London Skylines: PT.II | 35Chronicle Photography

28mm, 35mm, black & white, fine art, full-spectrum, infrared, landscape, photography, skies, structures, urban

Above & Below.


III | OXO [LTFS] – From the Thames.

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IV | Westminster Bridge, Houses of Parliament & Elizabeth Tower in Scaffolding [720nm IR] – From the Eye.

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– Memento Vivere! – 
R.
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Ribblehead Viaduct: PT.II | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, rural, structures, summer

Look Back, Before You Leave.


When arriving here at the viaduct, it’s so easy to forget to look around at the landscape. It really is that jaw-dropping. If I was a walker (as in, a keen rambler) I would have already known the name of the flat-top hill behind us as Pen-Y-Ghent, one of the Three Peaks so popular with enthusiasts. Suffice to say, though, I love this landscape so much that I am even thinking about a trip here for a few days, after a visit to a reputable outdoor clothing shop! 

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IV.

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V.

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VI.

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Thank you all for your clicks and kind thoughts and comments and, I do hope you’ll enjoy these last few IR frames from Batty Moss! 

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– Memento Vivere! – 
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Ribblehead Viaduct: PT.I/II | 720nm Infrared | 35Chronicle Photography

black & white, infrared, landscape, photography, ruins, rural, structures

An Ode to ‘Batty Moss’.


We ended up here by a kind of accident, really. So far off the beaten track and so far from home, you’d be excused for questioning such a statement. But I’d listed a camera outfit on a popular sales app and ended up meeting the buyer (Hi, George – if you’re reading!) down the road in Cumbria. We simply decided to make a day of it and take the RF for a bit more of a spin. A glorious, hot day, stunning views – roof down; it was as perfect a day for a run as any I can ever remember.

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I.

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Ribblehead, or Batty Moss Viaduct at Ribblehead in North Yorkshire is, as you might imagine, strewn with history – both good and bad. Work commenced on the foundations in 1870 and through re-design issues and financial problems, the final key-stone wasn’t placed until the end of 1874. It was opened as a single-track line in 1876 and despite many attempts to close the line as early as the 1980s, it remains open today as a result of increasing passenger numbers on the Settle to Carlisle line and, huge petitions to save it. During the construction of the viaduct, some one-hundred or so of the two-thousand (plus) workforce died either as a result of construction related injuries, fights or – smallpox. The land around the viaduct itself is now a scheduled ancient monument as the remains of the three settlements and construction camps (Batty Wife Hole, Sebastapol and Belgravia) are situated here. Its architect was the renowned John Sydney Crossley who died some three years after the line opened to the public.

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II.

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During our visit to the viaduct, I did my best to compose to exclude the scores of cars and smoking BBQs below many of the twenty-four arches and humming drones above them; this place is an absolute magnet when the sun’s out! As with most things in life though, patience is a virtue and occasionally I was able to get clear views of this magnificent structure. An absolute treat.

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III.

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I hope you’ll have enjoyed these first few frames and I wish you all a fabulous week.

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– Memento Vivere! – 
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

A Day in the Life | 720nm IR | 35Chronicle Photography

black & white, infrared, landscape, photography, rural, skies

May ’21 | To & from Knocktinkle…


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I | From Knocktinkle, with a Smidge’ of Tonal Work | 720nm IR

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II | Looking Behind… Difficult Choices, Here | 720nm IR

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III | Be Honest… You Thought I Was Kidding?! | 720nm IR

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– Memento Vivere! – 
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Breaking the Curse of Morton Castle: PT.V | 720nm Infrared | 35Chronicle Photography

28mm, 35mm, black & white, fine art, infrared, landscape, nature, photography, ruins, rural, skies, structures, summer, trees, waterscape

Until Our Paths Cross Again.


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X | Sentinel of Paradise.

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XI | Old Stone & New Buds.

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– Memento Vivere! – 
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Breaking the Curse of Morton Castle: PT.IV/V | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, ruins, rural, skies, structures, trees, waterscape

In Blissful Isolation.


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VIII | The Sheer Beauty of Solitude.

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IX | Nature Sharing Empathy, Perhaps?

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– Memento Vivere! – 
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Breaking the Curse of Morton Castle: PT.II/V | 720nm Infrared | 35Chronicle Photography

black & white, history, infrared, landscape, nature, photography, ruins, rural, trees

Through Older Apertures.


