Lowther Castle – PT.I | 720nm Infrared | Ricoh GR | 35Chronicle

black & white, infrared, landscape, photography, ruins, rural, skies, structures

A Westmorland Gem | Penrith, Cumbria.


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I | GR 720nm IR Conversion – 1/250th – f8.0 – ISO:100

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II | GR 720nm IR Conversion – 1/250th – f8.0 – ISO:100

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III | GR 720nm IR Conversion – 1/200th – f8.0 – ISO:100

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Harbouring Light | PT.II – 720nm IR | 35Chronicle

black & white, boats, infrared, photography, waterscape, winter

Back to the Front | Kirkcudbright Harbour.


Life has settled into a new-old rhythm lately and, now that I have a little less time on my hands, it’s time to reflect on those days when I had an awful lot more time to do the very same thing. 

Whenever I have a day to kick my heels, I often think about coming back to Kirkcudbright, a place I love so much and have spend many, many happy hours wandering around with my cameras, shooting around the harbour in particular – satisfying my utter love of water, boats and glorious light; albeit the low, early winter sun. Just a couple  of weeks ago the jaunt was made again, instigated by the surety of a perfect day for shooting and, checking the tide-times only solidified intentions. Few ever walk the jetty to the pontoons; whenever I come, there’s hardly ever another soul to be seen and I guess that’s another reason as to why I love this spot as much as I do. Listening to the wind slapping the lines against their masts is an inspiration in itself and I can take minutes just thinking about a single frame – but what’s not to love about that?

For as long as I am still shooting, I know that I’ll come back here again and again. I’ll probably take the same shots over too and from the same places, but when inner peace is so easily found and there’s someone to share it all with, I don’t have a problem with that. At all. I do hope you’ll enjoy these few IR captures and, come back for another look too, perhaps?

Have a great weekend, peeps.

– R –

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I | The Boat that Never Moves.

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II | A Wave on a Daisy.

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III | Reflected Calm.

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[All frames: Ricoh GXR A16 LTFS w/Hoya R72]


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2019 Photographic Review | 35Chronicle Photography

black & white, boats, close-up, colour, Indoor, infrared, landscape, macro, nature, night / low-light, people, photography, portraits, review, ruins, rural, skies, still life, structures, summer, trees, waterscape

As the Days Begin to Lengthen.


This time last year I was preparing my first ever photo-review here at 35Chronicle and, at the time, I could never have professed to have known just what a year 2019 was going to be for me. In every sense of the word it’s been an amazing year, and – a traumatically difficult one for the large part. Suffice to say that if you are a regular reader of my pages, you’ll know a little of what I’ve been up to and, subjected to and – you might also realise that as well as those closest to me who have kept me going throughout the year since spring, my love of all things photographic have been my main non-pulsatile impetus to get back out there and, get better. Better in health, at life, at shooting – just, better; in any way I can.

Despite some difficulties in getting back out there (you try shooting whilst holding on to your crutches while your camera bag is threatening to slide forward under the weight of the gear – with the express intent of taking one of your legs from underneath you!) I have enjoyed many excursions this year. Insosaying, I have done my best to represent each month of 2019 (by date of publishing) with what I feel is the one shot that truly made the cut. My cut. I hope I have done enough.

Of course, the whole reason I am writing any of this is because, well – you are reading it. As such, I need to say a massive thank you to a huge amount of people who have been with me this year and without whom, my 2019 would have turned out rather different and probably not as good. Therefore, to loved ones, to friends, to everyone here on WP, and to everyone who has been of support to me throughout the year, I thank you, from the bottom of my heart. You all know who you are and I forget not one of you.

Please do enjoy this selection of just some of my favourite frames of this year and I hope you’ll join me again in 2020. It’ll be great to see you again. (To H – thank you and please forgive me for my shameless and blatant use of your sign-off. It fits perfectly, expresses my intent to a tee and I truly can’t think of or find a better way to say it. I promise to only use it this once!)

See you on the flip-side, folks!

In Metta.

– Rob –


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January 2019 | Moss after Rain.

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February 2019 | The Wellspring – Kirkcudbright | 720nm IR.

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March 2019 | Thirlstane Arch – Powillimont, Southerness | 720nm IR.

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April 2019 | Dundrennan Abbey [AKA: The Day of Two Cakes!]| 720nm IR

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May 2019 | Angela.

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June 2019 | Gelston Castle | 720nm IR.

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July 2019 | River Nith to Greyfriars | 720nm IR.

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August 2019 | Angela & her Machines.

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[Just After] September 2019 | The Kelpies – Falkirk | Late Dusk.

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October 2019 | Light Muse (Sic!)

