GETTING OUT [AHEM!] – LESS | PT.III | 35CHRONICLE

35mm, black & white, fine art, infrared, landscape, photography, rural, skies, structures, waterscape

Cumbersome Ol’ Things!


So, here we are, at the last of my posts from the beautiful Sandyhills – one of the most gorgeous areas of coastline here in Dumfries & Galloway. From a freezing cold day on an empty beach, a glorious winter sun low in an ice-blue sky. You’d think by now that I’d be tempted to shoot in and, process for colour a lot more but no, I still can’t seem to ‘see’ in colour. These four captures were all made with my LTFS converted GXRs – I took them both, set-up for 720nm – in case one of them decided to freeze up on me (it’s happened before). I am happy to say that, though aging now (in camera technology terms) they still performed perfectly. Lest not that the medium become the message, I still have to remind myself that for some reason, I have never been able to ‘see’ quite so well with any other camera that I have ever shot with, than these cumbersome ol’ things. Perhaps I am a cumbersome ol’ thing, too, which may well be why we get along so perfectly. Slow, methodical, meticulous and as always – enjoying the moment. And here, with family, on a day like this, what else could possibly be quite so worth getting out of bed for? 

From the icicled ceiling of the Needle’s Eye and the frozen beaches of Southern Scotland, may I say, as always, thank you so much for reading, I do hope that you’ll enjoy these few grabs and – I wish you all a fabulous, safe and healthy weekend ahead. 

R.

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GETTING OUT [AHEM!] – LESS | PT.II | 35CHRONICLE

black & white, fine art, full-spectrum, infrared, nature, photography, rural, skies, winter

The Freezing of Time & Tide.


Moving on from my last post, sharing a few grabs from a beautiful coastal spot not far from home over a week ago, I mentioned that on a brighter day, we would return with the munchkins, a small picnic and flasks of tea, coffee and soup! I would also take my IR and LTFS gear along and give Sandyhills ‘the treatment’… jeez, this place screams out like it’s begging for it, I can tell you! Anyway, after checking the forecast for the coming week after our first visit, Wednesday looked like it was to be the best for shooting and, for access, the tide times app gave us a window of around two hours prior to sunset which would enable us to safely get back to the caves and, the Needle’s Eye again. We arrived at a completely empty beach just around lunchtime – not even a dog-walker in sight. We had the whole place to ourselves. I would never have imagined that, even though it was so bitterly cold, that this place would be so empty of people, considering the space here and the fact that sensible outdoor pursuits are still permitted as long as distancing is observed. Still, not a soul for the most part of the time we spent here. A real rarity.

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In my bag, I had my trusty pair of LTFS converted GXRs – one set-up for 720nm IR and the other for VIS using a Tiffen UVIR cut on the front of the lens. This latter set-up, I find, yields noticeably sharper results than a standard VIS camera configuration, which I put down to the (potentially) complete eradication of extraneous wavelengths other than those within the VLS from reaching the sensor. If the light had been poorer and less, I might have removed the UVIR altogether and shot full-spectrum for the extra light it would have gathered (and conversely – softness, due to UVIR light pollution) but, the light played ball and remained (almost) where I wanted it to be.

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One thing I have never seen in my life, though I have lived many years on or near a coast in the UK – is a frozen, receding tide; yet, here it was right in front of us. Stunning, beautiful and, almost other-worldy. If I were not such a fan of Attenborough, I’d have been even further taken aback. Now though, I am reminded of our youngest who, on this day, when he was warned about the lack of grip beneath his feet as he walked behind us, suddenly called out… “Wait! I shouldn’t step on… WHAAAAAAAAAAAAT???! You can guess, perhaps, the position we found him in, the moment he’d finished asking the question! Honestly, to say I pissed myself is a bit of an understatement. The penguin-dive and slide were a nice touch, too!

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Further along the beach, in a deeply recessed rock at the entrance to one of the caves, we sat together on the sand, we ate and drank, we laughed and marvelled at the space around us; the breeze didn’t touch us at all and the sun was by now warm enough that it had us removing our jackets. It was like the world and all its problems didn’t exist – if only for a couple of hours. It was indeed a blissful day. Photography isn’t always just about making photographs, because, I truly believe that the moments between the frames, those feelings that you just can’t capture in a still are always on the outside edge of every single capture – hidden in memory.

