Closer Still(s) | PT.XXIX | Sunflower – 720nm IR | 35Chronicle

photography, infrared, black & white, close-up, 35mm, nature, macro

Looking Up!


Fujifilm X100 – IR Conversion | 35mm
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Dundrennan Abbey | 720nm IR – PT.III | 35Chronicle

photography, infrared, black & white, structures, ruins, rural, history

I Really, Really Can’t Help It!

Way back in April of last year, I wrote what was to be my first post on Dundrennan Abbey. It was certainly not the first time I have shot here for, I have been revisiting this beautiful ruin for almost twenty years. It has a draw that very few other places can illicit quite in the way that it does and, seeing as how I keep my cameras with me whenever I’m on any kind of road-trip, well – it stands to reason that if ever I am near the place and I have time to stop, I invariably do. I don’t always get lucky with the light but seeing as how I have shot here over a dozen times or so, I have a very pleasing stash of visible light and infrared captures. Each time, I try to see different angles of the abbey, capture something different and – this can be quite a challenge because revisiting somewhere, anywhere, multiple times in order to shoot can lead to a bit of muscle-memory taking over, trying to catch again those favourite angles only – better, this time. I sometimes have to try very hard to stop myself from doing this. Nonetheless, I also believe in shooting every angle possible while on location and, edit hard when I get to the upload at home. This little shoot was a tad different though. I have started to be more selective when it comes to the work of my shutter-finger. If I don’t ‘see’ it, I don’t shoot it anymore. If I see the frame and it’s not working for me, no matter what the balance between positive and negative elements, the camera will mostly stay in my bag nowadays. With that said, these frames came pretty naturally and while I did repeat a few past shots, these are (to my mind) a little more mature and pleasing. On this occasion, well over a year since my last visit, the grounds are now extremely overgrown; the result of a pandemic which as yet displays no signs of abating to the point of disappearing and so, much is left to wither. The lack of maintenance here at Dundrennan, however, only amplifies its historical and physical authenticity from a visual perspective – and despite the hard work put in under normal circumstances to maintain these grounds and this stunning structure, I rather prefer the look it has now that nobody has touched it since our own lockdown commenced.

On a much different note: I notice now that my followers have surpassed 300 here on 35Chronicle Photography and I cannot let this go without saying a massive thank you to each and every one of you who follow my pages, and also, to the many of you who don’t follow yet return to read and peruse my words and images. I started this blog back in early 2018 and when there is so much competition (for want of a better word) for people’s time and consideration, I do feel that with this amount of followers and over 22,000 views to date – I have a lot to be very grateful for. To all of you, from the bottom of my heart, Thank You All!

Just lately I have been extremely busy with prints so it has taken me a little longer to getting round to posting, this week. I do hope though, that you will enjoy the following few frames as much as I do. Thank you so much for reading.

R.

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[All frames captured with Ricoh GXR A16 LTFS Conversion w/Hoya R72]

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In Contrast: Two Lighthouses | 720nm Infrared | 35Chronicle

35mm, black & white, boats, infrared, photography, rural, skies, structures, summer, waterscape

Some Overdue IR Fun with the X100.


It’s been a good long while since I took my IR converted X100 out for a spin – preferring usually, the utter versatility of my wonderful GXR A16 full-spectrum conversions instead. However, every now and then, when the conditions are just right, it’s wonderful to travel a little lighter still and restrict myself to just one focal-length; it avoids all the choice and confusion over which FL I’m going to shoot with and allows me to just – make pictures. Compose, frame – capture. If there is one thing I love about the X100 series, it is simply that. It just doesn’t get in the way. At all. So, after a jaunt to the Mull of Galloway and then up through Port Logan, travelling as (camera) light as I believe it is possible to do so, here are a couple of rather pleasing frames that, I do hope that you’ll enjoy too.


