Lowther Castle – PT.I | 720nm Infrared | Ricoh GR | 35Chronicle

black & white, infrared, landscape, photography, ruins, rural, skies, structures

A Westmorland Gem | Penrith, Cumbria.


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I | GR 720nm IR Conversion – 1/250th – f8.0 – ISO:100

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II | GR 720nm IR Conversion – 1/250th – f8.0 – ISO:100

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III | GR 720nm IR Conversion – 1/200th – f8.0 – ISO:100

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Closer Still(s) | PT.XXVII | 35Chronicle

35mm, black & white, close-up, colour, fine art, macro, nature, photography

Purple Heart [Tiger] Lily | PT.II


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IV | Fuji X100S – 35mm [equiv] – 1/4th – f11 – ISO:400.

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V | Fuji X100S – 35mm [equiv] – 1/8th – f5.6 – ISO:400 [w/Hoya +10].

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[From a Little Further Back:]
VI | Fuji X100S – 35mm [equiv] – 1/20th – f2.8 – ISO:800.

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VII | Fuji X100S – 35mm [equiv] – 1/60th – f5.6 – ISO:3200.

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Closer Still(s) | PT.XXVI | 35Chronicle

35mm, black & white, close-up, colour, fine art, macro, nature, photography

Purple Heart [Tiger] Lily | PT.I


Ask anyone who knows me and they’ll all tell you just how easily pleased I am. I’ve never been one to want much, not in the grand scheme of things at least and I have always gone by the adage that “enough, is as good as a feast”; and I absolutely believe this. It is relevant because when it comes to photography, I have always been happy with and, tried to make the most of the tools at my disposal (most usually – my camera and my legs) but some things require a little more planning.

Macro and close-up photography has been a passion of mine since I first picked up a camera, almost twenty-five years ago. That passion has not only stayed with me ever since but it has continued to grow. The longer I go between these more intimate shooting sessions, the more it grows and, the more I seem to enjoy it when I finally make it back. For the past few years, I had been making do with an old lamp table for my close-up set-ups; I had fashioned a matt black card base on the table with two joined 12″ high-sides of the same material, clamped lights, mirrors, clamps, desk tripod and, a couple of torches for ad-hoc light-painting during those longer exposures. This week though, something changed.

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I | Fuji X100S – 35mm [equiv] – 1/12th – f5.6 – ISO:400.

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A few weeks before new year, Ang had decided to have a clear-out of the under-stairs cupboard on the first floor. Great idea I though – we could decorate it and make her a lovely, secluded and private office space in there (whilst secretly wanting to snatch the space for myself, you understand). I was thinking maybe some cosy lighting, a decent bluetooth speaker, a new desk and chair, even some pictures on the wall – you know? A space I’d be utterly jealous of, for sure. Still, this was all a while ago and sometimes, as I said, things change. 

At Christmas, I received a very nice portable light-tent. Lights, stands, backdrops, colour gels – yup, all there. The trouble was that we had nowhere to properly set it up and though it’s indeed designed to be portable, once I set something like this up, I’d prefer it to stay there and I can quickly set back up again any time I have a new or interesting subject. That’s when the suggestion came back to me: “What about the under-stair cupboard?” My eyes must have lit up as soon as those words left her lips!

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II | Fuji X100S – 35mm [equiv]- 1/4th – f11 – ISO:200 [w/Hoya =10].

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At the beginning of this week, we measured up; on Tuesday we bought the wood and the paint and I constructed the worktop to be fitted, as well as starting the paint-job.  On Wednesday, the last coat of matte-black went on all the surfaces and by that evening, it was dry enough to set it all up. Could I wait to get in there and shut the door? Could I, buggery! Now, I know that light-tents aren’t a new thing, but I’ve always indulged myself on a shoestring – not for any other reason than the fact that I was simply able to. But to have a dedicated little space where it can all happen, is a real treat. I don’t care if Harry Potter didn’t care much for his – I’m loving my cupboard! Yes, I’m sure that I must sound like an idiot to most of you but this is big stuff to me. A useful man-cave at last! (And yes, I also realise that I’m rambling a tad!) Anyway, I’ll shut up now and let you (I sincerely hope) enjoy a few of the very first frames from the newly crowned (tongues firmly in cheek, you understand?) Studio 35C. 