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November 2019 | Edinburgh, from the Castle.

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December 2019 | Paisley James – 4 Hours Old.
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Happy New Year 2020, to You All!

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The Crichton Memorial Church | 720nm Infrared – PT.II | 35Chronicle

autumn / fall, black & white, infrared, photography, structures

Tails: Chased [Tick!]


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IV | Flare | 24mm | 720nm IR.

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V | South Face w/ Shadows – II | 24mm | 720nm IR

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VI | South & West Face | 24mm | 720nm IR.

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VII | East Face – II | 35mm | 720nm IR.

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[PT.I – Click!]
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Portpatrick | PT.II – 720nm Infrared | 35Chronicle

35mm, black & white, infrared, photography, ruins, rural, structures

Old St. Patrick’s Kirk [Circa: 1629]


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[All frames: Ricoh GR Internal IR Conversion w/35mm Internal Crop]

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Portpatrick | PT.I – 720nm Infrared | 35Chronicle

35mm, black & white, boats, infrared, landscape, photography, summer, waterscape

The Harbour Series.


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[All frames: Ricoh GR Internal IR Conversion w/35mm Internal Crop]

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Down by the River | PT.III | 720nm Infrared | 35Chronicle

autumn / fall, black & white, infrared, photography, structures, trees, waterscape

Sound Reflections of Light?


Here are just a few more frames, shot a couple of weeks ago along the River Nith, not far from my home. On a glorious afternoon like this, I can just grab my bag and within a couple of minutes, I’m here; looking ahead of me, looking around me, looking for a patch of light that might catch my eye in a way I haven’t yet seen, and then, I’ll look back – to see what, if anything, has changed in the scenes that I have passed. Light can alter so quickly, especially at this time of day when the mid-autumn sun is dipping fast away to the west and it’s all too easy to miss what we have perhaps dismissed already. It’s better not to. It’s better to look back and not miss it. If it’s there. And it was here.

Though I was running a tad late on my walk to collect a certain young lad from school, I can justify that in my slight (and uncharacteristic) tardiness were in fact a few beautiful reasons. At seven, I’m not certain he’d understand, but a forgiving soul, he is. Looking back, it’s a wonderful view.

I do hope you’ll enjoy these few frames.

– R –

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I | The Sound of Light.

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II | The Grey Heron.

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III | Through the Eye of the Beholder.

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[All frames: Ricoh GXR A16 LTFS Conversion w/Hoya R72 – 720nm IR Lens Mounted Filter]


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An Old Sentinel | 720nm Infrared | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, skies, structures, waterscape

Dunskey Castle Ruins, Portpatrick.


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[All Images: Fujifilm X100 720nm IR Internal Conversion]


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The Crichton Memorial Church | 720nm Infrared – PT.I | 35Chronicle

35mm, autumn / fall, black & white, infrared, photography, structures, trees

If I Had a Tail, I’d Never Stop Chasing It.


Why the heck has it taken me so flippin’ long to get back up here to shoot this gorgeous church? As with the Goldielea Viaduct (Post 163) – Crichton Church has always been one of those places regularly on my map, a constant and long since dog-eared post-it note in my head to come and photograph it on some such blue-sky day as this.

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I | The East Face | 35mm | 720nm IR

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Lately, I have been seeing it rather a lot (four times a week as it happens) because, I pass it each time I head out for another of my twice weekly physio sessions. Set virtually in the centre of the beautiful 100 (or so) acre grounds of the Crichton Campus (this place has so much history, it’s ridiculous – see here, at Wiki if you’d like to have a read up) it commands a vast space, popular and well known to anyone who has ever had any reason to visit; and they’d be many. 

The Crichton Campus itself  is home not only to the University of the West of Scotland (this happens to be its smallest campus) but also local businesses (which have, since 2013, set up in many of its grand, sandstone buildings throughout the estate – after the closure and relocation of the old psychiatric hospital); it’s also a very popular location for wedding parties and holiday-makers and, as you might imagine from this, the grounds are usually a lot busier with people than these frames might suggest. On this day, I got very lucky. 

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II | South Face w/ Shadows | 24mm | 720nm IR

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I really do hope you’ll enjoy these first few frames of this little series, photographed during mid-morning only a few weeks ago, as the season seemed to more firmly dig its heels in, we did have to hang around for a good hour or more while we waited for the lower mid-autumn sun to gain a little more altitude for these captures. (Thankfully, there’s a wonderful bistro on campus that serves a fabulous cooked breakfast!)  Frame 2 is a little hello from us, to you – as I prepare to return to work next week after what has been a strenuous seven months to say the least, and also, a proud statement on my part that the one who has been right here with me through it all, is still smiling, even in shadow.

