Hanging the Washing in Sleepy Hollow | 35Chronicle

35mm, autumn / fall, black & white, infrared, landscape, photography, rural, skies, structures, trees, waterscape

Views from Two Bridges | 720nm Infrared.


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I | On the Fleet: The Mill, Gatehouse | 720nm IR | 35mm.

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II | On the Fleet [II]: Behind the Crafty Crow, Gatehouse | 720nm IR | 35mm.

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Never Look a Gift-Horse in the Mouth… | 35Chronicle

35mm, autumn / fall, black & white, boats, infrared, photography, rural, skies, waterscape

Port, Starboard or – Straight Up? | Kippford [720nm IR]


It was to be a day of semi-relaxation – getting things done at home interspersed with doing not very much at all; a little of everything and not much of anything. After the initial rigours of an early Friday morning and a quick visit to town, on foot, I received a message on my ‘phone – “Looks a bit too nice to stay in all day!” This message was punctuated by an emoji indicative of a Bumble who was rather miffed by our joint lack of outdoor plans (something that regular readers of my pages will know already isn’t a habit I usually indulge in). Still, I had to agree that the day was looking rather splendid indeed and even by 09:30 I was excited to know that the little jobs around the house would have to wait until later that afternoon. As I walked home, I decided that a little jaunt to Kippford, a small sailing village not far from Dalbeattie – would be perfect. Lunch at the Mariner and perhaps, just perhaps – a few shots? 

Whenever we visit, I always seem to find much difficulty shooting here. Though my preferred light-source is IR when the sun is shining, I would always settle very happily for any decent light black and whites with the tide being in for once and, 99% of the time I will arrive here to look at glistening, soggy silt and sandbanks as the water of the Solway has already waved “cheerio!” for another few frustrating hours; a few hours that I don’t have, to wait for it to return, usually. Yes, I should check the tides – I mean, who wants to see boats (or shots of them, anyway) listing hard to port or starboard and resting either hull on what is essentially a mud-flat? On this day, however, I got lucky and, after lunch, I still had plenty of time. An hour or so anyway, before the tide tucked-tail and started to run out again. 

With all this said, please enjoy a few of my infrared frames from another of South West Scotland’s beautiful little ‘postcard’ villages. I hope you have a fabulous week and, thank you for reading! 

R.

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I | Kippford – from a Pontoon | X100-IR – 35mm.

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II | Little Land, Big Sky | X100-IR – 35mm.

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III | Up & Away | X100-IR – 35mm.

 

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IV | Signals? | X100-IR – 35mm.

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Restricted: Dryburgh Abbey | 720nm Infrared | 35Chronicle

35mm, autumn / fall, black & white, history, infrared, landscape, ruins, rural, skies, structures, trees

On Certainty &… Unwavering Gratitude.


To my mind, there is only one thing better than having a solid seven days off work and that is, waking up on the first morning after a busy run of shifts and knowing that you have seven days off until the roundabout starts spinning again. This morning, I woke almost immediately at the sound of Bumble’s 7:00 alarm, (almost two hours after my usual start) and felt nothing but bliss at the realisation that I had nothing specifically to get up for and, nowhere that I needed to be. It makes it easier to rise – to accept getting out of bed as a part of the day; especially for one who enjoys his sleep as much as I do. When I can get it. Shit! I make myself sound so lazy – I’m really not! At around half-past, Flynn called from outside the bedroom door, “knock, knock!” (because his hands were full) and as I greeted him back, he carefully tip-toed in with a mug of coffee, gently placing it next to me on my nightstand; he barely spilled a drop! From his left hand he then revealed a piece of kitchen-towel, wiped up a few drops with a smile and then we agreed, we wouldn’t tell mum! Such foresight for one so young! As he left the room, I caught up on the news of the day as I supped, smiling. Another bliss. Across the landing, I heard Flynn cheerily getting ready for school.

Though the news, the world over, is pretty much the same – and not often something to smile about of late, I am happy today because I am grateful. For the life that I live now after such an awful event last year is one of positive recovery, much improved health, work, purpose, enjoyment, reason, acceptance – and most of all, my family. That closest of circles full of love in all directions and understanding without shadows. Feelings like these are essential for me on days like this – when I have nothing specific to which I must attend, yet, in the knowledge that if I were to achieve nothing by the end of the day, would leave me feeling much disappointment in time wasted. The older I become, the more I loath wasted time. And so I write. Forgive me if you can’t see the link yet.

