Ribblehead Viaduct: PT.II | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, rural, structures, summer

Look Back, Before You Leave.


When arriving here at the viaduct, it’s so easy to forget to look around at the landscape. It really is that jaw-dropping. If I was a walker (as in, a keen rambler) I would have already known the name of the flat-top hill behind us as Pen-Y-Ghent, one of the Three Peaks so popular with enthusiasts. Suffice to say, though, I love this landscape so much that I am even thinking about a trip here for a few days, after a visit to a reputable outdoor clothing shop! 

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Thank you all for your clicks and kind thoughts and comments and, I do hope you’ll enjoy these last few IR frames from Batty Moss! 

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– Memento Vivere! – 
R.
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Ribblehead Viaduct: PT.I/II | 720nm Infrared | 35Chronicle Photography

black & white, infrared, landscape, photography, ruins, rural, structures

An Ode to ‘Batty Moss’.


We ended up here by a kind of accident, really. So far off the beaten track and so far from home, you’d be excused for questioning such a statement. But I’d listed a camera outfit on a popular sales app and ended up meeting the buyer (Hi, George – if you’re reading!) down the road in Cumbria. We simply decided to make a day of it and take the RF for a bit more of a spin. A glorious, hot day, stunning views – roof down; it was as perfect a day for a run as any I can ever remember.

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Ribblehead, or Batty Moss Viaduct at Ribblehead in North Yorkshire is, as you might imagine, strewn with history – both good and bad. Work commenced on the foundations in 1870 and through re-design issues and financial problems, the final key-stone wasn’t placed until the end of 1874. It was opened as a single-track line in 1876 and despite many attempts to close the line as early as the 1980s, it remains open today as a result of increasing passenger numbers on the Settle to Carlisle line and, huge petitions to save it. During the construction of the viaduct, some one-hundred or so of the two-thousand (plus) workforce died either as a result of construction related injuries, fights or – smallpox. The land around the viaduct itself is now a scheduled ancient monument as the remains of the three settlements and construction camps (Batty Wife Hole, Sebastapol and Belgravia) are situated here. Its architect was the renowned John Sydney Crossley who died some three years after the line opened to the public.

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During our visit to the viaduct, I did my best to compose to exclude the scores of cars and smoking BBQs below many of the twenty-four arches and humming drones above them; this place is an absolute magnet when the sun’s out! As with most things in life though, patience is a virtue and occasionally I was able to get clear views of this magnificent structure. An absolute treat.

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I hope you’ll have enjoyed these first few frames and I wish you all a fabulous week.

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– Memento Vivere! – 
R.
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Breaking the Curse of Morton Castle: PT.V | 720nm Infrared | 35Chronicle Photography

28mm, 35mm, black & white, fine art, infrared, landscape, nature, photography, ruins, rural, skies, structures, summer, trees, waterscape

Until Our Paths Cross Again.


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X | Sentinel of Paradise.

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XI | Old Stone & New Buds.

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– Memento Vivere! – 
R.
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Breaking the Curse of Morton Castle: PT.IV/V | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, ruins, rural, skies, structures, trees, waterscape

In Blissful Isolation.


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VIII | The Sheer Beauty of Solitude.

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IX | Nature Sharing Empathy, Perhaps?

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– Memento Vivere! – 
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Mono-Archives: PT.XIII | 35Chronicle Photography

black & white, fine art, infrared, photography, ruins, rural, skies, structures

Older Haunts | On Overcast, Almost Infrared Days.


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I | Dundrennan Abbey, nr. Kirkcudbright | 720nm IR | 1/220th – f7.6 – ISO:200 | Aug’ 2020.

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II | Dundrennan Abbey, nr. Kirkcudbright | 720nm IR | 1/200th – f8 – ISO:200 | Aug’ 2020.

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III | Dundrennan Abbey, nr. Kirkcudbright | 720nm IR | 1/380th – f8 – ISO:200 | Aug’ 2020.

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See also, the original post from which these frames were also shared, here.


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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Breaking the Curse of Morton Castle: PT.III/V | 720nm Infrared | 35Chronicle Photography

black & white, infrared, photography, ruins, rural, skies, structures

Rule No.1: Never Shoot into the Sun.


