An Alternative ‘Scott’s View’ – Melrose | 35Chronicle

35mm, 50mm, autumn / fall, black & white, history, infrared, landscape, nature, photography, rural, trees

The Site of Trimontium: A Trilogy.

A single day’s journey into the Scottish Borders last week had us purposefully perusing local maps for all of the sights we’d hoped to visit – while the threatening weather remained (mostly) on our side. One of the day’s most anticipated sites was here, at the renowned and history-steeped Scott’s View – Sir Walter Scott’s favourite view out to the triple-peaked Eildon Hills. At over 420m in height they look out to Teviotdale to the south and the northernmost peak has been discovered to be covered in over 5km of ramparts which enclose an area of around 40 acres within which at least 300 level platforms have been formed within the rock itself in order to have provided bases for houses. It is believed that the site was occupied as far back as 1000BC. During the 1st Century CE (common era) – the Romans had erected the huge fort of Trimontium of Newstead (named after the three peaks) at the foot of the hill on the bank of the River Tweed. As sights go – they don’t get a lot better than this on such a glorious day.

The hollow (as legends would have it) hills are actually marilyns and are steeped in folklore, as well as history, as the words of ‘Thomas the Rhymer’ would attest. Formed by the upward push of an underground volcano around 300m years ago, they were cleft in three by the magician Michael Scot as written by Walter Scott in his poem ‘The Lay of the Last Minstrel’, in 1805. With all this said, however, words alone cannot describe the feeling when standing at this spot and looking out at all of… this.

As most captures from up here would depict a very similar view with my standard set-ups, I decided to do things a little differently. The lens-ball treatment was a huge amount of fun and, I could never have left this scene without having grabbed an IR frame or two as well. (If you have been reading my pages for a while now, you’ll know this already, I guess). Thank you so much for reading and have a great weekend, all!

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[Equip: X100-IR & X100s w/50mm TCL]

I | Through the Ball – 50mm.

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II | 720nm Infrared – 35mm.

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III | The Magic of a Fair Maiden’s Hand.

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Breakfast with an Old Master? | 35Chronicle

50mm, black & white, Indoor, night / low-light, photography

The Escaping Rabbit & the GXR Leica M-Mount Lens Module.

Today, I cannot contain my excitement. Over ten years ago, I tried out the Leica M module on my GXR with, at that time, the best lenses I could afford. Not Leica glass, that’s for sure. I remember having heaps of fun with them too but, in my state of constant G.A.S, I think I must have tired of MF within that very same year and, well, Fuji went and released the first of their X100 series and the rest as they say, is history. Fast forward then to today, and imagine I am opening a small box, over breakfast. Inside the box is an old lens – a beautiful 1950s lens for which I forked out far less than I would on a weekly grocery shop. (Bonkers!) Bloody hell, I have missed this caper far more than I have ever realised. I’m now holding in my hand a dinky little Canon 50mm 1.8 with the LTM (Leica Thread Mount) and – a handy M adapter. Goody! As it turns out, this little prime has quite the reputation, and it’s very easy in use to see just why. (I know – I do love 35 FoV but in honesty, most small primes make me go a bit fuzzy!)

Speaking of fuzzy then, as I get older (this is probably the same for all of us, perhaps?) I find that relaxation is easier to find, far more enjoyable and – slowing down a tad here and there becomes a natural process that requires little to no thought. No, I haven’t given it up, nor am I ready for a coffin just yet: it’s only that urgency becomes easier to measure and filter and calm takes its place far more readily. Through younger years, to savour is seldom considered. What a waste. And so it is with my approach to photography, that I measure and filter and savour. I have never been a quick shooter (ladies… please!) and instead, I have never enjoyed shooting more than when I have been able to take my time to appreciate the whole process. As I mounted the little Canon lens onto the front of my trusty old GXR, I distinctly felt a little inner sigh go through me – savouring again. Still… time for a little fun around the house and though these are not the first of the frames I caught with it, I think they echo something of my mood today in some daft, cheeky, light-hearted way. So… just for fun, here goes. Thanks for reading and, enjoy!

-R-

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Down by the River | PT.IV | 720nm Infrared | 35Chronicle

35mm, 50mm, black & white, infrared, photography, ruins, skies, spring, structures, trees, waterscape

Exercise Can Take Many Forms.