As always, thank you for visiting my pages and, I wish you all a great weekend ahead.

-R-

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III | Fuji X100S – 35mm [equiv]- 1/8th – f5.6 – ISO:400 [w/Hoya =10].

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New Lanark | PT.IV – The Ties That Bind | 35Chronicle

black & white, full-spectrum, Indoor, photography

Only Our Methods Have Changed.


This is to be the final part in my New Lanark photo-series – from this beautifully preserved cotton mill, once alive with workers and currently, one of the six UNESCO World Heritage Sites in Scotland. As I alluded to in PT.II – I decided to shoot around the entire site with my Ricoh GXR A16 LTFS conversion which, on gloomy days such as these lets in a lot more light and conserves detail in appreciably more dynamic range than a standard set-up. The only true trade-off (far moreso outdoors) is a little contrast (mostly due to available infrared light pollution) but in post, this is never actually a problem.

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As I wandered around New Lanark, taking in the old, cobbled walkways, living-quarter museums, restored façades and the breathtaking, surrounding scenery, it occurred to me that even though so many years have passed since the days of industry here at the mill, we really don’t do anything all that differently to the ways in which they were always done. Everything is linked in just the same ways – only the tools or the methods have changed. From wall-ties, to marriage ties, the daily bread we break together, the comforts and necessities of home and, even the bell that calls us from slumber and to our workplaces. No, not much has changed, at all.

I am reminded here of a line which Douglas Adams once wrote (in reference to L.P Hartley’s opening of ‘The Go-Between’): “The past, they say, is now truly like a foreign country. They do things exactly the same, there”. 

-R-

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XI | Comforts of Home | GXR A16 LTFS 1/75th – f4.2 – ISO:1600 – 35mm.

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XII | Ties – Two Different Kinds | GXR A16 LTFS 1/290th – f5.5 – ISO:200 – 85mm.

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XIII | Necessities of Home | GXR A16 LTFS 1/125th – f4.0 – ISO:1600 – 24mm.

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XIV | Alarm Bells | GXR A16 LTFS 1/200th – f8.0 – ISO:200 – 85mm.

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Behind the Scenes: An Introduction | 35Chronicle

black & white, people, personal, photography, portraits

Meet the Family.


Breaking with tradition here somewhat (as in – I’m not posting any IR, ruins, waterscapes or close-ups, for a change) it’s time to have a little break from my usual outings and big-up some very important people. Well, almost all people anyway. This is the crowd that put up with me and my photo-shenanigans, as well as everything else too and, without whom – my life could be so, so different. It is said that behind every good man, there’s a good woman and it’s very true. But also, there are a couple of great boys and, two long-suffering beagles, as well. Usually, I’d post this many shots over a couple of posts but this is different – we don’t spread out over two pages in life, so, here we all are.

I have always been so grateful to all of my readers and contributors throughout the evolution of my pages – yes, that means you too, and (aside from the pooches, obviously) each and every one posted here knows just how important photography has always been and still is to me and, how I strive to do something with it that satisfies my inner need. With that said, this isn’t just about you meeting us all, but it’s also about the lot of us meeting you too. As a whole.

I often miss the genre of portraiture after having enjoyed it for so many years, and it’s always fun to find an excuse to grab a camera and snag little moments – especially when they mean so much. Life can change in the blink of an eye and I know just how lucky I am to have them all in mine. This is what it’s all for.

From us to you… hi!

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I | Corby-J. – Looking Like a Backgammon Master but actually asking “What Cunning Kind of Devilry is This?! Hmmm!”

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II | Flynn – Starbucks (Either Overly Focused or, Potentially Hypnotised by Hot Chocolate & Cake!) 

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III | Angela & Paisley (4 Hours Old) – Delivery Suite.

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IV | Lucy – An Ageing, Slightly Limping but Surprisingly Resourceful Jack Russell.

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V | Noodle – A Disloyal, Yet Ridiculously Easily Bought-Off Siberian Huskey. 

