Down by the River | PT.V | 720nm Infrared | 35Chronicle

35mm, black & white, infrared, photography, spring, trees, waterscape

Reflections: Spring in Full Bloom.


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I | GXR – 1/400th – f6.3 – ISO:200 – Hoya R72

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II | GXR – 1/400th – f6.3 – ISO:200 – Hoya R72

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Thank you for visiting.
R. 

Crichton Memorial Church – PT.III | 720nm Infrared | 35Chronicle

black & white, infrared, photography, rural, skies, spring, structures, trees

When the Ground Marries the Sky.


It really isn’t all that often that I’m lucky enough to see settings like this. Back in November I shot the church for my first time (2019: posts 169 & 178 on my Archives page, if you’d like to roll back a little) and, given the beautiful weather on that day too, albeit cold and autumnal – I was extremely happy to have come away with some lovely IR frames that, yes, I am still very pleased with; but today, in the midst of spring and of course, during the still current lock-down, I managed to snag a few more that, even before I reached for my camera, had me drawing sharp intakes of breath. (Social- distancing – unbreached of course; in fact that part really wasn’t difficult at all.) 

I hope that you are all keeping well and, that you’ll enjoy these few captures. 

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I | 24mm – 1/380th – f6.3 – ISO:200 | Ricoh GXR LTFS Conversion w/Hoya R72

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II | 24mm – 1/290th – f6.3 – ISO:200 | Ricoh GXR LTFS Conversion w/Hoya R72

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III | 28mm – 1/850th – f4.3 – ISO:200 | Ricoh GXR LTFS Conversion w/Hoya R72

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Feel free to join me on Instagram: @35chroniclephotography
Thank you for visiting.
R. 

 

A Sign of the Times | PT.II – 720nm Infrared | 35Chronicle

black & white, infrared, photography, ruins, skies, spring, structures, trees, urban, waterscape

Un-Visual: A Diary of – the ‘Nobodies’.


All captured on the same gorgeous, warm Saturday afternoon and, I have to wonder – (how quickly) will we find our way back, and, can there be true context without – people?

Indeed; I wonder how this will all play out.

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I | Rosefield Mills [Derelict]

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II | Dock Park

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III | Bandstand

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IV | Devorgilla Bridge

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Thank you for visiting.
-R-

Going Home | 720nm Infrared | 35Chronicle

35mm, black & white, infrared, nature, photography, rural, spring, waterscape

If it Wasn’t for the Night-Shifts…


Travelling home a couple of weeks ago, I passed, as I always do on my commute – the utterly beautiful Castle Loch. It’s a sight I see hundreds if not thousands of times a year and one that I never tire of but, it is rare to be near it when its surface is quite as millpond-still as this. As the sun was only a couple of hours awake and still rather low in the sky, I wasn’t even sure as to whether I would get any decent IR frames and through the trees to my left, I did my best to spot the condition of the light before I decided to pull-in. I caught a glimpse through the foliage, decided it might work and, quickly checked my mirrors – nothing behind me; time for a sharp left and a swift look at the scene. It was worth it.

As a passing thought: given that one of my favourite coffee mugs is emblazoned with the all-too-accurate words, “I am Not a Morning Person!” –  I can only say that if I was left to my own devices on a lazy day-orff, I wouldn’t have managed to grab this early frame. I hope you’ll enjoy it!

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Castle Loch [Low Sun] | 720nm IR | GXR [LTFS Conversion w/Front-Mounted Hoya R72] – 35mm – 1/220th – f7.2 – ISO:200

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Thank you for visiting.
-R-

The Mono-Archives | PT.II | 35Chronicle

35mm, black & white, infrared, landscape, nature, photography, rural

There is a House…


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Upper Dalveen (Below Clouds and Snow-Caps, on the Dalveen Pass) | VIS & 720nm Infrared, Respectively.
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Thank you for visiting.
-R-

The Mono-Archives | PT.I | 35Chronicle

35mm, black & white, infrared, landscape, nature, photography, ruins, structures, trees

Castle Kennedy & Gardens (2019) | 720nm IR [PT.I]


Given that we’re all a little restricted nowadays, I have decided to do a little catching-up on some much loved scenes and places that I have had the good fortune to capture over the past year or so. Welcome to the Mono-Archives series, a proposed mix of both IR and visible light monochrome frames. I hope you’ll enjoy what I certainly hope will become a worthy collection of some of my more recent black and white work.