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IV | The Ace of Clubs | 720nm IR.

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V | The Archer’s View | 720nm IR.

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Memento Vivere…
R.
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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 720nm IR Filter]

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Breaking the Curse of Morton Castle: PT.I/V | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, ruins, rural, structures, summer, trees, waterscape

Light, Love & a Vision.


What I really wish for now is that I haven’t bitten off more than I can chew. It’s been a ridiculously chaotic, busy, unpredictable and yet fun past week or so and, after over three days of stealing odd hours here and there to finish editing two separate shoots, I can finally sit down and share a few more frames with you.  Today, we’re heading back to the beautiful Morton Castle, just outside Thornhill in South West Scotland. It’s been a bit of a nemesis for me in the past and, with six previous posts from this amazing ruin, I have never felt like I got it quite right. Sometimes, I look back over those older posts and clench my teeth as I realise that on occasion, I actually got it quite wrong. You see, I’ve always had a vision of how I would have wanted my captures of Morton to come out and yes, naturally, given my love for alternative-wavelength photography and old ruins, good light and strong IR radiation were always going to be key for me, in achieving captures that I have always imagined from here. My most recent post from Morton was way back in March 2020 – I still can’t believe it was that long ago. But how time flies indeed! So, last week, because time was short and commitments were many (and I just had to get back there!) I literally had only around a half-hour to wander round the castle ruins to make a few more shots before having to race back home again. Forgivingly, the sun was shining in a cloudless blue sky and there was no excuse not to make a dash for it. The weather reports did not let us down and, as Bumble had the keys to the jalopy  – ‘Lady Stig’ was born!

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I | Across Morton Loch | 720nm IR.

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Of course, knowing the layout so well by now does make it easier to plan just how I want to make my captures and where I need to be – it’s the same for any re-visit, I guess. Sometimes it’s possible to know almost exactly how many steps one needs to take from one spot to the next. On this, my fourth visit – though I do know Morton very well now, it still gives me that ‘wow‘ even before I’ve swung open the kissing-gate that leads me to the path along the loch. Very few people visit here at any one time and so it is easier to capture its peace and the solitude. Very few places have stolen my heart the way this one obviously has. I do wonder just how many more times I will make the trip here; I long to capture its reflection in still waters below – which means at least once more will I head this way. But in truth, I love this place so much that I would be completely happy if the answer was always, “once more”.

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II | The Light of Stone & Wood | 720nm IR.

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I do hope that you’ll forgive me from the off, though – that I intend to post up around five posts in total from this, my most recent visit to the castle. There are so many views and angles that I simply love and if I missed any of them out, well – they’d get posted eventually, anyway! Please feel free to post a ‘yaaawwwwwn’ emoji in the comments if you start drifting! Of course, I do hope that that won’t be the case and instead, that you’ll enjoy some beautiful views under alternative light of a truly stunning corner of Scotland. I call it – home.  Thank you so much for reading my pages; as always, I am so grateful and, I wish you a fabulous week ahead.

Memento Vivere…

R.

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III | To a Time | 720nm IR.

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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 720nm IR Filter]


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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Eleven Arches: PT.III | 850nm Infrared | 35Chronicle Photography

black & white, fine art, landscape, photography, rural, skies, spring, structures, trees

When the Chill Thwarts Spring.


After the thoughtful, wonderful responses I received to PT.II last week, I have to say that I am a little bit unsure as to how I can even think of topping it. Holding back on frame one was never an option (I get far too excited at grabbing shots like that and have the shameless, breaking-strain of a Kit-Kat when it comes to showing just what can be achieved with alternative wavelength photography on a good day) and so, with a slight concern for posting a bit of a ‘come-down’, I nonetheless have pleasure in sharing my last chosen three from an absolutely fabulous hour shooting this awesome structure that is the Kinclair Viaduct. I am grateful that the spring here has started so cold as it has this year; the growth of the foliage has been slowed down somewhat and, were that not so, I’d have struggled to make the stonework as prominent as I was indeed able to do for fighting my way through the dense leaves and branches (thinking here mostly about this top image). As a compromise, from higher up – I’ve seen beautiful and eerie hanging gardens – even if in retrospect; (thank you, Janet!)

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IV | Dodging Traffic | 850nm IR | 24mm – 1/125th – f8 – ISO:703.

