included!), health is good and I have been busier than ever. This may explain why my posts this year have been a little more frugal than previous years but, I have so enjoyed every opportunity that I have had to get out and make frames. I’ve learned quite a bit too and, changed a few aspects of my shooting and editing routines which, have pleased me greatly, too. In the coming year I hope to move slightly away from IR shooting – or rather, I want to engage further with more visible-light photography and, to also forge my creative aspirations a little more. How that’s going to work out, I have no ide as yet, but we’ll see how it pans out. My reasoning is simple, I am a staunch enemy of stagnation and whilst infrared light is a huge passion, I’ve been allowing myself to indulge so much that I have been experiencing rather more complacency than I would like. It’s again time for a little shift. Does that mean I am disappointed with my work this year? Not exactly. But there’s more – and I need to dig inside for it. I thought I’d be a natural after all these years, but therein lies the message; one can never stop trying to be better. And I need to shoot more.

As I say at the end of every year (because it’s true) – I am so grateful to each and every one of you for reading and visiting my pages. For all of your clicks and comments, your shares, follows, and other contributions you have made to my pages (hard to believe that it’s been almost four years already!) – I am ridiculously grateful because, without you, there’d be no point and my pages would be little more than an online diary. I am also inspired by so many of you, not that I always get or am able to find the time to let you know in person (that seems to be very selfish on my part and I must and will try harder) and often wonder at the amazing amount of talent that exists, often to share for the simple joy of sharing. I am sure that’s why we all do it and I hope that we can all continue to do so, around the many mayhems of life. So, for one last post of ’21, I would like to share my favourite frames of the year, one shot from each month – in the hope that you too will enjoy this little revisit. 

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January 2021 | Flynn: By {Kindle) Fire Light!

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February 2021 | Infrared Rainbow: Sandyhills Beach.

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March 2021 | Metal Bridge on Disused Portpatrick to Dumfries Line, at Parton [720nm Infrared]

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April 2021 | The Caul on the River Nith, Dumfries [720nm Infrared]

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May 2021 | Pinmore Viaduct [720nm Infrared]

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June 2021 | Boomer: Paper, String or Tin-Foil Will Do Just Fine!

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July 2021 | A London Skyline from the Thames [LTFS Full-Spectrum]

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August 2021 | Southerness Lighthouse [720nm Infrared]

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September 2021 | Turret: Penrhyn Castle, N.Wales [720nm Infrared]

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October 2021 | Dunskey Castle, Nr. Portpatrick [720nm Infrared, Long Expo.]

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November 2021 | Abbotsford House, Melrose [720nm Infrared]

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December 2021 | The Fountain, Princes Street Gardens & Edinburgh Castle [720nm Infrared]

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To my family, I am utterly blessed – what more can I say? It’s been a manic yet a wonderful year with a lot of plans either fulfilled or yet to become and, through it all (stop singing, Bumble – I know what you’re doing!) each and every one of you have indulged me as I truly hope I’ve reciprocated. When the world is in the mess it is right now, you are all the one reason I keep to feel the happiness that I do. 

To all of you who read and contribute to my pages (and hopefully enjoy some of my work, too?) – I hope that you have all had a wonderful holiday and, I wish you all the very best for 2022. Thank you so much for sharing and being a part of what I do. 

Warmest wishes to you all…

R.

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An Old Sentinel: PT.II | 720nm Infrared & VIS | 35Chronicle Photography

35mm, 50mm, black & white, fine art, history, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Dunskey Castle: A Little More Time.


In December of 2019, I saw for the first time and photographed – the gorgeous ruins of Dunskey Castle near Portpatrick. The original post can be found here: Post No.170. Of course, when the weather is good for IR shoots, as it was in my original post, I’ll always reach for my infrared equipped cameras first but even when the light drops, as it did here right before sunset, if the subject is good and the conditions are favourable, IR isn’t always necessary in order for me to come away with a sense of achievement or pleasure from capturing the realisation of an image in my head before I even got there. Here, I wanted to concentrate on getting some longer exposures of the castle ruins at different focal-lengths and combine my use of infrared and visible light. So, as Bumble unpacked the chairs and the late evening picnic she’d lovingly prepared earlier, I set up my equipment and polished off my Big Stopper ND. I hope that I have done this wonderful place a little more justice than I managed on my first visit; and if I haven’t – I still have the beautiful memories of a cliff-top picnic at sunset, on the edge of the world with my bestie! Worth it!

