Going Home | 720nm Infrared | 35Chronicle

35mm, black & white, infrared, nature, photography, rural, spring, waterscape

If it Wasn’t for the Night-Shifts…


Travelling home a couple of weeks ago, I passed, as I always do on my commute – the utterly beautiful Castle Loch. It’s a sight I see hundreds if not thousands of times a year and one that I never tire of but, it is rare to be near it when its surface is quite as millpond-still as this. As the sun was only a couple of hours awake and still rather low in the sky, I wasn’t even sure as to whether I would get any decent IR frames and through the trees to my left, I did my best to spot the condition of the light before I decided to pull-in. I caught a glimpse through the foliage, decided it might work and, quickly checked my mirrors – nothing behind me; time for a sharp left and a swift look at the scene. It was worth it.

As a passing thought: given that one of my favourite coffee mugs is emblazoned with the all-too-accurate words, “I am Not a Morning Person!” –  I can only say that if I was left to my own devices on a lazy day-orff, I wouldn’t have managed to grab this early frame. I hope you’ll enjoy it!

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Castle Loch [Low Sun] | 720nm IR | GXR [LTFS Conversion w/Front-Mounted Hoya R72] – 35mm – 1/220th – f7.2 – ISO:200

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Thank you for visiting.
-R-

The Mono-Archives | PT.II | 35Chronicle

35mm, black & white, infrared, landscape, nature, photography, rural

There is a House…


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Upper Dalveen (Below Clouds and Snow-Caps, on the Dalveen Pass) | VIS & 720nm Infrared, Respectively.
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If you would like updates, please click Follow.All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
Thank you for visiting.
-R-

Taking Time Out | Ricoh GR III | 35Chronicle

black & white, colour, nature, personal, photography, rural, skies, spring, sunset, trees, waterscape

A Change of Rhythm.


In some ways, we can all do with it – albeit enforced of late but, I have other reasons to feel the benefits of little changes here and there. For those of you who follow my pages here, you’ll know very well that I am a devout fan of monochrome output for my own personal photographic endeavours. Colour has mostly (since I first picked up a proper camera over twenty years ago) remained a constant source of confusion, distraction and dare I say – annoyance, too. I’ve discussed these feelings somewhat in previous posts so I won’t be waxing on about it here; suffice to say – I have often struggled with colour photography. Recently however, I managed to get my hands on a new GR III – a camera that for me would supersede all others when it comes to black and white shooting. Then, yesterday evening, Bumble looked out through the living-room window and remarked upon the sunset across the other side of the Nith. A short, gentle walk was suggested, and, (in keeping with current restrictions of course) – we happily stepped out.

I grabbed my GR on our way through the door. What a treat! But though I have, as so many photographers – naturally, had little opportunity to get out and shoot this camera (any camera) I am nevertheless extremely happy to share these few frames.

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III.

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I do hope that you’ll enjoy these few captures and, that you are all remaining safe and well. Sending my very best wishes to every reader; to you and to yours. 

R.

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Hermitage Castle | PT.I – 720nm Infrared | 35Chronicle

35mm, black & white, infrared, photography, ruins, rural, skies, structures

Monumental.


You may recall that I posted a few frames from the Chapel ruins here at the site of Hermitage Castle, back on the 9th of the month and, as we all know , a lot has changed since then. All I can say now is that without the benefit of foresight, I am so glad that we made the trip to Hermitage when we did. Not weeks before, around eighty homes were evacuated due to the severe floods in the area, the Hermitage water was some 12-15 feet higher than usual and, even most of the roads leading here had collapsed. As a result, it was touch and go as to whether we might have made it at all, however, fortunately for us, the road was passable right up to the point of the small bridge at the monument’s road-end, thus – a dead end. But we got here. 

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The monuments origins date back to around 1240 and was believed to have started out its life as a hunting lodge not far away from the castle itself. The castle we see today, however, wasn’t believed to have been built until the early to mid-fourteenth century and as you would imagine, is steeped in history and – horror stories. For me, though, its foreboding presence amidst wide expanses of moorland, the now peaceful Hermitage Water below it and, its views to the hills, make Hermitage Castle not only a beautiful place to be but, a very pleasing frame-filler, too. More information, if you wish, can be found here: https://www.undiscoveredscotland.co.uk/hawick/hermitagecastle/index.html – I do hope you’ll enjoy these few frames.

