2021: A Photographic Review | 35Chronicle Photography

28mm, 35mm, 50mm, autumn / fall, black & white, candid, cityscapes, close-up, fine art, full-spectrum, history, Indoor, infrared, landscape, Long Exposure, nature, people, personal, photography, portraits, review, ruins, rural, skies, spring, structures, summer, trees, urban, waterscape

Doesn’t it Come Around Quickly?


It is hard to believe that it’s this time of year again, the year almost over, the shortest day has passed and, I’m sitting here at my laptop – pondering over my favourite frames from 2021; a year of lockdowns, socially-distanced days out, home-schooling, trip disappointments and yet gratitude in abundance. A new grandchild has graced us, three weddings are in the offing (Bumble & I included!), health is good and I have been busier than ever. This may explain why my posts this year have been a little more frugal than previous years but, I have so enjoyed every opportunity that I have had to get out and make frames. I’ve learned quite a bit too and, changed a few aspects of my shooting and editing routines which, have pleased me greatly, too. In the coming year I hope to move slightly away from IR shooting – or rather, I want to engage further with more visible-light photography and, to also forge my creative aspirations a little more. How that’s going to work out, I have no ide as yet, but we’ll see how it pans out. My reasoning is simple, I am a staunch enemy of stagnation and whilst infrared light is a huge passion, I’ve been allowing myself to indulge so much that I have been experiencing rather more complacency than I would like. It’s again time for a little shift. Does that mean I am disappointed with my work this year? Not exactly. But there’s more – and I need to dig inside for it. I thought I’d be a natural after all these years, but therein lies the message; one can never stop trying to be better. And I need to shoot more.

As I say at the end of every year (because it’s true) – I am so grateful to each and every one of you for reading and visiting my pages. For all of your clicks and comments, your shares, follows, and other contributions you have made to my pages (hard to believe that it’s been almost four years already!) – I am ridiculously grateful because, without you, there’d be no point and my pages would be little more than an online diary. I am also inspired by so many of you, not that I always get or am able to find the time to let you know in person (that seems to be very selfish on my part and I must and will try harder) and often wonder at the amazing amount of talent that exists, often to share for the simple joy of sharing. I am sure that’s why we all do it and I hope that we can all continue to do so, around the many mayhems of life. So, for one last post of ’21, I would like to share my favourite frames of the year, one shot from each month – in the hope that you too will enjoy this little revisit. 

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January 2021 | Flynn: By {Kindle) Fire Light!

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February 2021 | Infrared Rainbow: Sandyhills Beach.

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March 2021 | Metal Bridge on Disused Portpatrick to Dumfries Line, at Parton [720nm Infrared]

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April 2021 | The Caul on the River Nith, Dumfries [720nm Infrared]

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May 2021 | Pinmore Viaduct [720nm Infrared]

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June 2021 | Boomer: Paper, String or Tin-Foil Will Do Just Fine!

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July 2021 | A London Skyline from the Thames [LTFS Full-Spectrum]

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August 2021 | Southerness Lighthouse [720nm Infrared]

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September 2021 | Turret: Penrhyn Castle, N.Wales [720nm Infrared]

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October 2021 | Dunskey Castle, Nr. Portpatrick [720nm Infrared, Long Expo.]

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November 2021 | Abbotsford House, Melrose [720nm Infrared]

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December 2021 | The Fountain, Princes Street Gardens & Edinburgh Castle [720nm Infrared]

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To my family, I am utterly blessed – what more can I say? It’s been a manic yet a wonderful year with a lot of plans either fulfilled or yet to become and, through it all (stop singing, Bumble – I know what you’re doing!) each and every one of you have indulged me as I truly hope I’ve reciprocated. When the world is in the mess it is right now, you are all the one reason I keep to feel the happiness that I do. 

To all of you who read and contribute to my pages (and hopefully enjoy some of my work, too?) – I hope that you have all had a wonderful holiday and, I wish you all the very best for 2022. Thank you so much for sharing and being a part of what I do. 

Warmest wishes to you all…

R.