Time passes like clouds, over us all – even the stone won’t survive forever and, I feel a poignant sense of relief in that sometimes, we can get to slow time down to a stop – and watch it in replay again and again, in a still.

R.

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I | 35mm. 30″. f21.0. ISO:200 – 720nm IR.

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II | 24mm. 60″. f22.0. ISO:100 – VIS.

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III | 50mm. 30″. f22.0. ISO:200 – 720nm IR.

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Threave Castle: PT.I/II | 720nm Infrared | 35Chronicle Photography

35mm, 50mm, black & white, boats, fine art, history, infrared, landscape, photography, ruins, rural, structures, waterscape

The Day of Two Cakes [PT.II]


As I make the transition from days to nights today, I find that I have a little time to share a few images, straight out of the final edit stage that I was able to grab on Friday last week; a day of glorious sunshine and the whole day with which to enjoy it! Bumble and I decided to head out to Threave Castle at Castle Douglas both as one last go at getting out before my run of shifts commenced and, as a treat for our youngest, Flynn. We called it ‘The Day of Two Cakes – Part II’. We’ve done this before with the kids – we head somewhere for a visit and a few shots then head to a nice café for lunch and cake, and in the afternoon we do it all over again. It’s a way to keep their attention I guess and gives them something less arduous to look forward to. Believe me, it works! Anyhow – Threave was our first stop and I cannot understand why I have never shot or even visited here in the twenty plus years that I have been living in South West Scotland. It’s such an obvious place to come and see and given my penchant for castles, ruins and the odd infrared landscape shot(!) – not to mention water and boats, I have to ask myself how I could have been so neglectful as to wait so long to come here? Perhaps I knew I’d rave about it after as much as I seem to be doing and, I guess it’s better to keep something wonderful in reserve rather than eat all our sweeties in one sitting? 

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I | Reflections of Threave Castle & the Ferry | 35mm – 720nm IR

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The tower was built by Archibald ‘the Grim’ in 1369 as a 30 metre high stronghold for the Black Douglases and for 21 years it was the seat of the very powerful Margaret Stewart, Lady of Galloway. It is accessed by boat across the River Dee, though when we visited, the crossings were not available. I guess we’re getting used to this now, however, the best views were indeed from the opposite bank and, as these frames contain a few of my favourite things, I can only hope that you will enjoy them as much as I do. The peace, the still of the water and the utterly gorgeous light. 

Not to mention – two cakes. Does life get any better than this?

R.

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II | Threave Castle on the Dee | 50mm – 720nm IR

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“Love It or, Hate It” – ‘They’ Say! | 35Chronicle Photography

50mm, black & white, close-up, colour, fine art, macro, photography, still life

There’s No Room for Ambivalence Here…


I’ve been a fan of this stuff since I was a very young child and am delighted to be able to show off a few Special Editions that I have collected over the years. These three completely intact and sealed jars all went out of date (second frame, left to right) in 2009, 2014 and 2011, respectively; and yes, I have tried all of them but I kept these unopened – hoping to add more releases to my small collection. Alas, these are all I have. Though I had always intended to photograph them, it’s taken me until now to get around to it. They’ve been sat in my Harry Potter cupboard (aka: my macro-studio under the stairs!) for a couple of years now and the only reason that I ended up getting around to making a few frames with them last week was because my friend, the Good Doctor, sent me a few more fabulous goodies for my GXR system – one of which was a split-spectrum converted (from 330nm) A12 50mm macro lens & sensor unit. (I’ve discussed split-spectrum photography on my Light Waves page, if you’re not familiar). Whilst not hugely important for close-up or macro photography where a tripod and base ISO are used (just as they should be in a nicely controlled shooting environment) it is very nice to see the subtle different in luminescence in the black and white images as a result of a small amount of IR radiation from my desk lights – captured by this fabulous and versatile lens unit. As the weather here in Scotland has been nothing short of atrocious of late, it was also the perfect excuse to have a little fun indoors and, to make these frames.

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A few little known facts about Marmite, too; it’s named after a French Casserole dish (often pictured on the label, and always, on the standard jars), was invented accidentally by a German, Justus von Liebig in 1902, in New Zealand, it’s parent company is the Sanitarium Health & Wellbeing Company; here in the UK – Unilever has ownership.  Whether or not you’re a fan of Marmite – I do hope you’ll enjoy these captures.

Have a great week!