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Needless to say, these are recently archived shots – no trips disobeying government guidelines regarding COVID-19 have been made and, as one working on the front-line of healthcare myself, may I please urge everyone to maintain our  conscientious attitudes in fighting this outbreak. We can only do this together. I sincerely hope that all of you and yours are keeping well! 

Remember – Please, Stay at Home.

R. 

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[All frames: Fujifilm X100 – Internal 720nm Infrared Conversion / f8.0 – ISO:320]


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The Curse of Morton Castle | PT.I | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, rural, skies, structures, trees, waterscape

When Light Plays Games | 720nm IR.


As a serious, enthusiastic photographer, I ask myself again and again – just how many times am I prepared to return to the same place in order to get the photograph that I long to capture? The image that I know I can bag, if the conditions play the game nicely? The answer, every time, has to be – “until I get the shot”. So it is the case here, at Morton Castle. It seems not to matter what time of year I visit, nor, what the weather forecasters says it’s going to be doing the evening before; for, whenever I arrive here, the clouds always close in. Every, bleedin’, time. Anyone who has set out to capture a scene only to be thwarted by the conditions, knows exactly what I’m talking about. It’s frustrating to say the least. Don’t you think?

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On the other hand, I am a firm believer that with a little patience, I am (usually always) rewarded with images that I did not envisage capturing at all, making most if not all a very pleasant surprise and yet something else in life to be completely happy about. Friday past was the fourth time I have made the trip to Morton to capture the ruin and its surroundings in infrared, after assurances by the Met. Office of clear skies and sunshine overhead until around lunchtime. Turning up during mid-morning however, afforded no preferential treatment and, as usual – the clouds were waiting. Though I had hoped we’d drive right past them, ’twas not to be. 

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Every now and then, pockets of blue around the sun would appear and, shafts of undiffused light would reign in short bursts, occasionally wide enough to light up the ground sufficiently enough to facilitate my pulse racing a little in my eagerness to trip another frame before the light disappeared again. For around two hours, the light would continue to cheekily lead me up and down the proverbial garden path, and, back up again in its mockery of my efforts. But patience is everything and, despite still not getting anything close to the frames I had hoped to preserve yesterday – I decided that even when the light plays games, I will play my own.

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The curse of Morton? A blessing in disguise, perhaps.

R.

[All images: Fujifilm X100 720nm IR Conversion | 35mm Equiv. | f8.0 | ISO:400]


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Hermitage’s Chapel Ruin | 720nm Infrared | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, rural, structures

A Place in Time.


Friday’s are a fabulous day for scouting. We call it – the Long Friday. The littlest ‘un will finish school at 3 and will be collected by his after-school club, there to remain until around 5.30pm. It makes for one day in the week when we don’t have to get back too quickly during the afternoon and wherever we might end up, well, it gives us a little more time to explore. Such was the case last week when we made the journey to Hermitage Castle. 

Just five miles from the English border, in Liddesdale, the castle ruins stand as a forbidding, high-walled monument amidst wide and oppressive moorland – it’s huge arch facing to the hills to the west. Just a couple of hundred yards behind it, lay the ruins of the chapel, alongside the peacefully babbling Hermitage Water. Having spent over an hour around the castle (naturally, I will be sharing a few frames from there, too) and, with the sun gracing the early afternoon for longer periods than we’ve enjoyed lately, I was very excited to capture the chapel ruins. A more peaceful spot than this have I yet had the sheer pleasure to enjoy (aside perhaps from the beautifully secluded Morton Castle). 

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I | Windows to the East. Fujifilm X100 720nm IR – 35mm – 1/140th – f8 – ISO:320

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II | Out to Hermitage Castle – Three Little Windows. Fujifilm X100 720nm IR – 35mm – 1/170th – f8 – ISO:320

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There really isn’t much left here by way of a building as such. A burial enclosure languishes in the far east corner, grave stones and markers dot the ground on the far side too, and, three little windows look out to Hermitage Castle and to the hills beyond. We stayed a while, trying our best to decipher carvings on old stones, making a few IR frames and generally enjoying the peace and the sound of the water, while the sun warmed our backs on an otherwise chilly day. If there was a day where I could wish time to slow down, this one would have been the day. The chapel itself is thought to have pre-dated the castle itself by up to two hundred years (there is little information to either argue or corroborate this) and was believed to have been built during the mid 12th century. I’m surprised that there’s any part of it left at all. But, I’m extremely glad of it. 

