Portpatrick: A Little More Exposed: PT.II/II | 35Chronicle Photography

black & white, boats, full-spectrum, landscape, photography, rural, skies, structures, waterscape

From the Clifftop…

IV: Closed for Business | 30″ – f17.0 – ISO:100 – 35mm [LTFS +ND1000]

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V: Pools | 1/1050th” – f8.0 – ISO:100 – 70mm

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VI: Portrait of Portpatrick | 60″ – f22.0 – ISO:100 – 24mm – [LTFS +ND1000]

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All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2022) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Portpatrick: A Little More Exposed: PT.I/II | 35Chronicle Photography

black & white, full-spectrum, Long Exposure, photography, rural, skies, waterscape

Infrared or Full-Spectrum?

A trip out to Portpatrick on Monday of this week and we were assured of some decent chances of sunshine throughout the middle of the day which sadly, as you’ll now know, did not come. (I really do need to stop relying on BBC’s Weather App!) Nonetheless, though I was hoping for some more chances to shoot a few IR frames here, as the clouds loomed over us and, flatly refused to leave (I did ask nicely, honest!) – I consoled myself instead with some long-exposures with my LTFS converted GXR (still my favourite sensor/lens unit after all these years). The winds were around 40-50mph on top of the cliff so, keeping the camera steady on its three spindly legs was tricky, at best. A good number of shots were ruined that way but, I kept going and was reprieved enough to be able to at least come away with a small handful of captures. It’s all I ever hope for, if I’m truly honest. While the strongest of the sun’s light escaped me today – I remain happy that I managed to leave with a few frames I’d not caught before, from this beautiful little coastal town on this western shore of the peninsula.

I do hope you’ll enjoy them. 


I: 13″ – f14.0 – ISO:200 – 85mm [LTFS + ND1000]

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II: 30″ – f12.0 _ ISO:100 – 50mm [LTFS + ND1000]

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III: 15″ – f14.0 – ISO:200 – 28mm [LTFS + ND1000]

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All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2022) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Old, Secluded Stone | 35Chronicle

35mm, black & white, full-spectrum, photography, ruins, rural, structures

The Temple of Cally Woods.

This one was another rare find… and again, I can’t take any credit! What can I say? Bumble finds ’em and I shoot ’em!

In 1779, a landscape gardener by the name of James Ramsay built this beautiful gothic ‘temple’ from which, at the time, fantastic views over Gatehouse and the open parkland of the Cally Estate could be breathtakingly enjoyed. Now, it stands hidden within the Cally Woods, a stone’s throw from the A75 yet, invisible from it. Surprisingly, however, it was found to be a mere two-minutes walk from a side-road – barely visible through the trees until we we almost upon it. Some work had been undertaken in around 2005 to restore this building and this was evident in some very obvious modern materials and techniques used, but its aura matches its era – and offered a very enjoyable half-hour for one particular gent. Oddly, its main facia and entrance to the south is identical to the west face, albeit that the doorway and windows on the west side are bricked up now. It seems a little odd and I wonder if Ramsay had changed his mind while building it or, perhaps, was it altered at some time in its future? One William Todd was a known resident here, for ten years, whilst he was in charge of drove cattle belonging to James Murray. I can’t imagine how cosy this place would have been with the open fire roaring. Of course, it would have had a roof, back then! 

I hope you’ll enjoy these few grabs and, thank you again for reading.


I | To the Trees [Ricoh GR III – VIS] | ISO:1600

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II | The South Entrance [Ricoh GR III – VIS] | ISO: 800

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III | The West Wall [Ricoh GR III- VIS] | ISO: 640

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IV | The South Entrance [Ricoh GXR – LTFS] | ISO: 673[!]

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V | Roofless [Ricoh GXR – LTFS] | ISO: 2810[!]
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black & white, fine art, full-spectrum, infrared, nature, photography, rural, skies, winter

The Freezing of Time & Tide.

Moving on from my last post, sharing a few grabs from a beautiful coastal spot not far from home over a week ago, I mentioned that on a brighter day, we would return with the munchkins, a small picnic and flasks of tea, coffee and soup! I would also take my IR and LTFS gear along and give Sandyhills ‘the treatment’… jeez, this place screams out like it’s begging for it, I can tell you! Anyway, after checking the forecast for the coming week after our first visit, Wednesday looked like it was to be the best for shooting and, for access, the tide times app gave us a window of around two hours prior to sunset which would enable us to safely get back to the caves and, the Needle’s Eye again. We arrived at a completely empty beach just around lunchtime – not even a dog-walker in sight. We had the whole place to ourselves. I would never have imagined that, even though it was so bitterly cold, that this place would be so empty of people, considering the space here and the fact that sensible outdoor pursuits are still permitted as long as distancing is observed. Still, not a soul for the most part of the time we spent here. A real rarity.