-R-

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Close to Home | 720nm Infrared | 35Chronicle

black & white, infrared, photography, skies, structures, urban

Stone & Sky.


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I | The Minerva Building [The Gates are Open but, School is … Out]
GXR A16 FS Conversion w/Lens-Mounted Hoya R72 720nm IR Filter | 24mm | 1/850th | f4 | ISO:200

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II | Greyfriars.
GXR A16 FS Conversion w/Lens-Mounted Hoya R72 720nm IR Filter | 28mm | 1/320th | f4.8 | ISO:200

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III | Robert Burns & Greyfriars.
GXR A16 FS Conversion w/Lens-Mounted Hoya R72 720nm IR Filter | 24mm | 1/400th | f6 | ISO:200

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Down by the River | PT.IV | 720nm Infrared | 35Chronicle

35mm, 50mm, black & white, infrared, photography, ruins, skies, spring, structures, trees, waterscape

Exercise Can Take Many Forms.


We have been advised by Boris that during this extended period of Covid-19 induced lock-down, we are allowed: to make essential journeys, commute to work (and thankfully, gratefully – home again), make vital trips to shops and – to engage in (for up to an hour per day) outdoor exercise. Today, I had no essential journeys to make, nor did we need to run out for urgent supplies; furthermore, it’s my day orff, and so… on seeing what a beautiful spring day it was, Bumble and I decided that we would take the kids out for a much needed leg-stretch for an hour. A perfect opportunity to exercise my leading-eye and my right index finger too, I thought. 

The streets were largely deserted (to be expected of late) save for small groups of shoppers obediently queuing two metres (or thereabouts) apart outside a local supermarket and we had absolutely no issues with bumping into anyone at all. A short walk through the town brought us to a popular spot next to the River (the Nith) more usually popular at this time of year for seagulls and – local drinkers. Today though – all was quiet, serene, picturesque and fragrant. I recall thinking to myself, “If a spring Saturday in the glorious sunshine could always be as peaceful as this, who could possibly have a problem with social-distancing?” Of course, my tongue was firmly in my cheek but you have to admit, many of you will have thought it too at some time or other lately? Surely? I have never seen this part of town so quiet (at least not before 4 a.m, that is!) As we walked towards a near deserted park on the other side of the bridge, I had an idea; one that I had had many times before, in fact. “There is a building…”

I know – I shoot a lot of buildings (and for those of you new to my pages, they include old ruined abbeys, castles, fortifications, churches, to name but some) and usually, solely in my favoured 720nm infrared output when the weather allows me to. When I’m not shooting large structures, I love to shoot around or next to water and today, I would combine the two, as we strolled. 

Standing half-way along Devorgilla Bridge, you’d be forgiven for believing that my intention here was to capture the New Bridge (otherwise known as the Buccleuch Street Bridge) but in fact it was indeed the large willow which attracted me to making this frame. Seeing it draped over the water, newly budding – between me and the stonework, to my mind makes a very pleasing frame.

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Buccleuch Street Bridge & Willow | Ricoh GXR A16 Full-Spectrum Conversion w/Front-Mounted Hoya R72.
[50mm – 1/380th – f6.8 – ISO:200]

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Rosefield Mills is a Grade B Listed disused woollen mill, situated right on the bank of the Nith and, it’s in a sad and sorry state. I have been wanting so much to capture this beautiful, old Venetian style building under IR light for many years but have never, ever arrived to shoot it and been blessed with enough natural sunlight to do so, at each attempt. Today’s encounter with it was down to pure chance that I bagged my camera before setting off, oddly – not something that I always do (there’s a lesson here, don’t you think?) I did manage a good series of images here and, this one is a preview, I guess. 

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Rosefield Mills (from a Deserted Park) | Ricoh GXR A16 Full-Spectrum Conversion w/Front-Mounted Hoya R72.
[35mm – 1/140th – f8.4 – ISO:200]

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Douglas Adams once wrote that nothing turns a seemingly ordinary human being into an incredible musician more quickly that the knowledge of the rapid approach of impending deafness. I feel that there’s an echo here – that to not be able to exercise one’s freedom to roam inasmuch as we have always been able to prior to current times, all of a sudden there’s an urge to find, to see, to create – to enjoy. To the full. 

And so – I hope that you will enjoy these two frames as much as I have enjoyed making them. Stay well and, I hope you’re enjoying a great weekend. 

R.

