Ribblehead Viaduct: PT.II | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, rural, structures, summer

Look Back, Before You Leave.


When arriving here at the viaduct, it’s so easy to forget to look around at the landscape. It really is that jaw-dropping. If I was a walker (as in, a keen rambler) I would have already known the name of the flat-top hill behind us as Pen-Y-Ghent, one of the Three Peaks so popular with enthusiasts. Suffice to say, though, I love this landscape so much that I am even thinking about a trip here for a few days, after a visit to a reputable outdoor clothing shop! 

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Thank you all for your clicks and kind thoughts and comments and, I do hope you’ll enjoy these last few IR frames from Batty Moss! 

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– Memento Vivere! – 
R.
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Breaking the Curse of Morton Castle: PT.V | 720nm Infrared | 35Chronicle Photography

28mm, 35mm, black & white, fine art, infrared, landscape, nature, photography, ruins, rural, skies, structures, summer, trees, waterscape

Until Our Paths Cross Again.


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X | Sentinel of Paradise.

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XI | Old Stone & New Buds.

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– Memento Vivere! – 
R.
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Breaking the Curse of Morton Castle: PT.I/V | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, ruins, rural, structures, summer, trees, waterscape

Light, Love & a Vision.


What I really wish for now is that I haven’t bitten off more than I can chew. It’s been a ridiculously chaotic, busy, unpredictable and yet fun past week or so and, after over three days of stealing odd hours here and there to finish editing two separate shoots, I can finally sit down and share a few more frames with you.  Today, we’re heading back to the beautiful Morton Castle, just outside Thornhill in South West Scotland. It’s been a bit of a nemesis for me in the past and, with six previous posts from this amazing ruin, I have never felt like I got it quite right. Sometimes, I look back over those older posts and clench my teeth as I realise that on occasion, I actually got it quite wrong. You see, I’ve always had a vision of how I would have wanted my captures of Morton to come out and yes, naturally, given my love for alternative-wavelength photography and old ruins, good light and strong IR radiation were always going to be key for me, in achieving captures that I have always imagined from here. My most recent post from Morton was way back in March 2020 – I still can’t believe it was that long ago. But how time flies indeed! So, last week, because time was short and commitments were many (and I just had to get back there!) I literally had only around a half-hour to wander round the castle ruins to make a few more shots before having to race back home again. Forgivingly, the sun was shining in a cloudless blue sky and there was no excuse not to make a dash for it. The weather reports did not let us down and, as Bumble had the keys to the jalopy  – ‘Lady Stig’ was born!

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I | Across Morton Loch | 720nm IR.

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Of course, knowing the layout so well by now does make it easier to plan just how I want to make my captures and where I need to be – it’s the same for any re-visit, I guess. Sometimes it’s possible to know almost exactly how many steps one needs to take from one spot to the next. On this, my fourth visit – though I do know Morton very well now, it still gives me that ‘wow‘ even before I’ve swung open the kissing-gate that leads me to the path along the loch. Very few people visit here at any one time and so it is easier to capture its peace and the solitude. Very few places have stolen my heart the way this one obviously has. I do wonder just how many more times I will make the trip here; I long to capture its reflection in still waters below – which means at least once more will I head this way. But in truth, I love this place so much that I would be completely happy if the answer was always, “once more”.

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II | The Light of Stone & Wood | 720nm IR.

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I do hope that you’ll forgive me from the off, though – that I intend to post up around five posts in total from this, my most recent visit to the castle. There are so many views and angles that I simply love and if I missed any of them out, well – they’d get posted eventually, anyway! Please feel free to post a ‘yaaawwwwwn’ emoji in the comments if you start drifting! Of course, I do hope that that won’t be the case and instead, that you’ll enjoy some beautiful views under alternative light of a truly stunning corner of Scotland. I call it – home.  Thank you so much for reading my pages; as always, I am so grateful and, I wish you a fabulous week ahead.

Memento Vivere…

R.

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III | To a Time | 720nm IR.