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Enjoy your moments – and capture them, however you can.

R.


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Getting Out [Ahem!] – Less | PT.I | 35Chronicle

35mm, 50mm, black & white, fine art, nature, photography, rural, skies, structures, waterscape

Romancing the Stone.


These frames are from our first visit to the small hamlet of Sandyhills, around a week ago. It was a little impromptu but the weather was fair and, as Stickola Nurgeon had promised the people of Scotland that despite the still current Tier 4 restrictions, we could indeed, still venture out for legitimate exercise without the fear of being questioned or arrested [hurrah and huzzah!] – so, Bumble and I hopped in the car and headed off for a stroll on the beach. I have been itching, you see, to get my 5D3 out into the open and put it through its paces a little (and a little is all it can get right now, obviously) so this was a perfect opportunity not only to get a little time in free air but also to, hopefully, snag a few frames. We’d been reading about this local-ish spot, famed for its caves and one particular arched rock, known as the Needles Eye (accessible only at low-tide) – the words ‘kid’ and ‘sweetshop’ leap to mind. But there’s a reason this is PT.I – you see, this place is so picturesque that we decided to visit again, later in the week and, we took the nippers on our sequel visit, under glorious low winter sun and blue skies; of course, this meant that I would give this place the IR treatment I so knew that it deserves (however, more on that in the next post). There’s a romance here that’s impossible to ignore. For now though, I do hope you will enjoy these captures from a beautiful part of Dumfries & Galloway’s coastline. Keep well, stay safe and thank you!

R.

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[All Frames: Canon 5D III | EF 24-105mm / f4]

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Cabin-Fever, Diversionary Tactics & Silver Linings | 35Chronicle

black & white, photography, rural, structures

Durisdeer Church.


With non-essential travel still restricted here in Scotland, I have read nowhere that once a journey becomes essential – that there are restrictions upon the route one should take to make it. Obviously I would not decide to travel an overly excessive distance to make any trip but, I did make a choice to take us off the beaten track when it came to a well-timed dental appointment last week. Every cloud… as they say. Heading ‘roughly’ in the direction intended, instead of taking a main trunk road there, I though that it would be nice to drive the longer, more rural and leisurely route through vast hills, taking in views from above and below the low clouds that floated between them. The ever present mist and fog had ensured that the air remained damp and cold, and even so, it was nice to be outside the house for what was the first time in many weeks. Home is and should always be the heart of life and yet, the space outside can be a new-born revelation when cabin-fever has taken such a firm hold. We were glad, probably for the first time – that the reason we were taking in a little scenery was due to a visit to the dentist. Who’d have thunk it?!

On the way, we made just one stop – in the tiny hamlet of Durisdeer to take a look at the local church; a quick leg-stretch if you like and one that enabled me to grab these few shots with my 5D III. (It’s a recent addition to my bag and I’ve had nowhere near enough time with it – after all, there are only so many shots of busy coffee tables, indoor plants, studious children or – the pooch, that anybody could take and, I would not wish to over-indulge you with family portraits!) These are the first frames I have snagged here and I really do want to go back with my infrared gear too – reminds me a little of the ruined church at Hoddom Cross that I shot a couple of years back. Definitely a trip for the (hopefully) near future once all of this madness is under control. 

I hope you’ll enjoy these few captures and, are staying safe and well.

R.

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[All Frames: Canon 5D III | EF 24-105mm / f4]

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It’s Really All About ‘Glue’. | 35Chronicle

black & white, candid, people, personal, photography, portraits

They Know I Can’t Be Easy!