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Mono-Archives: PT.XIV | The Draw of ‘Sleepy-Hollow’ | 35Chronicle Photography

black & white, fine art, infrared, photography, rural, skies, structures, summer, trees, waterscape

The Mill on the Fleet: 720nm Infrared.


In July this year, I made another visit to one of my favourite stop-offs and, I am surprised that I hadn’t shared a couple of frames from my last jaunt to Gatehouse’s Mill on the Fleet sooner than this. The last time I had actually posted from The Mill was almost a year ago and so, I am happy to put this right, today. Though a popular and often a busy small town, Gatehouse offers some absolutely stunning scenery and, beautiful walks right from its heart; and none more tranquil or evocative than the views from the bridge, alongside the old mill. A perfect day for some alternative wavelength photography, such as it was – what else could I have done? The light and the clouds played right into my hands and, I have seldom seen this view look quite so haunting, or breath-taking. 

Thank you, as always for stopping by my pages and, I do hope you’ll enjoy these two frames from one of my all-time favourite spots. 

R.

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I | The Mill | 1/310th – f6.0 – ISO:200 – 28mm – 720nm IR

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II | The Mill on the Fleet | 1/190th – f8.0 – ISO:200 – 24mm – 720nm IR

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Gwrych Castle, Conwy: PT.I | 35Chronicle Photography

black & white, history, photography, ruins, rural, skies, structures, trees

“The Showpiece of Wales”? No Bl**dy Wonder!


It’s name literally means, “Hedged Castle” and Gwrych was built between 1810 and 1825 by Lloyd Hesketh Bamford-Hesketh in memory of his mother, among other relatives. As we drove along the Expressway just a day after arriving in North Wales, the listed country house was clearly visible from the road and appeared to have been built into the rockface behind it; to say that it is impressive is probably the most ridiculous understatement I could possibly come up with. It is staggering. From first sight of it, it was on our list of sites to visit before heading home at the end of the week and, on our last full day we managed to secure a booking, the first of the day and, we finally headed out to see it. Though I was hoping for better weather and the chance to capture some IR frames (and was denied by the cloud and threatening drizzle) I cannot be unhappy one bit for the experience of having been able to wander through this beautiful, jaw-dropping place, with only a dozen or so other visitors at the time; it’s easy to understand why Gwrych would become so busy not even an hour later and having managed an early timeslot was to prove more than fortunate with the shots that I was able to grab before we finished our tour. But having timeslots, the need for which was obviously enforced by the pandemic – has its downsides, especially when entering the more confined or indoor spaces; visitors who’s slots were only ten or twenty minutes behind us – began to catch up and, the wish to slowly take in the place becomes an exercise in either moving out of people’s way or, worse, rushing along in order to keep our distance. The imposed one way system and countless cordons and other exclusions cut out much of the ground we had hoped to cover during our time here and that made the whole visit even shorter. So, what should have taken a good couple of hours, was over in around forty-five minutes. (There’s plenty I could say about that but common sense doesn’t always prevail and besides most of the site available was outside in the fresh air – this didn’t make much difference to the speed at which visitors were herded in, and ushered out by more following visitors.) I was and, still am a little amazed as to how they managed it given that there’s so much ground here! A calculated exercise in speedier throughput for maximum gain, perhaps. I have to admit to being rather surprised when we reached the exit arch so soon; almost as though we were the subject of a time-lapse recording. An anti-climax? Yup. You bet. But those walls (despite the crane which, in its defence, did lend an air of scale)… oh, it was worth it!

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I | 1/350th – f7.6 – ISO:200 – 70mm – Spot.

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II | 1/125th – f8.0 – ISO:218(!) – 24mm – Spot.

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Despite poor light, I was able to snag some very pleasing frames from Gwrych Castle and no, though the castle was host to the UK show, “I’m a Celebrity…” last year, I won’t be sharing the frame of Ant & Dec’s life-size cardboard cut-outs here. With that said, the castle has a huge amount of history and claims to fame, and I’m sure last years series barely scratched the surface. A simple search from your chosen browser will return much, if places like this are your thing. But for me – I love Gwrych for what it is. Splendid. Mind-bendingly huge. One of a kind. 

Magnificent!