R.

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Corbelly Hill Convent, Dumfries: PT.III | 720nm IR | 35Chronicle Photography

28mm, 35mm, 50mm, black & white, fine art, full-spectrum, infrared, photography, ruins, structures, urban

One Last Look Around.


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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Hoya R72 720nm IR Filter]

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Drumlanrig Castle – Revisited | PT.II | 35Chronicle

50mm, black & white, photography, rural, structures

Splendour in Stone.


After my last post of the stonkingly gorgeous Drumlanrig Castle, here are my final three frames which were made with my Sigma DP3 Merrill. Its 50mm [75mm equivalent] is probably my favourite of the three I have in my bag and, requires more thought to use for architecture and landscape compositions than the wider 30mm[45mm] and 19mm [28mm] lens versions. The micro-contrast of this lens and sensor pairing absolutely bite my face off on review for editing and the details punch back hard for good measure, too. This thing needs a little taming, I think. Now, the cage and chair are ready – if I could only find my whip?!

For all of your clicks and comments on my previous post, thank you so much! I hope you’ll enjoy these few longer FL frames. 

R.

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I | 1/160th – f5.6 – ISO:200

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II | 1/100th – f5.6 – ISO:100

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III | 1/80th – f5.6 – ISO:100

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The Devils in the Detail! | 35Chronicle

28mm, 35mm, 50mm, black & white, close-up, landscape, nature, photography, rural, skies, waterscape

Sigma DP Merrill Series – Still Relevant in ’21.


First of all, I want to say a huge thank you (and I really should do this more often, I’m sorry) to everyone who contributed and commented on my last post. It was actually extremely warming to know that, despite the fact that I’m back working with what is to me (again, and for the present time at least) a new system, that I was still able to make a few frames worthy of such kind contributions. Thank you!

The DPM series, as it has been written many times (and then some) – is not a system for the faint-hearted photographer, and – having been doing this for many, many years, it still manages to scare me a little, in a way; and herein lies the reason for it. Knowing its (vast array of) limitations is absolutely the key to being able to exploit its one massive strength; this helps hugely to maintain a constant focus on the real possibilities and easily dispels the airy-fairy visions we often have for our own personal photography. This one element is so important for serious photographers and cannot be overstated. I can think of one analogy that explains this perfectly: I once bought into a M43 system and for the most part, I loved it. I loved it because it opened up a whole new slew of opportunities for me to expand on what I have always enjoyed doing and, in a portable system with reasonably decent IQ. A few lenses here, some colour options there, modes galore – and the reasons why I took to it so well in the beginning were to become the very reasons why I began to resent it after only a few months. In my heart and in my head – I shoot the way I shoot and no amount of gear is going to change that, no matter how many bells or whistles there are. I began to realise that all I needed was a lens, and the means to change my Tv, Av, ISO, WB and metering mode. That was all I wanted – oh, and a decent sensor would be a bonus. Even mid-range DSLRs were coming equipped with scene modes, crap ‘kit’ lenses and therefore, being the snob I can be – I resented even those aspects too. I began to feel that photography was being made – cheap, too accessible (an archaic, short-sighted, even elitist view) and, I didn’t like it. 

I didn’t like it at all.

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I | Talla’s Pump-House | 1/400th – f8 – ISO:200

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All I really wanted to carry was a camera, the way I used to in the 90s. No faff, no bullshit modes – just a camera, a lens, a little bit of know-how and inspiration. Sigma’s implementation of these core photographic aspects were brutal and necessary. Right back as far as the original DP series, the DPs, the DPx, and then – the hallowed DPM, core photographic values were held close, if rather shunkily implemented in reality of their limited hardware / software collusion. (I can’t include the DPQ here because I have never used them and, the design simply does not enamour me at all). In a huge way, Sigma went down the route that I always felt that Ricoh should have taken with their GR (APS-C) series. What I would have given to see them offer the tools that Sigma came up with. As much as Sigma cameras can be much of a mystery to most, to those who’ve used them and persevered, the draw is easily understandable. With a little thought, and a little work – they still produce today some of the finest image quality that I have ever seen. Whilst their JPGs far outweigh any OOC jpg I have seen in any Bayer systems, their RAWs are mind-blowing. Limitations accepted – but keeping within them, there’s still nothing like it today. (The Fp can be argued as yet another Sigma revelation – but that’s a whole different system).