 

Not oddly, around this time of year – I usually take a break from photography and January is never a month where I post a huge amount of material; I don’t write too much either as you may or may not have noticed. There are, historically for me, good reasons as to why this is the case. First off – for at least one month of the year, I need to clear my head of photography; to give myself some headspace enough to let new ideas and thoughts in. Not only does this allow me to rethink what I want to achieve but it also helps me from getting stuck in any creative rut. Call it a mental (early) spring clean, if you will. What helps me to choose this time of year for my annual hiatus, is the cold, the grey, the damp and the grubbiness of winter, here. It’s really not all that pretty unless I was – well, somewhere else more photogenic at this time of the year. Still, can’t be helped. This time around though, we’re in a Tier 4 ‘lockdown’ and the restrictions are plenty. The phrase “you should get out more” has never been more applicable than now. I would love the chance to travel unnecessarily. But, there’s something else.

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I | From the Family Vault: Angela & Granddaughter, Paisley.

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Since October, after a little bit of a meltdown during autumn last year, I’ve remained at home and have not been to work. The traumas I suffered at work near the end of April two years ago, have come back to taunt me. Whilst concentrations on my physical recovery were (and remain) thorough, I discovered last year that distraction techniques are not the most effective way of dealing with the psychology of almost losing one’s life. No, I do not exaggerate. After I woke early one afternoon after a nightshift, I discovered that my bladder wasn’t the cause of my increased consciousness (as it usually can be) but instead, it was the nightmare which had me coming to, and to find that my pillow was soaked with my own tears. I finished my run of nights, gave it another few weeks and caved in. Time to have a chat with my boss, I think. I was devastated; almost ashamed that I knew I needed help.

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II | Flynn by Firelight [Kindle Fire, That Is!]

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It’s normal, in fact – it’s actually good to feel like we can cope with everything yet conversely, it’s a real and savage kick to our personal pride when we suddenly realise that something has beaten us. And this, for a while, had beaten me. But, I am fortunate and moreso than so many intrusive thoughts let me even realise for so long. For the last four months I have been undergoing CBT and tackling things head-on for the first time since it happened and, though I did have CBT which started just a few months after the initial incident, I realise now that it was far too soon to have undertaken it. Hindsight has taught me very well that it served very little purpose to me during a physical recovery. This time around though, I really feel like I am continuing to make positive headway and I have a renewed perspective which is the reason for this post. I’m more lucky than I have ever known; not only for the patience of my employer, the expertise and compassions of the one known as ‘Isla’ – but also, especially, for my family.

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III | One Corby-J [A Spotify-Master!]

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The constrictions placed upon so many of us around the world over the last year or so are still apparent and, are still constricting. These imposed reigns make it so much more important to appreciate who and what we have and the once more frequent times of excitement and changes of scenery have been replaced with more time at home and far more reality than most of us have ever had to contend with. But these realities are just that – and they are the glue that holds all of those previously called wonderful moments together. These are the wonderful moments now – having more time with my family when I most need them. Give me more ‘normal’. Give me more ‘home’. Give me more of this. I’ll be back to work soon enough and I’ll miss all this time we’ve had. They should probably know it!

In closing, this is a further heartfelt thank you to those around me, helping me through it all no matter how hard it’s got, or how difficult I have been, I really do only have words and … pictures. (You may remember back in January last year, I introduced my family, well, from the vault, here they are again. They too should be taking a virtual bow right now for who they are and what they’ve done. They know I can’t be easy.)

R.
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IV | Paisley – Far Cuter than her Buttons!

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[All Frames: Canon 5D III | EF 50mm 1.4 Except [III] Nikon D610 | Sigma Art 24-105mm]

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2020: A Photographic Review | 35Chronicle

35mm, black & white, candid, close-up, colour, fine art, full-spectrum, history, Indoor, infrared, landscape, Long Exposure, macro, nature, night / low-light, people, personal, photography, portraits, review, ruins, rural, skies, spring, still life, structures, summer, trees, waterscape

Decisions, Decisions.