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I |  The Ruins of Dryburgh [I] – 720nm IR – 35mm

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As I read the news (and before I continue, I would like you to know that I do not wish to blabber on about the latest ‘C’ word – even though apathy is spreading, an apathy to which I absolutely cannot subscribe or agree with, the news of it is becoming as tedious as Brexit had) – I felt more grateful still. We are all well, until the day that we are not and days of wellness should be seized and – enjoyed. So many are suffering as a result of this modern problem, made worse by the lack of understanding that sometimes, only old methods have the real and lasting solution. Whether we liked it or not, we all grew up hearing those words – “do as you’re told!”. It was for our own good. And look, we’re still here, more than likely because on occasion, we actually listened. Many are not hearing, not listening and this is doubtlessly exacerbating the problems which we are facing now – like a horrendous, ugly pyramid-scheme, hurtling towards the ground at freefall speed before we realise it. But many are listening and, actually doing something about it and soon, I hope – we will start to see our lives and our potentials open up and bloom again. I say this because a recent visit to Scott’s View (see post #240) was terminated by a visit to the beautiful, richly historical Dryburgh Abbey, near Melrose in the Scottish Borders – the final resting place of Sir Walter Scott, in 1832.

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II |  Scott’s View – 35mm w/Lens-Ball – 720nm IR.

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Dryburgh Abbey was founded in 1150 (10th November to be more precise) and, is the Daughter House of Alnwick Abbey in Northumberland. In 1322 it was burned down by English troops and, after restoration it was burned again by the armies of Richard II in 1385. During the fifteenth century though, it is known to have flourished – until that is, the coming of 1544 when it was destroyed completely. What remains of the building, as of the grounds too, are considered to be a Scheduled Monument (of national, or historical importance) and, happens to be one of the most beautiful sites I have ever had the pleasure of visiting. The weather helped of course. But, Bumble and I were still hampered.

For almost a year, we had Dryburgh on our list of ‘must visits’ and, indeed when we had visited Jedburgh and Melrose last November (on a most miserable of days, climate-wise), we simply ran out of daylight and had to re-schedule – date as yet unplanned. After an hour or so looking out over Scott’s View though, we were so close to the abbey that to not stop by would have been (from an infrared photographer’s point of view anyway) a cardinal sin. (No pun intended though in retrospect, apt!) As we drove down the hill from the ‘View’ – Bumble checked the oracle and we were happy to know that we had about an hour before the gates would be closed. What an end to a fabulous daytrip this would turn out to be! We even bypassed the statue of William Wallace so that we’d have time to see it. After a few more minutes though, we arrived to park the car behind the entrance to the abbey –  the sign read,

“Closed to Visitors”.

Bollocks!

We stood a moment in disappointment, bewilderment, joint frustration and even disbelief as the sun shone through the trees, squirrels seemingly taunting us from the other side of the wall within the vast acreage of their rich and autumn-tinged playground. We even called the site office to enquire as to why coronavirus had any impact on opening times to such a vast outdoor space – as if they would see sense, come down and re-open the gates just for us. But honestly, as so many organisations seem to use this current predicament as an excuse to fold up early without letting anyone know, it’s a frustrating experience to say the least. Even the local Post Office has seen fit to close its counters two and a half hours early, as if herding the same amount of customers per day to their two windows in a shorter space of time would have a positive impact on the spread of C-19? Any excuse to knock-off early and balls to an explanation? Okay, so my frustrations clear, fuzzy thinking acknowledged – how to get a few frames of this gorgeous ruin?!

