Big Water of Fleet Viaduct | 720nm Infrared | 35Chronicle

28mm, black & white, infrared, landscape, photography, ruins, rural, skies, structures

To the Missing Four Arches


This post is written with huge thanks to my good friend, Amar Verma at vermatec – for, I have not only my original GXR A16 LTFS conversion back in the bag, its sensor beautifully clean of all the dust spots I’ve been hoovering up with it but also, my spare A16 which is now also converted to LTFS and ready for some more of the same alternative wavelength caperings. I plan soon to delve into some shorter frequency IR work again, possibly as high as around 900nm which I will shoot alongside my currently favoured 720nm. Here’s a frame from the newly converted lens unit at 720nm. (Sadly, thanks to an inconsiderately parked Citroen camper-van, the four arches (of the twenty in total) to right of the frame were certainly obscured enough that they couldn’t be included here; never mind – another visit shouldn’t be too far away!) I hope that you’ll enjoy this one, nonetheless. And to Amar – thank you again, my friend. This one is just perfect!

R.


Sixteen Arches | GXR A16 LTFS 720nm IR | 28mm – 1/320th – f7.6 – ISO:200

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Loch Ettrick | 720nm IR [Long Expo’] – PT.I | 35Chronicle

black & white, boats, infrared, landscape, Long Exposure, nature, photography, rural, skies, summer, trees, waterscape

“Today, the Weather Will Consist Mainly of Horse-Flies, Cloud, Kayaking Intruders & Occasional, Infrequent Outbreaks of Sunshine”. (That’ll Do!)


I’m really struggling to find time enough to sit and write, lately. You may or may not have noticed and perhaps, it’s a nice change for readers to not have to feel guilty for all the ‘scanning’ we have to do when we do our best to keep up with all of the posts we follow and digest, in a meaningful way. A way that does justice to the incredible quality of works that are so regularly posted. Well, today, I have to write. I’m sorry. But I am starting to feel that distancing of connection with what I love to do so much and that which often lends context, most acutely comes down to words. Sometimes a frame by itself cannot be its own justification. This one almost achieves that, for me – but only because I was there shooting it. Still, my sub-header pretty much covers it. What it doesn’t portray, however, are the little yet frequent internal struggles I am having to do something a little different with my cameras. Ideas that have been explored and exploited for as long as any of us can remember are thus, still a little new to me and, as confident as I am at many genres of photography, long exposures still make me scratch my head as to how best to go about it. In this case, as with the previous recent frames that I have posted, I am winging it. Timing as best I can to achieve good exposure and some decent movement within the frame where it can move the eye and the mind. But slow-moving clouds are still just that, even over the course of a minute with the shutter open and so, we come to the water to hopefully save the day. The water came through in fine style. 

For years I have marvelled at the talents of photographers who have taken long-exposure photography to ever new heights and, whilst in no way could I hope to emulate some of the most incredible work that I have had the good fortune to view, I hope at the very least to be able to grasp the concept with the little knowledge that I do have and, put it to the test in making some frames of my own. Here, at the Loch-side, I was granted a gift, when eight year-old Flynn, on his first outing in a Kayak since he was four years old, drifted slowly into my frame. I made no attempt to ward him away (he was having so much fun, bless ‘im!) and, as I view the shot, I am bloody glad that I didn’t and, that he did. If only the shutter had remained open for another few seconds though? Nonetheless, happy accidents win the day and I have a frame to be delighted with. 


Loch Ettrick [I] | 720nm IR w/Hoya R72 & 10-Stop ND | Ricoh GXR A16 LTFS Conversion | 24mm – 60” – f22 – ISO:100.

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Although I am all too aware that conditions on this day weren’t perfect for this kind of exploration, I intend to keep going and will take my camera with me whenever and wherever I can in the hope that I will discover for myself, what to look out for and how to play with it. In the meantime, the cleg bites on my shoulders are reducing nicely and I can smile at great memories. I hope you’ll enjoy this one and, that you’ll have a great week ahead. 

R.


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GELSTON CASTLE – PT.IV | 35CHRONICLE

28mm, black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.V | 720nm Infrared – Long Exposure Series.


All About the Angles | 720nm IR w/Hoya R72 & 10-Stop ND | Ricoh GXR LTFS Conversion | 28mm – 60” – f22 – ISO:100.

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R.
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Orchardton Tower – PT.II | 35Chronicle

black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.IV | 720nm Infrared – Long Exposure Series.


Cloudburst at Orchardton Tower, Palnackie | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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[PT.I: Here | Post: 135]

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R.
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Caerlaverock Castle – PT.III | 35Chronicle

black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.III | 720nm Infrared – Long Exposure Series.


Caerlaverock Castle – Nr. Dumfries | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 30secs – f22.0 – ISO:100.