Every one of us has a similar story to tell of this trying year that has been – 2020. It was touted as the coming year of clear vision and foresight, change for the better, its number instilling feelings of hope and reason in each of us. It stood for something. Then – it arrived. Instead, it has been the year that has made us all think harder about what it means to be human, about how we act, how we look after ourselves and our fellow man; our families, friends, loved ones and most of all, those whom we will never know and yet we hope that they have also regarded our well-being in just the same way. Not everyone has given it so much thought or consideration though; those who have had us shaking our heads in despair at showings of ignorance or selfishness. That hyper-awareness that has been growing all year, is at its peak now – for those who have been paying attention, that is. So many have suffered and lost, many more have suffered and, will be doing so still. And these thoughts keep me grounded when it comes to looking back over my own personal year – small fish by comparison yet, relevant to what I love.

Over the last ten years, my love for infrared landscape photography has continued to evolve and I have a new love over these latter few years too – old ruins and Marsden-esque scenes that invoke the past, questions, stories forgotten or simply – awe. This year has been a little more tricky though, to capture them. Many places I have wished to visit have been closed or actually close-off, local restrictions have curtailed non-essential travel and I have been made to think a little differently as to what or how I would like to shoot. Another little learning curve has been experienced this year and this can only be a good thing. Creatively, I have still found myself struggling a little – mostly with my own photographic repertoire and not wanting to get ‘stuck’ in a niche – but I think it may be too late for such feelings. The rod is against my back already, however – I feel a coming change in my approach, necessitated by the course of recent history and by the passage of time. Change is inevitable and I can feel it bubbling under the surface. What it will be is yet only a series of random flickers of frames like subliminal advertising pasted inside life’s film reel. They exist – not yet realised. But time is changing us. And it’s changing me. Insosaying, this year’s review isn’t just about looking back at some old photographs – it’s about wondering where I’ll go and what I’ll do next. I still don’t know – but I’m looking forward to finding out. 

It’s been a little tricky for me to select my favourite frames from 2020 – it would’ve been easier if I had chosen by the number of clicks or comments by post. By some choices, I may coincide by accident – but these are my selections based on time, place, feeling and creative satisfaction.  The best I have been able to achieve really is here. All I can hope is that you’ll enjoy this little recap. 

 

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January 2020: The Wedding Trio | Scotland’s Folly – Calton Hill, Edinburgh.

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February 2020: Lowther Castle, Cumbria. 720nm IR | 35mm.

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March 2020: Hermitage Castle. 720nm IR | 35mm.

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April 2020: Seven Tonics [Whatever Gets You Through].

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May 2020: Home School…

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June 2020: Air & Water.

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July 2020: Southerness Lighthouse | 720nm IR w/ Hoya R72 & 10-Stop ND.

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August 2020: Dundrennan Abbey | 720nm IR.

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September 2020: Suspension Bridge Over the Nith.
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October 2020: Scott’s View – Melrose & The Magic of a Fair Maiden’s Hand.

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November 2020: Ol’ Fashioned | 3″ Macro.

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December 2020: The Silent Bell – Hoddom Castle | 720nm IR.

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Thank you all so much for your company and your contributions this year, and to both newer followers and more long-standing readers – I am always eternally grateful for your contributions both to my pages and, for what you yourselves create. Thank you! I wish you all a very happy, prosperous and healthy ’21! Please – join me again when you can. 

Warmest wishes to you all… 

Rob.


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32 Years On: Remembering Pan Am 103 | 35Chronicle

people, photography

21.12.1988.


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There’s not a lot I actually know that hasn’t been in the media over the last 32 years, about the Lockerbie Disaster. Though, this week, the BBC reported that the man alleged to have been behind the making of the bomb that killed 270 people on board Pan Am Flight 103 0n the 21st December 1988 has been charged with terrorism offences. When the disaster occurred, I was still living in my hometown in the Midlands and hadn’t even made the move to Scotland. I wouldn’t even have contemplated that mover for another 11 or 12 years afterwards. I remember the news though and the horror of it all – so many lost; and their families, loved ones, friends, colleagues, fellow students – all of them feeling the pain of this horrific attack. And the people of Lockerbie too, those who died on the ground and those who didn’t. It affected everyone I think, far and wide but none so much as those 270 people who lost their lives on the 21st December 1988. I was 18 when it happened.