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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 720nm IR Filter]


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2020: A Photographic Review | 35Chronicle

35mm, black & white, candid, close-up, colour, fine art, full-spectrum, history, Indoor, infrared, landscape, Long Exposure, macro, nature, night / low-light, people, personal, photography, portraits, review, ruins, rural, skies, spring, still life, structures, summer, trees, waterscape

Decisions, Decisions.


Every one of us has a similar story to tell of this trying year that has been – 2020. It was touted as the coming year of clear vision and foresight, change for the better, its number instilling feelings of hope and reason in each of us. It stood for something. Then – it arrived. Instead, it has been the year that has made us all think harder about what it means to be human, about how we act, how we look after ourselves and our fellow man; our families, friends, loved ones and most of all, those whom we will never know and yet we hope that they have also regarded our well-being in just the same way. Not everyone has given it so much thought or consideration though; those who have had us shaking our heads in despair at showings of ignorance or selfishness. That hyper-awareness that has been growing all year, is at its peak now – for those who have been paying attention, that is. So many have suffered and lost, many more have suffered and, will be doing so still. And these thoughts keep me grounded when it comes to looking back over my own personal year – small fish by comparison yet, relevant to what I love.

Over the last ten years, my love for infrared landscape photography has continued to evolve and I have a new love over these latter few years too – old ruins and Marsden-esque scenes that invoke the past, questions, stories forgotten or simply – awe. This year has been a little more tricky though, to capture them. Many places I have wished to visit have been closed or actually close-off, local restrictions have curtailed non-essential travel and I have been made to think a little differently as to what or how I would like to shoot. Another little learning curve has been experienced this year and this can only be a good thing. Creatively, I have still found myself struggling a little – mostly with my own photographic repertoire and not wanting to get ‘stuck’ in a niche – but I think it may be too late for such feelings. The rod is against my back already, however – I feel a coming change in my approach, necessitated by the course of recent history and by the passage of time. Change is inevitable and I can feel it bubbling under the surface. What it will be is yet only a series of random flickers of frames like subliminal advertising pasted inside life’s film reel. They exist – not yet realised. But time is changing us. And it’s changing me. Insosaying, this year’s review isn’t just about looking back at some old photographs – it’s about wondering where I’ll go and what I’ll do next. I still don’t know – but I’m looking forward to finding out. 

It’s been a little tricky for me to select my favourite frames from 2020 – it would’ve been easier if I had chosen by the number of clicks or comments by post. By some choices, I may coincide by accident – but these are my selections based on time, place, feeling and creative satisfaction.  The best I have been able to achieve really is here. All I can hope is that you’ll enjoy this little recap. 

 

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January 2020: The Wedding Trio | Scotland’s Folly – Calton Hill, Edinburgh.

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February 2020: Lowther Castle, Cumbria. 720nm IR | 35mm.

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March 2020: Hermitage Castle. 720nm IR | 35mm.

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April 2020: Seven Tonics [Whatever Gets You Through].

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May 2020: Home School…

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June 2020: Air & Water.

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July 2020: Southerness Lighthouse | 720nm IR w/ Hoya R72 & 10-Stop ND.

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August 2020: Dundrennan Abbey | 720nm IR.

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September 2020: Suspension Bridge Over the Nith.
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October 2020: Scott’s View – Melrose & The Magic of a Fair Maiden’s Hand.

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November 2020: Ol’ Fashioned | 3″ Macro.

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December 2020: The Silent Bell – Hoddom Castle | 720nm IR.

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Thank you all so much for your company and your contributions this year, and to both newer followers and more long-standing readers – I am always eternally grateful for your contributions both to my pages and, for what you yourselves create. Thank you! I wish you all a very happy, prosperous and healthy ’21! Please – join me again when you can. 

Warmest wishes to you all… 

Rob.


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In Contrast: Two Lighthouses | 720nm Infrared | 35Chronicle

35mm, black & white, boats, infrared, photography, rural, skies, structures, summer, waterscape

Some Overdue IR Fun with the X100.