Port Logan Lighthouse | X100 [720nm Internal Conversion] | 35mm – 1/220th – f8 – ISO:200

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Mull of Galloway Lighthouse [as a Smoking Chimney, Perhaps?] | X100 [720nm Internal Conversion] | 35mm – 1/420th – f8 – ISO:400

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Big Water of Fleet Viaduct | 720nm Infrared | 35Chronicle

28mm, black & white, infrared, landscape, photography, ruins, rural, skies, structures

To the Missing Four Arches


This post is written with huge thanks to my good friend, Amar Verma at vermatec – for, I have not only my original GXR A16 LTFS conversion back in the bag, its sensor beautifully clean of all the dust spots I’ve been hoovering up with it but also, my spare A16 which is now also converted to LTFS and ready for some more of the same alternative wavelength caperings. I plan soon to delve into some shorter frequency IR work again, possibly as high as around 900nm which I will shoot alongside my currently favoured 720nm. Here’s a frame from the newly converted lens unit at 720nm. (Sadly, thanks to an inconsiderately parked Citroen camper-van, the four arches (of the twenty in total) to right of the frame were certainly obscured enough that they couldn’t be included here; never mind – another visit shouldn’t be too far away!) I hope that you’ll enjoy this one, nonetheless. And to Amar – thank you again, my friend. This one is just perfect!

R.


Sixteen Arches | GXR A16 LTFS 720nm IR | 28mm – 1/320th – f7.6 – ISO:200

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Loch Ettrick | 720nm IR [Long Expo’] – PT.I | 35Chronicle

black & white, boats, infrared, landscape, Long Exposure, nature, photography, rural, skies, summer, trees, waterscape

“Today, the Weather Will Consist Mainly of Horse-Flies, Cloud, Kayaking Intruders & Occasional, Infrequent Outbreaks of Sunshine”. (That’ll Do!)


I’m really struggling to find time enough to sit and write, lately. You may or may not have noticed and perhaps, it’s a nice change for readers to not have to feel guilty for all the ‘scanning’ we have to do when we do our best to keep up with all of the posts we follow and digest, in a meaningful way. A way that does justice to the incredible quality of works that are so regularly posted. Well, today, I have to write. I’m sorry. But I am starting to feel that distancing of connection with what I love to do so much and that which often lends context, most acutely comes down to words. Sometimes a frame by itself cannot be its own justification. This one almost achieves that, for me – but only because I was there shooting it. Still, my sub-header pretty much covers it. What it doesn’t portray, however, are the little yet frequent internal struggles I am having to do something a little different with my cameras. Ideas that have been explored and exploited for as long as any of us can remember are thus, still a little new to me and, as confident as I am at many genres of photography, long exposures still make me scratch my head as to how best to go about it. In this case, as with the previous recent frames that I have posted, I am winging it. Timing as best I can to achieve good exposure and some decent movement within the frame where it can move the eye and the mind. But slow-moving clouds are still just that, even over the course of a minute with the shutter open and so, we come to the water to hopefully save the day. The water came through in fine style. 

For years I have marvelled at the talents of photographers who have taken long-exposure photography to ever new heights and, whilst in no way could I hope to emulate some of the most incredible work that I have had the good fortune to view, I hope at the very least to be able to grasp the concept with the little knowledge that I do have and, put it to the test in making some frames of my own. Here, at the Loch-side, I was granted a gift, when eight year-old Flynn, on his first outing in a Kayak since he was four years old, drifted slowly into my frame. I made no attempt to ward him away (he was having so much fun, bless ‘im!) and, as I view the shot, I am bloody glad that I didn’t and, that he did. If only the shutter had remained open for another few seconds though? Nonetheless, happy accidents win the day and I have a frame to be delighted with. 


Loch Ettrick [I] | 720nm IR w/Hoya R72 & 10-Stop ND | Ricoh GXR A16 LTFS Conversion | 24mm – 60” – f22 – ISO:100.

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Although I am all too aware that conditions on this day weren’t perfect for this kind of exploration, I intend to keep going and will take my camera with me whenever and wherever I can in the hope that I will discover for myself, what to look out for and how to play with it. In the meantime, the cleg bites on my shoulders are reducing nicely and I can smile at great memories. I hope you’ll enjoy this one and, that you’ll have a great week ahead. 