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VI | Rob – by Ang. “Help! Some Woman Just Nabbed my Camera!” (First Day Off the Crutches – Outside a Bar in Falkirk!)

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[Normal service will undoubtedly be resumed by the next post! As always, thank you for visiting!]

-R-

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Edinburgh – From Calton Hill | 35Chronicle

black & white, cityscapes, photography, ruins, structures

Scotland’s Folly [& Other Views].


Back in December, I posted a number of night-shots from around Edinburgh – all taken on the evening before these frames were snagged. Weather-wise, the morning after was miserable, however, I was undeterred. We’d had a wonderful evening celebrating Angela’s birthday the night before and so despite the cloud and the drizzle, our spirits remained perky. Therefore, after breakfast, we walked to Calton Hill, to see what we might see and, here – are just a few of those captures. 

In all honesty, the very last thing we expected to see was an Oriental wedding trio – bride, groom and their photographer, standing right in front of one of Edinburgh’s most famous monuments (the unfinished – known as ‘Scotland’s Folly’) and it would have been completely remiss of me to ignore this almost Vettriano-esque moment, albeit from more of a distance. (I have no idea how the young bride kept her shoes clean for the shoot?) Looking out over the city, too (despite the very poor light) from such a vantage point is a real buzz. In better weather, I could have  spent a good many hours up here; and on another day, I plan to do just that. 

Thank you, as always for reading my pages and I do hope that you’ll enjoy these captures.

-R-

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I | The Wedding Trio | Ricoh GXR A16 | 35mm – 1/125th – f6.7 – ISO:1234[!]

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II | Chimney | Ricoh GXR A16 | 70mm – 1/125th – f6.7 – ISO:703[!]

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III | To the Castle | Ricoh GXR A16 | 24mm – 1/125th – f7.1 – ISO:617[!]

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… and yes, the ISOs are correct! (Why do you think I love shooting with this thing?!)

*Wink!*

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Hexham Abbey | PT.II | 35Chronicle

35mm, black & white, Indoor, photography, structures

A Little More Light-Play | Pushing the Ricoh GR


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IV | Ricoh GR 1/10th [H/H] – f3.5 – ISO:3200 – 35mm Internal Crop

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This little camera never, ever fails to astound me. After all I wrote about it [here] there was still one aspect of it that I never properly tried out. As a rule, I have seldom, if ever – shot at equivalent film-speeds of faster than ISO: 1600; not on any camera and certainly not seriously (save for occasionally with the incredible Nikon offering, the Df, which is  a whole different beast altogether). However, when the light drops and one finds oneself tripodless (say, through poor preparation, perhaps) the only way to get the shot, sometimes, is to bump up the ISO and, without anywhere suitable to rest my GR during the making of these frames, handheld was the only way to go. 1600 wasn’t cutting it as, even with reasonably steady hands and good stance, most of the frames were just coming out a little too soft due to that smidgen of camera movement.  Therefore, 3200 was the only way to get them. Without realising it, I was on a test mission after which I would find myself thoroughly delighted. My initial thoughts were simply that it’d be better to get the shots than not. 

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V | Ricoh GR 1/10th [H/H] – f2.8 – ISO:3200 – 35mm Internal Crop

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I’ve always enjoyed the grain that appears in the GR’s images, especially at around 800-1600; it’s light, almost organic in appearance and lends a feel to a composition that instead of destroying it or breaking it up, actually appears to add more warmth and cohesion instead. To me, it harks back to when I used to enjoy shooting Ilford HP5 on an old ME Super, all those years ago – and to be honest, on most occasions, grain is such an integral part of the frame that I rarely even see it; and that’s exactly what happened here when I started editing these shots. I couldn’t even see it. You’d be forgiven for thinking that these have all undergone a major repertoire during processing but in truth, I really don’t enjoy spending too long in LR and so, these are very lightly processed and NR hasn’t even been touched. Exposures are a breeze and accurate with the GR and after having shot with it for so many years, I’m fortunate to be able to feel like it’s really an extension of my hand and, it has seldom let me down. Whilst for some types of composition, clean, pristine is more desirable – it’s not always what I’m looking for and I am moving quickly away from the ‘keeping it sharp and clean’ school of thought. Insosaying, if the light is good, I’ll be happy come what may. I think that no longer being pointlessly critical is going to open up a whole new wave of ideas that I am already very keen to exploit. It doesn’t just do it in black and white, either; colour frames come up pretty nice too!