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III | 1/220th – f8.0 – ISO:200 – 24mm – Spot.

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As an aside, this post happens to be my 300th here on 35Chronicle Photography. As such, I’d like to dedicate this one to every single one of you who either read just occasionally, follow, click, comment, contribute in any way and, at any point over the last (almost) four years since I started this blog. If it weren’t for you, there would be no point in any of this. Thank you!

R.


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An Old Sentinel: PT.II | 720nm Infrared & VIS | 35Chronicle Photography

35mm, 50mm, black & white, fine art, history, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Dunskey Castle: A Little More Time.


In December of 2019, I saw for the first time and photographed – the gorgeous ruins of Dunskey Castle near Portpatrick. The original post can be found here: Post No.170. Of course, when the weather is good for IR shoots, as it was in my original post, I’ll always reach for my infrared equipped cameras first but even when the light drops, as it did here right before sunset, if the subject is good and the conditions are favourable, IR isn’t always necessary in order for me to come away with a sense of achievement or pleasure from capturing the realisation of an image in my head before I even got there. Here, I wanted to concentrate on getting some longer exposures of the castle ruins at different focal-lengths and combine my use of infrared and visible light. So, as Bumble unpacked the chairs and the late evening picnic she’d lovingly prepared earlier, I set up my equipment and polished off my Big Stopper ND. I hope that I have done this wonderful place a little more justice than I managed on my first visit; and if I haven’t – I still have the beautiful memories of a cliff-top picnic at sunset, on the edge of the world with my bestie! Worth it!

Time passes like clouds, over us all – even the stone won’t survive forever and, I feel a poignant sense of relief in that sometimes, we can get to slow time down to a stop – and watch it in replay again and again, in a still.

R.

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I | 35mm. 30″. f21.0. ISO:200 – 720nm IR.

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II | 24mm. 60″. f22.0. ISO:100 – VIS.

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III | 50mm. 30″. f22.0. ISO:200 – 720nm IR.

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South Stack Lighthouse | Holy Island, Anglesey | 720nm Infrared | 35Chronicle Photography

black & white, infrared, photography, rural, skies, structures, waterscape

Remote Pleasures.


Over my last four or so days off, my feet seemed to have barely touched the ground and as of tomorrow, I’m back to the grindstone for another long run and so, I wanted to just quickly share a couple more frames with you – taken during our summer break. If you have read recent posts, you’ll know that we made a visit to Anglesey, North Wales, and we couldn’t really leave North Wales until we had paid this beautiful island a visit. After a few hours stop at Beaumaris [see post #190 here, if you might be interested] we drove further up to Holy Island to visit the lighthouse at South Stack. Whilst the RSPB visitor centre, cafe and tours were completely closed due to persistent restrictions, I had an absolute blast (in more ways than one) shooting from the top of the cliffs to soak up this utterly breath-taking view.

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I | South Stack Lighthouse, Holy Island | 720nm Infrared | 24mm – f8 – 1/200th – ISO:200

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Even at 51 (sheesh, where does the time go?) I  found out that I was still fit enough (or rather, not completely fooked!) to take a steady run up the hill, in competition with our naturally, far fitter sixteen year-old, who remained only a few feet ahead of me all the way up! I was carrying all my camera gear though; that’s my excuse and I’m sticking to it! (It was a valiant effort though, Corbs!) Once back down to the clifftop (after a little rest, you understand?) I was forced to enlist not only his, but also Bumble’s help in preventing me from getting blown over the cliff edge as, the wind, so strong from behind me as I faced the tower, more than threatened to hurl me over the edge into the rocky ravine below, some 150 metres or so down. Not an end I would have fancied facing. I needed to get as close to the edge as I could only because I was shooting wide and any foreground would have spoilt the drama of the rocks. So, with both of them curling there grip around the belt of my jeans and pulling me back from the edge, I placed my trust and managed to steady myself to grab some frames. You’d look at these and be forgiven that all was serene and calm, but – not a bit of it. It was wild up here. For me, it was well worth it. I do hope you’ll enjoy them too!