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R.
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The Lighthouse at Southerness – PT.II | 35Chronicle

black & white, fine art, infrared, landscape, Long Exposure, photography, rural, skies, structures, summer

Revisiting Old Haunts – PT.II | 720nm Infrared – Long Exposure Series.


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Southerness Lighthouse | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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R.
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The Mono-Archives | PT.VI | 35Chronicle

35mm, black & white, infrared, landscape, photography, rural, skies, structures

Room with a View? | Mouswald Parish Church. 


Elevated yet still very tucked away here in the quiet village of Mouswald, stands this beautiful little parish church that dates back to 1816 – up for sale to anyone who’d want to make it… home. From here, there are beautiful views over the Solway and out to Criffel and, no troubling neighbours. But a lot of buried stories, I’m betting. I’ve had this place on my shoot-list for a lot of years and, thankfully – just a few weeks before lock-down, I finally made them.  I have to wonder though – once it’s sold, will the resting still be left to rest? I hope so.

Idyllic; even on a moody day like this.

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R.
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The Mono-Archives | PT.II | 35Chronicle

35mm, black & white, infrared, landscape, nature, photography, rural

There is a House…


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Upper Dalveen (Below Clouds and Snow-Caps, on the Dalveen Pass) | VIS & 720nm Infrared, Respectively.
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Thank you for visiting.
-R-

The Mono-Archives | PT.I | 35Chronicle

35mm, black & white, infrared, landscape, nature, photography, ruins, structures, trees

Castle Kennedy & Gardens (2019) | 720nm IR [PT.I]


Given that we’re all a little restricted nowadays, I have decided to do a little catching-up on some much loved scenes and places that I have had the good fortune to capture over the past year or so. Welcome to the Mono-Archives series, a proposed mix of both IR and visible light monochrome frames. I hope you’ll enjoy what I certainly hope will become a worthy collection of some of my more recent black and white work.

-R-

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Thank you for visiting.

Hermitage Castle | PT.II – 720nm Infrared | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, skies, structures

Monumental | II.


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[All frames: Fujifilm X100 – Internal 720nm Infrared Conversion / f8.0 – ISO:320]


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The Curse of Morton Castle | PT.I | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, rural, skies, structures, trees, waterscape

When Light Plays Games | 720nm IR.


As a serious, enthusiastic photographer, I ask myself again and again – just how many times am I prepared to return to the same place in order to get the photograph that I long to capture? The image that I know I can bag, if the conditions play the game nicely? The answer, every time, has to be – “until I get the shot”. So it is the case here, at Morton Castle. It seems not to matter what time of year I visit, nor, what the weather forecasters says it’s going to be doing the evening before; for, whenever I arrive here, the clouds always close in. Every, bleedin’, time. Anyone who has set out to capture a scene only to be thwarted by the conditions, knows exactly what I’m talking about. It’s frustrating to say the least. Don’t you think?

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On the other hand, I am a firm believer that with a little patience, I am (usually always) rewarded with images that I did not envisage capturing at all, making most if not all a very pleasant surprise and yet something else in life to be completely happy about. Friday past was the fourth time I have made the trip to Morton to capture the ruin and its surroundings in infrared, after assurances by the Met. Office of clear skies and sunshine overhead until around lunchtime. Turning up during mid-morning however, afforded no preferential treatment and, as usual – the clouds were waiting. Though I had hoped we’d drive right past them, ’twas not to be. 

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Every now and then, pockets of blue around the sun would appear and, shafts of undiffused light would reign in short bursts, occasionally wide enough to light up the ground sufficiently enough to facilitate my pulse racing a little in my eagerness to trip another frame before the light disappeared again. For around two hours, the light would continue to cheekily lead me up and down the proverbial garden path, and, back up again in its mockery of my efforts. But patience is everything and, despite still not getting anything close to the frames I had hoped to preserve yesterday – I decided that even when the light plays games, I will play my own.

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The curse of Morton? A blessing in disguise, perhaps.

R.

[All images: Fujifilm X100 720nm IR Conversion | 35mm Equiv. | f8.0 | ISO:400]


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Hermitage’s Chapel Ruin | 720nm Infrared | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, rural, structures

A Place in Time.


Friday’s are a fabulous day for scouting. We call it – the Long Friday. The littlest ‘un will finish school at 3 and will be collected by his after-school club, there to remain until around 5.30pm. It makes for one day in the week when we don’t have to get back too quickly during the afternoon and wherever we might end up, well, it gives us a little more time to explore. Such was the case last week when we made the journey to Hermitage Castle. 

Just five miles from the English border, in Liddesdale, the castle ruins stand as a forbidding, high-walled monument amidst wide and oppressive moorland – it’s huge arch facing to the hills to the west. Just a couple of hundred yards behind it, lay the ruins of the chapel, alongside the peacefully babbling Hermitage Water. Having spent over an hour around the castle (naturally, I will be sharing a few frames from there, too) and, with the sun gracing the early afternoon for longer periods than we’ve enjoyed lately, I was very excited to capture the chapel ruins. A more peaceful spot than this have I yet had the sheer pleasure to enjoy (aside perhaps from the beautifully secluded Morton Castle). 