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On my commute to work as a paramedic, I pass the Garden of Remembrance at the top of Cemetery Brae before the start of every shift, and after the end of each. In fact, I would probably pass it a dozen times during my shift and over the past fifteen years of being stationed at Lockerbie, like every local or worker in the town – it’s a fixture, easily disregarded when negotiating those bends at speed. There’s a small car park in front of it and the cemetery itself runs a good few hundred yards before one arrives at the memorial.  We arrived yesterday, late morning – barely another person in sight. The day before, however, the annual remembrance ceremony had taken place and fresh flowers and tributes laid for the victims of Pan Am Flight 103. Though the people of Lockerbie are seldom heard to talk about it, the disaster is palpably, tangibly close the town’s heart. To the outside world, it’s a town defined almost solely by those awful events – but as one who has worked here for almost 20 years, I can’t agree completely. Yes, there will always be the memory and the scars of what happened to those who lived through it and the knowledge, for those who did not. But the town and it’s people carry on – because that is all that can be done; it’s a very stoic, strong and resolute community. As for the families and loved ones of those who were taken, one can only speculate on the pain that they will feel as they always have since that night. Former Secretary of State for Scotland, David Mundell MP, said it beautifully when he wrote in a tribute which he placed yesterday, “For those who haven’t been able to make it to Lockerbie this year, you are not forgotten. They are not forgotten.”

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Over the years, I’ve had many conversations with colleagues about what happened that awful night. One such gentleman I spoke with was a former ambulance technician by the name of George White. He was on call that evening and was the first clinician on scene. The horror he faced was something which he was never able to put into actual words and we’d never have forced them either, but by the look on his face as he spoke all those years ago – he told the scene without ambiguity. I remembered George again yesterday when I read one particular name on the plaque. Suzanne Marie Miazga. She was 22 years old. Her body was found on the grounds of the ambulance station directly after the 747 was torn apart; her picture still sits in a frame on the bookshelf in our rest-room, directly beneath the TV. Her life, and the taking of it is also the reason why we tend a pink rose-bush at the corner of the entrance to our station – her name engraved in the brass plaque on the front of the planter. Pink roses were her favourite. Every single person on that flight had a favourite something and that is still worth remembering. 

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During the decades after, Suzanne’s mother kept in regular touch with George and he would travel to the States often to see her; eventually they became so close that they married. Memory fades a little for me now and I can’t remember exactly when they were married but it was certainly within the last ten years. Sadly though, due to failing health, and age – George passed away just a few years ago. As I remember him here, I hope that you’ll have a look at a few frames I grabbed yesterday and remember them all. 

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Never Forget.

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CORSEWALL LIGHTHOUSE: PT.II | LTFS | 35CHRONICLE

black & white, boats, full-spectrum, photography, rural, skies, structures, waterscape

Loch Ryan’s Beacon.


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Corsewall Lighthouse: PT.I | 720nm IR & LTFS | 35Chronicle

black & white, full-spectrum, history, infrared, landscape, photography, rural, structures, waterscape

The Light & the Dark.

The hotel at the lighthouse had been on our list of places to visit for a little while now, not least because it promotes itself as wedding venue too and, given recent engagements (ahem!) and our fondness for the west of our county, we made the journey during a three day stay in Portpatrick. The coastline is simply stunning here and even though the weather was extremely moody at best (and howling at its worst) there was no way that we were going to forego this particular jaunt. Looking out from the mouth of Loch Ryan it is hard to even contemplate why anyone would wish to look in any other direction, no matter what the elements.

Built around 1816-1817, the fully functioning tower is still run by the Northern Lighthouse Board, however, since automation in 1994 – the rest of the buildings were converted into a hotel. Word has it that in 1817, Corsewall’s Principle Light Keeper had fallen asleep on duty which caused the light to fail for a time, to the detriment of passing ships heading towards the coastline, and so therefore, he was subsequently and severely demoted. In November of 1970, Concorde flew over Corsewall Lighthouse on a trial flight and when passing the tower, it shattered many panes of glass around the light. Later flights by Concorde would not cause the same phenomena. Sadly though, at the time of our visit the whole place was closed due to the effects of Coronavirus and ensued restrictions and, we were unable to enter. Instead, after a lovely walk around the place and taking in the views, Bumble sought protection from the ever worsening elements inside the car, and why not? Nobody wants to get soaking wet or freezing cold on their birthday!