R.


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GELSTON CASTLE – PT.IV | 35CHRONICLE

28mm, black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.V | 720nm Infrared – Long Exposure Series.


All About the Angles | 720nm IR w/Hoya R72 & 10-Stop ND | Ricoh GXR LTFS Conversion | 28mm – 60” – f22 – ISO:100.

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R.
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Orchardton Tower – PT.II | 35Chronicle

black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.IV | 720nm Infrared – Long Exposure Series.


Cloudburst at Orchardton Tower, Palnackie | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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[PT.I: Here | Post: 135]

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R.
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Caerlaverock Castle – PT.III | 35Chronicle

black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.III | 720nm Infrared – Long Exposure Series.


Caerlaverock Castle – Nr. Dumfries | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 30secs – f22.0 – ISO:100.

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R.
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The Lighthouse at Southerness – PT.II | 35Chronicle

black & white, fine art, infrared, landscape, Long Exposure, photography, rural, skies, structures, summer

Revisiting Old Haunts – PT.II | 720nm Infrared – Long Exposure Series.


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Southerness Lighthouse | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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R.
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Gelston Castle – PT.III | 35Chronicle

black & white, infrared, Long Exposure, photography, ruins, rural, skies, structures, summer

Revisiting Old Haunts – PT.I | 720nm Infrared – Long Exposure Series.


The spring of last year was a tremendously difficult time for me and, for those closest to me I think it must have been even harder. After a crazy-serious accident at work that rendered me flat on my back for almost twelve weeks due to multiple spinal and rib fractures, I absolutely needed to get out with my cameras again. For almost nine months afterwards and in so many ways, my entire being was in recovery-mode and eventually, even on crutches, I was able to make short trips out for the specific purpose of bagging even a few more frames – of all the things that made me feel whole and normal again, this was it. Barmy, don’t you think? Not long before that, though (and I think that this was a presiding reason for my increasing restlessness) – I had the amazingly good fortune to visit some truly beautiful places and one one of them was here, at the utterly stunning ruin of Gelston Castle, just a few miles from Castle Douglas. (My first post on Gelston is here, if you’d like to check it out). Oddly, for me, a second summer on-the-bounce has seen me confined (like almost everyone else lately) to quarters. My shutter finger gets very itchy when I know that I don’t have the freedom to exercise it and so, you can possibly imagine my joy when, just yesterday, Bumble and I visited Gelston again. This time, I wanted to do things a little differently and so, rather than just walk around for a half hour bagging IR shots that I probably have already snagged, the Big-Stopper came out of the bag and for once, I stopped being a lazy-arse, and brought the tripod along – probably for the first time in a lot of years. Here then, is one of yesterday’s frames from Gelston Castle – from the rear entrance to the ruin (that I would never have been able to get last year anyway, due to the sun being on the opposite side of the building once we’d arrived) and, whilst I would love to post a couple more right here, sadly, I’m still catching up on edits; soon, though.  

I do hope that you’ll enjoy this first frame, from what is for me a little bit of a different approach, though to many, not new at all, I am sure. Nonetheless, I hope it measures up. 

For now – thank you as always for visiting and, if this is your caper, I hope you’ll watch this space.

R.

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Gelston Castle Ruins – Rear Elevation | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f18.0 – ISO:100.

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R.
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The Mono-Archives | PT.VI | 35Chronicle

35mm, black & white, infrared, landscape, photography, rural, skies, structures

Room with a View? | Mouswald Parish Church. 


Elevated yet still very tucked away here in the quiet village of Mouswald, stands this beautiful little parish church that dates back to 1816 – up for sale to anyone who’d want to make it… home. From here, there are beautiful views over the Solway and out to Criffel and, no troubling neighbours. But a lot of buried stories, I’m betting. I’ve had this place on my shoot-list for a lot of years and, thankfully – just a few weeks before lock-down, I finally made them.  I have to wonder though – once it’s sold, will the resting still be left to rest? I hope so.