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Anyhooz – this is my last post from Pinmore and will be, I’m sure, my last for a good long while. As spring warms up a little now – I have plenty of other places to discover and the viaduct will be relegated like the rest of my work to date, to my archives; nonetheless, I have much to think about with regards to composition and light if I am to feel as good about what I am still to achieve if these few frames remain the benchmark I have currently set for myself. Holy moly, this is so much fun! 

And summer is on the way…

…goodie!

R.

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V | Convergences | 850nm IR | 24mm – 1/125th – f8 – ISO:734.

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VI | Into a Floating Paradise | 850nm IR | 24mm – 1/125th – f8 – ISO: 476.

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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 850nm IR Filter]


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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Eleven Arches: PT.II | 850nm Infrared | 35Chronicle Photography

black & white, fine art, full-spectrum, infrared, landscape, photography, rural, skies, structures

Kinclair Viaduct, Pinmore – Revisited.


Just about three years ago (give or take a month) I first shot the amazing, grand, utterly imposing viaduct just south of Pinmore on the Newton Stewart to Girvan road. I had to check my files from back then, some of which I posted in No.30, to recall which cameras I took with me on that shoot. Made on my old GR and X100T cameras, I came away with some very pleasing black and white images caught on a less than perfect day for contrast and I also recall that even the sky was so flat and diffused that the resulting frames rendered it featureless. But, I had travelled a very long way in order to shoot this iconic structure and vowed always, to go back. Maybe, I’d give it my IR treatment next time? Alright, so that was a rhetorical question!

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I | Kinclair Viaduct | 850nm IR | 24mm | 1/125th – f8 – ISO:400

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Of course I always intended to do that, so when the sun came out yesterday, Bumble and I headed off, westwards towards the A714, and north-west of Newton. In fairness, we’d been planning it for a couple of days (it’s not prudent to put any faith in the weather forecast anywhere in Scotland, more than forty-eight hours in advance; any of you who live here or have visited for more than a day, will understand exactly what I’m talking about!) When it came to the shots I’d make – I had thought to shift up from 720nm and decided that 850nm would give me a little more contrast under good light. I’d need that extra light to keep my film speed down and my shutter speeds up negating my need for the three-legged thing. As you can see from the frames here, I got very lucky with the light. One pair of frames in particular (No.I in this post and No.VI to come in the following share) did have us scrabbling upwards through tricky dense foliage in order to get the height and length I needed to grab the shot I had always imagined I would take on my first visit – a few minor abdominal wounds today remind me that the climb was well worth it and without that little extra effort, I would have come away knowing that the shot was there for the taking and I did nothing to get it – but it’s here, and the wounds will heal. Please do click the link to my original post and compare, because I truly believe that from the ground, these are the best IR shots I could possibly have made on any day such as this.

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II | Two of Eleven | 850nm | 24mm | 1/125th – f8 – ISO:911 (!)

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Dedications:

To my long-suffering and ever encouraging, Bumble – I thank you for getting into my scrapes for the sake of art! What else can I say? To all of you who visit and revisit my pages, click, comment and get involved – thank you all so much. The best that I can hope is that you will enjoy some of these captures – enough to come back. I utterly love what I do and take none of it for granted; and so – I keep doing it with the same passion and love that I felt when I first discovered what was even possible. To my good friend, Amar – your creations still help me make some of my most pleasing and dramatic work and in this regard, words fail me. Thank you, my friend! 

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III | Woodburn Cottage | 850nm IR | 35mm | 1/80th – f6.3 – ISO:200

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Until PT.II – I do hope you’ll enjoy these few frames and, I wish you all a very happy and healthy weekend ahead.

R.

[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 850nm IR Filter]


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The Devils in the Detail! | 35Chronicle

28mm, 35mm, 50mm, black & white, close-up, landscape, nature, photography, rural, skies, waterscape

Sigma DP Merrill Series – Still Relevant in ’21.


First of all, I want to say a huge thank you (and I really should do this more often, I’m sorry) to everyone who contributed and commented on my last post. It was actually extremely warming to know that, despite the fact that I’m back working with what is to me (again, and for the present time at least) a new system, that I was still able to make a few frames worthy of such kind contributions. Thank you!