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I |  The Hotel & Tower [720nm IR]

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As I walked Bumble back from the hotel itself towards the car, having wandered around the tower and the foghorn together so that I could grab a few frames, we were met by a lady in her 4×4 who, having sped down the hill stopped alongside us on approach to the building and wound down her window to speak to us. Then, she asked the one question that is guaranteed to irk me more than any other when I am making my frames. “Can I help you?” she asked. Well, “I don’t know, can you take over shooting for me if I should suddenly forget how to do it?” I wanted to reply. Instead, I refrained from sarcasm and exchanged politely with her until she explained that she owned the place and was popping in to check her emails. Why would I even care about that? In truth, I think our presence triggered off a sensor or we were on camera perhaps, prompting her expedient arrival from her nearby abode. I mean, I can see how a couple like us would put a lot of fear into someone – especially when you take in the evidence – holding hands, the odd cuddle to dispel the cold of the gusts, the picture taking. Of course. I once again prepared to endure the worsening elements – for the sake of art, you understand. I mean, why else?

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II |  ‘Round the Rugged Rock the Ragged Rascal Ran [LTFS]

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Getting here though, was a bit of pain the derriere – and I am surprised that anyone planning a wedding or reception would make the trek if they knew beforehand how the final part of their journey would pan out, should the weather turn sour. This is definitely a fair-weather destination if you wish to remain – unsavoury. Imagine if you will, donning your finest finery, having washed and polished the car (as such an occasion would suggest as appropriate) and turning out as pristinely as you possibly could before setting off. Your journey to within a mile or two of Corsewall may be largely uneventful, perhaps even wonderful, then the heavens open as you approach the back roads, past the farms, through as much cow-sh*t as it’s possible to spread across the hugely pitted and pot-holed tracks that wind around and down towards the tower. Imagine too, all of that muck sprayed up both sides of your previously pristine jalopy, as you pray that you won’s split a rim or two in any of the deeper craters who’s depth and severity are sinisterly hidden beneath copious quantities of shit and water. (You can tell I’m a little precious about my car now, can’t you?!) So – let the nightmare begin! How to arrive? Or, how not to! Perhaps save it for the sunshine?

Despite high winds and a decent amount of rain, I somehow managed to snag a number of shots both in IR and in LTFS (full-spectrum) when the light started to fade – that I am actually very happy with. Sorry about all the back story and though not every shoot I go on isn’t as romantic as they might appear to be, I hope too that you’ll enjoy these first few frames of (really) a beautiful and picturesque corner of South West Scotland. 

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III |  The Tower & Foghorn [LTFS]

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Thank you ever so much for reading and I do hope that you are keeping safe and well.

Until PT.II – toodle-pip!

R.

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HODDOM CASTLE – 720NM IR [PT.III/III] | 35CHRONICLE

autumn / fall, black & white, infrared, photography, ruins, rural, structures

Finale.

In closing up my posts from Hoddom Castle, I’d like to share my final three IR images from this beautiful 16th Century ruin. If you have been reading my recent posts, you’ll be aware that I will be gifting three shots to the local estate office which looks after it and, I am again looking for your input. It really is a pleasure to share these frames and I do hope I have done it at least a little justice. Please do leave your vote (one shot per post only, please) in the comments section if you have time. Thank you so much for reading, I hope you’ve enjoyed this little series and I look forward to putting my annual review together for posting just before Hogmanay – and a few other little nuggets in-between, I am certain.

Wishing you all a fabulous weekend.

R.

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VII |  “1891”.

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VIII | Desolate.

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IX | Shadows Before Light [III]

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

HODDOM CASTLE – 720NM IR [PT.II/III] | 35CHRONICLE

black & white, infrared, photography, ruins, rural, structures

LUXURY APARTMENTS FOR PIGEONS & CROWS?