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In my bag, I had my trusty pair of LTFS converted GXRs – one set-up for 720nm IR and the other for VIS using a Tiffen UVIR cut on the front of the lens. This latter set-up, I find, yields noticeably sharper results than a standard VIS camera configuration, which I put down to the (potentially) complete eradication of extraneous wavelengths other than those within the VLS from reaching the sensor. If the light had been poorer and less, I might have removed the UVIR altogether and shot full-spectrum for the extra light it would have gathered (and conversely – softness, due to UVIR light pollution) but, the light played ball and remained (almost) where I wanted it to be.


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One thing I have never seen in my life, though I have lived many years on or near a coast in the UK – is a frozen, receding tide; yet, here it was right in front of us. Stunning, beautiful and, almost other-worldy. If I were not such a fan of Attenborough, I’d have been even further taken aback. Now though, I am reminded of our youngest who, on this day, when he was warned about the lack of grip beneath his feet as he walked behind us, suddenly called out… “Wait! I shouldn’t step on… WHAAAAAAAAAAAAT???! You can guess, perhaps, the position we found him in, the moment he’d finished asking the question! Honestly, to say I pissed myself is a bit of an understatement. The penguin-dive and slide were a nice touch, too!


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Further along the beach, in a deeply recessed rock at the entrance to one of the caves, we sat together on the sand, we ate and drank, we laughed and marvelled at the space around us; the breeze didn’t touch us at all and the sun was by now warm enough that it had us removing our jackets. It was like the world and all its problems didn’t exist – if only for a couple of hours. It was indeed a blissful day. Photography isn’t always just about making photographs, because, I truly believe that the moments between the frames, those feelings that you just can’t capture in a still are always on the outside edge of every single capture – hidden in memory.


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Enjoy your moments – and capture them, however you can.


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Carnsalloch House, Kirkton | 35Chronicle

black & white, full-spectrum, photography, ruins, rural, structures

Black & White Heaven | A Full-Spectrum Photographic Adventure.

14th August 2020.

It all started with a half-hearted faff-around on the web, looking for some more interesting, old and abandoned places nearby worthy of a visit and, a photo-sesh. I’ve taken my cameras to so many wonderful old and [seemingly] forgotten places over the past many years that I might well at some point have thought that I may have ticked off a good many of them but still, I love to be proved wrong and, surprised. Last week, I got another such surprise when Bumble stumbled upon a short article about Carnsalloch House, near Kirkton. Passing me her ‘phone, she asked, “How about this old place? It’s not far, either!” I took a look and, feeling that familiar pang of excitement, a huge smile now lay wide across my face. Tomorrow, we would go. The BBC weather app was called to duty and, the day was consigned.

Not even two weeks prior, I had sent off a couple of A16 lens units for my trusty GXR outfit, to my good and clever friend, Amar. One was for a simple sensor clean and, the other for another LTFS [full-spectrum] conversion. Only a few days later they arrived back and, I was extremely keen to put them both through their paces again – dedicating one for LTFS [UV + VIS + IR] shooting and, the other for 720nm IR; this would save me swapping out mounted lens filters as the light changed. I know too that Amar is very keen to see results from his labours and, who can blame him? With that said, all of the frames I will be sharing over this series were shot on both units and, with nothing else. Anyhooz, back to Carnsalloch House…

The Old Stable Building:

24mm | 1/125th | f6.3 | ISO:1467 | VIS.

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24mm | 1/125th | f6.3 | ISO:209 | LTFS.

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When we arrived at first, we thought we’d found the house. Poking around outside and comparing the few shots we’d found on the ‘net had us befuddled and actually scratching our heads because the shots definitely didn’t correspond to the building we had arrived at. It was certainly a grand building but there were too many differences to ignore. This wasn’t the place. Still, it was worth a good look and so we carefully found an easy way inside. After a quick look around, it was clear to see from the original ceiling height, the sheer cubic footage of each room and the huge arched entry doors front and rear that we were actually inside the old stable building. The Austin Maestro ‘Tandy’ van (made between 1982 and 1995) that stood just as derelict as the building itself, looked no bigger than a child’s toy in here. Vandals have visited and, revisited over the years – fires have been set and spray cans have been emptied and this once, clearly magnificent building, now lies in complete ruin with no hope of rescue. After an hour or so, with the afternoon moving steadily on, we decided to look for the locally famous crypt. Quite how many know of it is unknown to me but there are very few images to discover online and, in true fashion, I decided that I wanted to change that. What I had seen of it had me feeling very edgy, and keen to push on and – find it. Looking around the old Johnston Estate, we followed what appeared to be a promising trail to where we believed it might have been an ideal place to build such a thing. Only a five minute walk from the old stable building, we came across the instantly recognisable Carnsalloch House.

28mm | 1/125th | f6.8 | ISO:591 | LTFS.

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28mm | 1/125th | f6.8 | ISO:351 | LTFS.

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Carnsalloch House:

24mm | 1/500th | f8 | ISO:200 | LTFS.

