Lincluden Collegiate Church – 590nm IR: PT.III | 35Chronicle Photography

black & white, fine art, history, infrared, nature, ruins, rural, structures, trees

New Light Through Old Windows.


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VI: Shadows | 1/250th – f8.0 – ISO:200 – 24mm

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VII: Arches | 1/30th – f7.1 – ISO:100 – 85mm

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VIII: Passages | 1/45th – f7.1 – ISO:100 – 50mm

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Lincluden Collegiate Church – 590nm IR: PT.II | 35Chronicle Photography

black & white, fine art, history, infrared, photography, ruins, skies, structures, urban

Those Arches Get Me Every Time…


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IV: Perspective | 1/125th – f8.0 – ISO:100 – 24mm

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V: Fragments | 1/70th – f7.6 – ISO:100 – 50mm

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Lincluden Collegiate Church – 590nm IR: PT.I | 35Chronicle Photography

35mm, 50mm, black & white, history, infrared, photography, ruins, structures, urban

After the Fire.


In April of 2019, I took my old infrared converted X100 to the church and snagged a good few frames of this gorgeous ruin; situated in a spot where ordinarily you wouldn’t think to find it, relentless urban spread has ensured over the decades that the houses will always get built as long as there’s a market for them and of course, it’s a big town so – no problems there. Insosaying, in this quiet corner on a patch of ground of perhaps just an acre or so, the Collegiate Church at Lincluden sits quietly alone, visited by children after school when the weather is favourable, dog-walkers who don’t want to have to stroll too far and, the occasional photographer. (Anybody else is probably contemplating getting up to no good. I jest, of course.) But not long after I first photographed this ruin (see posts 144 & 165 if you are interested in this kind of photography) I had heard that the building had been subjected to some amount of vandalism – including a fire within its walls. I wanted to go back, I honestly did. However, the first frames I made here were captured at a time in my life which, whenever I have looked back to it – hold great significance for me and no small amounts of both melancholy and gratitude; and so, holding the romance of this place firmly inside me, I didn’t return; I guess it was something not entirely dissimilar to watching the football results and being told to “turn down the volume and look away now if you don’t want to know the results”. Eventually though, I made it back, just last week. It was Valentine’s Day, to be exact. Quite fitting now I come to think about it. 

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I: Longer Shadows | 35mm – 1/310th – f7.6 – ISO:100 | 590nm Infrared

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In complete honesty, I did not expect to see it looking as well as this, the heart made a little skip at the sight of it again and whilst the sun played silly games for the forty-five minutes that I was here (doesn’t it always do that when we get our cameras out, like it knows?!) with a little patience I was happy to grab a few more frames between lengthy moments of shade of this stunning old ruin. Do have a look at the older posts linked above if you get time – I see a shift in my techniques which I am really enjoying and, I do hope that you will, too. 

Wishing you all a fabulous week and, thank you again for reading!

VB…

R.
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II: Arches | 50mm – 1/60th – f7.6 – ISO:100 | 590nm Infrared

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III: Framed | 35mm – 1/40th – f7.6 – ISO:100 | 590nm Infrared

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Edinburgh – An Infrared Exploration: IV | 35Chronicle Photography

black & white, cityscapes, infrared, photography, structures, urban

Closing Out…


I’m sharing with you now, the last of my IR frames from Edinburgh, taken during the latter part of November last year. I have to confess that street-shooting is something that I do find extremely difficult so I have always tended to focus on more obvious places or structures situated around them, rather than in them, per se – and in Edinburgh, there is certainly no shortage of buildings, places or objects of interest to keep someone like me happy.  During the course of the three days we enjoyed in the city, only our last day there saw the sun come out for any length of time (after the night of Storm Arwen) and so, pretty much all of my final IR edits came on that day, some two or so hours before we were to head home again. Needless to say, I was a bit like a child in a sweetshop, doing my best to take it all in before we left, revisiting a few spots at a slightly faster pace than normal before heading for the train. So, in closing out, here are my last few infrared captures from this wonderful city. I do hope you will enjoy them.

vb…

R. 