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II | Fruid Reservoir & Hills | 1/250th – f8 – ISO:200

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Three years ago this very month, I started writing this blog. My initial view for these pages was to only shoot a 35mm FL and display just how ridiculously versatile this focal-length is. Not long after I started publishing, I then wrote a page that you can still read here  discussing the huge value I have always given to short prime lenses. With this understood as still very much an aspect of my ethos – it’ll come as no surprise as to why I refer to the DP1/2/3M series as the Holy Three. 

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III | A Talla Prince in Disguise? | 1/100th – f8 – ISO:200

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My creativity is limited, my imagination is flawed, my images far from perfect and yet, with these three in the bag – I have more brain-space to use for composition and less to waste on the airy-fairy. This surely, can only be a good thing and, among other things – what photography should always be about. The image.

As always, thank you for reading and, I wish you all a fabulous weekend. 

R.

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[All frames: X3F to 16-bit tif in SPP & Exported to Lr for final edits].


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Cushion-Psychology & The Holy Three | 35Chronicle

28mm, 50mm, black & white, Indoor, people, personal, photography

Back to Foveon | Sigma DP Merrill Series.


It’s been a good six or seven years since I shot with the DP Merrill series of cameras; as I recall, I only had the 2 [30mm] & the 3 [50mm] versions back then but I do remember just how much clarity and detail these things are capable of capturing – and it’s really scary, to put it mildly. They’ve been called the ‘medium-format in your pocket’ by many who appreciate them and it really isn’t difficult to see why. I recently saw [and took] the opportunity to acquire what I like to refer to as the ‘Holy Three’ with a view to not only lightening my bag a little but also, to get back to practicing a little more restraint and consideration in my photo-endeavours; that of course and the fact that I really missed those Foveon files. [In fact it was a DP2M shot of a few toadstools taken by my good friend, photographer and camera-surgeon, Amar [and also of the Guildford Photographic Society]  that inspired me to part with my hard-earned without a quibble.

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DP1M | The Message is Clearer Now…

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DP2M/I | Flynn, Running All the Way…

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After they arrived late last week I spent a short while setting them all up [not at all difficult seeing as how the menus are not only very simple but also very intuitive] and over the last few days that I have had off work, I spent some time getting reacquainted with them. With prevailing Covid restrictions considered as well as pretty awful weather, I thought it might be nicer to get a few home-grown frames with my three ol’ friends – from my most natural environment. Therefore, as it was coming up to Mother’s Day [rather for the boys, not I] I thought about home, those most important to me and – about just how much I appreciate them all. With that said, though you may read all this as oh-so-slightly gushy, I say, home and family is what it really is all about. It has to be.

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DP2M/II | Corbs, I’m Sorry!  I Should Have Moved the Money-Tree…

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DP3M/I | On Mother’s Day…

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Anyone who knows the DPM series of cameras will know already just how poorly they perform above base ISO and so yet, the tripod came out a few times but, not for every one of these frames. So, another chance to meet the family and, another chance for me to experiment and refine my work with the Holy Three. I hope you’ll enjoy these few grabs and that you have a great week ahead. Stay safe and – thank you, as always – for reading.

R.

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DP3M/II | Full-Circle? All You Need Is…

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For now, toodle-pip! 


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Getting Out [Ahem!] – Less | PT.I | 35Chronicle

35mm, 50mm, black & white, fine art, nature, photography, rural, skies, structures, waterscape

Romancing the Stone.


These frames are from our first visit to the small hamlet of Sandyhills, around a week ago. It was a little impromptu but the weather was fair and, as Stickola Nurgeon had promised the people of Scotland that despite the still current Tier 4 restrictions, we could indeed, still venture out for legitimate exercise without the fear of being questioned or arrested [hurrah and huzzah!] – so, Bumble and I hopped in the car and headed off for a stroll on the beach. I have been itching, you see, to get my 5D3 out into the open and put it through its paces a little (and a little is all it can get right now, obviously) so this was a perfect opportunity not only to get a little time in free air but also to, hopefully, snag a few frames. We’d been reading about this local-ish spot, famed for its caves and one particular arched rock, known as the Needles Eye (accessible only at low-tide) – the words ‘kid’ and ‘sweetshop’ leap to mind. But there’s a reason this is PT.I – you see, this place is so picturesque that we decided to visit again, later in the week and, we took the nippers on our sequel visit, under glorious low winter sun and blue skies; of course, this meant that I would give this place the IR treatment I so knew that it deserves (however, more on that in the next post). There’s a romance here that’s impossible to ignore. For now though, I do hope you will enjoy these captures from a beautiful part of Dumfries & Galloway’s coastline. Keep well, stay safe and thank you!