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VI | Of Course, Rules Can Be Stretched…

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VII | The Left-Hand Lens-Shade Method: With Practise, It Works!

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Memento Vivere…
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Breaking the Curse of Morton Castle: PT.I/V | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, ruins, rural, structures, summer, trees, waterscape

Light, Love & a Vision.


What I really wish for now is that I haven’t bitten off more than I can chew. It’s been a ridiculously chaotic, busy, unpredictable and yet fun past week or so and, after over three days of stealing odd hours here and there to finish editing two separate shoots, I can finally sit down and share a few more frames with you.  Today, we’re heading back to the beautiful Morton Castle, just outside Thornhill in South West Scotland. It’s been a bit of a nemesis for me in the past and, with six previous posts from this amazing ruin, I have never felt like I got it quite right. Sometimes, I look back over those older posts and clench my teeth as I realise that on occasion, I actually got it quite wrong. You see, I’ve always had a vision of how I would have wanted my captures of Morton to come out and yes, naturally, given my love for alternative-wavelength photography and old ruins, good light and strong IR radiation were always going to be key for me, in achieving captures that I have always imagined from here. My most recent post from Morton was way back in March 2020 – I still can’t believe it was that long ago. But how time flies indeed! So, last week, because time was short and commitments were many (and I just had to get back there!) I literally had only around a half-hour to wander round the castle ruins to make a few more shots before having to race back home again. Forgivingly, the sun was shining in a cloudless blue sky and there was no excuse not to make a dash for it. The weather reports did not let us down and, as Bumble had the keys to the jalopy  – ‘Lady Stig’ was born!

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I | Across Morton Loch | 720nm IR.

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Of course, knowing the layout so well by now does make it easier to plan just how I want to make my captures and where I need to be – it’s the same for any re-visit, I guess. Sometimes it’s possible to know almost exactly how many steps one needs to take from one spot to the next. On this, my fourth visit – though I do know Morton very well now, it still gives me that ‘wow‘ even before I’ve swung open the kissing-gate that leads me to the path along the loch. Very few people visit here at any one time and so it is easier to capture its peace and the solitude. Very few places have stolen my heart the way this one obviously has. I do wonder just how many more times I will make the trip here; I long to capture its reflection in still waters below – which means at least once more will I head this way. But in truth, I love this place so much that I would be completely happy if the answer was always, “once more”.

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II | The Light of Stone & Wood | 720nm IR.

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I do hope that you’ll forgive me from the off, though – that I intend to post up around five posts in total from this, my most recent visit to the castle. There are so many views and angles that I simply love and if I missed any of them out, well – they’d get posted eventually, anyway! Please feel free to post a ‘yaaawwwwwn’ emoji in the comments if you start drifting! Of course, I do hope that that won’t be the case and instead, that you’ll enjoy some beautiful views under alternative light of a truly stunning corner of Scotland. I call it – home.  Thank you so much for reading my pages; as always, I am so grateful and, I wish you a fabulous week ahead.

Memento Vivere…

R.

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III | To a Time | 720nm IR.

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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 720nm IR Filter]


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Eleven Arches: PT.III | 850nm Infrared | 35Chronicle Photography

black & white, fine art, landscape, photography, rural, skies, spring, structures, trees

When the Chill Thwarts Spring.


After the thoughtful, wonderful responses I received to PT.II last week, I have to say that I am a little bit unsure as to how I can even think of topping it. Holding back on frame one was never an option (I get far too excited at grabbing shots like that and have the shameless, breaking-strain of a Kit-Kat when it comes to showing just what can be achieved with alternative wavelength photography on a good day) and so, with a slight concern for posting a bit of a ‘come-down’, I nonetheless have pleasure in sharing my last chosen three from an absolutely fabulous hour shooting this awesome structure that is the Kinclair Viaduct. I am grateful that the spring here has started so cold as it has this year; the growth of the foliage has been slowed down somewhat and, were that not so, I’d have struggled to make the stonework as prominent as I was indeed able to do for fighting my way through the dense leaves and branches (thinking here mostly about this top image). As a compromise, from higher up – I’ve seen beautiful and eerie hanging gardens – even if in retrospect; (thank you, Janet!)