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X: Scotland’s “Folly” / National Monument, Calton Hill | 1/125th – f7.6 – ISO:238 – 28mm

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XI:  Moon over Jenners [I] | 1/190th – f7.1 – ISO:200 – 85mm

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XII: From Market Street , Across Waverley Station | 1/125th – f7.5 – ISO:456 – 35mm

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XIII: Moon over Jenners [II] | 1/125th – f7.1 – ISO:336 – 85mm

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Edinburgh – An Infrared Exploration: III | 35Chronicle Photography

autumn / fall, black & white, infrared, photography, structures, urban

Looking Up, Again.


VII | To Calton Hill | 1/125th – f6.1 – ISO:200 – 70mm | 720nm IR

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VIII | From the Steps to Waverley Station | 1/125th – f7.6 – ISO:336 – 28mm | 720nm IR

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IX | Christmas Market-Goers Beneath the Scott Monument, Princes Street | 1/125th – f8.9 – ISO:383 – 24mm | 720nm IR

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[PT.I in this Series…]
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Edinburgh – An Infrared Exploration: II | 35Chronicle Photography

black & white, infrared, photography, structures, urban

A Little City Grandeur.


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IV | Ornate: Top of the Scott Monument on Princes Street | 1/125th – f7.7 – ISO:209 – 70mm – 720nm IR.

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V | Nelson Monument, Calton Hill | 1/125th – f7.7 – ISO:383 – 50mm – 720nm IR.

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VI | 10:04 AM – The Balmoral towards Princes Street [from North Bridge] |  1/125th – f7.7 – ISO:640 – 28mm – 720nm IR.

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[PT.I in this Series…]
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Edinburgh – An Infrared Exploration: I | 35Chronicle Photography

autumn / fall, black & white, fine art, infrared, photography, structures

For ‘Camera-Widows’ Everywhere…


After the pandemic halted our plans for our usual annual pilgrimage to Edinburgh, last year, it was indeed incredible to be back there again just last week. November is a very busy time in our household, not least because of a special anniversary and, two birthdays – both mine and Bumble’s. To celebrate, the beautiful city of Edinburgh has been our chosen special place to head off to – just for a few (rare) days of adult-childishness. Of course, there is always so much going on here in Scotland’s capital and yet, I do always try my very best not to let my own photo-aspirations get in the way of time that is planned to be shared and not exploited, though Bumble does happen to be a very kind and patient camera-widow (my gratitude, she is aware of). Two years ago though, she would not have been quite so tested as the weather was very (awfully) typical for November and, I had had little chance to indulge my passions for infrared shooting around the city (though I was very happy to make a good number of pleasing night shots which I still enjoy on occasion).

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I | The Fountain in Princes Street Gardens & Edinburgh Castle, Above | 1/140th – F6.7 – ISO:200 – 35mm – 720nm IR.

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However, last week, despite the storm and the resultant high winds while we were there,  the light was often just perfect – and so, I made the best of it. I think. For certain, any of the frames from this series that I will post up would have been just lovely under visible light, but IR brings about a whole different feeling for me, when I look at them and, still remembering the buzz of the place, the huge crowds of people and the noise – somehow, I still feel the same excitement when I review what I came away with, once we got back. To think that it took me so many years to get the whole point of alternative-wavelength shooting before it really started to fire me up inside, is utterly unthinkable to me now. All the time I am trying to learn how to use infrared light to even better advantages to my shooting – I guess it’s more than just a bug, for me. Just when I think I have made the best IR frames that I ever will, I find frames that please even more.

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II | St. Andrew’s & St. George’s Church [1784], George Street, Edinburgh | 1/190th – F8.0 – ISO:200 – 24mm – 720nm IR. 

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Insosaying, I also hope that this series will bring about at least a little pleasure, a feeling of something just a little bit different and, perhaps even a smidgen of inspiration to any of you interested in IR photography. (All frames in this series were made with my trusty Ricoh GXR A16 LTFS conversion (thank you again, Amar!) with a front-mounted R72 and, very gently massaged in LR, for those who may be interested). 