It’s been a good long while since I took my IR converted X100 out for a spin – preferring usually, the utter versatility of my wonderful GXR A16 full-spectrum conversions instead. However, every now and then, when the conditions are just right, it’s wonderful to travel a little lighter still and restrict myself to just one focal-length; it avoids all the choice and confusion over which FL I’m going to shoot with and allows me to just – make pictures. Compose, frame – capture. If there is one thing I love about the X100 series, it is simply that. It just doesn’t get in the way. At all. So, after a jaunt to the Mull of Galloway and then up through Port Logan, travelling as (camera) light as I believe it is possible to do so, here are a couple of rather pleasing frames that, I do hope that you’ll enjoy too.


Port Logan Lighthouse | X100 [720nm Internal Conversion] | 35mm – 1/220th – f8 – ISO:200

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Mull of Galloway Lighthouse [as a Smoking Chimney, Perhaps?] | X100 [720nm Internal Conversion] | 35mm – 1/420th – f8 – ISO:400

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Loch Ettrick | 720nm IR [Long Expo’] – PT.I | 35Chronicle

black & white, boats, infrared, landscape, Long Exposure, nature, photography, rural, skies, summer, trees, waterscape

“Today, the Weather Will Consist Mainly of Horse-Flies, Cloud, Kayaking Intruders & Occasional, Infrequent Outbreaks of Sunshine”. (That’ll Do!)


I’m really struggling to find time enough to sit and write, lately. You may or may not have noticed and perhaps, it’s a nice change for readers to not have to feel guilty for all the ‘scanning’ we have to do when we do our best to keep up with all of the posts we follow and digest, in a meaningful way. A way that does justice to the incredible quality of works that are so regularly posted. Well, today, I have to write. I’m sorry. But I am starting to feel that distancing of connection with what I love to do so much and that which often lends context, most acutely comes down to words. Sometimes a frame by itself cannot be its own justification. This one almost achieves that, for me – but only because I was there shooting it. Still, my sub-header pretty much covers it. What it doesn’t portray, however, are the little yet frequent internal struggles I am having to do something a little different with my cameras. Ideas that have been explored and exploited for as long as any of us can remember are thus, still a little new to me and, as confident as I am at many genres of photography, long exposures still make me scratch my head as to how best to go about it. In this case, as with the previous recent frames that I have posted, I am winging it. Timing as best I can to achieve good exposure and some decent movement within the frame where it can move the eye and the mind. But slow-moving clouds are still just that, even over the course of a minute with the shutter open and so, we come to the water to hopefully save the day. The water came through in fine style. 

For years I have marvelled at the talents of photographers who have taken long-exposure photography to ever new heights and, whilst in no way could I hope to emulate some of the most incredible work that I have had the good fortune to view, I hope at the very least to be able to grasp the concept with the little knowledge that I do have and, put it to the test in making some frames of my own. Here, at the Loch-side, I was granted a gift, when eight year-old Flynn, on his first outing in a Kayak since he was four years old, drifted slowly into my frame. I made no attempt to ward him away (he was having so much fun, bless ‘im!) and, as I view the shot, I am bloody glad that I didn’t and, that he did. If only the shutter had remained open for another few seconds though? Nonetheless, happy accidents win the day and I have a frame to be delighted with. 


Loch Ettrick [I] | 720nm IR w/Hoya R72 & 10-Stop ND | Ricoh GXR A16 LTFS Conversion | 24mm – 60” – f22 – ISO:100.

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Although I am all too aware that conditions on this day weren’t perfect for this kind of exploration, I intend to keep going and will take my camera with me whenever and wherever I can in the hope that I will discover for myself, what to look out for and how to play with it. In the meantime, the cleg bites on my shoulders are reducing nicely and I can smile at great memories. I hope you’ll enjoy this one and, that you’ll have a great week ahead. 

R.


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The Lighthouse at Southerness – PT.II | 35Chronicle

black & white, fine art, infrared, landscape, Long Exposure, photography, rural, skies, structures, summer

Revisiting Old Haunts – PT.II | 720nm Infrared – Long Exposure Series.