The DPM series, as it has been written many times (and then some) – is not a system for the faint-hearted photographer, and – having been doing this for many, many years, it still manages to scare me a little, in a way; and herein lies the reason for it. Knowing its (vast array of) limitations is absolutely the key to being able to exploit its one massive strength; this helps hugely to maintain a constant focus on the real possibilities and easily dispels the airy-fairy visions we often have for our own personal photography. This one element is so important for serious photographers and cannot be overstated. I can think of one analogy that explains this perfectly: I once bought into a M43 system and for the most part, I loved it. I loved it because it opened up a whole new slew of opportunities for me to expand on what I have always enjoyed doing and, in a portable system with reasonably decent IQ. A few lenses here, some colour options there, modes galore – and the reasons why I took to it so well in the beginning were to become the very reasons why I began to resent it after only a few months. In my heart and in my head – I shoot the way I shoot and no amount of gear is going to change that, no matter how many bells or whistles there are. I began to realise that all I needed was a lens, and the means to change my Tv, Av, ISO, WB and metering mode. That was all I wanted – oh, and a decent sensor would be a bonus. Even mid-range DSLRs were coming equipped with scene modes, crap ‘kit’ lenses and therefore, being the snob I can be – I resented even those aspects too. I began to feel that photography was being made – cheap, too accessible (an archaic, short-sighted, even elitist view) and, I didn’t like it. 

I didn’t like it at all.

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I | Talla’s Pump-House | 1/400th – f8 – ISO:200

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All I really wanted to carry was a camera, the way I used to in the 90s. No faff, no bullshit modes – just a camera, a lens, a little bit of know-how and inspiration. Sigma’s implementation of these core photographic aspects were brutal and necessary. Right back as far as the original DP series, the DPs, the DPx, and then – the hallowed DPM, core photographic values were held close, if rather shunkily implemented in reality of their limited hardware / software collusion. (I can’t include the DPQ here because I have never used them and, the design simply does not enamour me at all). In a huge way, Sigma went down the route that I always felt that Ricoh should have taken with their GR (APS-C) series. What I would have given to see them offer the tools that Sigma came up with. As much as Sigma cameras can be much of a mystery to most, to those who’ve used them and persevered, the draw is easily understandable. With a little thought, and a little work – they still produce today some of the finest image quality that I have ever seen. Whilst their JPGs far outweigh any OOC jpg I have seen in any Bayer systems, their RAWs are mind-blowing. Limitations accepted – but keeping within them, there’s still nothing like it today. (The Fp can be argued as yet another Sigma revelation – but that’s a whole different system).

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II | Fruid Reservoir & Hills | 1/250th – f8 – ISO:200

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Three years ago this very month, I started writing this blog. My initial view for these pages was to only shoot a 35mm FL and display just how ridiculously versatile this focal-length is. Not long after I started publishing, I then wrote a page that you can still read here  discussing the huge value I have always given to short prime lenses. With this understood as still very much an aspect of my ethos – it’ll come as no surprise as to why I refer to the DP1/2/3M series as the Holy Three. 

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III | A Talla Prince in Disguise? | 1/100th – f8 – ISO:200

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My creativity is limited, my imagination is flawed, my images far from perfect and yet, with these three in the bag – I have more brain-space to use for composition and less to waste on the airy-fairy. This surely, can only be a good thing and, among other things – what photography should always be about. The image.

As always, thank you for reading and, I wish you all a fabulous weekend. 

R.

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[All frames: X3F to 16-bit tif in SPP & Exported to Lr for final edits].


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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

GETTING OUT [AHEM!] – LESS | PT.III | 35CHRONICLE

35mm, black & white, fine art, infrared, landscape, photography, rural, skies, structures, waterscape

Cumbersome Ol’ Things!


So, here we are, at the last of my posts from the beautiful Sandyhills – one of the most gorgeous areas of coastline here in Dumfries & Galloway. From a freezing cold day on an empty beach, a glorious winter sun low in an ice-blue sky. You’d think by now that I’d be tempted to shoot in and, process for colour a lot more but no, I still can’t seem to ‘see’ in colour. These four captures were all made with my LTFS converted GXRs – I took them both, set-up for 720nm – in case one of them decided to freeze up on me (it’s happened before). I am happy to say that, though aging now (in camera technology terms) they still performed perfectly. Lest not that the medium become the message, I still have to remind myself that for some reason, I have never been able to ‘see’ quite so well with any other camera that I have ever shot with, than these cumbersome ol’ things. Perhaps I am a cumbersome ol’ thing, too, which may well be why we get along so perfectly. Slow, methodical, meticulous and as always – enjoying the moment. And here, with family, on a day like this, what else could possibly be quite so worth getting out of bed for? 