We have been advised by Boris that during this extended period of Covid-19 induced lock-down, we are allowed: to make essential journeys, commute to work (and thankfully, gratefully – home again), make vital trips to shops and – to engage in (for up to an hour per day) outdoor exercise. Today, I had no essential journeys to make, nor did we need to run out for urgent supplies; furthermore, it’s my day orff, and so… on seeing what a beautiful spring day it was, Bumble and I decided that we would take the kids out for a much needed leg-stretch for an hour. A perfect opportunity to exercise my leading-eye and my right index finger too, I thought.

The streets were largely deserted (to be expected of late) save for small groups of shoppers obediently queuing two metres (or thereabouts) apart outside a local supermarket and we had absolutely no issues with bumping into anyone at all. A short walk through the town brought us to a popular spot next to the River (the Nith) more usually popular at this time of year for seagulls and – local drinkers. Today though – all was quiet, serene, picturesque and fragrant. I recall thinking to myself, “If a spring Saturday in the glorious sunshine could always be as peaceful as this, who could possibly have a problem with social-distancing?” Of course, my tongue was firmly in my cheek but you have to admit, many of you will have thought it too at some time or other lately? Surely? I have never seen this part of town so quiet (at least not before 4 a.m, that is!) As we walked towards a near deserted park on the other side of the bridge, I had an idea; one that I had had many times before, in fact. “There is a building…”

I know – I shoot a lot of buildings (and for those of you new to my pages, they include old ruined abbeys, castles, fortifications, churches, to name but some) and usually, solely in my favoured 720nm infrared output when the weather allows me to. When I’m not shooting large structures, I love to shoot around or next to water and today, I would combine the two, as we strolled.

Standing half-way along Devorgilla Bridge, you’d be forgiven for believing that my intention here was to capture the New Bridge (otherwise known as the Buccleuch Street Bridge) but in fact it was indeed the large willow which attracted me to making this frame. Seeing it draped over the water, newly budding – between me and the stonework, to my mind makes a very pleasing frame.

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Buccleuch Street Bridge & Willow | Ricoh GXR A16 Full-Spectrum Conversion w/Front-Mounted Hoya R72.

[50mm – 1/380th – f6.8 – ISO:200]

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Rosefield Mills is a Grade B Listed disused woollen mill, situated right on the bank of the Nith and, it’s in a sad and sorry state. I have been wanting so much to capture this beautiful, old Venetian style building under IR light for many years but have never, ever arrived to shoot it and been blessed with enough natural sunlight to do so, at each attempt. Today’s encounter with it was down to pure chance that I bagged my camera before setting off, oddly – not something that I always do (there’s a lesson here, don’t you think?) I did manage a good series of images here and, this one is a preview, I guess.

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Rosefield Mills (from a Deserted Park) | Ricoh GXR A16 Full-Spectrum Conversion w/Front-Mounted Hoya R72.

[35mm – 1/140th – f8.4 – ISO:200]

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Douglas Adams once wrote that nothing turns a seemingly ordinary human being into an incredible musician more quickly that the knowledge of the rapid approach of impending deafness. I feel that there’s an echo here – that to not be able to exercise one’s freedom to roam inasmuch as we have always been able to prior to current times, all of a sudden there’s an urge to find, to see, to create – to enjoy. To the full.

And so – I hope that you will enjoy these two frames as much as I have enjoyed making them. Stay well and, I hope you’re enjoying a great weekend.

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Closer Still(s) | PT.XXIV | 35:Chronicle

50mm, black & white, colour, photography, still life

A Little Light Muse [Sic]!

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I | Wall-Flowers.

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II | Light-Headed, Perhaps?

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III | Fin!

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Morton Castle: Reprise | PT.II | 35:Chronicle

50mm, black & white, landscape, nature, photography, ruins, rural, skies, structures, trees

Clouds (& Their Silver Linings).

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IV | A Morton Kind of Mood.

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V | King of Clubs.

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VI | Proud.

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Morton Castle: Reprise | PT.I

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Morton Castle: Reprise | PT.I | 35:Chronicle

50mm, black & white, landscape, nature, people, personal, photography, ruins, rural, structures, trees

Wind & G.A.S are Not the Same.

I seem to have developed (no pun intended) a propensity for posting late at night, recently – probably because I am still taking regular daytime naps to get me out of pain and it’s better than woofing the narcs that I’m currently prescribed. So, I am more awake at night than I am for most of the day, just lately. It’s not an impossible cycle and I’ll shake it soon, I know. Truthfully, I am feeling great presently and am looking forward to getting truly back to life and furthermore, I am no longer having to endure most of the awful side-effects of the drugs, some of them rather embarrassing to say the least but, nonetheless, on grounds of utter propriety – unmentionable. A clue could be in the sub-heading, I guess. (If you read on with your tongue in your cheek – that’d be better than taking the rest too seriously. Stuff just – happens, you know?)