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III | The Ruins of Dryburgh [II] – 720nm IR – 35mm

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Being made of more ‘abiding citizen’ than ‘ah, what the hell?!’ – we decided not to test Scotland’s ‘no-tresspass’ law, especially given the residing occupants of the lodge cottage at the gates directly to our left. Instead, we drove around to the hotel around the other side of the ruin, the sign for which, in my former excitement and anticipation I had completely ignored in passing and yet, Bumble hadn’t. We parked up outside the front of the hotel and I quickly retrieved a couple of cameras from Molly’s back-seat. (Yes, my car has a name :0) Looking around we were waiting for a bow-tied, waist-coated employee to perhaps tick us off for not at first coming in for so much as an afternoon tea, however, no such interaction ensued and we were glad of it. Time was running out and the light was threatening to fade on us. Over a high wall separating the hotel from the abbey’s grounds, we could instantly see that, as luck would have it, we were far better off where we were. The view over top is just incredible. As I prepped my cameras for a few shots, the sun again burst through the clouds as if on cue and I raised my hands above the wall, now so high over my head that I was unable to use the viewfinder – the screen would do just fine now. Though I wasn’t able to shoot any other angles than these (or slight variations of very similar) as I walked the length of that wall, I can honestly say that I remain extremely grateful. Yes, a return visit is necessary – but we’ll phone the office first, I think. Just to make certain!

Thank you for reading and I hope, as always, that you’ll have enjoyed these few frames.

R.

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In Contrast: Two Lighthouses | 720nm Infrared | 35Chronicle

35mm, black & white, boats, infrared, photography, rural, skies, structures, summer, waterscape

Some Overdue IR Fun with the X100.


It’s been a good long while since I took my IR converted X100 out for a spin – preferring usually, the utter versatility of my wonderful GXR A16 full-spectrum conversions instead. However, every now and then, when the conditions are just right, it’s wonderful to travel a little lighter still and restrict myself to just one focal-length; it avoids all the choice and confusion over which FL I’m going to shoot with and allows me to just – make pictures. Compose, frame – capture. If there is one thing I love about the X100 series, it is simply that. It just doesn’t get in the way. At all. So, after a jaunt to the Mull of Galloway and then up through Port Logan, travelling as (camera) light as I believe it is possible to do so, here are a couple of rather pleasing frames that, I do hope that you’ll enjoy too.


Port Logan Lighthouse | X100 [720nm Internal Conversion] | 35mm – 1/220th – f8 – ISO:200

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Mull of Galloway Lighthouse [as a Smoking Chimney, Perhaps?] | X100 [720nm Internal Conversion] | 35mm – 1/420th – f8 – ISO:400

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Big Water of Fleet Viaduct | 720nm Infrared | 35Chronicle

28mm, black & white, infrared, landscape, photography, ruins, rural, skies, structures

To the Missing Four Arches


This post is written with huge thanks to my good friend, Amar Verma at vermatec – for, I have not only my original GXR A16 LTFS conversion back in the bag, its sensor beautifully clean of all the dust spots I’ve been hoovering up with it but also, my spare A16 which is now also converted to LTFS and ready for some more of the same alternative wavelength caperings. I plan soon to delve into some shorter frequency IR work again, possibly as high as around 900nm which I will shoot alongside my currently favoured 720nm. Here’s a frame from the newly converted lens unit at 720nm. (Sadly, thanks to an inconsiderately parked Citroen camper-van, the four arches (of the twenty in total) to right of the frame were certainly obscured enough that they couldn’t be included here; never mind – another visit shouldn’t be too far away!) I hope that you’ll enjoy this one, nonetheless. And to Amar – thank you again, my friend. This one is just perfect!

R.


Sixteen Arches | GXR A16 LTFS 720nm IR | 28mm – 1/320th – f7.6 – ISO:200

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Loch Ettrick | 720nm IR [Long Expo’] – PT.I | 35Chronicle

black & white, boats, infrared, landscape, Long Exposure, nature, photography, rural, skies, summer, trees, waterscape

“Today, the Weather Will Consist Mainly of Horse-Flies, Cloud, Kayaking Intruders & Occasional, Infrequent Outbreaks of Sunshine”. (That’ll Do!)


I’m really struggling to find time enough to sit and write, lately. You may or may not have noticed and perhaps, it’s a nice change for readers to not have to feel guilty for all the ‘scanning’ we have to do when we do our best to keep up with all of the posts we follow and digest, in a meaningful way. A way that does justice to the incredible quality of works that are so regularly posted. Well, today, I have to write. I’m sorry. But I am starting to feel that distancing of connection with what I love to do so much and that which often lends context, most acutely comes down to words. Sometimes a frame by itself cannot be its own justification. This one almost achieves that, for me – but only because I was there shooting it. Still, my sub-header pretty much covers it. What it doesn’t portray, however, are the little yet frequent internal struggles I am having to do something a little different with my cameras. Ideas that have been explored and exploited for as long as any of us can remember are thus, still a little new to me and, as confident as I am at many genres of photography, long exposures still make me scratch my head as to how best to go about it. In this case, as with the previous recent frames that I have posted, I am winging it. Timing as best I can to achieve good exposure and some decent movement within the frame where it can move the eye and the mind. But slow-moving clouds are still just that, even over the course of a minute with the shutter open and so, we come to the water to hopefully save the day. The water came through in fine style. 