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IV | Dodging Traffic | 850nm IR | 24mm – 1/125th – f8 – ISO:703.

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Anyhooz – this is my last post from Pinmore and will be, I’m sure, my last for a good long while. As spring warms up a little now – I have plenty of other places to discover and the viaduct will be relegated like the rest of my work to date, to my archives; nonetheless, I have much to think about with regards to composition and light if I am to feel as good about what I am still to achieve if these few frames remain the benchmark I have currently set for myself. Holy moly, this is so much fun! 

And summer is on the way…

…goodie!

R.

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V | Convergences | 850nm IR | 24mm – 1/125th – f8 – ISO:734.

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VI | Into a Floating Paradise | 850nm IR | 24mm – 1/125th – f8 – ISO: 476.

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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 850nm IR Filter]


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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Eleven Arches: PT.II | 850nm Infrared | 35Chronicle Photography

black & white, fine art, full-spectrum, infrared, landscape, photography, rural, skies, structures

Kinclair Viaduct, Pinmore – Revisited.


Just about three years ago (give or take a month) I first shot the amazing, grand, utterly imposing viaduct just south of Pinmore on the Newton Stewart to Girvan road. I had to check my files from back then, some of which I posted in No.30, to recall which cameras I took with me on that shoot. Made on my old GR and X100T cameras, I came away with some very pleasing black and white images caught on a less than perfect day for contrast and I also recall that even the sky was so flat and diffused that the resulting frames rendered it featureless. But, I had travelled a very long way in order to shoot this iconic structure and vowed always, to go back. Maybe, I’d give it my IR treatment next time? Alright, so that was a rhetorical question!

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I | Kinclair Viaduct | 850nm IR | 24mm | 1/125th – f8 – ISO:400

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Of course I always intended to do that, so when the sun came out yesterday, Bumble and I headed off, westwards towards the A714, and north-west of Newton. In fairness, we’d been planning it for a couple of days (it’s not prudent to put any faith in the weather forecast anywhere in Scotland, more than forty-eight hours in advance; any of you who live here or have visited for more than a day, will understand exactly what I’m talking about!) When it came to the shots I’d make – I had thought to shift up from 720nm and decided that 850nm would give me a little more contrast under good light. I’d need that extra light to keep my film speed down and my shutter speeds up negating my need for the three-legged thing. As you can see from the frames here, I got very lucky with the light. One pair of frames in particular (No.I in this post and No.VI to come in the following share) did have us scrabbling upwards through tricky dense foliage in order to get the height and length I needed to grab the shot I had always imagined I would take on my first visit – a few minor abdominal wounds today remind me that the climb was well worth it and without that little extra effort, I would have come away knowing that the shot was there for the taking and I did nothing to get it – but it’s here, and the wounds will heal. Please do click the link to my original post and compare, because I truly believe that from the ground, these are the best IR shots I could possibly have made on any day such as this.

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II | Two of Eleven | 850nm | 24mm | 1/125th – f8 – ISO:911 (!)

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Dedications:

To my long-suffering and ever encouraging, Bumble – I thank you for getting into my scrapes for the sake of art! What else can I say? To all of you who visit and revisit my pages, click, comment and get involved – thank you all so much. The best that I can hope is that you will enjoy some of these captures – enough to come back. I utterly love what I do and take none of it for granted; and so – I keep doing it with the same passion and love that I felt when I first discovered what was even possible. To my good friend, Amar – your creations still help me make some of my most pleasing and dramatic work and in this regard, words fail me. Thank you, my friend! 

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III | Woodburn Cottage | 850nm IR | 35mm | 1/80th – f6.3 – ISO:200

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Until PT.II – I do hope you’ll enjoy these few frames and, I wish you all a very happy and healthy weekend ahead.

R.

[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 850nm IR Filter]


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Mono-Archives: PT.VII | 35Chronicle Photography

black & white, fine art, infrared, Long Exposure, nature, photography, ruins, rural, skies, structures

The Way They Move…


Gelston Castle: Long Exposure 720nm IR | 60″ – f22 – ISO:100

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The Lighthouse at Southerness: Long Exposure 720nm IR | 30″ – f22 – ISO:100

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Corbelly Hill Convent, Dumfries: PT.III | 720nm IR | 35Chronicle Photography

28mm, 35mm, 50mm, black & white, fine art, full-spectrum, infrared, photography, ruins, structures, urban

One Last Look Around.