Onwards.

Back in February, I visited Morton Castle on a day which initially promised gorgeous blue skies inset with a clear and bright low winter sun – ideal for some IR shots of this utterly beautiful ruin. That was at around the time we had set orff! By the time we arrived, however, the clouds had moved in and the rain (known in Scotland as ‘smirry‘ – fine, light drizzle, really) began to descend and I ended up shooting the whole lot with my standard X100T. (See post I of III – here). There would be no infrared frippery on this particular day. No matter, but with that said, I wasn’t completely happy with the frames I came away with; compositionally I was very happy, but the ‘T’ buggers about with micro-contrast and smears finer details to the point where I just couldn’t live with it. A beautifully usable camera, fabulous lens but, it had to go. Either my software didn’t like its RAWs or, there was simply something about the ‘T’ that seemed to no longer agree with me. At all. Maybe I simply outgrew it, which may have been different if they’d kept the sensor from the very first X100. (Now that one was a peach!) I digress.

Within just over two months of those initial shots at Morton, I found myself incapacitated, hospitalised, and then convalescing flat on my back for the following two and a half months with around eight or nine fractures to my spine, ribs and foot, a little internal bleeding and more pain than I could have comprehended possible at that time. What else was I to do to cheer myself up – other than to buy a new camera? Apart from the obvious things, photography was right up there on the list of things I was missing the most. Probably joint second, I’d say. I knew I wouldn’t be able to shoot it right away but I could spend weeks familiarising and reading up on it’s features so that when the day came where I could get out and play with it, I’d be more than ready; and so, that’s what I did. I bought the camera I have spent the past five years or so drooling over and, buggered the expense sideways. After all, I might not have even existed anymore – I jest not when I say that it really was that close, at the time of the incident. Hang it all. The Df arrived within a couple of days and the ‘T’ was history. I felt no remorse or pain. Not even a twinge. Move on.

It’s not really G.A.S (gear acquisition syndrome) though – I guess that I have enough equipment to shoot pretty much any way I choose to. No, this was about something different entirely. I no longer wanted a camera that would mess about with the detail during shot processing, even in the RAWs – just a tool that would record what it sees and let me decide on output. Full-frame or not, I couldn’t care less (apart from the fact that this thing shoots clean even in the (photographically speaking) dark) – but I have been proved that I waited five years too long. What a plonker. But this isn’t a review (yawn!) – I only wish to post up my first frames from it, taken on a day that started out dismal, and pretty much remained that way, just last week. Low photographic expectations led me to something I didn’t expect – I love these frames, but not as much as being out there again. Despite the clouds, it was the finest of days. For life and, for loved ones.

I hope you’ll enjoy these.

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I | Across Morton Loch.

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II | Brothers.

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III | [A Bit of] Morton Castle.

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This post is so gratefully dedicated to everyone who has been here for me in deed, word, or thought over the past couple of months – colleagues, friends, healthcare professionals, well-wishers and fellow bloggers and, most lovingly dedicated to my loved ones, whose patience, warmth and love know no conceivable bounds. Lucky isn’t the word.

To my Angie, to Corbs & to Flynn. X

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2018 Photographic Review | 35:Chronicle

28mm, 35mm, 50mm, black & white, boats, close-up, colour, faux-colour, Indoor, infrared, landscape, macro, nature, personal, photography, review, skies, spring, structures, trees, waterscape

One Hundred to One.

Seeing as how this post happens to be my one hundredth, it’s actually ninety-nine into one . Since I began this blog back in March, I have also enjoyed the works and posts of so many of you and, if there could be more hours in a day, there would be many more besides, too, providing me with no less enjoyable learning, entertainment or, food for thought. I have also, over the last ten months, hoped to provide some interest in the field of photography, my own takes from various genres of our art-form which I feel so passionate about. Without the love for it, the desire to (hopefully) create something a little different on occasion or, the discipline to stay true, it’s all for nothing. Insosaying, I hope with all the passion that I have for various genres of photography, that my sincerity is not only intact but also, perhaps more importantly, unmistakably evident.

