London Skylines: PT.III | 35Chronicle Photography

black & white, boats, cityscapes, fine art, full-spectrum, photography, skies, structures, urban, waterscape

Silver Linings?


It’s been a little while longer than I prefer, since I last posted and, if you’re visiting again – I thank you! In short, after keeping ourselves busy during the holidays, we have returned to find ourselves rather the worse for wear despite double-vaccinations, social distancing, constant mask-wearing and the collective use of more than likely a half gallon of hand-gel. It seems that the easing of restrictions and the predictable mass complacency that was bound to ensue, has had rather a negative impact on the dreaded lurgy and, after almost two years of this thing – working in close quarters within the health sector, I had to wait to until I had a holiday to succumb to it. To say I’m a bit miffed is an understatement. As I am currently on isolation day four of ten, I find only today that I have any strength to even post, so I hope I can make it worth your time. Whilst I have been able to get busy editing frames from other summer excursions, stringing words together with any coherence has been a distant priority until now. Is it possible to be cheerful and pissed off at the same time? There’s a contrast I don’t consider often.

Speaking of contrast, as a black and white shooter – I look for it everywhere. It’s one of the most important anchors of black and white photography, along with good composition and exposure, texture, light-play and if you’re really good (or just fortunate) some kind of message. In the latter, I lack often – my Achilles Heel, I guess. Nonetheless, I hope you’ll enjoy these few frames from London, where, I have to say – the clouds really played ball! Perhaps slightly over-exposed in #3 but I like it enough to share it with you, too.

I hope that you are all remaining safe and well, and if you’re not, you have my profound acknowledgement and sympathy. Covid sucks. Isolation sucks. Photography Rules!

Every cloud?!

*
V | The Dome of St. Paul’s Cathedral (& a Smoke-Break on the Steps) – from an Uber on the Thames | 720nm IR

35chronicle.289 (2)

*
VI | Blackfriars Bridge & the Boomerang (One Blackfriars), Southwark – from the Millennium Bridge | LTFS

35chronicle.289 (1)

*
VII | The Shard & the Belfast – & Some Naughty Clouds! | LTFS

35chronicle.289 (3)

*
– Memento Vivere! – 
R.
*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

London Skylines: PT.II | 35Chronicle Photography

28mm, 35mm, black & white, fine art, full-spectrum, infrared, landscape, photography, skies, structures, urban

Above & Below.


III | OXO [LTFS] – From the Thames.

35chronicle.287 (2)

*
IV | Westminster Bridge, Houses of Parliament & Elizabeth Tower in Scaffolding [720nm IR] – From the Eye.

35chronicle.287 (1)

*
– Memento Vivere! – 
R.
*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Corbelly Hill Convent, Dumfries: PT.III | 720nm IR | 35Chronicle Photography

28mm, 35mm, 50mm, black & white, fine art, full-spectrum, infrared, photography, ruins, structures, urban

One Last Look Around.


*
VII.

35chronicle.271 (1)

*
VIII.

35chronicle.271 (2)

*
IX.

35chronicle.271 (4)

*
X.

35chronicle.271 (3)

*
[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Hoya R72 720nm IR Filter]

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Corbelly Hill Convent, Dumfries: PT.II | 720nm IR | 35Chronicle Photography

black & white, fine art, infrared, photography, ruins, structures, urban, waterscape

In the Light & the Dark.


*
IV

35chronicle.270 (1)

*
V

35chronicle.270 (2)

*
VI

35chronicle.270 (3)

*
[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Hoya R72 720nm IR Filter]

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Corbelly Hill Convent, Dumfries: PT.I | 720nm Infrared | 35Chronicle Photography

black & white, fine art, full-spectrum, history, infrared, photography, ruins, structures, trees, urban

All Roads Lead to… Roam?!?


Content Warning: This post contains elements of sarcasm, arrogance and common-sense, which some readers may find either offensive, or rib-tickling – depending on your sense of humour!

I may or may not be about to start on a little ‘Rob-rant’; in fact – perhaps I’ll just roll my eyes at this point and take a deep breath instead. Yes, that may be a better thing to do. You see, the one question I get asked a lot when I am out shooting old buildings, ruins, lighthouses, you name ’em – is, “Can I help you?” You may have read my thoughts about this question during one of my posts where I published a few frames of the beautiful lighthouse at Corsewall [PT.I – here] back in December, last year. It grates me every time – and it shouldn’t. 