R.

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[All Frames: Canon 5D III | EF 24-105mm / f4]

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An Alternative ‘Scott’s View’ – Melrose | 35Chronicle

35mm, 50mm, autumn / fall, black & white, history, infrared, landscape, nature, photography, rural, trees

The Site of Trimontium: A Trilogy.


A single day’s journey into the Scottish Borders last week had us purposefully perusing local maps for all of the sights we’d hoped to visit – while the threatening weather remained (mostly) on our side. One of the day’s most anticipated sites was here, at the renowned and history-steeped Scott’s View – Sir Walter Scott’s favourite view out to the triple-peaked Eildon Hills. At over 420m in height they look out to Teviotdale to the south and the northernmost peak has been discovered to be covered in over 5km of ramparts which enclose an area of around 40 acres within which at least 300 level platforms have been formed within the rock itself in order to have provided bases for houses. It is believed that the site was occupied as far back as 1000BC. During the 1st Century CE (common era) – the Romans had erected the huge fort of Trimontium of Newstead (named after the three peaks) at the foot of the hill on the bank of the River Tweed. As sights go – they don’t get a lot better than this on such a glorious day.

The hollow (as legends would have it) hills are actually marilyns and are steeped in folklore, as well as history, as the words of ‘Thomas the Rhymer’ would attest. Formed by the upward push of an underground volcano around 300m years ago, they were cleft in three by the magician Michael Scot as written by Walter Scott in his poem ‘The Lay of the Last Minstrel’, in 1805. With all this said, however, words alone cannot describe the feeling when standing at this spot and looking out at all of… this.

As most captures from up here would depict a very similar view with my standard set-ups, I decided to do things a little differently. The lens-ball treatment was a huge amount of fun and, I could never have left this scene without having grabbed an IR frame or two as well. (If you have been reading my pages for a while now, you’ll know this already, I guess).  Thank you so much for reading and have a great weekend, all!

R.

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[Equip: X100-IR & X100s w/50mm TCL]

I | Through the Ball – 50mm.

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II | 720nm Infrared – 35mm.

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III | The Magic of a Fair Maiden’s Hand.

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Breakfast with an Old Master? | 35Chronicle

50mm, black & white, Indoor, night / low-light, photography

The Escaping Rabbit & the GXR Leica M-Mount Lens Module.


Today, I cannot contain my excitement. Over ten years ago, I tried out the Leica M module on my GXR with, at that time, the best lenses I could afford. Not Leica glass, that’s for sure. I remember having heaps of fun with them too but, in my state of constant G.A.S, I think I must have tired of MF within that very same year and, well, Fuji went and released the first of their X100 series and the rest as they say, is history. Fast forward then to today, and imagine I am opening a small box, over breakfast. Inside the box is an old lens – a beautiful 1950s lens for which I forked out far less than I would on a weekly grocery shop. (Bonkers!) Bloody hell, I have missed this caper far more than I have ever realised. I’m now holding in my hand a dinky little Canon 50mm 1.8 with the LTM (Leica Thread Mount) and – a handy M adapter. Goody! As it turns out, this little prime has quite the reputation, and it’s very easy in use to see just why. (I know – I do love 35 FoV but in honesty,  most small primes make me go a bit fuzzy!)

Speaking of fuzzy then, as I get older (this is probably the same for all of us, perhaps?) I find that relaxation is easier to find, far more enjoyable and – slowing down a tad here and there becomes a natural process that requires little to no thought. No, I haven’t given it up, nor am I ready for a coffin just yet: it’s only that urgency becomes easier to measure and filter and calm takes its place far more readily. Through younger years, to savour is seldom considered. What a waste. And so it is with my approach to photography, that I measure and filter and savour. I have never been a quick shooter (ladies… please!) and instead, I have never enjoyed shooting more than when I have been able to take my time to appreciate the whole process. As I mounted the little Canon lens onto the front of my trusty old GXR, I distinctly felt a little inner sigh go through me  – savouring again. Still… time for a little fun around the house and though these are not the first of the frames I caught with it, I think they echo something of my mood today in some daft, cheeky, light-hearted way. So… just for fun, here goes. Thanks for reading and, enjoy!