Wishing you all a splendid weekend ahead and, huge thanks for reading.

R.

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III | Old Calton Burial Ground, to Calton Hill, Edinburgh | 1/200th – F4.2 – ISO:200 – 35mm – 720nm IR.

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Of Sir Walter Scott [1771-1832] | 35Chronicle Photography

black & white, fine art, full-spectrum, history, night / low-light, people, photography, structures

Scotland’s Image-Maker. 


Following on from my last two posts from Abbotsford House, I feel it’s only right to share some frames of the man himself – insofar as it can be possible given the passage of time. At Abbotsford, a striking bust of Scott stands at the head of the room as one exits his study from where he wrote much of his work. As for the Playmobil character – I have no idea as to why it was even there but felt it humourous enough to simply leave it there. In hindsight, I think I should have moved it away before making that shot – still, I like it enough. But by far my favourite of the two shared here, is this first frame – of Scott and his Deerhound, Maida, both relaxing beneath the Sir Walter Scott Monument on Princes Street, in Edinburgh. That this utterly astounding and beautifully ornate monument happens almost certainly to be my favourite structure to have ever even seen, let alone photographed (yes, you may have seen it feature once or twice in much older posts, here) is no coincidence. In any case, I do hope you’ll enjoy these frames.

R.

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I | Scott & Maida Beneath His Monument, Princes Street, Edinburgh | 1/25th – f5.6 – ISO:3200 – 28mm – LTFS Full-Spectrum.

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II | Bust of Scott w/Life-size Playmobil Character, Abbotsford House, Melrose | 1/80th – f5.6 – ISO:3200 – 50mm – LTFS Full-Spectrum.

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III | The Head of the Room, Abbottsford House | 1/40th – f4.0 – ISO:3200 – 24mm – VIS

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Abbotsford House, Melrose | 720nm Series: PT.II/II | 35Chronicle Photography

black & white, history, infrared, rural, structures

A Few More Takes: A National Monument.


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IV| 1/540th – f7.5 – ISO:200 – 35mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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V | 1/110th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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I | 1/380th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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Abbotsford House, Melrose | 720nm Series: PT.I/II | 35Chronicle Photography

black & white, history, infrared, people, photography, rural, structures

Great Scott!


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I | 1/350th – f7.5 – ISO:200 – 35mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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II | 1/270th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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There is a special ‘something’ about the Scottish Borders when the sun is even only half out. From home, it takes barely and hour and a half to get there and so, at the beginning of this month we planned a whistle-stop visit with an overnight stay on the outskirts of Melrose; I had a few places on my list – two of which, my lenses would be extremely interested in! The first was here, at Abbotsford House; the famous home of the infinitely more famous late Sir Walter Scott – poet, novelist, playwright, historian, antiquarian, judge (to name just a few of his accolades, that is). It can be said that Scott can be largely held responsible for Scotland’s national and international identity;  there’ll be no argument from me on that one.

Though it is now a visitor attraction should not take away from the fact that Abbotsford is of huge historical importance to Scotland and, it is more a monument than a house. Not only this, it is also utterly breath-taking; outside and in. The restrictions still placed upon us by Covid however, meant that during our visit to Abbotsford – there was a blessings and a curse. The obvious blessing was the reduced amount of visitors as a result of lengthy timeslots between admissions; this meant a great deal to me personally because as with any time that I visit a place of interest, I always prefer to capture without the obvious element of tourism and favour making frames which concentrate solely (inasmuch as can ever be possible) upon my subject, without avoidable distractions within the frame itself. Conscious exclusion is a big part of how I prefer to compose and so this was indeed a welcome blessing. As for the curse – most of the interior of the house (in fact all, above the ground floor) was inaccessible by visitors and so, we were constrained to a very few rooms downstairs. This is not to say that what remains on view to the public is not of interest. I have seldom witnessed or enjoyed such eclecticism or marvelled at such broad tastes and collections. Though I am sure curators had a difficult time of putting everything together (it is impossible to know and even more difficult to conceive as to whether the house’ interiors have been preserved in their ‘natural’ state – yet, I doubt it very much given the huge passage of time since Scott’s death in 1832) – it is both wondrous and romantic to spend time taking it all in. Though I have never read his works, I really do feel that I should. I do feel a niggle in my side, edging me towards a few more books for my Kindle!