*
I

35chronicle.269 (2)

*

I have been meaning to come here to the old convent at Corbelly Hill for around six months. Waiting for a clear day with good sunlight and plenty of time has been the only reason it has taken me so long to get up here, to what is the highest building in Dumfries. Known as St. Benedict’s, and also – Corbelly Hall Convent, it was commissioned in 1881 for the Nuns of the Perpetual Adoration and, was completed in 1884. In its time, it has also been used as a girls’ school, a makeshift Sheriff Court and even a museum. It has lain empty and semi-derelict for a good many years now, though. In 2003, it was used in the filming of Peter Mullan’s film “The Magdalene Sisters” – set in 1964 onwards, about the cruel abuse of women at a convent in Ireland. Though I would dearly have loved to have spent some time shooting inside the buildings, as some have before me – it was not to be. 

*
II

35chronicle.269 (3)

*

One utterly fabulous thing about Scotland is the right to roam and so, seeing no signage indicating otherwise either, Bumble and I took the walk up the hill from Maxwell Street, enjoying the clearest of views over the town on the way up and, we had a little scout around the outside of this beautiful building with a view to setting up for some fitting frames. The light was just about perfect by midday and it almost took my breath away with the sheer size of this place. As we walked around towards the main entrance, we noticed two police vans, a builder’s van and, a couple of cars. Old vinyl 45s from the 70s were strewn curiously and chaotically across the lawns. A broken window to the left of the main entrance door. Not a person in sight though. We picked up a few of the vinyls and read their labels – each one a 70s chart-hit and not a true dud among them if I’m honest. As we wandered the grounds, I began to capture a few shots. That’s when a short and stocky, builder-chappy – surly of face and postured with intent, walked towards us with his faithful right-hand man… to his left. “Can I help you?” he asked. I smiled gently, trying to not smile my facetious smile at the one question that presents to me every time as a red rag to a proverbial bull. “I’m not sure.” I politely replied. “How much do you know about infrared photography?” This precipitated a stunned silence and a quizzical expression in the gentleman who, once he had remembered why he had asked the question in the first place, told us that there had been a break-in that morning and he was concerned as, he had just acquired the building for himself. “Fair enough, but as you can see – you’re unlikely to get any trouble from us. Would it be okay if we carry on around and get a few more frames before the gates go in?” We were graciously (okay, a little facetious there, I know!) granted the freedom to roam once more; our attire possibly an obvious indication that we were not at all dressed for a raid on this day and were safe to be let loose. Yet, every which way we turned from that moment on, we were followed at a distance of no more than ten paces by the builder-chappy and three others of his crew; every word Bumble and I shared from that moment on, was not private. We contained ourselves to the awe of this place and reigned in our feelings about what had just happened. 

*
III

35chronicle.269 (1)

*

For around four or five days after I made these frames I was confined to being back at work and so, I literally have only just got around to edits today and, having finished working on this series, I really do have the pleasure of sharing a number of shots with you, which, I sincerely do hope you will enjoy. One more day and I’ll be back in the jug again… so who knows, I may get a few more up tomorrow, too? 

Thank you again for reading and I do hope that you’re getting set for a wonderful weekend. 

R.

This post is thoughtfully dedicated to all owners of derelict land and property who needlessly fear the evil intentions of the middle-classes who walk hand in hand, wielding small cameras.

Fear not – we’re only making pictures!

[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Hoya R72 720nm IR Filter]

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

When Elements Align | PT.II | 35Chronicle Photography

black & white, infrared, photography, skies, spring, structures, urban, waterscape

River Nith – Recomposed | 720nm Infrared.


A parting gift from the Nith, glorified under beautiful IR light; the first three frames from which were shared in my previous post. Playing the angles a little has helped me to see that frame ‘VI’ is for me anyway, rather better composed than frame ‘II’ in PT.I – the lesson has to be: always take a series and never trust the first take! Nonetheless, I do hope that you will also enjoy these captures and, to those who’ve clicked, commented and reposted my last entry – I am more grateful than you can know. As I have always believed, writing or sharing anything here is absolutely worthless without each of you who read and get involved. So, thank you!

From a sunny South West Scotland – wishing you all a very happy Tuesday!

R.

*
IV: Devorgilla Bridge Across the Nith | 720nm Infrared.

35chronicle.268 (1)

*
V: Buccleuch Street Bridge from Devorgilla Bridge | 720nm Infrared.