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I | Windows to the East. Fujifilm X100 720nm IR – 35mm – 1/140th – f8 – ISO:320

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II | Out to Hermitage Castle – Three Little Windows. Fujifilm X100 720nm IR – 35mm – 1/170th – f8 – ISO:320

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There really isn’t much left here by way of a building as such. A burial enclosure languishes in the far east corner, grave stones and markers dot the ground on the far side too, and, three little windows look out to Hermitage Castle and to the hills beyond. We stayed a while, trying our best to decipher carvings on old stones, making a few IR frames and generally enjoying the peace and the sound of the water, while the sun warmed our backs on an otherwise chilly day. If there was a day where I could wish time to slow down, this one would have been the day. The chapel itself is thought to have pre-dated the castle itself by up to two hundred years (there is little information to either argue or corroborate this) and was believed to have been built during the mid 12th century. I’m surprised that there’s any part of it left at all. But, I’m extremely glad of it. 

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III | Burial Enclosure. Fujifilm X100 720nm IR – 35mm – 1/160th – f8 – ISO:320

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Not exactly landscape photography, nor structural either; just a few views from one beautiful place in time. I hope you’ll enjoy them. 

-R-

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Lowther Castle – PT.I | 720nm Infrared | Ricoh GR | 35Chronicle

black & white, infrared, landscape, photography, ruins, rural, skies, structures

A Westmorland Gem | Penrith, Cumbria.


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III | GR 720nm IR Conversion – 1/200th – f8.0 – ISO:100

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2019 Photographic Review | 35Chronicle Photography

black & white, boats, close-up, colour, Indoor, infrared, landscape, macro, nature, night / low-light, people, photography, portraits, review, ruins, rural, skies, still life, structures, summer, trees, waterscape

As the Days Begin to Lengthen.


This time last year I was preparing my first ever photo-review here at 35Chronicle and, at the time, I could never have professed to have known just what a year 2019 was going to be for me. In every sense of the word it’s been an amazing year, and – a traumatically difficult one for the large part. Suffice to say that if you are a regular reader of my pages, you’ll know a little of what I’ve been up to and, subjected to and – you might also realise that as well as those closest to me who have kept me going throughout the year since spring, my love of all things photographic have been my main non-pulsatile impetus to get back out there and, get better. Better in health, at life, at shooting – just, better; in any way I can.

Despite some difficulties in getting back out there (you try shooting whilst holding on to your crutches while your camera bag is threatening to slide forward under the weight of the gear – with the express intent of taking one of your legs from underneath you!) I have enjoyed many excursions this year. Insosaying, I have done my best to represent each month of 2019 (by date of publishing) with what I feel is the one shot that truly made the cut. My cut. I hope I have done enough.

Of course, the whole reason I am writing any of this is because, well – you are reading it. As such, I need to say a massive thank you to a huge amount of people who have been with me this year and without whom, my 2019 would have turned out rather different and probably not as good. Therefore, to loved ones, to friends, to everyone here on WP, and to everyone who has been of support to me throughout the year, I thank you, from the bottom of my heart. You all know who you are and I forget not one of you.

Please do enjoy this selection of just some of my favourite frames of this year and I hope you’ll join me again in 2020. It’ll be great to see you again. (To H – thank you and please forgive me for my shameless and blatant use of your sign-off. It fits perfectly, expresses my intent to a tee and I truly can’t think of or find a better way to say it. I promise to only use it this once!)

See you on the flip-side, folks!

In Metta.

– Rob –


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January 2019 | Moss after Rain.

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February 2019 | The Wellspring – Kirkcudbright | 720nm IR.

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March 2019 | Thirlstane Arch – Powillimont, Southerness | 720nm IR.

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April 2019 | Dundrennan Abbey [AKA: The Day of Two Cakes!]| 720nm IR

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May 2019 | Angela.

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June 2019 | Gelston Castle | 720nm IR.

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July 2019 | River Nith to Greyfriars | 720nm IR.

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August 2019 | Angela & her Machines.

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[Just After] September 2019 | The Kelpies – Falkirk | Late Dusk.

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October 2019 | Light Muse (Sic!)

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November 2019 | Edinburgh, from the Castle.

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December 2019 | Paisley James – 4 Hours Old.
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Happy New Year 2020, to You All!

X

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Portpatrick | PT.I – 720nm Infrared | 35Chronicle

35mm, black & white, boats, infrared, landscape, photography, summer, waterscape

The Harbour Series.


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[All frames: Ricoh GR Internal IR Conversion w/35mm Internal Crop]

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