From the icicled ceiling of the Needle’s Eye and the frozen beaches of Southern Scotland, may I say, as always, thank you so much for reading, I do hope that you’ll enjoy these few grabs and – I wish you all a fabulous, safe and healthy weekend ahead. 

R.

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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

2020: A Photographic Review | 35Chronicle

35mm, black & white, candid, close-up, colour, fine art, full-spectrum, history, Indoor, infrared, landscape, Long Exposure, macro, nature, night / low-light, people, personal, photography, portraits, review, ruins, rural, skies, spring, still life, structures, summer, trees, waterscape

Decisions, Decisions.


Every one of us has a similar story to tell of this trying year that has been – 2020. It was touted as the coming year of clear vision and foresight, change for the better, its number instilling feelings of hope and reason in each of us. It stood for something. Then – it arrived. Instead, it has been the year that has made us all think harder about what it means to be human, about how we act, how we look after ourselves and our fellow man; our families, friends, loved ones and most of all, those whom we will never know and yet we hope that they have also regarded our well-being in just the same way. Not everyone has given it so much thought or consideration though; those who have had us shaking our heads in despair at showings of ignorance or selfishness. That hyper-awareness that has been growing all year, is at its peak now – for those who have been paying attention, that is. So many have suffered and lost, many more have suffered and, will be doing so still. And these thoughts keep me grounded when it comes to looking back over my own personal year – small fish by comparison yet, relevant to what I love.

Over the last ten years, my love for infrared landscape photography has continued to evolve and I have a new love over these latter few years too – old ruins and Marsden-esque scenes that invoke the past, questions, stories forgotten or simply – awe. This year has been a little more tricky though, to capture them. Many places I have wished to visit have been closed or actually close-off, local restrictions have curtailed non-essential travel and I have been made to think a little differently as to what or how I would like to shoot. Another little learning curve has been experienced this year and this can only be a good thing. Creatively, I have still found myself struggling a little – mostly with my own photographic repertoire and not wanting to get ‘stuck’ in a niche – but I think it may be too late for such feelings. The rod is against my back already, however – I feel a coming change in my approach, necessitated by the course of recent history and by the passage of time. Change is inevitable and I can feel it bubbling under the surface. What it will be is yet only a series of random flickers of frames like subliminal advertising pasted inside life’s film reel. They exist – not yet realised. But time is changing us. And it’s changing me. Insosaying, this year’s review isn’t just about looking back at some old photographs – it’s about wondering where I’ll go and what I’ll do next. I still don’t know – but I’m looking forward to finding out. 

It’s been a little tricky for me to select my favourite frames from 2020 – it would’ve been easier if I had chosen by the number of clicks or comments by post. By some choices, I may coincide by accident – but these are my selections based on time, place, feeling and creative satisfaction.  The best I have been able to achieve really is here. All I can hope is that you’ll enjoy this little recap. 

 

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January 2020: The Wedding Trio | Scotland’s Folly – Calton Hill, Edinburgh.

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February 2020: Lowther Castle, Cumbria. 720nm IR | 35mm.

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March 2020: Hermitage Castle. 720nm IR | 35mm.

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April 2020: Seven Tonics [Whatever Gets You Through].

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May 2020: Home School…

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June 2020: Air & Water.

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July 2020: Southerness Lighthouse | 720nm IR w/ Hoya R72 & 10-Stop ND.

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August 2020: Dundrennan Abbey | 720nm IR.

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September 2020: Suspension Bridge Over the Nith.
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October 2020: Scott’s View – Melrose & The Magic of a Fair Maiden’s Hand.

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November 2020: Ol’ Fashioned | 3″ Macro.

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December 2020: The Silent Bell – Hoddom Castle | 720nm IR.

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Thank you all so much for your company and your contributions this year, and to both newer followers and more long-standing readers – I am always eternally grateful for your contributions both to my pages and, for what you yourselves create. Thank you! I wish you all a very happy, prosperous and healthy ’21! Please – join me again when you can. 

Warmest wishes to you all… 

Rob.


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Corsewall Lighthouse: PT.I | 720nm IR & LTFS | 35Chronicle

black & white, full-spectrum, history, infrared, landscape, photography, rural, structures, waterscape

The Light & the Dark.