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II | North West Coast, Holy Island | 720nm Infrared | 50mm – f5 – 1/400th – ISO:200

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To all of you who visit and follow my ramblings and pictures (those of you who go back years and, new readers alike) I would like to say a huge, massive, gargantuan thank you. I’ve just subscribed to another two years of hosting here at WordPress so, that’s another two years of ad-free reading and (I hope) continued enjoyment. I wish you all a fabulous weekend! 

R.

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Penrhyn Castle Country House: PT.IV | 720nm Infrared | 35Chronicle Photography

black & white, fine art, history, infrared, photography, ruins, rural, skies, structures, summer, trees

From Shaky Ground to Solid Foundations. [* See: PT.I]


Over the course of the summer, I have had the most wonderful opportunities to photograph some simply stunning places and, Penrhyn Castle has found its way to becoming one of my most favourite so far. Here, I would to close this series with these final four infrared frames, made under glorious sunshine and beautiful blue skies – just perfect for this kind of caper. A fabulous way to spend time and to appreciate so much. Without my family, I would not have been able to get these shots at all, largely because – we decided to go and I would never have been there if it weren’t for them. But I have to extend my gratitude and love to them also, for their unending patience, good humour and tolerance of my endeavours. I guess there are only so many times they should be able to put up with’ “Hang on – I just need to grab this one. Oh, and this one!” I just haven’t found the limit yet. Neither, it seems, have they!

I do hope you’ll enjoy these last frames from Penrhyn and, thank you again for reading.

R.

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X | Through | 720nm Infrared

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XI | From Scrub to Splendour | 720nm Infrared

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XII | Through [II] | 720nm Infrared

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XIII | Penrhyn | 720nm Infrared

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Penrhyn Castle Country House: PT.I | 720nm IR | 35Chronicle Photography

black & white, fine art, history, infrared, photography, ruins, rural, skies, structures, trees

Serving Pennants?


It is said that Wales is the castle capital of Europe and has more castles per square mile than any other country on the same continent – as you can imagine, if you’ve followed my pages for any length of time, this became music to my ears, for one and yet, a little disappointing also; I was convinced that Scotland would hold that particular crown. Nevertheless, a week in North Wales with a good choice of camera set-ups, a family who don’t really do beaches but prefer a little history instead and a hankering for road-trips – well, I was in my element. One of the castles we stopped at was clearly here, at Penrhyn, near Bangor. With views to Snowdonia, Puffin Island and the Menai Strait, which separates the mainland from the Island of Anglesey, Penrhyn Castle sits in a proud position of not only elevation, but also of its architectural authority; due to its utter splendour – Penrhyn has become one of my most favourite historic structures to visit, and photograph. But it’s huge – and that can make it tricky!

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I | The ‘Tease-Frame’ | Penrhyn Castle – 720nm Infrared.

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Penrhyn’s history is long and varied and dates back to around the fifteenth century. Of particular note however, after 1833 (when the Slavery Abolition Act came into being) its owner George Dawkins-Pennant, who was an opposer to the emancipation of slaves, was compensated for being deprived of 764 slaves to the tune of £14,683 17s 2d (17 shillings & tuppence for anyone not au fait with old sterling). This compensation happened also to be the approximate cost of the building of the original, unfortified Penrhyn Castle. One can can only imagine the level of local outrage at the knowledge of this, that such a house could be thus constructed almost entirely from the proceeds of slavery. 

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II | Through Trees to Towers & Turrets | 720nm Infrared

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In 1951 the property and its 40,000 or-so acres passed to the treasury in lieu of death taxes after the death of Lady Jane Douglas-Pennant and is now owned and maintained by the National Trust; and this makes any visitor extremely fortunate. The awe on the approach up the shallow incline towards it is simply breath-taking, and from here, I will do my best to demonstrate without the use of further words. I can only hope that these frames (and those to follow in future posts) will speak for me; if you’ll forgive me the prevailing blankets of grey clouds which lingered, from time to time. 

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III | A Little Wide-Angle Drama | 720nm Infrared.

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Thank you so much for reading and, I hope you will have enjoyed these first few IR frames from my Penrhyn Series. 