As this year now tick-tocks on to draw its last, making way for the next, I would like not only to thank you most sincerely for your input, your comments, clicks, follows and conversations, but to wish every one of you a very happy New Year for 2019. Your presence here is just as important as my own works, because without a reader, a word or a picture – would be pointless. Therefore, if you will forgive my indulgence, I would like to share with you all just some of my favourite frames from this inaugural year on 35:Chronicle. I truly hope that you will enjoy them.

Wishing you all wonderful celebrations and, much happiness from the coming year.

Warmest regards,

Rob.

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Snowdrops | 35mm.

Telford Woz ‘Ere! | 720nm Faux-Colour Infrared | 35mm.

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Double-Masted | 720nm Infrared | 35mm.

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Bluebell | 35mm.

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Broom | 35mm.

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Milkbank House Ruins | 760nm Infrared | 28mm.

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Talla Reservoir | 760nm Infrared | 28mm.

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Talla’s Monitoring Station | 720nm Infrared | 50mm.

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How the Other Half Live | 720nm Infrared | 35mm.

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Sir Duncan Rice Library | University of Aberdeen | 28mm.

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Moonrise | 720nm Infrared | 85mm.

Grandeur | 35mm.

Happy New Year 2019, to You All!

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INTERNAL AFFAIRS | PT.IV | 35:CHRONICLE

35mm, 50mm, black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.II

IV | Grandeur. [X100T: 35mm – 1/12th – f2.8 – ISO:1600 – +0.7 – Matrix]

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V | Light. [GXR A16 (Full-Spectrum): 85mm – 1/125th – f5.5 – ISO:1600 – Matrix]

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VI | Blue II. [X100T: 35mm – 1/9th – f2.8 – ISO:1600 – +0.7 – Matrix]

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VII | Lantern. [GXR A16 (Full-Spectrum): 50mm – 1/30th – f4 – ISO:1600 – Matrix]

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(St. Giles’ – PT.I)

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Talla’s Monitoring Station | 715 & 760nm IR | 35:Chronicle

28mm, 50mm, black & white, infrared, photography, waterscape

It’s Not Over, Yet.

Secluded and sheltered deep between the hills, Talla reservoir is a hidden gem. The views from the peaks are simply stunning, no matter what the conditions. It is not often that I visit this beautiful place, however, whenever I do make the trip, I spend as long as I can here, to wander, makes frames and, absorb the quiet of this not often frequented spot. One road descends steeply from the top of the hill, winds around the edges of the reservoir, past the farm which looks onto the south-east tip of this almost mile long stretch of water, and continues north-westwards towards its far edges and, out to Tweedsmuir. Here, at the north-western end of the reservoir, is the monitoring station.

I. | 28mm 760nm IR.

At Megget, the station is of far different design and structure, has a less aesthetic exterior and, due to it being situated in a much larger body of water, it’s considerably bigger too. But the domed station at Talla with its modern walkway, is something that I have wanted so much to capture (properly) for many years – and, after around half a dozen photo-visits over the last ten or so years, I have finally come away with a few frames that I am happy with. The water here is seldom still – that mill-pond surface that can render a waterscape as close to photographically perfect as one could get, is seldom seen on Talla. Nevertheless, though I am sure calm water does happen here, I have never seen that glass-like still that I hope one day to capture at Talla. I know that I will have to keep returning, until the day that I do. Photographing this curious structure alone is for me, a plenty good-enough reason to revisit.

Shooting these in infrared has certainly rendered a more pleasing contrast than I would have been able to portray if shooting visible-light, particularly in the skies of the 28mm – 760nm frames; hence, the 715nm frame displays markedly less definition but still, to my eyes, an even quality that even on a slightly cloudy day, seems to do the scene some noticeable justice.

I do hope that you’ll enjoy these captures.

II. | 28mm 760nm IR.

III. | 50mm 715nm IR.

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‘Between Moments | PT.II | 35:Chronicle

50mm, black & white, close-up, colour, macro, nature, personal, photography

(A Little More) Backyard Buffoonery.

Okay, nothing serious here – just a few frames I managed to snick from a mess-around this afternoon in the garden, with various Ricoh set-ups.

Waiting for the Bumble (that Never Showed) | GXR & 50mm (EFoV).

An Unfolding Gladiolus | GXR & 50mm (EFoV).

(For a Four-Legged Friend) Sweet William | GXR A16 & Hoya +10.

Gladiolus | GXR A16 & Hoya +10.