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Southerness Lighthouse | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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R.
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Gelston Castle – PT.III | 35Chronicle

black & white, infrared, Long Exposure, photography, ruins, rural, skies, structures, summer

Revisiting Old Haunts – PT.I | 720nm Infrared – Long Exposure Series.


The spring of last year was a tremendously difficult time for me and, for those closest to me I think it must have been even harder. After a crazy-serious accident at work that rendered me flat on my back for almost twelve weeks due to multiple spinal and rib fractures, I absolutely needed to get out with my cameras again. For almost nine months afterwards and in so many ways, my entire being was in recovery-mode and eventually, even on crutches, I was able to make short trips out for the specific purpose of bagging even a few more frames – of all the things that made me feel whole and normal again, this was it. Barmy, don’t you think? Not long before that, though (and I think that this was a presiding reason for my increasing restlessness) – I had the amazingly good fortune to visit some truly beautiful places and one one of them was here, at the utterly stunning ruin of Gelston Castle, just a few miles from Castle Douglas. (My first post on Gelston is here, if you’d like to check it out). Oddly, for me, a second summer on-the-bounce has seen me confined (like almost everyone else lately) to quarters. My shutter finger gets very itchy when I know that I don’t have the freedom to exercise it and so, you can possibly imagine my joy when, just yesterday, Bumble and I visited Gelston again. This time, I wanted to do things a little differently and so, rather than just walk around for a half hour bagging IR shots that I probably have already snagged, the Big-Stopper came out of the bag and for once, I stopped being a lazy-arse, and brought the tripod along – probably for the first time in a lot of years. Here then, is one of yesterday’s frames from Gelston Castle – from the rear entrance to the ruin (that I would never have been able to get last year anyway, due to the sun being on the opposite side of the building once we’d arrived) and, whilst I would love to post a couple more right here, sadly, I’m still catching up on edits; soon, though.  

I do hope that you’ll enjoy this first frame, from what is for me a little bit of a different approach, though to many, not new at all, I am sure. Nonetheless, I hope it measures up. 

For now – thank you as always for visiting and, if this is your caper, I hope you’ll watch this space.

R.

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Gelston Castle Ruins – Rear Elevation | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f18.0 – ISO:100.

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R.
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2019 Photographic Review | 35Chronicle Photography

black & white, boats, close-up, colour, Indoor, infrared, landscape, macro, nature, night / low-light, people, photography, portraits, review, ruins, rural, skies, still life, structures, summer, trees, waterscape

As the Days Begin to Lengthen.


This time last year I was preparing my first ever photo-review here at 35Chronicle and, at the time, I could never have professed to have known just what a year 2019 was going to be for me. In every sense of the word it’s been an amazing year, and – a traumatically difficult one for the large part. Suffice to say that if you are a regular reader of my pages, you’ll know a little of what I’ve been up to and, subjected to and – you might also realise that as well as those closest to me who have kept me going throughout the year since spring, my love of all things photographic have been my main non-pulsatile impetus to get back out there and, get better. Better in health, at life, at shooting – just, better; in any way I can.

Despite some difficulties in getting back out there (you try shooting whilst holding on to your crutches while your camera bag is threatening to slide forward under the weight of the gear – with the express intent of taking one of your legs from underneath you!) I have enjoyed many excursions this year. Insosaying, I have done my best to represent each month of 2019 (by date of publishing) with what I feel is the one shot that truly made the cut. My cut. I hope I have done enough.

Of course, the whole reason I am writing any of this is because, well – you are reading it. As such, I need to say a massive thank you to a huge amount of people who have been with me this year and without whom, my 2019 would have turned out rather different and probably not as good. Therefore, to loved ones, to friends, to everyone here on WP, and to everyone who has been of support to me throughout the year, I thank you, from the bottom of my heart. You all know who you are and I forget not one of you.

Please do enjoy this selection of just some of my favourite frames of this year and I hope you’ll join me again in 2020. It’ll be great to see you again. (To H – thank you and please forgive me for my shameless and blatant use of your sign-off. It fits perfectly, expresses my intent to a tee and I truly can’t think of or find a better way to say it. I promise to only use it this once!)