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III | Burial Enclosure. Fujifilm X100 720nm IR – 35mm – 1/160th – f8 – ISO:320

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Not exactly landscape photography, nor structural either; just a few views from one beautiful place in time. I hope you’ll enjoy them. 

-R-

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Lowther Castle – PT.III | VIS Collection | 35Chronicle

black & white, photography, ruins, rural, structures

To Be Continued… One Day.


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IV | 1/60th – f8.0 – ISO:200

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V | 1/60th – f8.0 – ISO:200

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VI | 1/60th – f8.0 – ISO:200

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VII | 1/125th – f8.0 – ISO:100

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Lowther Castle – PT.II | VIS Collection | 35Chronicle

28mm, 35mm, black & white, photography, ruins, rural, structures

An Impromptu Stop-Off.


After an unpredictable weekend away (during the most recent storms, here in the UK) the day of our return seemed much brighter and, a lot easier on the outdoor gear. Rather than to return straight home, we decided instead to make the most of the atmospheric reprieve and make a mid-morning stop-off here, at Lowther Castle, near Penrith. In PT.I, I published a few infrared frames that I was able to bag during a couple of short-lived bursts of less diffused sunshine but sadly, as my preamble would suggest, they just didn’t last. The tail-end of ‘Dennis’ was still licking in the air.

Though I would have loved to have shot a good many more IR pictures here at the beautiful Lowther Castle, I was nonetheless extremely happy to take in the atmosphere here and, with my standard GR in hand – make a generous number of black & whites. Shots I & III were captured at 35mm using the GR’s internal crop mode, while shot II was snagged at its native 28mm. 

Thank you so much for stopping by my pages and, I hope you’ll enjoy these few captures.

– R –

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I | 1/60th – f5.6 – ISO:125

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II | 1/60th – f8.0 – ISO:160

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III | 1/60th – f8.0 – ISO:125

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Lowther Castle – PT.I | 720nm Infrared | Ricoh GR | 35Chronicle

black & white, infrared, landscape, photography, ruins, rural, skies, structures

A Westmorland Gem | Penrith, Cumbria.


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I | GR 720nm IR Conversion – 1/250th – f8.0 – ISO:100

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II | GR 720nm IR Conversion – 1/250th – f8.0 – ISO:100

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III | GR 720nm IR Conversion – 1/200th – f8.0 – ISO:100

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New Lanark | PT.III – On the Rooftop | 35Chronicle

black & white, full-spectrum, photography, rural

Robert! Enjoy Scenes!


Alright , so this post is a really just for a little fun and probably a little bit of an artistic (or perhaps, lazy) cop-out on my part – a few more shots from an overcast day’s visit to New Lanark late last year (see PT.I for a little more information on this UNESCO World Heritage Site) – this time, from the award-winning roof garden and focusing on the centrepiece – the water-feature. In the woodwork surrounding it is carved this: 

“The ever-changing scenes of nature afford not only the most economical, but also the most innocent pleasures which man can enjoy”. (Robert Owen  A New View of Society:  Third Essay, 1813.)

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VII | Robert | GXR A16 LTFS 1/640th – f7.6 – ISO:200 – 28mm

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As the weather and poor light were slowing down my Tv on my standard camera, I decide to keep shooting with my full-spectrum set-up, without any external filtering and took a walk around the fountain. I was then able to keep my ISO down and , as the clouds thinned a little, snag a little IR pollution too. In order to emphasise feelings of my own relevance of being in this beautiful place, I decided to select and capture just three words. I think that they sum it up, perfectly. 

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XIII | Enjoy | GXR A16 LTFS 1/570th – f4.2 – ISO:200 – 35mm

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XIX | Scenes | GXR A16 LTFS 1/310th – f4.2 – ISO:200 – 35mm

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Ironically and unbeknown to me, whilst I was wandering round and grabbing a few frames, Angela was grabbing her own on her iPhone! So, shot four – can’t possibly be mine, but I love it and it stays! I won’t divulge her exact title for it, but it involves a frog (possibly even, a toad?!) and a prince; I can say no more! 