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Closer Still(s) | PT.XI | 35:Chronicle

50mm, black & white, colour, macro, nature, personal, photography

Taking a Chill-Pill.

Heck, I can’t always take photography too seriously; without doubt it is and has been one of my biggest passions throughout the past twenty (plus) years of my life and, I dare say, by those who know me personally, I am known for it. But there’s another side to the seriousness of getting the image and that is, to simply get the camera out and just have a little fun with it – and to not worry or be so seriously preoccupied with perfect composition or, focus or, whatever else we look for. The truth told, I love to shoot freestyle, freehand, free-lensed and, I don’t do it anywhere nearly as often as I would like, and, I have been photographically rather lazy lately. I could make excuses about the weather or some-such, but I’d be spouting bollocks so, I’m not going to place a blame. I guess sometimes, we just need a little break from the – constant thinking? I don’t know if I am making any sense here but I promise, I’m not writing for the sake of it.

For me, the real enjoyments of photography come from many aspects. It’s so engaging when you would want it to be, so technical in thought and deliverance at other times and yet, so passive and relaxing on occasion, too. Depending on any given genre, expectations, deadlines, or presenting difficulties, all are true. If you are yourself an enthusiast, you will know this already. But at the heart of every image is me, you, and how we see. I love to look; and see; and interpret; and steal a frame. What I don’t love – is to always feel like I’m overthinking because then, at some uncertain, invisible point of effort, a line gets crossed and, I don’t always enjoy it so much – especially when that line is completely bulldozed. Indeed, on such occasions, I can take a whole load of shit and know that I have before I have even depressed the shutter. Yet I do it anyway – like shutter-finger Tourette’s Syndrome (hereafter referred to as SFTS). Damn, I hate it when I do that because not least, I know I’m just going to spend more time at home, after upload, deleting the crud.

Most often, I find that when I’m making shots for the fun of it, with no actual goal in mind, when I don’t care so much about focus, or content – I tend to make images that I like, nevertheless. In opposition, as we all have – I have put so much effort and thought into a particular shoot or subject and come away with so much utter crap, it could make me cringe at the knowledge that my own brain decided that that capture was a good idea. Really?

With all of this preamble out of the way, I decided, with plenty of time to kill today and, though the weather was not playing ball (I was hoping to get a little more of a tan on my chrome-dome – uh… no!) – to faff around with my favourite body & prime combo and, make a few frames; just to see what I might come away with. No, given the images I have posted here, you’d be forgiven and absolved for thinking that I have actually been yapping on for the sake of it, because technically these images are not fabulous, or varied. They are indeed unimaginative, poorly composed, a tad soft, but do you know what? Today, I don’t care. Today, I made some photographs; and I like ’em! Moreover, I hope you will too. Yes, I shot close without a tripod – I was chilling!

By the way, the first image in this post is great in colour, because it really looks to me like a camouflage-act and, it may have been, in the mind of the Hoverfly. I wasn’t going to post it in colour because I really do prefer the mono-shot (moreover because I have genuine dislike for the colour orange for some barmy reason that I can’t explain) – but I caved in, and have included it at the end of this post. You’ll see what I mean when you get there, if, that is, you haven’t nodded-off already. Okay – time to wake up. It’s picture time!) Thanks so much for reading and I hope you have a great week ahead.

Montbretia & Hoverfly | 50mm – Handheld.

Montbretia | 50mm – Handheld.

Camouflage? | 50mm – Handheld.

[There’s a photographer in India called Rajeev Virmani – he makes some beautiful environmental flora photographs and I have to say, he has nowhere near enough followers for the work he puts in and puts out here on WP. Please, if you like the genre, do take a look at his images. He has an intimate and opportunistic approach that may well appeal to many. I don’t know him but I do love so many of his images. If you have a little time, you may enjoy a peek!]

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Views from a Ridge | PT.II | 35:Chronicle

50mm, black & white, infrared, photography

Talla & Megget | Take: 2.

In PT.I I posted three frames from a couple of beautiful locations not all that far from me, even though on the day that they were taken, sadly, I was not fortunate at all with the weather conditions (as far as shooting for infrared is concerned). Things like that niggle me somewhat and, if I was going to make images that I would want to look at again, ever, they have to be the best they possibly can be in-camera. That’s why I went back. Feel free to ignore the in-line link – these make me heap-loads happier. I hope that you’ll enjoy them too.

[Each image resized for web & for best quality view, may be tapped / clicked to open in a new tab / window]

Megget Water (Westward, from the Dam) | 50mm 715nm IR.