In my last post, I shared the first few frames from a recent shoot at Hoddom Castle, my first successful IR jaunt here, ever. If you read the first in this series you may remember that I asked anyone who has time, to please let me know in the comments section of each post, their favourite one shot, so that I can put together a trilogy of frames which I am going to gift to the estate upon which Hoddom Castle stands. So, here are the second three frames from which I would like to hear your opinions and choice. Of course there will be one more post to come in due course so please do watch this space. I really am grateful for your input and you will save me a small headache for not having to choose, myself. 

Thank you so much for reading and please, any and all comments are welcome, below. 

R.

IV | The Silent Bell.

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V | Shadows Before Light [II]

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VI | Parapets.

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Hoddom Castle – 720nm IR [PT.I/III] | 35Chronicle

black & white, infrared, photography, ruins, rural, structures

IT’S ALL ABOUT PERSPECTIVE.

A few years ago, I visited Hoddom Castle to photograph there under infrared conditions and, whilst I was disappointed and let down by the weather upon my arrival, I came away with some rather pleasing visible-light monochrome frames. It’s not always about alternative wavelengths for me and I do love just shooting with my normal equipment – but even saying that, I hear my honest brain asking me who the hell do I think I am kidding? After all, I don’t recall posting any of those older frames. Honestly, I still enjoy those frames, but after a recent visit back to the castle with a couple of hours to kill under a glorious sky, the word eclipsed, springs to mind now. I forgot how difficult it is to shoot around here though and the angles really made me think a lot harder. I hope though, that I have done this beautiful building some justice.

As an aside, over a year ago, I moved out of my little cottage in the country on the very estate where the castle stands, and on leaving, I was asked by the estate office if I would take a few IR shots around the castle and let them have two or three frames for their holiday site promotions. I offered to them that the kind of work I produce might not be suitable for their intended purposes in that, eerie black and whites of their prized, listed building might actually put people off, unless they are planning on starting up a ghost-hunting side-line? Nonetheless, their request was a perfect enough reason for me to go back and photograph it again, the way I have always wanted to see it.

Whilst I haven’t selected which frames I will gift out yet, I thought it may be more interesting to hear your views instead. So here’s the deal – I am planning three posts of the castle over the next week or so and anyone who has time to message me in the comments with their favourite (one only) shot from each post, will make my decision for me. Please do feel free to drop me a message and, of course any and all comments are very welcome. Thank you again for reading my pages and, have a great week, all. 

R.

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I | The Birds.

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II | Shadows Before Light.

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III | Pay Your Green Fees!

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Hanging the Washing in Sleepy Hollow | 35Chronicle

35mm, autumn / fall, black & white, infrared, landscape, photography, rural, skies, structures, trees, waterscape

Views from Two Bridges | 720nm Infrared.


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I | On the Fleet: The Mill, Gatehouse | 720nm IR | 35mm.

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II | On the Fleet [II]: Behind the Crafty Crow, Gatehouse | 720nm IR | 35mm.

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Call Me Old Fashioned… | 35Chronicle

35mm, black & white, close-up, colour, fine art, full-spectrum, macro, people, personal, photography, portraits, still life

A Prior Engagement.


Okay, a little bit of an announcement. At the end of last month, after two years together through thick (and even thicker) I proposed to Bumble and – after her initial tears of disbelief and throwing her hands up to her face at the sight of me on one knee, she said, “Yes”! Needless to say, we are both ridiculously happy and our wonderful nuclear family, too, has a solidified and renewed direction. After everything we’ve come through over the last eighteen months or so, I couldn’t be happier. But this post isn’t just an announcement. This is a photography blog after all and I have been waiting until I had the requisite shots, before writing.

As an engagement gift to me, Bumble gave me a new cocktail watch for my wrist and also, for my growing collection. I have collected watches, (only certain movements it must be said) for many years and, this new gift had me rather stunned, even moreso because she clearly knows me so well. Insosaying, though I do feel a tad selfish posting these, it also stands as my little testament to the value of time and, how we spend it. Many of my readers will know that I don’t just shoot old ruins and infrared scenes – I enjoy many forms of photography and macro-photography is one of my firm favourites and major passions when I am forced to shoot indoors. Couple this with my love of mechanical watches (as opposed to quartz movements) where, I have always felt that there is more magic and fairy dust inside such a watch than levers, cogs and springs, well, you might understand just how marvellous and precious these instruments are to me, personally. And, a watch is a very personal thing. If it is thing of visual beauty, then I am in awe of it. Keats said something very similar, I recall. Such is the case here, with my beautiful (5147/8000) Seiko Presage SSA392J1.