As am I. 

For now, toodle-pip!

R.

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III | West Face | 35mm | 720nm IR

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Caerlaverock Castle | 720nm Infrared – PT.II | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, rural, skies, structures, summer, waterscape

On Top of the World.


Towards the end of last autumn and as winter approached, I discovered to my complete joy that in all the years that I have been enjoying shooting infrared light, it is in fact possible to revel in it the whole year-round; weather permitting of course. No longer do I feel that ol’ sinking feeling once the clocks go back in the so-called knowledge that my IR cameras should just get hung up again until the spring and instead, I simply look forward to the next IR-perfect day on which I can get back out there and shoot. Subject matter is everything of course and here in Scotland there is no shortage of inspiration nor of places as yet unseen through my lenses. 

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Whilst some of my subjects may appear (even to me) safe, popular, somewhat predictable even, I cannot help but feel a huge amount of happiness and satisfaction at being able to capture them under lightwaves less commonly photographed and, share an alternative view of my world that to most, is not often enjoyed. Caerlaverock Castle is certainly one of D&G’s most prominent and beautiful landmarks and, back in June – on the day of the summer solstice, my IR-eye was put back to work. The first post of this two-parter was published only eleven posts ago, yet all the way back in August which only makes me realise just how much catching up I still have to do however, I have been extremely busy during my recovery from the events of April and, there still seems so much to do – but I really am getting there and, to be bluntly honest, it really is a bloody good feeling. Sure, I am a little snowed under, but I honestly wouldn’t want it any other way.

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As summers pass and autumns draw; let winters come and thwart no more.

My lens will be there; somewhere.

R.

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[All Images: Fujifilm X100 720nm IR Internal Conversion.]


Postscript: I have recently upgraded my standard WP plan (note the slight change in site address – yes, the old link will still bring you to my homepage) so – no more ads! To any of you who read my pages and are not WP subscribers, thank you and, I do hope that this change improves your reading experience.


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The Gardens of Drumlanrig | 720nm Infrared – PT.III | 35:Chronicle

35mm, black & white, infrared, photography, rural, structures

Hog Heaven | PT.II


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[Images: Ricoh GR 720nm IR Conversion – w/35mm Internal Crop.]

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Postcards from the Recovery Position | PT.VI – Reprise | 35:Chronicle

35mm, black & white, infrared, photography, ruins, structures

Lincluden Collegiate Church | 720nm Infrared [PT.II]


These two frames have been a long time (for me, anyway) on my shortlist for posting, since my initial publication of my first infrared captures of this beautiful ruin, back in May. They were captured in the middle of April just nine days before I became incapacitated (for a while at least) and for me – they still have great significance and certainly more than would ever allow me to forget the past and simply move on without acknowledgement of it. 

Life was good. And it is, still.

R.

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[Postscript: Sadly, I have learned of late that this gorgeous ruin has been subjected to no small levels of recent vandalism and, I feel even more fortunate to have captured when I did. I have not yet returned to it but when (and if) I do, I know already just how upset I will feel. So, I do hope you’ll enjoy these frames as I am almost certain that no-one is going to put their hands in their pockets for the clean-up. A sobering likelihood of all our todays.]

[Images: Fujifilm X100 Internal 720nm IR – 35mm Equiv.]

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Goldielea Viaduct | 720nm Infrared | Ricoh GR | 35:Chronicle

28mm, black & white, infrared, landscape, photography, rural, skies, structures, trees

Isn’t it Always About – Time?


When I first moved up to Scotland, this disused viaduct was very soon to be a very regular sight for me – in that my regular work travels around the area of Dumfries & Galloway put it often in my line of sight. Needless to say, taking my love of old, bold structures, landscape and infrared photography into consideration, I have surprised myself that almost twenty years have passed and, I have only recently photographed it. From the roadside, it stands tall and proud, around two-hundred yards away amidst fields and forestry and, a care home stands directly in front of it. Behind it, sits a house and its grounds that, from first appearances, look to have once been a large stable block and yard. It’s unarguably  a beautiful and idyllic spot.

It was a couple of months ago when a rare day occurred; the sun came out early in the morning and seemed to threaten hard to remain out all day so, I grabbed one of my IR  cameras; not specifically for this series of images though, moreso to just throw in my small back-pack for a bike-ride with Angela that would take us through some gorgeous scenery and eventually terminate here – on the Dalbeattie side of Cargenbridge (on the outskirts of Dumfries). All the recent physiotherapy I have been having, though massively helpful, could not have filled my mind with the strength I seemed to feel on this day. An all-too-short twelve miles of road and off-road climbs under a relentlessly blue sky and increasing heat, pushing my legs to the limit and straining my once broken spine into comfortable submission had me feeling on top of the world and then, we climbed towards the viaduct that I have seen so many times over the years. Today, I would bag it. About time, indeed.