For years I have marvelled at the talents of photographers who have taken long-exposure photography to ever new heights and, whilst in no way could I hope to emulate some of the most incredible work that I have had the good fortune to view, I hope at the very least to be able to grasp the concept with the little knowledge that I do have and, put it to the test in making some frames of my own. Here, at the Loch-side, I was granted a gift, when eight year-old Flynn, on his first outing in a Kayak since he was four years old, drifted slowly into my frame. I made no attempt to ward him away (he was having so much fun, bless ‘im!) and, as I view the shot, I am bloody glad that I didn’t and, that he did. If only the shutter had remained open for another few seconds though? Nonetheless, happy accidents win the day and I have a frame to be delighted with. 


Loch Ettrick [I] | 720nm IR w/Hoya R72 & 10-Stop ND | Ricoh GXR A16 LTFS Conversion | 24mm – 60” – f22 – ISO:100.

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Although I am all too aware that conditions on this day weren’t perfect for this kind of exploration, I intend to keep going and will take my camera with me whenever and wherever I can in the hope that I will discover for myself, what to look out for and how to play with it. In the meantime, the cleg bites on my shoulders are reducing nicely and I can smile at great memories. I hope you’ll enjoy this one and, that you’ll have a great week ahead. 

R.


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GELSTON CASTLE – PT.IV | 35CHRONICLE

28mm, black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.V | 720nm Infrared – Long Exposure Series.


All About the Angles | 720nm IR w/Hoya R72 & 10-Stop ND | Ricoh GXR LTFS Conversion | 28mm – 60” – f22 – ISO:100.

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R.
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Orchardton Tower – PT.II | 35Chronicle

black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.IV | 720nm Infrared – Long Exposure Series.


Cloudburst at Orchardton Tower, Palnackie | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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[PT.I: Here | Post: 135]

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R.
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Caerlaverock Castle – PT.III | 35Chronicle

black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.III | 720nm Infrared – Long Exposure Series.


Caerlaverock Castle – Nr. Dumfries | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 30secs – f22.0 – ISO:100.

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R.
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The Lighthouse at Southerness – PT.II | 35Chronicle

black & white, fine art, infrared, landscape, Long Exposure, photography, rural, skies, structures, summer

Revisiting Old Haunts – PT.II | 720nm Infrared – Long Exposure Series.


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Southerness Lighthouse | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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R.
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Gelston Castle – PT.III | 35Chronicle

black & white, infrared, Long Exposure, photography, ruins, rural, skies, structures, summer

Revisiting Old Haunts – PT.I | 720nm Infrared – Long Exposure Series.


The spring of last year was a tremendously difficult time for me and, for those closest to me I think it must have been even harder. After a crazy-serious accident at work that rendered me flat on my back for almost twelve weeks due to multiple spinal and rib fractures, I absolutely needed to get out with my cameras again. For almost nine months afterwards and in so many ways, my entire being was in recovery-mode and eventually, even on crutches, I was able to make short trips out for the specific purpose of bagging even a few more frames – of all the things that made me feel whole and normal again, this was it. Barmy, don’t you think? Not long before that, though (and I think that this was a presiding reason for my increasing restlessness) – I had the amazingly good fortune to visit some truly beautiful places and one one of them was here, at the utterly stunning ruin of Gelston Castle, just a few miles from Castle Douglas. (My first post on Gelston is here, if you’d like to check it out). Oddly, for me, a second summer on-the-bounce has seen me confined (like almost everyone else lately) to quarters. My shutter finger gets very itchy when I know that I don’t have the freedom to exercise it and so, you can possibly imagine my joy when, just yesterday, Bumble and I visited Gelston again. This time, I wanted to do things a little differently and so, rather than just walk around for a half hour bagging IR shots that I probably have already snagged, the Big-Stopper came out of the bag and for once, I stopped being a lazy-arse, and brought the tripod along – probably for the first time in a lot of years. Here then, is one of yesterday’s frames from Gelston Castle – from the rear entrance to the ruin (that I would never have been able to get last year anyway, due to the sun being on the opposite side of the building once we’d arrived) and, whilst I would love to post a couple more right here, sadly, I’m still catching up on edits; soon, though.  