Idyllic; even on a moody day like this.

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From Either Side of a Bridge | 720nm Infrared | 35Chronicle

photography, infrared, black & white, waterscape, nature, trees, skies, rural

Necessity is Indeed the Mother of Invention.


These frames were captured a few weeks ago amidst the current lock-down here in Scotland. Standing on the bridge over the Annan at Brydekirk on the most glorious of days, I couldn’t help ponder that statement, as I looked out to parallel rocks beneath slowly flowing shallow waters to one side and, a cloudless sky to the other. Yes, I think I had just invented the revolving deckchair right there and, if I could have – I’d have remained in it all day. 

I hope that you too will enjoy the views.

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R.
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Ptolemy vs Ptolomey: Some Mathematicians are More Credible than Others, Perhaps? | 35Chronicle

photography, infrared, black & white, 35mm, structures, rural

Comlongon Castle – The Anvil & the Hammer.


Dating back as far as the late 15th – early 16th century, the Tower House of Comlongon was purchased from the Earl of Mansfield estate in 1984 after it had been on the market for some years. The most recent owner, Philip Ptolomey – took over the hotel from his parents in 1995. During the most recent thirty-five years since its purchase from the Earl’s estate, Comlongon was the subject of almost continual and extensive refurbishment and operated as a prestigious and exclusive wedding venue. Its name was synonymous with luxurious hospitality and indulgence. As such, engaged couples could be expected to pay huge sums of money in order to take their vows here.

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Leading up to April of 2019, couples were reportedly surprised to receive notification of Comlongon’s impending liquidation (mostly by local rumour) and, its owner (who’s hotel was still taking deposits for bookings even days before it went into liquidation) wrote on the hotel’s website: “Every penny generated goes to the restoration of the castle and estate. This work will probably never be finished as constant upgrades require a budget far in excess of that generated by being run as a hotel.” I wonder if perhaps anybody received their deposits back. But I suspect not. One local couple who had been planning their wedding for over two years paid a whopping £6,000 deposit, the latter instalment was delivered in person at the hotel to staff who gave no indication of any problems at all, days before its door closed forever.  Sadly Comlongon now stands as a neglected treasure – but its existence will provide no comfort to some; a bitter taste, instead.

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These shots were taken on a (fittingly) very gloomy day but I simply could not pass it, without stopping. It truly is a stunning place, amidst its 140 acres of grounds – yet steeped heavily in its own murk.

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Thank you for visiting.
R. 

Re-embracing the Clouds | 35Chronicle

photography, infrared, black & white, waterscape

To Air & Water | PT.II


Following on from my previous post, over the past couple of days I have found myself more closely observing the recent cloud formations that have (a good few times over the last twenty-four hours or so) preceded some rather heavy rainfall. I remember that when I first became interested in photography, well over twenty years ago, I was obsessed with them – easy ‘targets’ or perhaps it was simply the ethereal aspect that I was most drawn to; I don’t really remember. Maybe it was both. Fast forward to present day and indeed, an obsession that I apparently lost along my way so many years ago – seems to be creeping back somewhat; and so, after a stroll (yesterday), I was very happy to come home and find a few pleasing frames on my SD card. Both of these were caught with my LTFS converted GXR. The first with my faithful R72 mounted on the front of the lens and, the second, with the wonderful Tiffen UVIR Cut, instead.

I hope you’ll enjoy them. 

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I | Across the Nith & Devorgilla Bridge | 720nm Infrared | 1/800th | f5.6 | ISO:200 | 24mm

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II | Along the Caul (Weir) – River Nith | 1/270th | f8.0 | ISO:100 | 24mm

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
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Thank you for visiting.
R. 

Down by the River | PT.V | 720nm Infrared | 35Chronicle

photography, infrared, black & white, waterscape, 35mm, trees, spring

Reflections: Spring in Full Bloom.


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I | GXR – 1/400th – f6.3 – ISO:200 – Hoya R72

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II | GXR – 1/400th – f6.3 – ISO:200 – Hoya R72

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Thank you for visiting.
R.