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The Water Cure, Perhaps? | 35Chronicle

35mm, black & white, infrared, nature, photography, skies, waterscape

It Has Been Said…


… that to aid in the finding of true inner peace, one must be able to enjoy the calm of a sizeable area of water for at least thirty minutes, each day; I can’t possibly know how true this really is, but hey, it works for me. Therefore, here – I wish to share four separate frames with a watery theme, caught with three different cameras, all at my favoured 35mm FoV.

I do hope that you and those you love are all well and, that you’ll enjoy these few captures. 

R.

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Hermitage Castle | PT.II – 720nm Infrared | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, skies, structures

Monumental | II.


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[All frames: Fujifilm X100 – Internal 720nm Infrared Conversion / f8.0 – ISO:320]


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Hermitage Castle | PT.I – 720nm Infrared | 35Chronicle

35mm, black & white, infrared, photography, ruins, rural, skies, structures

Monumental.


You may recall that I posted a few frames from the Chapel ruins here at the site of Hermitage Castle, back on the 9th of the month and, as we all know , a lot has changed since then. All I can say now is that without the benefit of foresight, I am so glad that we made the trip to Hermitage when we did. Not weeks before, around eighty homes were evacuated due to the severe floods in the area, the Hermitage water was some 12-15 feet higher than usual and, even most of the roads leading here had collapsed. As a result, it was touch and go as to whether we might have made it at all, however, fortunately for us, the road was passable right up to the point of the small bridge at the monument’s road-end, thus – a dead end. But we got here. 

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The monuments origins date back to around 1240 and was believed to have started out its life as a hunting lodge not far away from the castle itself. The castle we see today, however, wasn’t believed to have been built until the early to mid-fourteenth century and as you would imagine, is steeped in history and – horror stories. For me, though, its foreboding presence amidst wide expanses of moorland, the now peaceful Hermitage Water below it and, its views to the hills, make Hermitage Castle not only a beautiful place to be but, a very pleasing frame-filler, too. More information, if you wish, can be found here: https://www.undiscoveredscotland.co.uk/hawick/hermitagecastle/index.html – I do hope you’ll enjoy these few frames.

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Needless to say, these are recently archived shots – no trips disobeying government guidelines regarding COVID-19 have been made and, as one working on the front-line of healthcare myself, may I please urge everyone to maintain our  conscientious attitudes in fighting this outbreak. We can only do this together. I sincerely hope that all of you and yours are keeping well! 

Remember – Please, Stay at Home.

R. 

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[All frames: Fujifilm X100 – Internal 720nm Infrared Conversion / f8.0 – ISO:320]


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The Curse of Morton Castle | PT.I | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, rural, skies, structures, trees, waterscape

When Light Plays Games | 720nm IR.


As a serious, enthusiastic photographer, I ask myself again and again – just how many times am I prepared to return to the same place in order to get the photograph that I long to capture? The image that I know I can bag, if the conditions play the game nicely? The answer, every time, has to be – “until I get the shot”. So it is the case here, at Morton Castle. It seems not to matter what time of year I visit, nor, what the weather forecasters says it’s going to be doing the evening before; for, whenever I arrive here, the clouds always close in. Every, bleedin’, time. Anyone who has set out to capture a scene only to be thwarted by the conditions, knows exactly what I’m talking about. It’s frustrating to say the least. Don’t you think?

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On the other hand, I am a firm believer that with a little patience, I am (usually always) rewarded with images that I did not envisage capturing at all, making most if not all a very pleasant surprise and yet something else in life to be completely happy about. Friday past was the fourth time I have made the trip to Morton to capture the ruin and its surroundings in infrared, after assurances by the Met. Office of clear skies and sunshine overhead until around lunchtime. Turning up during mid-morning however, afforded no preferential treatment and, as usual – the clouds were waiting. Though I had hoped we’d drive right past them, ’twas not to be. 

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Every now and then, pockets of blue around the sun would appear and, shafts of undiffused light would reign in short bursts, occasionally wide enough to light up the ground sufficiently enough to facilitate my pulse racing a little in my eagerness to trip another frame before the light disappeared again. For around two hours, the light would continue to cheekily lead me up and down the proverbial garden path, and, back up again in its mockery of my efforts. But patience is everything and, despite still not getting anything close to the frames I had hoped to preserve yesterday – I decided that even when the light plays games, I will play my own.

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The curse of Morton? A blessing in disguise, perhaps.

R.