I do hope that you’ll enjoy this first frame, from what is for me a little bit of a different approach, though to many, not new at all, I am sure. Nonetheless, I hope it measures up. 

For now – thank you as always for visiting and, if this is your caper, I hope you’ll watch this space.

R.

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Gelston Castle Ruins – Rear Elevation | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f18.0 – ISO:100.

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R.
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The Mono-Archives | PT.VI | 35Chronicle

35mm, black & white, infrared, landscape, photography, rural, skies, structures

Room with a View? | Mouswald Parish Church. 


Elevated yet still very tucked away here in the quiet village of Mouswald, stands this beautiful little parish church that dates back to 1816 – up for sale to anyone who’d want to make it… home. From here, there are beautiful views over the Solway and out to Criffel and, no troubling neighbours. But a lot of buried stories, I’m betting. I’ve had this place on my shoot-list for a lot of years and, thankfully – just a few weeks before lock-down, I finally made them.  I have to wonder though – once it’s sold, will the resting still be left to rest? I hope so.

Idyllic; even on a moody day like this.

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I. [Vis.]

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II. [720nm IR.]

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III. [720nm IR.]

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R.
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From Either Side of a Bridge | 720nm Infrared | 35Chronicle

black & white, infrared, nature, photography, rural, skies, trees, waterscape

Necessity is Indeed the Mother of Invention.


These frames were captured a few weeks ago amidst the current lock-down here in Scotland. Standing on the bridge over the Annan at Brydekirk on the most glorious of days, I couldn’t help ponder that statement, as I looked out to parallel rocks beneath slowly flowing shallow waters to one side and, a cloudless sky to the other. Yes, I think I had just invented the revolving deckchair right there and, if I could have – I’d have remained in it all day. 

I hope that you too will enjoy the views.

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II.

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
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R.
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The Mono-Archives | PT.IV | 35Chronicle

black & white, photography, skies

To Air & Water.


We curse them for stealing the light, we use them in euphemisms for gloom, we extend them little patience and, we wish them away almost as soon as they appear; yet, on days like this, all I can ever hope for is that they stay a while, let them carry on changing their shapes and their shades. Let the lights and the darks morph continually, gently or violently – side by side and make me a picture; or perhaps two. What on earth (or, just above it) is there not to appreciate? In days gone by I have, as some of you have read and commented upon, referred occasionally to the presence of them in many frames that I might have considered far better without them. We live and we learn. Sometimes too, there is little need for any other elements.

Just the air and the water will do just fine. 

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II.

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[Both frames: GXR A12 M-Mount w/Leitz 90/4 MF]

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Thank you for visiting.
R. 

Crichton Memorial Church – PT.III | 720nm Infrared | 35Chronicle

black & white, infrared, photography, rural, skies, spring, structures, trees

When the Ground Marries the Sky.


It really isn’t all that often that I’m lucky enough to see settings like this. Back in November I shot the church for my first time (2019: posts 169 & 178 on my Archives page, if you’d like to roll back a little) and, given the beautiful weather on that day too, albeit cold and autumnal – I was extremely happy to have come away with some lovely IR frames that, yes, I am still very pleased with; but today, in the midst of spring and of course, during the still current lock-down, I managed to snag a few more that, even before I reached for my camera, had me drawing sharp intakes of breath. (Social- distancing – unbreached of course; in fact that part really wasn’t difficult at all.) 

I hope that you are all keeping well and, that you’ll enjoy these few captures. 

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I | 24mm – 1/380th – f6.3 – ISO:200 | Ricoh GXR LTFS Conversion w/Hoya R72

35chronicle.213 (1)

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II | 24mm – 1/290th – f6.3 – ISO:200 | Ricoh GXR LTFS Conversion w/Hoya R72

35chronicle.213 (2)

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III | 28mm – 1/850th – f4.3 – ISO:200 | Ricoh GXR LTFS Conversion w/Hoya R72

35chronicle.213 (3)

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R.