Talla Reservoir & Farm – Tweedsmuir | 50mm 715nm IR.

Big Sky – Talla | 50mm 715nm IR.

Megget (Looking East from the top of the Dam) | 50mm 715nm IR.

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The Lambs | 715 & 760nm Infrared | 35:Chronicle

28mm, 50mm, black & white, infrared, photography

A Different Kind of Silence.

A week or so ago, I took a run up through Tweedsmuir with the express intent of immersing myself in some more IR shooting. The conditions for IR weren’t great, however, a few days ago, they were absolutely perfect – so I made another trip, early. As well as re-shooting a number of places I had already visited, (and, because I had allowed myself much more time) I drove just a little further north and stopped here, at the Crook Inn.

I have some fond memories of this place and stayed here for a couple of nights around twelve years ago, just to take in the atmosphere of the place. Though it is situated on the outskirts of a very small and quiet hamlet, it used to be a remarkable place to hang out. Especially in the winter when the wood-stove in the intimate, circular bar was roaring and, the beer was flowing. Aside from having an A-road right next to it, here, it’s about as beautifully rural as one could find anywhere. A great tinge of memory and sadness tainted my joy of walking around the old place again, as I made some photographs.

The Crook Inn has been closed for over ten years now but, the local community got together to raise funds in their efforts to buy the place, and collectively, refurbish and reinstate it. I gather though, that seeing as how I was there shooting its first fund-raising event back in 2007 or thereabouts, and that not much work (if any) seems to have been carried out since then, the community plan has sadly fallen by the wayside. I could be wrong, but the visual evidence doesn’t suggest any movement in a positive direction. Sadly, these lambs will also continue to remain silent.

I | 28mm | 760nm Infrared.

II | 50mm | 715nm Infrared.

III | 28mm | 760nm Infrared.

IV | 28mm | 760nm Infrared.

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Go for the Burn | 715nm IR | 35:Chronicle

50mm, black & white, faux-colour, infrared, photography

I Think I’m Developing a(nother) Habit.

When the weather is as gorgeous as it has been lately, my photo-brain goes into meltdown and, I get a very itchy shutter-finger. Mostly, for fine-weather infrared (because there’s no better time to shoot IR than under a blazing sun) but even so, even when the clouds roll in, I’m still tempted to see how far I can push the light. As the days shorten over the year and the sun gets lower in the sky, I know I will have to store my IR units away again for a good many months, however, for now, as the ol’ saying goes – you have to make hay while the sun shines.

These two frames are of the same little bridge but shot on two very different kinds of days. It takes me an hour or more to get to this spot and I seriously think I am getting a habit for quaint, old bridges – if only I could find more worth capturing. There are far worse vices, I suppose.

I | Push | 50mm | 715nm IR.

II | Pushed | 50mm | 715nm Faux-Colour IR.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com

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Milkbank House | Infrared Collection | PT.III | 35:Chronicle

28mm, 50mm, infrared, photography, ruins, structures

A Last IR Look Around the Ruin, But First…

… a huge thank you. This is my 50th post here and whether that number should matter or not it seems a fitting juncture at which to covey my warmest thanks to every one of you who follow, don’t follow but occasionally check back every so often, or, those of you who stumble here by accident and decide to stay and read anyway – all of you. Not only this, but for the work that many of you publish, keeping the many circles of interest, thought and knowledge ever-turning for the rest of us. I’m grateful for it all.

This IR post at the ol’ ruin is to be my last for now, though I do have some interesting frames grabbed with my standard-light set-up which I may post in time. In my first post of this series I alluded to the fact that I was unable to capture the rear elevation of the house as yet, however, in August, I aim to rectify this and, will update when I can. I hope you have enjoyed this little series of images, from this beautiful old derelict and perhaps – a little more too enough to make you want to stay a little while longer.

To all of you – thank you for visiting my pages, for your clicks, for getting in touch, and, as I look forward to more of your works, I hope you’ll do the same and, return.

Thank you so much for reading…

IX | Fireplace | 50mm – 715nm IR.

X | Interactive Wallpaper | 28mm – 760nm IR.

XI | Corner Pieces | 28mm – 760nm IR.

XII | Farewell, Perhaps? | 28mm – 760nm IR.

[Click on ‘milkbank’ tag for all posts in this series]

All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com Thank you for visiting & if you would like updates, please click Follow. All images are resized for publishing.