Thank you for reading my pages and, I do hope you’ll enjoy these three (rather later than they deserve to be) frames.

R.

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I | 28mm 

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II | 21mm

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III | 28mm

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  • Engineer: John Miller.
  • Operational: 1859-1965. Castle Douglas & Dumfries Railway.
  • Desc: Fine 18 Arch, Double-Track Viaduct on a Curve, 1011ft Long & 92ft High.
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The Falkirk Wheel | PT.I | 720nm Infrared | 35:Chronicle

35mm, black & white, boats, infrared, photography, skies, structures, summer

They Paved Paradise.


It’s not what you’d expect and it certainly was not what I expected it to be either; I didn’t do any research, favouring surprise over fore-knowledge of a place that is often mentioned but not yet visited. Much like a literary classic, I suppose, that sits on the shelf for years and soon becomes ignored until the day when it simply falls into your hand. Well, it was that close and quite simply could not be ignored.

The Falkirk Wheel is a monumental piece of engineering – a rotating boat lift that since 2002 has reconnected the Forth & Clyde Canal (below) and the Union Canal (above), the first time since the 1930s. The site itself is one of the most staggering pleasures to the eyes but I have to say, that turning the whole place into a theme-park doesn’t lend well to the sheer awe of it all. Certainly, it will draw huge income and just as likely, it makes life a little tricky for any photo-enthusiast (ie: moi!) to make images of the prime attraction – the wheel itself. Nonetheless, without wishing to sound like an affiliate to the Scottish Tourist Board (or an anti-affiliate at that) for anyone who is interested in the waterways of Scotland, or anywhere for that matter, or engineering – this thing is a must see.

It works on the principle of Archimedes theory of displacement (that a body immersed in water displaces its own weight in water) thus, each of the two gondolas contains 250 tonnes (250,000 litres) of water without a boat within, or the same weight when containing a vessel. This means that enough electricity to boil a few kettles is required to get the wheel turning before the balance of the two gondolas (180 degrees from each other) keep the wheel turning in perfect balance with each other. It’s all extremely simply yet, ridiculously clever. 

Here, I have done my best to capture some of the essence of the Wheel whilst sticking to the idea of conscious exclusion, (in other words, without the pedalos, ice-cream stalls, crowds and, bouncy castles, for instance). I do hope you’ll enjoy this first instalment. 

R.

[All images: Fujifilm X100 Internal 720nm IR – 35mm Equiv.]

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The Kelpies | 720nm Infrared | 35:Chronicle

black & white, infrared, photography, structures

Transformations.


By the end of July I was already starting to get back on my feet, so, after almost three months of restrictions, it was time for us to plan a road-trip and – do something a little bit different. I dumped the crutches in the boot of the car (just in case) and, we headed to Grangemouth, home of the Kelpies, for a few days r’n’r. 

Though we’d read before about these incredible structures, nothing could have actually prepared us for the sight that awaited us as we approached them on the motorway. Our hotel destination was only a mile or so away from The Helix where these two stunning 300-tonne, 30m high, steel-panelled structures are  situated, so we couldn’t have been better placed. Within an hour of checking in, I’d already loaded up the cameras I’d be using to photograph them and, we were setting off on foot already towards the canal and – towards our first close-up look at the Kelpies; the name itself deriving from the Scottish word for shape-shifting water spirits which inhabit Scotland’s lochs and pools.

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Designed and built by Andy Scott in 2013, the Kelpies have been given huge acclaim and attract millions of visitors every year. Its not hard to see why. Standing upon a specially constructed lock and basin, they dominate the skyline in a way so rarely seen, anywhere. For this reason alone, I was determined to capture them in infrared right from the off but in fact, the first and third frame I shall post here, were shot on day two when the clouds had finally lifted to let the sun in. Frame two was shot on day one under less than ideal IR conditions but, has to be included to give some frame of reference as to their domineering and imposing presence. They truly are a sight to see and, I do hope you’ll enjoy these first few frames.

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On a side note, I would like to thank, so much,  all of you who follow or regularly read my pages and my works for bearing with me. It’s been a really difficult year since April but I am very glad to say that not only am I recovering extremely well, but I have been so busy enjoying the fruits of life again that I have found ridiculously little time to sit, process, write or do much else for that matter. I really have been making up for lost time, which is another way of saying – my catalogue of shots has been increasing lately!

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It’s bally good to be back, so, for reading me again – thank you! 

R.

[All images: Fujifilm X100 Internal 720nm IR – 35mm Equiv.]

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