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VIII.

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IX.

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X.

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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Hoya R72 720nm IR Filter]

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Corbelly Hill Convent, Dumfries: PT.II | 720nm IR | 35Chronicle Photography

black & white, fine art, infrared, photography, ruins, structures, urban, waterscape

In the Light & the Dark.


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IV

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V

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VI

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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Hoya R72 720nm IR Filter]

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Corbelly Hill Convent, Dumfries: PT.I | 720nm Infrared | 35Chronicle Photography

black & white, fine art, full-spectrum, history, infrared, photography, ruins, structures, trees, urban

All Roads Lead to… Roam?!?


Content Warning: This post contains elements of sarcasm, arrogance and common-sense, which some readers may find either offensive, or rib-tickling – depending on your sense of humour!

I may or may not be about to start on a little ‘Rob-rant’; in fact – perhaps I’ll just roll my eyes at this point and take a deep breath instead. Yes, that may be a better thing to do. You see, the one question I get asked a lot when I am out shooting old buildings, ruins, lighthouses, you name ’em – is, “Can I help you?” You may have read my thoughts about this question during one of my posts where I published a few frames of the beautiful lighthouse at Corsewall [PT.I – here] back in December, last year. It grates me every time – and it shouldn’t. 

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I have been meaning to come here to the old convent at Corbelly Hill for around six months. Waiting for a clear day with good sunlight and plenty of time has been the only reason it has taken me so long to get up here, to what is the highest building in Dumfries. Known as St. Benedict’s, and also – Corbelly Hall Convent, it was commissioned in 1881 for the Nuns of the Perpetual Adoration and, was completed in 1884. In its time, it has also been used as a girls’ school, a makeshift Sheriff Court and even a museum. It has lain empty and semi-derelict for a good many years now, though. In 2003, it was used in the filming of Peter Mullan’s film “The Magdalene Sisters” – set in 1964 onwards, about the cruel abuse of women at a convent in Ireland. Though I would dearly have loved to have spent some time shooting inside the buildings, as some have before me – it was not to be. 

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One utterly fabulous thing about Scotland is the right to roam and so, seeing no signage indicating otherwise either, Bumble and I took the walk up the hill from Maxwell Street, enjoying the clearest of views over the town on the way up and, we had a little scout around the outside of this beautiful building with a view to setting up for some fitting frames. The light was just about perfect by midday and it almost took my breath away with the sheer size of this place. As we walked around towards the main entrance, we noticed two police vans, a builder’s van and, a couple of cars. Old vinyl 45s from the 70s were strewn curiously and chaotically across the lawns. A broken window to the left of the main entrance door. Not a person in sight though. We picked up a few of the vinyls and read their labels – each one a 70s chart-hit and not a true dud among them if I’m honest. As we wandered the grounds, I began to capture a few shots. That’s when a short and stocky, builder-chappy – surly of face and postured with intent, walked towards us with his faithful right-hand man… to his left. “Can I help you?” he asked. I smiled gently, trying to not smile my facetious smile at the one question that presents to me every time as a red rag to a proverbial bull. “I’m not sure.” I politely replied. “How much do you know about infrared photography?” This precipitated a stunned silence and a quizzical expression in the gentleman who, once he had remembered why he had asked the question in the first place, told us that there had been a break-in that morning and he was concerned as, he had just acquired the building for himself. “Fair enough, but as you can see – you’re unlikely to get any trouble from us. Would it be okay if we carry on around and get a few more frames before the gates go in?” We were graciously (okay, a little facetious there, I know!) granted the freedom to roam once more; our attire possibly an obvious indication that we were not at all dressed for a raid on this day and were safe to be let loose. Yet, every which way we turned from that moment on, we were followed at a distance of no more than ten paces by the builder-chappy and three others of his crew; every word Bumble and I shared from that moment on, was not private. We contained ourselves to the awe of this place and reigned in our feelings about what had just happened. 

