In Contrast: Two Lighthouses | 720nm Infrared | 35Chronicle

35mm, black & white, boats, infrared, photography, rural, skies, structures, summer, waterscape

Some Overdue IR Fun with the X100.


It’s been a good long while since I took my IR converted X100 out for a spin – preferring usually, the utter versatility of my wonderful GXR A16 full-spectrum conversions instead. However, every now and then, when the conditions are just right, it’s wonderful to travel a little lighter still and restrict myself to just one focal-length; it avoids all the choice and confusion over which FL I’m going to shoot with and allows me to just – make pictures. Compose, frame – capture. If there is one thing I love about the X100 series, it is simply that. It just doesn’t get in the way. At all. So, after a jaunt to the Mull of Galloway and then up through Port Logan, travelling as (camera) light as I believe it is possible to do so, here are a couple of rather pleasing frames that, I do hope that you’ll enjoy too.


Port Logan Lighthouse | X100 [720nm Internal Conversion] | 35mm – 1/220th – f8 – ISO:200

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Mull of Galloway Lighthouse [as a Smoking Chimney, Perhaps?] | X100 [720nm Internal Conversion] | 35mm – 1/420th – f8 – ISO:400

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Big Water of Fleet Viaduct | 720nm Infrared | 35Chronicle

28mm, black & white, infrared, landscape, photography, ruins, rural, skies, structures

To the Missing Four Arches


This post is written with huge thanks to my good friend, Amar Verma at vermatec – for, I have not only my original GXR A16 LTFS conversion back in the bag, its sensor beautifully clean of all the dust spots I’ve been hoovering up with it but also, my spare A16 which is now also converted to LTFS and ready for some more of the same alternative wavelength caperings. I plan soon to delve into some shorter frequency IR work again, possibly as high as around 900nm which I will shoot alongside my currently favoured 720nm. Here’s a frame from the newly converted lens unit at 720nm. (Sadly, thanks to an inconsiderately parked Citroen camper-van, the four arches (of the twenty in total) to right of the frame were certainly obscured enough that they couldn’t be included here; never mind – another visit shouldn’t be too far away!) I hope that you’ll enjoy this one, nonetheless. And to Amar – thank you again, my friend. This one is just perfect!

R.


Sixteen Arches | GXR A16 LTFS 720nm IR | 28mm – 1/320th – f7.6 – ISO:200

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GELSTON CASTLE – PT.IV | 35CHRONICLE

28mm, black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.V | 720nm Infrared – Long Exposure Series.


All About the Angles | 720nm IR w/Hoya R72 & 10-Stop ND | Ricoh GXR LTFS Conversion | 28mm – 60” – f22 – ISO:100.

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R.
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Orchardton Tower – PT.II | 35Chronicle

black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.IV | 720nm Infrared – Long Exposure Series.


Cloudburst at Orchardton Tower, Palnackie | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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[PT.I: Here | Post: 135]

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R.
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Caerlaverock Castle – PT.III | 35Chronicle

black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.III | 720nm Infrared – Long Exposure Series.


Caerlaverock Castle – Nr. Dumfries | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 30secs – f22.0 – ISO:100.

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R.
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The Lighthouse at Southerness – PT.II | 35Chronicle

black & white, fine art, infrared, landscape, Long Exposure, photography, rural, skies, structures, summer

Revisiting Old Haunts – PT.II | 720nm Infrared – Long Exposure Series.


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Southerness Lighthouse | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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R.
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Gelston Castle – PT.III | 35Chronicle

black & white, infrared, Long Exposure, photography, ruins, rural, skies, structures, summer

Revisiting Old Haunts – PT.I | 720nm Infrared – Long Exposure Series.