See you on the flip-side, folks!

In Metta.

– Rob –


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January 2019 | Moss after Rain.

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February 2019 | The Wellspring – Kirkcudbright | 720nm IR.

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March 2019 | Thirlstane Arch – Powillimont, Southerness | 720nm IR.

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April 2019 | Dundrennan Abbey [AKA: The Day of Two Cakes!]| 720nm IR

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May 2019 | Angela.

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June 2019 | Gelston Castle | 720nm IR.

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July 2019 | River Nith to Greyfriars | 720nm IR.

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August 2019 | Angela & her Machines.

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[Just After] September 2019 | The Kelpies – Falkirk | Late Dusk.

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October 2019 | Light Muse (Sic!)

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November 2019 | Edinburgh, from the Castle.

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December 2019 | Paisley James – 4 Hours Old.
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Happy New Year 2020, to You All!

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Portpatrick | PT.I – 720nm Infrared | 35Chronicle

35mm, black & white, boats, infrared, landscape, photography, summer, waterscape

The Harbour Series.


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[All frames: Ricoh GR Internal IR Conversion w/35mm Internal Crop]

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Caerlaverock Castle | 720nm Infrared – PT.II | 35Chronicle

35mm, black & white, infrared, landscape, photography, ruins, rural, skies, structures, summer, waterscape

On Top of the World.


Towards the end of last autumn and as winter approached, I discovered to my complete joy that in all the years that I have been enjoying shooting infrared light, it is in fact possible to revel in it the whole year-round; weather permitting of course. No longer do I feel that ol’ sinking feeling once the clocks go back in the so-called knowledge that my IR cameras should just get hung up again until the spring and instead, I simply look forward to the next IR-perfect day on which I can get back out there and shoot. Subject matter is everything of course and here in Scotland there is no shortage of inspiration nor of places as yet unseen through my lenses. 

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Whilst some of my subjects may appear (even to me) safe, popular, somewhat predictable even, I cannot help but feel a huge amount of happiness and satisfaction at being able to capture them under lightwaves less commonly photographed and, share an alternative view of my world that to most, is not often enjoyed. Caerlaverock Castle is certainly one of D&G’s most prominent and beautiful landmarks and, back in June – on the day of the summer solstice, my IR-eye was put back to work. The first post of this two-parter was published only eleven posts ago, yet all the way back in August which only makes me realise just how much catching up I still have to do however, I have been extremely busy during my recovery from the events of April and, there still seems so much to do – but I really am getting there and, to be bluntly honest, it really is a bloody good feeling. Sure, I am a little snowed under, but I honestly wouldn’t want it any other way.

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As summers pass and autumns draw; let winters come and thwart no more.

My lens will be there; somewhere.

R.

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[All Images: Fujifilm X100 720nm IR Internal Conversion.]


Postscript: I have recently upgraded my standard WP plan (note the slight change in site address – yes, the old link will still bring you to my homepage) so – no more ads! To any of you who read my pages and are not WP subscribers, thank you and, I do hope that this change improves your reading experience.


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The Falkirk Wheel | PT.I | 720nm Infrared | 35:Chronicle

35mm, black & white, boats, infrared, photography, skies, structures, summer

They Paved Paradise.


It’s not what you’d expect and it certainly was not what I expected it to be either; I didn’t do any research, favouring surprise over fore-knowledge of a place that is often mentioned but not yet visited. Much like a literary classic, I suppose, that sits on the shelf for years and soon becomes ignored until the day when it simply falls into your hand. Well, it was that close and quite simply could not be ignored.

The Falkirk Wheel is a monumental piece of engineering – a rotating boat lift that since 2002 has reconnected the Forth & Clyde Canal (below) and the Union Canal (above), the first time since the 1930s. The site itself is one of the most staggering pleasures to the eyes but I have to say, that turning the whole place into a theme-park doesn’t lend well to the sheer awe of it all. Certainly, it will draw huge income and just as likely, it makes life a little tricky for any photo-enthusiast (ie: moi!) to make images of the prime attraction – the wheel itself. Nonetheless, without wishing to sound like an affiliate to the Scottish Tourist Board (or an anti-affiliate at that) for anyone who is interested in the waterways of Scotland, or anywhere for that matter, or engineering – this thing is a must see.