35chronicle.268 (3)

*
VI: Hunters Gathering [II] | 720nm Infrared.

35chronicle.268 (2)

*
[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Hoya R72 720nm IR Filter]

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

When Elements Align | PT.I | 35Chronicle

black & white, fine art, infrared, nature, photography, skies, structures, urban, waterscape

River Nith | Back in the ‘Red’.


For the last few years, I have been up and down this stretch of the River Nith more times than I can remember, shooting visible-light monochrome, long-exposure night shots and plenty of infrared frames too – all in the hope of capturing that ‘perfect’ series of frames – shots I’d be so proud to print and hang on the wall; but without labouring the point, I have always felt that I have struggled here. The reasons I keep coming back and having yet another go are purely the attraction and, the challenge. It really is an eye-catching place. With regard to IR capturing however, I don’t think that I have ever come back with the shots that I had always itched for. Despite its obvious charms, it’s really not the easiest place to photograph and requires a lot of care where composition is concerned and though I have been enjoying this caper for well over twenty years, I accept that it’s no great surprise to me that it’s taken me until now to feel satisfied with my efforts.

*
I. Along the Caul | River Nith, Dumfries | 720nm Infrared.

35chronicle.267 (1)

*

Having a ‘thing’ for beautiful bridges and picturesque skies as I clearly do, makes some decisions on angles and perspective a little bit more intuitive when it comes to where I want the structures to be viewed within their frames but there’s a whole lot more going on around them, which, often has me scratching my head. Learning to ‘see’ within a frame and compose is largely down to preference, but there are certain rules which I do try my best to adhere to – such as subject, light and contrast, texture (and contrasting textures too), proportions, foreground, background, overall feel – and also, my own space and place within it all. On this day, the light was just about perfect and I was inspired to have another go.

*
II. Hunters Gathering | River Nith, Dumfries | 720nm Infrared.

35chronicle.267 (2)

*

As more and more people are now out and about in their cars, on foot or bikes after the last year of repeated and prolonged C-19 lockdowns, it was fabulous to get out here and see some more life about the place. As the sun beat down, we leisurely walked over the Devorgilla Bridge to the other side of the river and felt like living was starting to happen again which for me is certainly yet another reason to feel inspired. As we crossed the bridge, an opera-fan with very capable speakers punched out a little culture in Gm from  an upper storey window, an unusual backing track to the sound of the streets below and yet, I couldn’t help smiling because of it.

The elements had aligned and, I do hope you’ll enjoy these first few little outcomes.

R.

*
III. Buccleuch Street Bridge, Dumfries | 720nm Infrared.

35chronicle.267 (3)

*
[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Hoya R72 720nm IR Filter]

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

The Mono-Archives | PT.V | 35Chronicle

black & white, cityscapes, full-spectrum, photography, urban

To & From: a Place I Love | A Full-Spectrum Collection.


*
I | Cranes – from Calton Hill.

35chronicle.223 (1)

*
II | To Arthur’s Seat.

35chronicle.223 (2)

*
III | To the Scott Monument from the Royal Mile.

35chronicle.223 (3)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
Feel free to join me on Instagram (click below) and, thank you for visiting.
@35chroniclephotography
R.
*

A Sign of the Times | PT.II – 720nm Infrared | 35Chronicle

black & white, infrared, photography, ruins, skies, spring, structures, trees, urban, waterscape

Un-Visual: A Diary of – the ‘Nobodies’.


All captured on the same gorgeous, warm Saturday afternoon and, I have to wonder – (how quickly) will we find our way back, and, can there be true context without – people?

Indeed; I wonder how this will all play out.

*
I | Rosefield Mills [Derelict]

35chronicle.213 (4)

*
II | Dock Park

35chronicle.213 (3)

*
III | Bandstand

35chronicle.213 (1)

*
IV | Devorgilla Bridge

35chronicle.213 (2)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
Thank you for visiting.
-R-

Close to Home | 720nm Infrared | 35Chronicle

black & white, infrared, photography, skies, structures, urban

Stone & Sky.