[All images: Fujifilm X100 720nm IR Conversion | 35mm Equiv. | f8.0 | ISO:400]


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Hermitage’s Chapel Ruin | 720nm Infrared | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, rural, structures

A Place in Time.


Friday’s are a fabulous day for scouting. We call it – the Long Friday. The littlest ‘un will finish school at 3 and will be collected by his after-school club, there to remain until around 5.30pm. It makes for one day in the week when we don’t have to get back too quickly during the afternoon and wherever we might end up, well, it gives us a little more time to explore. Such was the case last week when we made the journey to Hermitage Castle. 

Just five miles from the English border, in Liddesdale, the castle ruins stand as a forbidding, high-walled monument amidst wide and oppressive moorland – it’s huge arch facing to the hills to the west. Just a couple of hundred yards behind it, lay the ruins of the chapel, alongside the peacefully babbling Hermitage Water. Having spent over an hour around the castle (naturally, I will be sharing a few frames from there, too) and, with the sun gracing the early afternoon for longer periods than we’ve enjoyed lately, I was very excited to capture the chapel ruins. A more peaceful spot than this have I yet had the sheer pleasure to enjoy (aside perhaps from the beautifully secluded Morton Castle). 

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I | Windows to the East. Fujifilm X100 720nm IR – 35mm – 1/140th – f8 – ISO:320

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II | Out to Hermitage Castle – Three Little Windows. Fujifilm X100 720nm IR – 35mm – 1/170th – f8 – ISO:320

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There really isn’t much left here by way of a building as such. A burial enclosure languishes in the far east corner, grave stones and markers dot the ground on the far side too, and, three little windows look out to Hermitage Castle and to the hills beyond. We stayed a while, trying our best to decipher carvings on old stones, making a few IR frames and generally enjoying the peace and the sound of the water, while the sun warmed our backs on an otherwise chilly day. If there was a day where I could wish time to slow down, this one would have been the day. The chapel itself is thought to have pre-dated the castle itself by up to two hundred years (there is little information to either argue or corroborate this) and was believed to have been built during the mid 12th century. I’m surprised that there’s any part of it left at all. But, I’m extremely glad of it. 

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III | Burial Enclosure. Fujifilm X100 720nm IR – 35mm – 1/160th – f8 – ISO:320

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Not exactly landscape photography, nor structural either; just a few views from one beautiful place in time. I hope you’ll enjoy them. 

-R-

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Lowther Castle – PT.I | 720nm Infrared | Ricoh GR | 35Chronicle

black & white, infrared, landscape, photography, ruins, rural, skies, structures

A Westmorland Gem | Penrith, Cumbria.


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I | GR 720nm IR Conversion – 1/250th – f8.0 – ISO:100

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II | GR 720nm IR Conversion – 1/250th – f8.0 – ISO:100

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III | GR 720nm IR Conversion – 1/200th – f8.0 – ISO:100

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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Harbouring Light | PT.II – 720nm IR | 35Chronicle

black & white, boats, infrared, photography, waterscape, winter

Back to the Front | Kirkcudbright Harbour.


Life has settled into a new-old rhythm lately and, now that I have a little less time on my hands, it’s time to reflect on those days when I had an awful lot more time to do the very same thing. 

Whenever I have a day to kick my heels, I often think about coming back to Kirkcudbright, a place I love so much and have spend many, many happy hours wandering around with my cameras, shooting around the harbour in particular – satisfying my utter love of water, boats and glorious light; albeit the low, early winter sun. Just a couple  of weeks ago the jaunt was made again, instigated by the surety of a perfect day for shooting and, checking the tide-times only solidified intentions. Few ever walk the jetty to the pontoons; whenever I come, there’s hardly ever another soul to be seen and I guess that’s another reason as to why I love this spot as much as I do. Listening to the wind slapping the lines against their masts is an inspiration in itself and I can take minutes just thinking about a single frame – but what’s not to love about that?

For as long as I am still shooting, I know that I’ll come back here again and again. I’ll probably take the same shots over too and from the same places, but when inner peace is so easily found and there’s someone to share it all with, I don’t have a problem with that. At all. I do hope you’ll enjoy these few IR captures and, come back for another look too, perhaps?

Have a great weekend, peeps.

– R –

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I | The Boat that Never Moves.

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II | A Wave on a Daisy.

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III | Reflected Calm.

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[All frames: Ricoh GXR A16 LTFS w/Hoya R72]


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