– R –

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X | A Frog & a Prince (I’ll Let You Work it Out!) | iPhone 7+ | ©ACB

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2019 Photographic Review | 35Chronicle Photography

black & white, boats, close-up, colour, Indoor, infrared, landscape, macro, nature, night / low-light, people, photography, portraits, review, ruins, rural, skies, still life, structures, summer, trees, waterscape

As the Days Begin to Lengthen.


This time last year I was preparing my first ever photo-review here at 35Chronicle and, at the time, I could never have professed to have known just what a year 2019 was going to be for me. In every sense of the word it’s been an amazing year, and – a traumatically difficult one for the large part. Suffice to say that if you are a regular reader of my pages, you’ll know a little of what I’ve been up to and, subjected to and – you might also realise that as well as those closest to me who have kept me going throughout the year since spring, my love of all things photographic have been my main non-pulsatile impetus to get back out there and, get better. Better in health, at life, at shooting – just, better; in any way I can.

Despite some difficulties in getting back out there (you try shooting whilst holding on to your crutches while your camera bag is threatening to slide forward under the weight of the gear – with the express intent of taking one of your legs from underneath you!) I have enjoyed many excursions this year. Insosaying, I have done my best to represent each month of 2019 (by date of publishing) with what I feel is the one shot that truly made the cut. My cut. I hope I have done enough.

Of course, the whole reason I am writing any of this is because, well – you are reading it. As such, I need to say a massive thank you to a huge amount of people who have been with me this year and without whom, my 2019 would have turned out rather different and probably not as good. Therefore, to loved ones, to friends, to everyone here on WP, and to everyone who has been of support to me throughout the year, I thank you, from the bottom of my heart. You all know who you are and I forget not one of you.

Please do enjoy this selection of just some of my favourite frames of this year and I hope you’ll join me again in 2020. It’ll be great to see you again. (To H – thank you and please forgive me for my shameless and blatant use of your sign-off. It fits perfectly, expresses my intent to a tee and I truly can’t think of or find a better way to say it. I promise to only use it this once!)

See you on the flip-side, folks!

In Metta.

– Rob –


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January 2019 | Moss after Rain.

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February 2019 | The Wellspring – Kirkcudbright | 720nm IR.

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March 2019 | Thirlstane Arch – Powillimont, Southerness | 720nm IR.

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April 2019 | Dundrennan Abbey [AKA: The Day of Two Cakes!]| 720nm IR

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May 2019 | Angela.

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June 2019 | Gelston Castle | 720nm IR.

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July 2019 | River Nith to Greyfriars | 720nm IR.

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August 2019 | Angela & her Machines.

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[Just After] September 2019 | The Kelpies – Falkirk | Late Dusk.

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October 2019 | Light Muse (Sic!)

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November 2019 | Edinburgh, from the Castle.

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December 2019 | Paisley James – 4 Hours Old.
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Happy New Year 2020, to You All!

X

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New Lanark | PT.II – Outside the Machines | 35Chronicle

black & white, full-spectrum, night / low-light, photography, rural, structures

I am Automation.


From PT.I – a little more mono / full-spectrum fun in a few frames from inside a couple of the workshops. The ISO and Tv values might suggest use of a standard VIS light camera, however, the lack of natural light was a real issue, though reasonably easily overcome by LTFS and a steady hand, despite the distinct lack of UVIR infiltration. Despite a higher ISO in combination with what is essentially, technologically speaking, an ancient camera – I am delighted with the level of detail and contrast in these frames. I do hope you’ll also enjoy them, for what they are.

– R –

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IV | The Donkey Engine | LTFS 1/45th – f4.8 – ISO:1600 – 35mm.

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V | Back-End of a Donkey [Engine] | LTFS 1/75th – f5.5 – ISO:1600 – 85mm.

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VI | Spinning & Reeling | LTFS 1/30th – f7.5 – ISO:1600 – 35mm.

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[All images in this New Lanark series – snagged with a Ricoh GXR A16 LTFS (from ~280nm to ~1300nm) internal conversion, unfiltered.]