*
I | The Minerva Building [The Gates are Open but, School is … Out]
GXR A16 FS Conversion w/Lens-Mounted Hoya R72 720nm IR Filter | 24mm | 1/850th | f4 | ISO:200

35chronicle.206 (1)

*
II | Greyfriars.
GXR A16 FS Conversion w/Lens-Mounted Hoya R72 720nm IR Filter | 28mm | 1/320th | f4.8 | ISO:200

35chronicle.206 (2)

*
III | Robert Burns & Greyfriars.
GXR A16 FS Conversion w/Lens-Mounted Hoya R72 720nm IR Filter | 24mm | 1/400th | f6 | ISO:200

35chronicle.206 (3)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow.All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
Thank you for visiting.
*

First Shot from Ricoh GR 450nm Conversion | 715nm Infrared | 35:Chronicle

35mm, black & white, infrared, photography, urban

Decisions, Decisions.


If you’re not interested in camera gear or those of us who harp on about it from time to time, you may want to switch the channel. Still, I’m not going to write a huge spiel here – not yet; there’ll be plenty of time for that, I know. However, what I will say is that last week, I received my latest alternative-wavelength conversion, in the form of my ol’ Ricoh GR. It’s had it’s internal IR-blocking filter removed, and that in turn has been replaced with 450nm glass, allowing me to shoot some lovely, detailed split-spectrum black and whites which will also absorb IR wavelengths under bright, outdoor light along with visible light above the 450nm threshold. Obviously, the the first reason I wanted this is because it’ll allow me to use IR filters of different wavelengths and, I can shoot it alongside my standard GR too without the need for a bag. My pair of Fujis need the bag but these two fit right in my jacket pockets without any fuss at all.  Insosaying, I took the bike out today, two GRs barely noticeable in the lower pockets of my jacket, and went for a leisurely spin. Those shots will come – but this one, was the first frame I bagged a few days ago (shot with a variable IR Gradient filter set to around 715nm, on the front element). 

The resolving power of this thing is just nuts despite the fact that this was shot using the GRs slightly lower resolution 35mm internal crop mode (in order to avoid vignetting from the hood). Though I have yet to compare its output with my 720nm converted X100 – for what I need, I know already it’s going to be impossible to have a preference. 

If you’re a fan of black and white IR, I hope you’ll appreciate this one. Experiment, play, repeat.

(A.V – thank you, my friend. It’s perfect!)

R.

*
Peek-a-Boo | 35mm | 715nm Infrared.

IR000661

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

Every (Bloody) Penny | Princes Street, Edinburgh | 35:Chronicle

35mm, black & white, photography, structures, urban

No Complaints – Honest!


Last year, during another of my annual pilgrimages to Edinburgh in order to enjoy some of the silly-season’s festivities, I did what I always do not long after I arrive – that is, to pay nothing short of a small fortune to board the Edinburgh Wheel at Princes Street Gardens and, make three full rotations before being booted-off. (One has to laugh, I suppose.) However, though I utterly begrudge the abusing of the general good-nature and festive-charity of the average, joy-seeking tourist, I can’t complain one bit when I have come away with a few frames that I couldn’t possibly have got, without having been royally fleeced, beforehand. So, here are my two chosen frames from inside my pod at the very top of the slowly rotating Ferris-wheel – looking out first over Princes Street Gardens, Waverley Station and towards the Royal Mile, and secondly, through the car’s rain-smeared window at the Scott Monument and along Princes Street itself. In a nutshell? For me anyway, worth every bloody penny!

R.

*
I | Princes Street Gardens, Waverley, Royal Mile | 35mm.

35chronicle.116 (1)

*
II | Scott Monument, Princes Street | 35mm.

35chronicle.116 (2)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

But is it Art? | Street[ish!?] | 35:Chronicle

28mm, black & white, night / low-light, photography, urban

Look Down.


A little bit of a mixed up post, this one – image-wise, certainly. Still, during a recent visit to Aberdeen, I took the opportunity to shoot something that I don’t shoot often enough and, I loved it. I miss shooting on the street (though I do not in any way consider myself very good at the genre) but also, I love to catch people in the frame too. Occasionally, there’s an interaction that not only warrants a thumbs up from me but a bloody big smile when I later review certain frames and, remember how good it felt to capture them. Anyway, though maybe a little cliched, this is just for fun – so please don’t judge me too harshly! I hope you’ll enjoy these captures. 

R.

I | Look Down [I].

35chronicle.093 (4)

*
II | Look Back.

35chronicle.093 (2)

*
III | Look Down [II].

35chronicle.093 (1)

*
IV | Look Forward.

35chronicle.093 (3)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

Insulting One’s Own? | 35:Chronicle

28mm, black & white, photography, urban

Some People Just Shouldn’t Write Graffiti.


Complex.

35chronicle.090

*

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*