The spring of last year was a tremendously difficult time for me and, for those closest to me I think it must have been even harder. After a crazy-serious accident at work that rendered me flat on my back for almost twelve weeks due to multiple spinal and rib fractures, I absolutely needed to get out with my cameras again. For almost nine months afterwards and in so many ways, my entire being was in recovery-mode and eventually, even on crutches, I was able to make short trips out for the specific purpose of bagging even a few more frames – of all the things that made me feel whole and normal again, this was it. Barmy, don’t you think? Not long before that, though (and I think that this was a presiding reason for my increasing restlessness) – I had the amazingly good fortune to visit some truly beautiful places and one one of them was here, at the utterly stunning ruin of Gelston Castle, just a few miles from Castle Douglas. (My first post on Gelston is here, if you’d like to check it out). Oddly, for me, a second summer on-the-bounce has seen me confined (like almost everyone else lately) to quarters. My shutter finger gets very itchy when I know that I don’t have the freedom to exercise it and so, you can possibly imagine my joy when, just yesterday, Bumble and I visited Gelston again. This time, I wanted to do things a little differently and so, rather than just walk around for a half hour bagging IR shots that I probably have already snagged, the Big-Stopper came out of the bag and for once, I stopped being a lazy-arse, and brought the tripod along – probably for the first time in a lot of years. Here then, is one of yesterday’s frames from Gelston Castle – from the rear entrance to the ruin (that I would never have been able to get last year anyway, due to the sun being on the opposite side of the building once we’d arrived) and, whilst I would love to post a couple more right here, sadly, I’m still catching up on edits; soon, though.  

I do hope that you’ll enjoy this first frame, from what is for me a little bit of a different approach, though to many, not new at all, I am sure. Nonetheless, I hope it measures up. 

For now – thank you as always for visiting and, if this is your caper, I hope you’ll watch this space.

R.

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Gelston Castle Ruins – Rear Elevation | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f18.0 – ISO:100.

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R.
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The Mono-Archives | PT.VI | 35Chronicle

35mm, black & white, infrared, landscape, photography, rural, skies, structures

Room with a View? | Mouswald Parish Church. 


Elevated yet still very tucked away here in the quiet village of Mouswald, stands this beautiful little parish church that dates back to 1816 – up for sale to anyone who’d want to make it… home. From here, there are beautiful views over the Solway and out to Criffel and, no troubling neighbours. But a lot of buried stories, I’m betting. I’ve had this place on my shoot-list for a lot of years and, thankfully – just a few weeks before lock-down, I finally made them.  I have to wonder though – once it’s sold, will the resting still be left to rest? I hope so.

Idyllic; even on a moody day like this.

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I. [Vis.]

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II. [720nm IR.]

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III. [720nm IR.]

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R.
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Ptolemy vs Ptolomey: Some Mathematicians are More Credible than Others, Perhaps? | 35Chronicle

35mm, black & white, infrared, photography, rural, structures

Comlongon Castle – The Anvil & the Hammer.


Dating back as far as the late 15th – early 16th century, the Tower House of Comlongon was purchased from the Earl of Mansfield estate in 1984 after it had been on the market for some years. The most recent owner, Philip Ptolomey – took over the hotel from his parents in 1995. During the most recent thirty-five years since its purchase from the Earl’s estate, Comlongon was the subject of almost continual and extensive refurbishment and operated as a prestigious and exclusive wedding venue. Its name was synonymous with luxurious hospitality and indulgence. As such, engaged couples could be expected to pay huge sums of money in order to take their vows here.

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Leading up to April of 2019, couples were reportedly surprised to receive notification of Comlongon’s impending liquidation (mostly by local rumour) and, its owner (who’s hotel was still taking deposits for bookings even days before it went into liquidation) wrote on the hotel’s website: “Every penny generated goes to the restoration of the castle and estate. This work will probably never be finished as constant upgrades require a budget far in excess of that generated by being run as a hotel.” I wonder if perhaps anybody received their deposits back. But I suspect not. One local couple who had been planning their wedding for over two years paid a whopping £6,000 deposit, the latter instalment was delivered in person at the hotel to staff who gave no indication of any problems at all, days before its door closed forever.  Sadly Comlongon now stands as a neglected treasure – but its existence will provide no comfort to some; a bitter taste, instead.

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These shots were taken on a (fittingly) very gloomy day but I simply could not pass it, without stopping. It truly is a stunning place, amidst its 140 acres of grounds – yet steeped heavily in its own murk.