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III

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For around four or five days after I made these frames I was confined to being back at work and so, I literally have only just got around to edits today and, having finished working on this series, I really do have the pleasure of sharing a number of shots with you, which, I sincerely do hope you will enjoy. One more day and I’ll be back in the jug again… so who knows, I may get a few more up tomorrow, too? 

Thank you again for reading and I do hope that you’re getting set for a wonderful weekend. 

R.

This post is thoughtfully dedicated to all owners of derelict land and property who needlessly fear the evil intentions of the middle-classes who walk hand in hand, wielding small cameras.

Fear not – we’re only making pictures!

[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Hoya R72 720nm IR Filter]

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

When Elements Align | PT.II | 35Chronicle Photography

black & white, infrared, photography, skies, spring, structures, urban, waterscape

River Nith – Recomposed | 720nm Infrared.


A parting gift from the Nith, glorified under beautiful IR light; the first three frames from which were shared in my previous post. Playing the angles a little has helped me to see that frame ‘VI’ is for me anyway, rather better composed than frame ‘II’ in PT.I – the lesson has to be: always take a series and never trust the first take! Nonetheless, I do hope that you will also enjoy these captures and, to those who’ve clicked, commented and reposted my last entry – I am more grateful than you can know. As I have always believed, writing or sharing anything here is absolutely worthless without each of you who read and get involved. So, thank you!

From a sunny South West Scotland – wishing you all a very happy Tuesday!

R.

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IV: Devorgilla Bridge Across the Nith | 720nm Infrared.

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V: Buccleuch Street Bridge from Devorgilla Bridge | 720nm Infrared.

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VI: Hunters Gathering [II] | 720nm Infrared.

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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Hoya R72 720nm IR Filter]

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

When Elements Align | PT.I | 35Chronicle

photography, infrared, black & white, waterscape, nature, skies, structures, urban, fine art

River Nith | Back in the ‘Red’.


For the last few years, I have been up and down this stretch of the River Nith more times than I can remember, shooting visible-light monochrome, long-exposure night shots and plenty of infrared frames too – all in the hope of capturing that ‘perfect’ series of frames – shots I’d be so proud to print and hang on the wall; but without labouring the point, I have always felt that I have struggled here. The reasons I keep coming back and having yet another go are purely the attraction and, the challenge. It really is an eye-catching place. With regard to IR capturing however, I don’t think that I have ever come back with the shots that I had always itched for. Despite its obvious charms, it’s really not the easiest place to photograph and requires a lot of care where composition is concerned and though I have been enjoying this caper for well over twenty years, I accept that it’s no great surprise to me that it’s taken me until now to feel satisfied with my efforts.

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I. Along the Caul | River Nith, Dumfries | 720nm Infrared.

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Having a ‘thing’ for beautiful bridges and picturesque skies as I clearly do, makes some decisions on angles and perspective a little bit more intuitive when it comes to where I want the structures to be viewed within their frames but there’s a whole lot more going on around them, which, often has me scratching my head. Learning to ‘see’ within a frame and compose is largely down to preference, but there are certain rules which I do try my best to adhere to – such as subject, light and contrast, texture (and contrasting textures too), proportions, foreground, background, overall feel – and also, my own space and place within it all. On this day, the light was just about perfect and I was inspired to have another go.

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II. Hunters Gathering | River Nith, Dumfries | 720nm Infrared.

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As more and more people are now out and about in their cars, on foot or bikes after the last year of repeated and prolonged C-19 lockdowns, it was fabulous to get out here and see some more life about the place. As the sun beat down, we leisurely walked over the Devorgilla Bridge to the other side of the river and felt like living was starting to happen again which for me is certainly yet another reason to feel inspired. As we crossed the bridge, an opera-fan with very capable speakers punched out a little culture in Gm from  an upper storey window, an unusual backing track to the sound of the streets below and yet, I couldn’t help smiling because of it.

The elements had aligned and, I do hope you’ll enjoy these first few little outcomes.

R.

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III. Buccleuch Street Bridge, Dumfries | 720nm Infrared.

35chronicle.267 (3)

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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Hoya R72 720nm IR Filter]

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