The hotel at the lighthouse had been on our list of places to visit for a little while now, not least because it promotes itself as wedding venue too and, given recent engagements (ahem!) and our fondness for the west of our county, we made the journey during a three day stay in Portpatrick. The coastline is simply stunning here and even though the weather was extremely moody at best (and howling at its worst) there was no way that we were going to forego this particular jaunt. Looking out from the mouth of Loch Ryan it is hard to even contemplate why anyone would wish to look in any other direction, no matter what the elements.

Built around 1816-1817, the fully functioning tower is still run by the Northern Lighthouse Board, however, since automation in 1994 – the rest of the buildings were converted into a hotel. Word has it that in 1817, Corsewall’s Principle Light Keeper had fallen asleep on duty which caused the light to fail for a time, to the detriment of passing ships heading towards the coastline, and so therefore, he was subsequently and severely demoted. In November of 1970, Concorde flew over Corsewall Lighthouse on a trial flight and when passing the tower, it shattered many panes of glass around the light. Later flights by Concorde would not cause the same phenomena. Sadly though, at the time of our visit the whole place was closed due to the effects of Coronavirus and ensued restrictions and, we were unable to enter. Instead, after a lovely walk around the place and taking in the views, Bumble sought protection from the ever worsening elements inside the car, and why not? Nobody wants to get soaking wet or freezing cold on their birthday!

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I |  The Hotel & Tower [720nm IR]

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As I walked Bumble back from the hotel itself towards the car, having wandered around the tower and the foghorn together so that I could grab a few frames, we were met by a lady in her 4×4 who, having sped down the hill stopped alongside us on approach to the building and wound down her window to speak to us. Then, she asked the one question that is guaranteed to irk me more than any other when I am making my frames. “Can I help you?” she asked. Well, “I don’t know, can you take over shooting for me if I should suddenly forget how to do it?” I wanted to reply. Instead, I refrained from sarcasm and exchanged politely with her until she explained that she owned the place and was popping in to check her emails. Why would I even care about that? In truth, I think our presence triggered off a sensor or we were on camera perhaps, prompting her expedient arrival from her nearby abode. I mean, I can see how a couple like us would put a lot of fear into someone – especially when you take in the evidence – holding hands, the odd cuddle to dispel the cold of the gusts, the picture taking. Of course. I once again prepared to endure the worsening elements – for the sake of art, you understand. I mean, why else?

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II |  ‘Round the Rugged Rock the Ragged Rascal Ran [LTFS]

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Getting here though, was a bit of pain the derriere – and I am surprised that anyone planning a wedding or reception would make the trek if they knew beforehand how the final part of their journey would pan out, should the weather turn sour. This is definitely a fair-weather destination if you wish to remain – unsavoury. Imagine if you will, donning your finest finery, having washed and polished the car (as such an occasion would suggest as appropriate) and turning out as pristinely as you possibly could before setting off. Your journey to within a mile or two of Corsewall may be largely uneventful, perhaps even wonderful, then the heavens open as you approach the back roads, past the farms, through as much cow-sh*t as it’s possible to spread across the hugely pitted and pot-holed tracks that wind around and down towards the tower. Imagine too, all of that muck sprayed up both sides of your previously pristine jalopy, as you pray that you won’s split a rim or two in any of the deeper craters who’s depth and severity are sinisterly hidden beneath copious quantities of shit and water. (You can tell I’m a little precious about my car now, can’t you?!) So – let the nightmare begin! How to arrive? Or, how not to! Perhaps save it for the sunshine?

Despite high winds and a decent amount of rain, I somehow managed to snag a number of shots both in IR and in LTFS (full-spectrum) when the light started to fade – that I am actually very happy with. Sorry about all the back story and though not every shoot I go on isn’t as romantic as they might appear to be, I hope too that you’ll enjoy these first few frames of (really) a beautiful and picturesque corner of South West Scotland. 

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III |  The Tower & Foghorn [LTFS]

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Thank you ever so much for reading and I do hope that you are keeping safe and well.

Until PT.II – toodle-pip!

R.

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Hanging the Washing in Sleepy Hollow | 35Chronicle

35mm, autumn / fall, black & white, infrared, landscape, photography, rural, skies, structures, trees, waterscape

Views from Two Bridges | 720nm Infrared.


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I | On the Fleet: The Mill, Gatehouse | 720nm IR | 35mm.

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II | On the Fleet [II]: Behind the Crafty Crow, Gatehouse | 720nm IR | 35mm.

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.