For now, here are my first few chosen infrared exteriors taken at Abbotsford House and, I can only hope that they bring even a little, light-hearted enjoyment. As always, thank you so much for reading!

R.
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III | 1/380th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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Mono-Archives: PT.XIV | The Draw of ‘Sleepy-Hollow’ | 35Chronicle Photography

black & white, fine art, infrared, photography, rural, skies, structures, summer, trees, waterscape

The Mill on the Fleet: 720nm Infrared.


In July this year, I made another visit to one of my favourite stop-offs and, I am surprised that I hadn’t shared a couple of frames from my last jaunt to Gatehouse’s Mill on the Fleet sooner than this. The last time I had actually posted from The Mill was almost a year ago and so, I am happy to put this right, today. Though a popular and often a busy small town, Gatehouse offers some absolutely stunning scenery and, beautiful walks right from its heart; and none more tranquil or evocative than the views from the bridge, alongside the old mill. A perfect day for some alternative wavelength photography, such as it was – what else could I have done? The light and the clouds played right into my hands and, I have seldom seen this view look quite so haunting, or breath-taking. 

Thank you, as always for stopping by my pages and, I do hope you’ll enjoy these two frames from one of my all-time favourite spots. 

R.

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I | The Mill | 1/310th – f6.0 – ISO:200 – 28mm – 720nm IR

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II | The Mill on the Fleet | 1/190th – f8.0 – ISO:200 – 24mm – 720nm IR

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Penrhyn Castle Country House: PT.IV | 720nm Infrared | 35Chronicle Photography

black & white, fine art, history, infrared, photography, ruins, rural, skies, structures, summer, trees

From Shaky Ground to Solid Foundations. [* See: PT.I]


Over the course of the summer, I have had the most wonderful opportunities to photograph some simply stunning places and, Penrhyn Castle has found its way to becoming one of my most favourite so far. Here, I would to close this series with these final four infrared frames, made under glorious sunshine and beautiful blue skies – just perfect for this kind of caper. A fabulous way to spend time and to appreciate so much. Without my family, I would not have been able to get these shots at all, largely because – we decided to go and I would never have been there if it weren’t for them. But I have to extend my gratitude and love to them also, for their unending patience, good humour and tolerance of my endeavours. I guess there are only so many times they should be able to put up with’ “Hang on – I just need to grab this one. Oh, and this one!” I just haven’t found the limit yet. Neither, it seems, have they!

I do hope you’ll enjoy these last frames from Penrhyn and, thank you again for reading.

R.

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X | Through | 720nm Infrared

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XI | From Scrub to Splendour | 720nm Infrared

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XII | Through [II] | 720nm Infrared

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XIII | Penrhyn | 720nm Infrared

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Penrhyn Castle Country House: PT.I | 720nm IR | 35Chronicle Photography

black & white, fine art, history, infrared, photography, ruins, rural, skies, structures, trees

Serving Pennants?


It is said that Wales is the castle capital of Europe and has more castles per square mile than any other country on the same continent – as you can imagine, if you’ve followed my pages for any length of time, this became music to my ears, for one and yet, a little disappointing also; I was convinced that Scotland would hold that particular crown. Nevertheless, a week in North Wales with a good choice of camera set-ups, a family who don’t really do beaches but prefer a little history instead and a hankering for road-trips – well, I was in my element. One of the castles we stopped at was clearly here, at Penrhyn, near Bangor. With views to Snowdonia, Puffin Island and the Menai Strait, which separates the mainland from the Island of Anglesey, Penrhyn Castle sits in a proud position of not only elevation, but also of its architectural authority; due to its utter splendour – Penrhyn has become one of my most favourite historic structures to visit, and photograph. But it’s huge – and that can make it tricky!