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As always, thank you so much for reading my pages and I do hope you’ll enjoy these few captures of Hexham’s gorgeous abbey. [PT.I can be viewed here].

-R-

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VI | Ricoh GR 1/45th [H/H] – f2.8 – ISO:3200 – 35mm Internal Crop

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Harbouring Light | PT.II – 720nm IR | 35Chronicle

black & white, boats, infrared, photography, waterscape, winter

Back to the Front | Kirkcudbright Harbour.


Life has settled into a new-old rhythm lately and, now that I have a little less time on my hands, it’s time to reflect on those days when I had an awful lot more time to do the very same thing. 

Whenever I have a day to kick my heels, I often think about coming back to Kirkcudbright, a place I love so much and have spend many, many happy hours wandering around with my cameras, shooting around the harbour in particular – satisfying my utter love of water, boats and glorious light; albeit the low, early winter sun. Just a couple  of weeks ago the jaunt was made again, instigated by the surety of a perfect day for shooting and, checking the tide-times only solidified intentions. Few ever walk the jetty to the pontoons; whenever I come, there’s hardly ever another soul to be seen and I guess that’s another reason as to why I love this spot as much as I do. Listening to the wind slapping the lines against their masts is an inspiration in itself and I can take minutes just thinking about a single frame – but what’s not to love about that?

For as long as I am still shooting, I know that I’ll come back here again and again. I’ll probably take the same shots over too and from the same places, but when inner peace is so easily found and there’s someone to share it all with, I don’t have a problem with that. At all. I do hope you’ll enjoy these few IR captures and, come back for another look too, perhaps?

Have a great weekend, peeps.

– R –

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I | The Boat that Never Moves.

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II | A Wave on a Daisy.

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III | Reflected Calm.

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[All frames: Ricoh GXR A16 LTFS w/Hoya R72]


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New Lanark | PT.III – On the Rooftop | 35Chronicle

black & white, full-spectrum, photography, rural

Robert! Enjoy Scenes!


Alright , so this post is a really just for a little fun and probably a little bit of an artistic (or perhaps, lazy) cop-out on my part – a few more shots from an overcast day’s visit to New Lanark late last year (see PT.I for a little more information on this UNESCO World Heritage Site) – this time, from the award-winning roof garden and focusing on the centrepiece – the water-feature. In the woodwork surrounding it is carved this: 

“The ever-changing scenes of nature afford not only the most economical, but also the most innocent pleasures which man can enjoy”. (Robert Owen  A New View of Society:  Third Essay, 1813.)

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VII | Robert | GXR A16 LTFS 1/640th – f7.6 – ISO:200 – 28mm

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As the weather and poor light were slowing down my Tv on my standard camera, I decide to keep shooting with my full-spectrum set-up, without any external filtering and took a walk around the fountain. I was then able to keep my ISO down and , as the clouds thinned a little, snag a little IR pollution too. In order to emphasise feelings of my own relevance of being in this beautiful place, I decided to select and capture just three words. I think that they sum it up, perfectly. 

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XIII | Enjoy | GXR A16 LTFS 1/570th – f4.2 – ISO:200 – 35mm

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XIX | Scenes | GXR A16 LTFS 1/310th – f4.2 – ISO:200 – 35mm

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Ironically and unbeknown to me, whilst I was wandering round and grabbing a few frames, Angela was grabbing her own on her iPhone! So, shot four – can’t possibly be mine, but I love it and it stays! I won’t divulge her exact title for it, but it involves a frog (possibly even, a toad?!) and a prince; I can say no more! 

– R –

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X | A Frog & a Prince (I’ll Let You Work it Out!) | iPhone 7+ | ©ACB

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Hexham Abbey | PT.I | 35Chronicle

black & white, colour, photography, structures

Light-Play | Outside vs Inside…


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I | Ricoh GR 1/60th – f5.0 – ISO:400

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II | Ricoh GR 1/15th [H/H] – f2.8 – ISO:3200

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III | Ricoh GR 1/15th [H/H] – f2.8 – ISO:3200

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(…no comparison!)