It works on the principle of Archimedes theory of displacement (that a body immersed in water displaces its own weight in water) thus, each of the two gondolas contains 250 tonnes (250,000 litres) of water without a boat within, or the same weight when containing a vessel. This means that enough electricity to boil a few kettles is required to get the wheel turning before the balance of the two gondolas (180 degrees from each other) keep the wheel turning in perfect balance with each other. It’s all extremely simply yet, ridiculously clever. 

Here, I have done my best to capture some of the essence of the Wheel whilst sticking to the idea of conscious exclusion, (in other words, without the pedalos, ice-cream stalls, crowds and, bouncy castles, for instance). I do hope you’ll enjoy this first instalment. 

R.

[All images: Fujifilm X100 Internal 720nm IR – 35mm Equiv.]

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The Gardens of Drumlanrig | 720nm Infrared – PT.II | 35:Chronicle

35mm, black & white, infrared, photography, rural, structures, summer, trees

Light of Heart.


To find Drumlanrig so void of people on a gorgeous day like this is a rarity, a real rarity in fact. Perhaps it had something to do with the different timings of the school summer holidays between Scotland and England because from past experience, this place is usually teeming with people at this time of year. However, I complain not a bit simply because it did mean that I could exercise complete selfishness without a hint of guilt. Therefore, a few more IR frames from a place I love. To my mind – there’s no better way to see it. 

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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The Gardens of Drumlanrig | 720nm Infrared – PT.I | 35:Chronicle

28mm, 35mm, black & white, infrared, photography, rural, structures, summer, trees

Hog Heaven – An Alternative View.


Back in early April this year, we visited Drumlanrig Castle, near Thornhill. You may remember, if you’re a regular reader, that at the time, I was shooting with my then newly internally converted 720nm IR GR [PT.III of original series]- and, what I really wanted to capture were the beautiful gardens here. Sadly, April is a little early and the groundsmen were still working their fingers to the bone in preparing these fabulous grounds for the public and, some shots of the castle itself were the best that I could steal. Once they were open however, we went back – and, what a glorious day it was to wander around and to play with light again. 

Don’t be misled by a gentle introduction – this place is stunning in any light and, I hope to do Drumlanrig’s gardens justice over coming posts. I only hope you’ll enjoy them.

R.

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While the Sun Shines | PT.I | 35:Chronicle

35mm, black & white, colour, landscape, nature, photography, summer

Making Hay.


As I looked out of my living-room window yesterday morning and, to the fields opposite, it was clear to me that it is again that time of year. Oddly, as the years pass, certain annual events seem to come more quickly than ever before, and, so soon, it’s baling season once more. Part of me would love to live in or close to a city, with amazing architecture and dazzling lighting; interesting folk too busy to notice another would-be street photographer, perhaps. But I live in the country and so, the country revolves around my life, I suppose. For years, I have been meaning to get out and shoot the fields dotted with their bales under warm evening, late-summer sunshine and I have always either missed the opportunities or, just been too lazy to create them. Until this year. Being right outside my door, for me to have not made these frames would have been a personal crime.

(The first three frames were obviously captured during daylight hours, but the last exposure (of 30″ at ISO:100) was captured around 10pm – as baling continued well into the night.)

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It is my plan to publish three posts in this series because, not only have I used visible light to capture the scenes (as in this post), but, as regular readers may well suspect, I have made a number of infrared captures of different wavelengths, too. Starting with the visible-light frames I believe is the more natural way to start this little series off but it will, I hope, become very clear as to how alternative wavelengths and focal-lengths can offer a very different visual perspective to similar compositions, in the posts to come. 

As one apt old saying goes – we must make hay, while the sun shines. (With camera in-hand, who am I to argue with that?)

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(Part II can be visited here.)
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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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