R.
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Reflections: Point of Ayr Lighthouse | 35Chronicle Photography

35mm, black & white, colour, fine art, personal, photography, skies, structures, summer, sunset, waterscape

The Whole Picture.


Holidays shouldn’t just be holidays. They should be a closely connected string of wonderful and shared memories that make up the very fabric of each of our lives, interspersed with all the mundane and repetitive too, for the full picture to be truly appreciated. As I sometimes like to sit in quiet, philosophical contemplation, the two predominant feelings I always come back to are of gratitude and love, for what I’ve known and, what I have. Call it my positive outlook on life if you will, no doubt strengthened by certain life experiences; or just my appreciation for what I get to enjoy (whenever I am paying attention!) We should all pay more attention sometimes.

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I: Leaving |  Talacre Beach, North Wales | 35mm

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Even one week away from home, with the resultant shirking of responsibility of household chores, work, timetables and such-like is something we all need once in a while, and our trip to North Wales was not planned too far in advance, largely (pretty much entirely, actually) because during the pandemic, so many people have been losing out financially (we, included) to companies and organisations who were taking bookings before lockdowns and either not opening their doors again or simply not honouring them after restrictions were eased. Once bitten, as they say. With that in mind, we wanted to make sure that this time, we’d actually get away as a family and give the boys, too, the break that they deserved. It came good. 

As artists, writers, photographers – there is an inherent need in us to record life; the imagined, the seen, the felt, the experienced. Does a picture paint a thousand words, though? I would like to think so. But I don’t believe that a thousand words can always be enough. I could easily write a thousand here, today, but I wouldn’t be so sure that they’d conjure up anything so good as to convey such joys as knowing that my family were stood around me, behind me, waiting for me to take the “bloody” shot (they are never so impatient, in truth and are completely understanding when I have a camera in hand! What also isn’t conveyed, is that a nine year old boy is waiting for his step-dad to trip the shutter enough to satisfy, so that the same little boy can chuck a rock in the pool and see the splash; but he knows that the reflection is the reason for the shot, and so – patiently, he sacrifices for a while, and waits without complaint or resentment. His teenage brother too, waits; to kick his football across the beach or to throw me a ball in the hope he’ll catch me out; and his mother waits too  with no agenda save only to know that what I do makes me happy. So yes, you may see a lighthouse, but my mind is crammed with such memories that I am filled with both happiness for experiencing and, sadness for the passing of yet another, now filed to memories. But what memories!

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II: Before the Splash! | Point of Ayr Lighthouse (Talacre) 1776 at Low Tide [Decommissioned 1844] | 35mm

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– Memento Vivere! – 
R.
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London Skylines: PT.III | 35Chronicle Photography

black & white, boats, cityscapes, fine art, full-spectrum, photography, skies, structures, urban, waterscape

Silver Linings?


It’s been a little while longer than I prefer, since I last posted and, if you’re visiting again – I thank you! In short, after keeping ourselves busy during the holidays, we have returned to find ourselves rather the worse for wear despite double-vaccinations, social distancing, constant mask-wearing and the collective use of more than likely a half gallon of hand-gel. It seems that the easing of restrictions and the predictable mass complacency that was bound to ensue, has had rather a negative impact on the dreaded lurgy and, after almost two years of this thing – working in close quarters within the health sector, I had to wait to until I had a holiday to succumb to it. To say I’m a bit miffed is an understatement. As I am currently on isolation day four of ten, I find only today that I have any strength to even post, so I hope I can make it worth your time. Whilst I have been able to get busy editing frames from other summer excursions, stringing words together with any coherence has been a distant priority until now. Is it possible to be cheerful and pissed off at the same time? There’s a contrast I don’t consider often.

Speaking of contrast, as a black and white shooter – I look for it everywhere. It’s one of the most important anchors of black and white photography, along with good composition and exposure, texture, light-play and if you’re really good (or just fortunate) some kind of message. In the latter, I lack often – my Achilles Heel, I guess. Nonetheless, I hope you’ll enjoy these few frames from London, where, I have to say – the clouds really played ball! Perhaps slightly over-exposed in #3 but I like it enough to share it with you, too.