Happy New Year, all!

– R –


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Closer Still(s) | PT.XXV | Wilt in Nowhere | 35Chronicle

35mm, black & white, close-up, colour, fine art, macro, nature, photography, still life

Oh, I’ve Missed this Caper!


We all have our favourite genres when it comes to photography; me – I love IR and alternative wavelengths, people, waterscapes and boats and of course, if you’ve been reading me for a while, close-up & macro photography. As I was sitting at dinner with my family this evening it occurred to me that it’s been simply ages since I set-up to shoot any close subjects and, this was all because of one wilting Gerbera Daisy in a vase on the opposite side of the kitchen. 

As a predominantly black and white shooter, I was shall we say, uncharacteristically jolted into thought by its colour and the way in which it had drooped forward away from the rest of the bunch as if reminding me that I’ve lost touch with the finer details; and so, after clearing up, I excitedly pulled all the gear I needed, downstairs, and set up in the kitchen to photograph this forlorn but  beautiful little flower, perhaps not too many days away from being destined for the bin but not yet completely void of its former form; certainly worth a few shutters.

(Sorry for nicking the title from Tom Sharpe – it just, fitted.) I hope you will enjoy these few eagerly processed frames. This is about as hot off the press as it gets… 

– R –

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I | Ricoh GXR A12 33mm [50mm Equiv] Macro | 1/12th – f8.0 – ISO:100.

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II | Ricoh GR w/Hoya +10 Close-Up | 1/12th – f8.0 – ISO:100 | 35mm Internal Crop.

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III | Ricoh GR w/Hoya +10 Close-Up | 1/30th – f8.0 – ISO:100 | 35mm Internal Crop.

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2019 Photographic Review | 35Chronicle Photography

black & white, boats, close-up, colour, Indoor, infrared, landscape, macro, nature, night / low-light, people, photography, portraits, review, ruins, rural, skies, still life, structures, summer, trees, waterscape

As the Days Begin to Lengthen.


This time last year I was preparing my first ever photo-review here at 35Chronicle and, at the time, I could never have professed to have known just what a year 2019 was going to be for me. In every sense of the word it’s been an amazing year, and – a traumatically difficult one for the large part. Suffice to say that if you are a regular reader of my pages, you’ll know a little of what I’ve been up to and, subjected to and – you might also realise that as well as those closest to me who have kept me going throughout the year since spring, my love of all things photographic have been my main non-pulsatile impetus to get back out there and, get better. Better in health, at life, at shooting – just, better; in any way I can.

Despite some difficulties in getting back out there (you try shooting whilst holding on to your crutches while your camera bag is threatening to slide forward under the weight of the gear – with the express intent of taking one of your legs from underneath you!) I have enjoyed many excursions this year. Insosaying, I have done my best to represent each month of 2019 (by date of publishing) with what I feel is the one shot that truly made the cut. My cut. I hope I have done enough.

Of course, the whole reason I am writing any of this is because, well – you are reading it. As such, I need to say a massive thank you to a huge amount of people who have been with me this year and without whom, my 2019 would have turned out rather different and probably not as good. Therefore, to loved ones, to friends, to everyone here on WP, and to everyone who has been of support to me throughout the year, I thank you, from the bottom of my heart. You all know who you are and I forget not one of you.

Please do enjoy this selection of just some of my favourite frames of this year and I hope you’ll join me again in 2020. It’ll be great to see you again. (To H – thank you and please forgive me for my shameless and blatant use of your sign-off. It fits perfectly, expresses my intent to a tee and I truly can’t think of or find a better way to say it. I promise to only use it this once!)

See you on the flip-side, folks!

In Metta.

– Rob –


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January 2019 | Moss after Rain.

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February 2019 | The Wellspring – Kirkcudbright | 720nm IR.

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March 2019 | Thirlstane Arch – Powillimont, Southerness | 720nm IR.

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April 2019 | Dundrennan Abbey [AKA: The Day of Two Cakes!]| 720nm IR

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May 2019 | Angela.

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June 2019 | Gelston Castle | 720nm IR.