-R-

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I.

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II.

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Down by the River | PT.IV | 720nm Infrared | 35Chronicle

35mm, 50mm, black & white, infrared, photography, ruins, skies, spring, structures, trees, waterscape

Exercise Can Take Many Forms.


We have been advised by Boris that during this extended period of Covid-19 induced lock-down, we are allowed: to make essential journeys, commute to work (and thankfully, gratefully – home again), make vital trips to shops and – to engage in (for up to an hour per day) outdoor exercise. Today, I had no essential journeys to make, nor did we need to run out for urgent supplies; furthermore, it’s my day orff, and so… on seeing what a beautiful spring day it was, Bumble and I decided that we would take the kids out for a much needed leg-stretch for an hour. A perfect opportunity to exercise my leading-eye and my right index finger too, I thought. 

The streets were largely deserted (to be expected of late) save for small groups of shoppers obediently queuing two metres (or thereabouts) apart outside a local supermarket and we had absolutely no issues with bumping into anyone at all. A short walk through the town brought us to a popular spot next to the River (the Nith) more usually popular at this time of year for seagulls and – local drinkers. Today though – all was quiet, serene, picturesque and fragrant. I recall thinking to myself, “If a spring Saturday in the glorious sunshine could always be as peaceful as this, who could possibly have a problem with social-distancing?” Of course, my tongue was firmly in my cheek but you have to admit, many of you will have thought it too at some time or other lately? Surely? I have never seen this part of town so quiet (at least not before 4 a.m, that is!) As we walked towards a near deserted park on the other side of the bridge, I had an idea; one that I had had many times before, in fact. “There is a building…”

I know – I shoot a lot of buildings (and for those of you new to my pages, they include old ruined abbeys, castles, fortifications, churches, to name but some) and usually, solely in my favoured 720nm infrared output when the weather allows me to. When I’m not shooting large structures, I love to shoot around or next to water and today, I would combine the two, as we strolled. 

Standing half-way along Devorgilla Bridge, you’d be forgiven for believing that my intention here was to capture the New Bridge (otherwise known as the Buccleuch Street Bridge) but in fact it was indeed the large willow which attracted me to making this frame. Seeing it draped over the water, newly budding – between me and the stonework, to my mind makes a very pleasing frame.

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Buccleuch Street Bridge & Willow | Ricoh GXR A16 Full-Spectrum Conversion w/Front-Mounted Hoya R72.
[50mm – 1/380th – f6.8 – ISO:200]

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Rosefield Mills is a Grade B Listed disused woollen mill, situated right on the bank of the Nith and, it’s in a sad and sorry state. I have been wanting so much to capture this beautiful, old Venetian style building under IR light for many years but have never, ever arrived to shoot it and been blessed with enough natural sunlight to do so, at each attempt. Today’s encounter with it was down to pure chance that I bagged my camera before setting off, oddly – not something that I always do (there’s a lesson here, don’t you think?) I did manage a good series of images here and, this one is a preview, I guess. 

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Rosefield Mills (from a Deserted Park) | Ricoh GXR A16 Full-Spectrum Conversion w/Front-Mounted Hoya R72.
[35mm – 1/140th – f8.4 – ISO:200]

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Douglas Adams once wrote that nothing turns a seemingly ordinary human being into an incredible musician more quickly that the knowledge of the rapid approach of impending deafness. I feel that there’s an echo here – that to not be able to exercise one’s freedom to roam inasmuch as we have always been able to prior to current times, all of a sudden there’s an urge to find, to see, to create – to enjoy. To the full. 

And so – I hope that you will enjoy these two frames as much as I have enjoyed making them. Stay well and, I hope you’re enjoying a great weekend. 

R.

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Closer Still(s) | PT.XXIV | 35:Chronicle

50mm, black & white, colour, photography, still life

A Little Light Muse [Sic]!


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I | Wall-Flowers.

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II | Light-Headed, Perhaps?

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III | Fin!

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. [For non-WordPress members who are subjected to ads, these pages may be better viewed on Opera Browser with ad-blocking filters engaged.]
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Morton Castle: Reprise | PT.II | 35:Chronicle

50mm, black & white, landscape, nature, photography, ruins, rural, skies, structures, trees

Clouds (& Their Silver Linings).


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IV | A Morton Kind of Mood.

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V | King of Clubs.

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VI | Proud.

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Morton Castle: Reprise | PT.I
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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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