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New Lanark | PT.I – Overview(s) | 35Chronicle

black & white, full-spectrum, photography, rural, structures, waterscape

1786 [& the Legacies of Dale & Arkwright].


One of six UNESCO World Heritage sites in Scotland, New Lanark is situated approximately twenty-five miles south-east of Glasgow, on the River Clyde. Once a thriving cotton mill (using water powered spinning machinery) and now a tourist attraction, many of the old workers’ homes are now tenanted apartments however, the old mill buildings are beautifully maintained with much of the old machinery and the whole village makes for a truly fascinating visit.

More info. can be found here.

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I | Boxing Hares in the Roof Garden | LTFS 1/500th – f5.6 – ISO:200 – 35mm.

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Because the overhead conditions were unfavourable, extremely overcast and damp, I took along my LTFS camera outfit to make the most of any and all available light (UV, VIS & IR). Being able to take advantage of the availability of those extra wavelengths is a real bonus under such conditions and keeps the ISO down too, which I prefer, of course. What I hope to show over the coming posts from New Lanark is just how versatile a good true full-spectrum set-up is, for black and white work specifically and, how there really isn’t a photo-scenario where its benefits can’t be exploited. I’ll move outside and inside and aim to show you another world, not that far removed from our own, but with subtle nuances not always instantly apparent or appreciated, still, that I hope will either please, or inspire; or both, perhaps. If I fail in both regards, then I need to work a little harder, methinks.

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II | Little Touches (Roof Garden to the Church) | LTFS 1/500th – f5.3 – ISO:200 – 70mm.

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I’ll shortly be preparing my 2019 Review for posting during the next couple of days, but in the meantime, I hope you are all enjoying yourselves over this festive season and, as always, thank you so much for reading my pages. I hope you’ll enjoy these first few frames from what is a very special place. 

– R –

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III | The Clyde – from the Water-Wheel to the Caul | LTFS 1/290th – f5.3 – ISO:200 – 70mm.

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[All images in this New Lanark series – snagged with a Ricoh GXR A16 LTFS (from ~280nm to ~1300nm) internal conversion, unfiltered.]


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Portpatrick | PT.II – 720nm Infrared | 35Chronicle

35mm, black & white, infrared, photography, ruins, rural, structures

Old St. Patrick’s Kirk [Circa: 1629]


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[All frames: Ricoh GR Internal IR Conversion w/35mm Internal Crop]

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Caerlaverock Castle | 720nm Infrared – PT.II | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, rural, skies, structures, summer, waterscape

On Top of the World.


Towards the end of last autumn and as winter approached, I discovered to my complete joy that in all the years that I have been enjoying shooting infrared light, it is in fact possible to revel in it the whole year-round; weather permitting of course. No longer do I feel that ol’ sinking feeling once the clocks go back in the so-called knowledge that my IR cameras should just get hung up again until the spring and instead, I simply look forward to the next IR-perfect day on which I can get back out there and shoot. Subject matter is everything of course and here in Scotland there is no shortage of inspiration nor of places as yet unseen through my lenses. 

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Whilst some of my subjects may appear (even to me) safe, popular, somewhat predictable even, I cannot help but feel a huge amount of happiness and satisfaction at being able to capture them under lightwaves less commonly photographed and, share an alternative view of my world that to most, is not often enjoyed. Caerlaverock Castle is certainly one of D&G’s most prominent and beautiful landmarks and, back in June – on the day of the summer solstice, my IR-eye was put back to work. The first post of this two-parter was published only eleven posts ago, yet all the way back in August which only makes me realise just how much catching up I still have to do however, I have been extremely busy during my recovery from the events of April and, there still seems so much to do – but I really am getting there and, to be bluntly honest, it really is a bloody good feeling. Sure, I am a little snowed under, but I honestly wouldn’t want it any other way.

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As summers pass and autumns draw; let winters come and thwart no more.

My lens will be there; somewhere.

R.

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[All Images: Fujifilm X100 720nm IR Internal Conversion.]


Postscript: I have recently upgraded my standard WP plan (note the slight change in site address – yes, the old link will still bring you to my homepage) so – no more ads! To any of you who read my pages and are not WP subscribers, thank you and, I do hope that this change improves your reading experience.


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