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July 2019 | River Nith to Greyfriars | 720nm IR.

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August 2019 | Angela & her Machines.

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[Just After] September 2019 | The Kelpies – Falkirk | Late Dusk.

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October 2019 | Light Muse (Sic!)

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November 2019 | Edinburgh, from the Castle.

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December 2019 | Paisley James – 4 Hours Old.
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Happy New Year 2020, to You All!

X

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New Lanark | PT.II – Outside the Machines | 35Chronicle

black & white, full-spectrum, night / low-light, photography, rural, structures

I am Automation.


From PT.I – a little more mono / full-spectrum fun in a few frames from inside a couple of the workshops. The ISO and Tv values might suggest use of a standard VIS light camera, however, the lack of natural light was a real issue, though reasonably easily overcome by LTFS and a steady hand, despite the distinct lack of UVIR infiltration. Despite a higher ISO in combination with what is essentially, technologically speaking, an ancient camera – I am delighted with the level of detail and contrast in these frames. I do hope you’ll also enjoy them, for what they are.

– R –

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IV | The Donkey Engine | LTFS 1/45th – f4.8 – ISO:1600 – 35mm.

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V | Back-End of a Donkey [Engine] | LTFS 1/75th – f5.5 – ISO:1600 – 85mm.

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VI | Spinning & Reeling | LTFS 1/30th – f7.5 – ISO:1600 – 35mm.

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[All images in this New Lanark series – snagged with a Ricoh GXR A16 LTFS (from ~280nm to ~1300nm) internal conversion, unfiltered.]


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New Lanark | PT.I – Overview(s) | 35Chronicle

black & white, full-spectrum, photography, rural, structures, waterscape

1786 [& the Legacies of Dale & Arkwright].


One of six UNESCO World Heritage sites in Scotland, New Lanark is situated approximately twenty-five miles south-east of Glasgow, on the River Clyde. Once a thriving cotton mill (using water powered spinning machinery) and now a tourist attraction, many of the old workers’ homes are now tenanted apartments however, the old mill buildings are beautifully maintained with much of the old machinery and the whole village makes for a truly fascinating visit.

More info. can be found here.

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I | Boxing Hares in the Roof Garden | LTFS 1/500th – f5.6 – ISO:200 – 35mm.

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Because the overhead conditions were unfavourable, extremely overcast and damp, I took along my LTFS camera outfit to make the most of any and all available light (UV, VIS & IR). Being able to take advantage of the availability of those extra wavelengths is a real bonus under such conditions and keeps the ISO down too, which I prefer, of course. What I hope to show over the coming posts from New Lanark is just how versatile a good true full-spectrum set-up is, for black and white work specifically and, how there really isn’t a photo-scenario where its benefits can’t be exploited. I’ll move outside and inside and aim to show you another world, not that far removed from our own, but with subtle nuances not always instantly apparent or appreciated, still, that I hope will either please, or inspire; or both, perhaps. If I fail in both regards, then I need to work a little harder, methinks.

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II | Little Touches (Roof Garden to the Church) | LTFS 1/500th – f5.3 – ISO:200 – 70mm.

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I’ll shortly be preparing my 2019 Review for posting during the next couple of days, but in the meantime, I hope you are all enjoying yourselves over this festive season and, as always, thank you so much for reading my pages. I hope you’ll enjoy these first few frames from what is a very special place. 

– R –

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III | The Clyde – from the Water-Wheel to the Caul | LTFS 1/290th – f5.3 – ISO:200 – 70mm.

35chronicle.179 (3)

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[All images in this New Lanark series – snagged with a Ricoh GXR A16 LTFS (from ~280nm to ~1300nm) internal conversion, unfiltered.]


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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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The Crichton Memorial Church | 720nm Infrared – PT.II | 35Chronicle

autumn / fall, black & white, infrared, photography, structures

Tails: Chased [Tick!]


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IV | Flare | 24mm | 720nm IR.

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V | South Face w/ Shadows – II | 24mm | 720nm IR

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VI | South & West Face | 24mm | 720nm IR.

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VII | East Face – II | 35mm | 720nm IR.

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[PT.I – Click!]
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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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