I hope that you are all remaining safe and well, and if you’re not, you have my profound acknowledgement and sympathy. Covid sucks. Isolation sucks. Photography Rules!

Every cloud?!

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V | The Dome of St. Paul’s Cathedral (& a Smoke-Break on the Steps) – from an Uber on the Thames | 720nm IR

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VI | Blackfriars Bridge & the Boomerang (One Blackfriars), Southwark – from the Millennium Bridge | LTFS

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VII | The Shard & the Belfast – & Some Naughty Clouds! | LTFS

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– Memento Vivere! – 
R.
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The Water Cure: PT.II | 35Chronicle Photography

35mm, black & white, boats, candid, close-up, fine art, infrared, people, photography, portraits, skies, structures, summer, waterscape

Different Takes, on a Theme?


Ah, the summer holidays! Anyone with young children will know very well the stresses and conundrums when it comes to keeping them entertained enough during the school hols. Here though, I have to say that we are very fortunate to  live in not only such a beautiful county, but also within relatively short journeys to some beautiful places which both Bumble and I love to revisit ourselves; places too, that we know well enough that – when the kids are at a loose-end, we just hop in the jalopy and head back and enjoy some good ol’ fashioned family time. So here, shot on three different days, from three different places – are my few takes on the theme of water. Sometimes, there’s plenty and other times – we could probably do with a little more. I hope you’ll enjoy…

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I: “Plenty.” | Mytilus, Kirkcudbright Harbour at High-Tide | 35mm – 720nm IR.

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II: “Just Enough.” | Southerness Lighthouse at Low-Tide & a Nice Pool for a Full-Length Reflection | 35mm – 720nm IR.

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III: “Bugger!” | A Disgruntled Flynn at Balcary Bay, Auchencairn; Low-Tide & a Long Walk Back! | 50mm – VIS.

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– Memento Vivere! – 
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

London Skylines: PT.II | 35Chronicle Photography

28mm, 35mm, black & white, fine art, full-spectrum, infrared, landscape, photography, skies, structures, urban

Above & Below.


III | OXO [LTFS] – From the Thames.

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IV | Westminster Bridge, Houses of Parliament & Elizabeth Tower in Scaffolding [720nm IR] – From the Eye.

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– Memento Vivere! – 
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

A Day in the Life | 720nm IR | 35Chronicle Photography

black & white, infrared, landscape, photography, rural, skies

May ’21 | To & from Knocktinkle…


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I | From Knocktinkle, with a Smidge’ of Tonal Work | 720nm IR

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II | Looking Behind… Difficult Choices, Here | 720nm IR

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III | Be Honest… You Thought I Was Kidding?! | 720nm IR

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– Memento Vivere! – 
R.
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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Breaking the Curse of Morton Castle: PT.V | 720nm Infrared | 35Chronicle Photography

28mm, 35mm, black & white, fine art, infrared, landscape, nature, photography, ruins, rural, skies, structures, summer, trees, waterscape

Until Our Paths Cross Again.


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X | Sentinel of Paradise.

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XI | Old Stone & New Buds.

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– Memento Vivere! – 
R.
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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Breaking the Curse of Morton Castle: PT.IV/V | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, ruins, rural, skies, structures, trees, waterscape

In Blissful Isolation.


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VIII | The Sheer Beauty of Solitude.

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IX | Nature Sharing Empathy, Perhaps?

35chronicle.281 (2)

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– Memento Vivere! – 
R.
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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Mono-Archives: PT.XIII | 35Chronicle Photography

black & white, fine art, infrared, photography, ruins, rural, skies, structures

Older Haunts | On Overcast, Almost Infrared Days.


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I | Dundrennan Abbey, nr. Kirkcudbright | 720nm IR | 1/220th – f7.6 – ISO:200 | Aug’ 2020.

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II | Dundrennan Abbey, nr. Kirkcudbright | 720nm IR | 1/200th – f8 – ISO:200 | Aug’ 2020.

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III | Dundrennan Abbey, nr. Kirkcudbright | 720nm IR | 1/380th – f8 – ISO:200 | Aug’ 2020.

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See also, the original post from which these frames were also shared, here.


HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.