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The house has been empty since 2000 or thereabouts and since then, it too has been the target of arsonists and vandals. Built in 1759 (there is a stone depicting this on the outside wall of the north wing) Carnsalloch was once a palladian two-storey mansion house; an A-listed building (as of May 1959) that first belonged to Alexander Johnston[e] of Carnsalloch – a London chemist. Along its timeline, the house has had many extensions built (and destroyed by fire) and, for its latter years since 1960 it was run by the Leonard Cheshire Foundation (a UK health and welfare charity). It is reportedly the most haunted house in Scotland and has even raised questions and concerns about the sighting of ‘the ghost of’ a Great Dane – standing at a first floor window to the east of the pillared entrance. Believe what you will, but there are those who have wandered the area with dog treats in hand, hoping to find the pooch and, lure it to safety. I have no idea as to whether the canine (apparition or not) was ever located or indeed, seen again. Suffice to say, we met nor encountered no Grey Lady, or a seemingly semi-see-through Scooby-Doo! Largely, due to the extensive damage and vandalism, this once gorgeous building was not so much of a treat to walk around as we would have hoped. Entry on our part would have been extremely dangerous (and probably quite stupid, too) and so, we took a look only around the outer building itself. The weather too was closing in a tad and after just a few frames, we headed back to the car for a re-group. It was time again to re-consult the oracle. We just had to find the crypt.

The Johnston[e] Chapel & Crypt:

24mm | 1/125th | f6.3 | ISO:591 | LTFS.

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It was almost impossible to find any useful information about the Crypt. Nothing we could find could tell us where the heck it was situated but one search made us think that it could be in the vicinity of Kirkton Kirk itself. Time was still on our side (just) and so, we set off again. Barely a mile on, we stopped and looked around the church, looking for signs and familiar landscapes from images we’d found that would point us in the right direction. Nothing. We scratched our heads again and, while I was checking my batteries and cards, Bumble showed me her ‘phone again. I was now looking at a small map of Cemetery Wood. There was a red pointer marked only some fifty yards from the road out of Kirkton. We excitedly spun around again.

The light was fading as the clouds moved in and, seemingly there was nowhere to stop anywhere near the wood. Checking the road behind, between the bends as we approached the sharp left near the entrance to the wood itself, Bumble spied the small patch of ground just off the road and right around the bend and made straight for it. Parked. Now to find the crypt. Climbing over the gate, eyes peeled – no sign. Observing the light under densely foliaged and closely-neighboured trees I was beginning to worry that even if we found the crypt, I’d have little useful light under which to shoot it. Certainly IR was not going to be a choice. We walked towards a high mound and there, through the murk, was the corner outline of what was clearly a beautiful and ornate stone structure. We hurried forward and climbed the earthy slope. Stood right in front of us – was the crypt.

24mm | 1/125th | f6.3 | ISO:436 | LTFS.

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Out of interest, one of the shots I’d seen on the web (of the Johnston[e] Crypt) was in fact an IR shot, taken by someone on a converted Nikon pocket camera of some sort. A slight hint of jealousy that someone had stolen a little thunder from me, sure – but, whimsical and no more. I was determined to capture this place reflecting its mood and setting. LTFS turned out to be absolutely perfect for this part of the trip due to the light conditions and, it enabled me to capture wavelengths impossible to do so with any of my visible light set-ups, thus keeping my Tv higher and ISO lower than usual. The frames of the crypt may have you realising that I was back in hog-heaven and, you’d be right. I was beside myself. The chapel and crypt were built in around 1850 and, have also suffered multiple break-ins, vandalism, roof damage due to a fallen tree – gables and ornate roof stones scatter the ground around it and as resting place, it has been desecrated horrendously. Seeing it, taking it all in just for what it is now – renders a feeling of noticeable sadness. But to be able to capture it like this – I am almost speechless now. I am still stunned that we even found it. Rather, I didn’t! It’s okay though.

24mm | 1/125th | f6.3 | ISO:295 | LTFS.

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24mm | 1/125th | f6.3 | ISO:766 | LTFS.

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It was my intention to post a few images at a time and over a few posts – you know, break it up a little bit? I never like to over-indulge or test a reader’s resolve or patience. Ever. But for some reason, I just want to get these frames out there. A little bit of a back-story, perhaps but without the means to yet find out more about Carnsalloch – this is the best I can do right now. I do hope that you’ve enjoyed these frames. They have been extremely pleasurable to make and mean a little more to me than some of my other works. If you have stuck with me through all of this – wow; and… thank you!

In closing this one, I would like to thank Amar for yet again creating for me another wonderful piece of technology – my leading eye is very fortunate, my friend. I remain in black and white Nirvana! Thank you, my friend!

To the R&D and marketing peeps at Pentax Ricoh – thank you for making what Ricoh must have believed was a bit of a mistake at the time – poppycock! This thing rocks – still!

Of course, equally, to my bestie and lifetime sidekick, Bumble – who seems to have as much passion for what I do as I do. Now there’s a rarity and one worth looking after. Cheers darlin’!

24mm | 1/125th | f5.9 | ISO:456 | LTFS.

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