U-Turns | Ricoh GR III | 35Chronicle

35mm, black & white, close-up, fine art, Indoor, macro, photography

I Know! I Said I Wouldn’t Do It…

Back in March 2019 I wrote a post about the (in my view, amazing) Ricoh GR entitled ‘You Can Call Me – Jack’ (post #121 from my archives page, if you’re interested) in which I wrote: “If the GR III is as good as it’s going to get, then I’m sorry Ricoh- you already got it bang-on with the first one – nuts, bolts, the lot. And I’m not moving. I mean, what would be the point?” Okay, so I have had the GR III for a few months now and whilst all the reviews are out there – I’m not about to write another one; not yet anyway. (I have a very early start tomorrow. That’s my excuse and I’m sticking to it!) What I will do now, though, is just post a couple of macro / close-up frames of another of my favourite things and, let the images do the talking. I love how the GR line just gets better and better. I hope you’ll enjoy this little smidgen of self-indulgence. I have never found a camera so good at macro as the GR series and the III gets even closer than the I/II. All frames were shot using my favoured 35mm internal-crop mode and I didn’t even need my Hoya +10 for these… blows my mind!

Have a great week, all!

R.

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II.

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@35chroniclephotography

The Lighthouse at Southerness – PT.II | 35Chronicle

black & white, fine art, infrared, landscape, Long Exposure, photography, rural, skies, structures, summer

Revisiting Old Haunts – PT.II | 720nm Infrared – Long Exposure Series.


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Southerness Lighthouse | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
Feel free to join me on Instagram (click below) and, thank you for visiting.
@35chroniclephotography
R.
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Closer Still(s) | PT.XXVII | 35Chronicle

35mm, black & white, close-up, colour, fine art, macro, nature, photography

Purple Heart [Tiger] Lily | PT.II


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IV | Fuji X100S – 35mm [equiv] – 1/4th – f11 – ISO:400.

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V | Fuji X100S – 35mm [equiv] – 1/8th – f5.6 – ISO:400 [w/Hoya +10].

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[From a Little Further Back:]
VI | Fuji X100S – 35mm [equiv] – 1/20th – f2.8 – ISO:800.

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VII | Fuji X100S – 35mm [equiv] – 1/60th – f5.6 – ISO:3200.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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Closer Still(s) | PT.XXVI | 35Chronicle

35mm, black & white, close-up, colour, fine art, macro, nature, photography

Purple Heart [Tiger] Lily | PT.I


Ask anyone who knows me and they’ll all tell you just how easily pleased I am. I’ve never been one to want much, not in the grand scheme of things at least and I have always gone by the adage that “enough, is as good as a feast”; and I absolutely believe this. It is relevant because when it comes to photography, I have always been happy with and, tried to make the most of the tools at my disposal (most usually – my camera and my legs) but some things require a little more planning.

Macro and close-up photography has been a passion of mine since I first picked up a camera, almost twenty-five years ago. That passion has not only stayed with me ever since but it has continued to grow. The longer I go between these more intimate shooting sessions, the more it grows and, the more I seem to enjoy it when I finally make it back. For the past few years, I had been making do with an old lamp table for my close-up set-ups; I had fashioned a matt black card base on the table with two joined 12″ high-sides of the same material, clamped lights, mirrors, clamps, desk tripod and, a couple of torches for ad-hoc light-painting during those longer exposures. This week though, something changed.

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I | Fuji X100S – 35mm [equiv] – 1/12th – f5.6 – ISO:400.

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A few weeks before new year, Ang had decided to have a clear-out of the under-stairs cupboard on the first floor. Great idea I though – we could decorate it and make her a lovely, secluded and private office space in there (whilst secretly wanting to snatch the space for myself, you understand). I was thinking maybe some cosy lighting, a decent bluetooth speaker, a new desk and chair, even some pictures on the wall – you know? A space I’d be utterly jealous of, for sure. Still, this was all a while ago and sometimes, as I said, things change. 

At Christmas, I received a very nice portable light-tent. Lights, stands, backdrops, colour gels – yup, all there. The trouble was that we had nowhere to properly set it up and though it’s indeed designed to be portable, once I set something like this up, I’d prefer it to stay there and I can quickly set back up again any time I have a new or interesting subject. That’s when the suggestion came back to me: “What about the under-stair cupboard?” My eyes must have lit up as soon as those words left her lips!

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II | Fuji X100S – 35mm [equiv]- 1/4th – f11 – ISO:200 [w/Hoya =10].

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At the beginning of this week, we measured up; on Tuesday we bought the wood and the paint and I constructed the worktop to be fitted, as well as starting the paint-job.  On Wednesday, the last coat of matte-black went on all the surfaces and by that evening, it was dry enough to set it all up. Could I wait to get in there and shut the door? Could I, buggery! Now, I know that light-tents aren’t a new thing, but I’ve always indulged myself on a shoestring – not for any other reason than the fact that I was simply able to. But to have a dedicated little space where it can all happen, is a real treat. I don’t care if Harry Potter didn’t care much for his – I’m loving my cupboard! Yes, I’m sure that I must sound like an idiot to most of you but this is big stuff to me. A useful man-cave at last! (And yes, I also realise that I’m rambling a tad!) Anyway, I’ll shut up now and let you (I sincerely hope) enjoy a few of the very first frames from the newly crowned (tongues firmly in cheek, you understand?) Studio 35C. 

As always, thank you for visiting my pages and, I wish you all a great weekend ahead.

-R-

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III | Fuji X100S – 35mm [equiv]- 1/8th – f5.6 – ISO:400 [w/Hoya =10].

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Closer Still(s) | PT.XXV | Wilt in Nowhere | 35Chronicle

35mm, black & white, close-up, colour, fine art, macro, nature, photography, still life

Oh, I’ve Missed this Caper!


We all have our favourite genres when it comes to photography; me – I love IR and alternative wavelengths, people, waterscapes and boats and of course, if you’ve been reading me for a while, close-up & macro photography. As I was sitting at dinner with my family this evening it occurred to me that it’s been simply ages since I set-up to shoot any close subjects and, this was all because of one wilting Gerbera Daisy in a vase on the opposite side of the kitchen. 

As a predominantly black and white shooter, I was shall we say, uncharacteristically jolted into thought by its colour and the way in which it had drooped forward away from the rest of the bunch as if reminding me that I’ve lost touch with the finer details; and so, after clearing up, I excitedly pulled all the gear I needed, downstairs, and set up in the kitchen to photograph this forlorn but  beautiful little flower, perhaps not too many days away from being destined for the bin but not yet completely void of its former form; certainly worth a few shutters.

(Sorry for nicking the title from Tom Sharpe – it just, fitted.) I hope you will enjoy these few eagerly processed frames. This is about as hot off the press as it gets… 

– R –

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I | Ricoh GXR A12 33mm [50mm Equiv] Macro | 1/12th – f8.0 – ISO:100.

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II | Ricoh GR w/Hoya +10 Close-Up | 1/12th – f8.0 – ISO:100 | 35mm Internal Crop.

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III | Ricoh GR w/Hoya +10 Close-Up | 1/30th – f8.0 – ISO:100 | 35mm Internal Crop.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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