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I | The ‘Tease-Frame’ | Penrhyn Castle – 720nm Infrared.

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Penrhyn’s history is long and varied and dates back to around the fifteenth century. Of particular note however, after 1833 (when the Slavery Abolition Act came into being) its owner George Dawkins-Pennant, who was an opposer to the emancipation of slaves, was compensated for being deprived of 764 slaves to the tune of £14,683 17s 2d (17 shillings & tuppence for anyone not au fait with old sterling). This compensation happened also to be the approximate cost of the building of the original, unfortified Penrhyn Castle. One can can only imagine the level of local outrage at the knowledge of this, that such a house could be thus constructed almost entirely from the proceeds of slavery. 

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II | Through Trees to Towers & Turrets | 720nm Infrared

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In 1951 the property and its 40,000 or-so acres passed to the treasury in lieu of death taxes after the death of Lady Jane Douglas-Pennant and is now owned and maintained by the National Trust; and this makes any visitor extremely fortunate. The awe on the approach up the shallow incline towards it is simply breath-taking, and from here, I will do my best to demonstrate without the use of further words. I can only hope that these frames (and those to follow in future posts) will speak for me; if you’ll forgive me the prevailing blankets of grey clouds which lingered, from time to time. 

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III | A Little Wide-Angle Drama | 720nm Infrared.

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Thank you so much for reading and, I hope you will have enjoyed these first few IR frames from my Penrhyn Series. 

R.
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Beaumaris Castle Ruins, Anglesey | 720nm Infrared | 35Chronicle Photography

35mm, black & white, fine art, history, infrared, photography, ruins, structures, waterscape

The Greatest Castle Never Built.


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I | The Moated North-West Walls of Beaumaris Castle.

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II | On the Inside & … Remembering Marsden.

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– Memento Vivere! – 
R.
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London Skylines: PT.III | 35Chronicle Photography

black & white, boats, cityscapes, fine art, full-spectrum, photography, skies, structures, urban, waterscape

Silver Linings?


It’s been a little while longer than I prefer, since I last posted and, if you’re visiting again – I thank you! In short, after keeping ourselves busy during the holidays, we have returned to find ourselves rather the worse for wear despite double-vaccinations, social distancing, constant mask-wearing and the collective use of more than likely a half gallon of hand-gel. It seems that the easing of restrictions and the predictable mass complacency that was bound to ensue, has had rather a negative impact on the dreaded lurgy and, after almost two years of this thing – working in close quarters within the health sector, I had to wait to until I had a holiday to succumb to it. To say I’m a bit miffed is an understatement. As I am currently on isolation day four of ten, I find only today that I have any strength to even post, so I hope I can make it worth your time. Whilst I have been able to get busy editing frames from other summer excursions, stringing words together with any coherence has been a distant priority until now. Is it possible to be cheerful and pissed off at the same time? There’s a contrast I don’t consider often.

Speaking of contrast, as a black and white shooter – I look for it everywhere. It’s one of the most important anchors of black and white photography, along with good composition and exposure, texture, light-play and if you’re really good (or just fortunate) some kind of message. In the latter, I lack often – my Achilles Heel, I guess. Nonetheless, I hope you’ll enjoy these few frames from London, where, I have to say – the clouds really played ball! Perhaps slightly over-exposed in #3 but I like it enough to share it with you, too.

I hope that you are all remaining safe and well, and if you’re not, you have my profound acknowledgement and sympathy. Covid sucks. Isolation sucks. Photography Rules!

Every cloud?!

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V | The Dome of St. Paul’s Cathedral (& a Smoke-Break on the Steps) – from an Uber on the Thames | 720nm IR

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VI | Blackfriars Bridge & the Boomerang (One Blackfriars), Southwark – from the Millennium Bridge | LTFS

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VII | The Shard & the Belfast – & Some Naughty Clouds! | LTFS

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– Memento Vivere! – 
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.