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Thank you for visiting.
R. 

The Mono-Archives | PT.III | 35Chronicle

black & white, full-spectrum, photography, ruins, structures

Jedburgh Abbey.


Caught last year during a very drizzly November day, where light was as best terribly poor – I decided that I would capture the beautiful Jedburgh Abbey using my LTFS / full-spectrum set-up (see my Light Waves page if this is a concept that you’re not too familiar with). In so doing, I was able to catch any potential extra light in the UV and IR ends of the spectrum (admittedly very little but any extra light on days like these is a bonus, I feel) and, just that little extra detail in the darker shadows. Though a completely un-ideal day for dramatic light, instead, I hope that I have managed to capture a few frames that might just about portray just how stunning a  structure Jedburgh Abbey is. I  do hope you’ll enjoy these few frames from the archives.

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I | GXR A16 LTFS Conversion: 1/140th | f6 | ISO:200 | Spot Metered.

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II | GXR A16 LTFS Conversion: 1/125th | f6.7 | ISO:766 | Spot Metered. 

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III | GXR A16 LTFS Conversion: 1/125th | f6.3 | ISO:872 | Spot Metered.

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[All images in this series – snagged with a Ricoh GXR A16 LTFS (from ~280nm to ~1300nm) internal conversion, unfiltered.]


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Thank you for visiting.
R. 

 

 

Crichton Memorial Church – PT.III | 720nm Infrared | 35Chronicle

black & white, infrared, photography, rural, skies, spring, structures, trees

When the Ground Marries the Sky.


It really isn’t all that often that I’m lucky enough to see settings like this. Back in November I shot the church for my first time (2019: posts 169 & 178 on my Archives page, if you’d like to roll back a little) and, given the beautiful weather on that day too, albeit cold and autumnal – I was extremely happy to have come away with some lovely IR frames that, yes, I am still very pleased with; but today, in the midst of spring and of course, during the still current lock-down, I managed to snag a few more that, even before I reached for my camera, had me drawing sharp intakes of breath. (Social- distancing – unbreached of course; in fact that part really wasn’t difficult at all.) 

I hope that you are all keeping well and, that you’ll enjoy these few captures. 

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I | 24mm – 1/380th – f6.3 – ISO:200 | Ricoh GXR LTFS Conversion w/Hoya R72

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II | 24mm – 1/290th – f6.3 – ISO:200 | Ricoh GXR LTFS Conversion w/Hoya R72

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III | 28mm – 1/850th – f4.3 – ISO:200 | Ricoh GXR LTFS Conversion w/Hoya R72

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Thank you for visiting.
R. 

 

A Sign of the Times | PT.II – 720nm Infrared | 35Chronicle

black & white, infrared, photography, ruins, skies, spring, structures, trees, urban, waterscape

Un-Visual: A Diary of – the ‘Nobodies’.


All captured on the same gorgeous, warm Saturday afternoon and, I have to wonder – (how quickly) will we find our way back, and, can there be true context without – people?

Indeed; I wonder how this will all play out.

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I | Rosefield Mills [Derelict]

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II | Dock Park

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III | Bandstand

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IV | Devorgilla Bridge

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Thank you for visiting.
-R-

The Mono-Archives | PT.I | 35Chronicle

35mm, black & white, infrared, landscape, nature, photography, ruins, structures, trees

Castle Kennedy & Gardens (2019) | 720nm IR [PT.I]


Given that we’re all a little restricted nowadays, I have decided to do a little catching-up on some much loved scenes and places that I have had the good fortune to capture over the past year or so. Welcome to the Mono-Archives series, a proposed mix of both IR and visible light monochrome frames. I hope you’ll enjoy what I certainly hope will become a worthy collection of some of my more recent black and white work.

-R-

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Close to Home | 720nm Infrared | 35Chronicle

black & white, infrared, photography, skies, structures, urban

Stone & Sky.