With its 4R57 automatic movement, 41-hour power reserve indicator, gorgeous colours (inspired by the classic, ‘Old Fashioned’ cocktail – recipe at the bottom of this post!) perhaps it is indeed, itself, a classic in the making. What I am certain of however, is that for me, this combination is as classic as it’s possible to get and the value of time somehow becomes even more poignant when I wear it. So, by way of utter appreciation and gratitude for the love of the woman in my life, who knows me better than I do – I now post a few shots that I have very carefully selected after a painstaking couple of days editing, post-shooting. Whatever you photograph, it should always be shot with love. I hope I have done enough here.

(For anyone interested, these frames were made with my Ricoh GR III (the closest frame, with the Hoya +10 – front-mounted) except for frame two of Angela, which was shot on an LTFS converted Ricoh GXR, in full-spectrum – hence the slight softness of the focus). 

Thank you so much for bearing with me and for reading once again. I hope you’ll enjoy these few frames too.

… To Bumble – whatever I have to say to you, I’ll say it in private! 

R.

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I.

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II.

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III.

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IV.

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V.

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VI.

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To Mix an Old Fashioned:
  • Place the sugar cube in an Old Fashioned glass. 
  • Wet it down with Angostura bitters and a short splash of club soda.
  • Crush sugar with a wooden muddler, rotate the glass so that the sugar grains and bitters give it a lining. 
  • Add a large ice cube. Pour in the whiskey. 
  • Garnish with an orange twist, and serve with a stirring rod if you’re so inclined.

…and, relax!

R.

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Never Look a Gift-Horse in the Mouth… | 35Chronicle

35mm, autumn / fall, black & white, boats, infrared, photography, rural, skies, waterscape

Port, Starboard or – Straight Up? | Kippford [720nm IR]


It was to be a day of semi-relaxation – getting things done at home interspersed with doing not very much at all; a little of everything and not much of anything. After the initial rigours of an early Friday morning and a quick visit to town, on foot, I received a message on my ‘phone – “Looks a bit too nice to stay in all day!” This message was punctuated by an emoji indicative of a Bumble who was rather miffed by our joint lack of outdoor plans (something that regular readers of my pages will know already isn’t a habit I usually indulge in). Still, I had to agree that the day was looking rather splendid indeed and even by 09:30 I was excited to know that the little jobs around the house would have to wait until later that afternoon. As I walked home, I decided that a little jaunt to Kippford, a small sailing village not far from Dalbeattie – would be perfect. Lunch at the Mariner and perhaps, just perhaps – a few shots? 

Whenever we visit, I always seem to find much difficulty shooting here. Though my preferred light-source is IR when the sun is shining, I would always settle very happily for any decent light black and whites with the tide being in for once and, 99% of the time I will arrive here to look at glistening, soggy silt and sandbanks as the water of the Solway has already waved “cheerio!” for another few frustrating hours; a few hours that I don’t have, to wait for it to return, usually. Yes, I should check the tides – I mean, who wants to see boats (or shots of them, anyway) listing hard to port or starboard and resting either hull on what is essentially a mud-flat? On this day, however, I got lucky and, after lunch, I still had plenty of time. An hour or so anyway, before the tide tucked-tail and started to run out again. 

With all this said, please enjoy a few of my infrared frames from another of South West Scotland’s beautiful little ‘postcard’ villages. I hope you have a fabulous week and, thank you for reading! 

R.

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I | Kippford – from a Pontoon | X100-IR – 35mm.

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II | Little Land, Big Sky | X100-IR – 35mm.

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III | Up & Away | X100-IR – 35mm.

 

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IV | Signals? | X100-IR – 35mm.

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.