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I | The Minerva Building [The Gates are Open but, School is … Out]
GXR A16 FS Conversion w/Lens-Mounted Hoya R72 720nm IR Filter | 24mm | 1/850th | f4 | ISO:200

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II | Greyfriars.
GXR A16 FS Conversion w/Lens-Mounted Hoya R72 720nm IR Filter | 28mm | 1/320th | f4.8 | ISO:200

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III | Robert Burns & Greyfriars.
GXR A16 FS Conversion w/Lens-Mounted Hoya R72 720nm IR Filter | 24mm | 1/400th | f6 | ISO:200

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Down by the River | PT.IV | 720nm Infrared | 35Chronicle

35mm, 50mm, black & white, infrared, photography, ruins, skies, spring, structures, trees, waterscape

Exercise Can Take Many Forms.


We have been advised by Boris that during this extended period of Covid-19 induced lock-down, we are allowed: to make essential journeys, commute to work (and thankfully, gratefully – home again), make vital trips to shops and – to engage in (for up to an hour per day) outdoor exercise. Today, I had no essential journeys to make, nor did we need to run out for urgent supplies; furthermore, it’s my day orff, and so… on seeing what a beautiful spring day it was, Bumble and I decided that we would take the kids out for a much needed leg-stretch for an hour. A perfect opportunity to exercise my leading-eye and my right index finger too, I thought. 

The streets were largely deserted (to be expected of late) save for small groups of shoppers obediently queuing two metres (or thereabouts) apart outside a local supermarket and we had absolutely no issues with bumping into anyone at all. A short walk through the town brought us to a popular spot next to the River (the Nith) more usually popular at this time of year for seagulls and – local drinkers. Today though – all was quiet, serene, picturesque and fragrant. I recall thinking to myself, “If a spring Saturday in the glorious sunshine could always be as peaceful as this, who could possibly have a problem with social-distancing?” Of course, my tongue was firmly in my cheek but you have to admit, many of you will have thought it too at some time or other lately? Surely? I have never seen this part of town so quiet (at least not before 4 a.m, that is!) As we walked towards a near deserted park on the other side of the bridge, I had an idea; one that I had had many times before, in fact. “There is a building…”

I know – I shoot a lot of buildings (and for those of you new to my pages, they include old ruined abbeys, castles, fortifications, churches, to name but some) and usually, solely in my favoured 720nm infrared output when the weather allows me to. When I’m not shooting large structures, I love to shoot around or next to water and today, I would combine the two, as we strolled. 

Standing half-way along Devorgilla Bridge, you’d be forgiven for believing that my intention here was to capture the New Bridge (otherwise known as the Buccleuch Street Bridge) but in fact it was indeed the large willow which attracted me to making this frame. Seeing it draped over the water, newly budding – between me and the stonework, to my mind makes a very pleasing frame.

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Buccleuch Street Bridge & Willow | Ricoh GXR A16 Full-Spectrum Conversion w/Front-Mounted Hoya R72.
[50mm – 1/380th – f6.8 – ISO:200]

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Rosefield Mills is a Grade B Listed disused woollen mill, situated right on the bank of the Nith and, it’s in a sad and sorry state. I have been wanting so much to capture this beautiful, old Venetian style building under IR light for many years but have never, ever arrived to shoot it and been blessed with enough natural sunlight to do so, at each attempt. Today’s encounter with it was down to pure chance that I bagged my camera before setting off, oddly – not something that I always do (there’s a lesson here, don’t you think?) I did manage a good series of images here and, this one is a preview, I guess. 

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Rosefield Mills (from a Deserted Park) | Ricoh GXR A16 Full-Spectrum Conversion w/Front-Mounted Hoya R72.
[35mm – 1/140th – f8.4 – ISO:200]

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Douglas Adams once wrote that nothing turns a seemingly ordinary human being into an incredible musician more quickly that the knowledge of the rapid approach of impending deafness. I feel that there’s an echo here – that to not be able to exercise one’s freedom to roam inasmuch as we have always been able to prior to current times, all of a sudden there’s an urge to find, to see, to create – to enjoy. To the full. 

And so – I hope that you will enjoy these two frames as much as I have enjoyed making them. Stay well and, I hope you’re enjoying a great weekend. 

R.

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