Threave Castle: PT.II/II | 720nm Infrared | 35Chronicle Photography

35mm, autumn / fall, black & white, boats, fine art, history, infrared, landscape, nature, photography, ruins, rural, structures, waterscape

Shifting Perspectives – On a Mirror.


Following on from PT.I here at Threave Castle, I would like to share my final two frames from this gorgeous, secluded, sun-drenched spot. Though the river surface was as still as a mirror’s, the undercurrent was very slowly shifting the ferry round at its bow towards its port-side and added an attractive new angle to the scene. As the undercurrent pulled the ferry round, I shifted towards its stern and lined it up with the bank as much I could (before actually falling into the river) in order to capture this beautiful scene. Wooden jetties – very slippery when wet! I also wanted to share the closer shot of the castle itself – a very simple composition and a fetching reflection. I do hope you’ll enjoy it too. 

Thank you so much for reading and I wish you a fabulous weekend!

R.

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III | Shifting Perspective: On & Across the Dee | 35mm – 720nm IR.

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IV | On a Mirror: Closer to the Walls | 85mm – 720nm IR.

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Threave Castle: PT.I/II | 720nm Infrared | 35Chronicle Photography

35mm, 50mm, black & white, boats, fine art, history, infrared, landscape, photography, ruins, rural, structures, waterscape

The Day of Two Cakes [PT.II]


As I make the transition from days to nights today, I find that I have a little time to share a few images, straight out of the final edit stage that I was able to grab on Friday last week; a day of glorious sunshine and the whole day with which to enjoy it! Bumble and I decided to head out to Threave Castle at Castle Douglas both as one last go at getting out before my run of shifts commenced and, as a treat for our youngest, Flynn. We called it ‘The Day of Two Cakes – Part II’. We’ve done this before with the kids – we head somewhere for a visit and a few shots then head to a nice café for lunch and cake, and in the afternoon we do it all over again. It’s a way to keep their attention I guess and gives them something less arduous to look forward to. Believe me, it works! Anyhow – Threave was our first stop and I cannot understand why I have never shot or even visited here in the twenty plus years that I have been living in South West Scotland. It’s such an obvious place to come and see and given my penchant for castles, ruins and the odd infrared landscape shot(!) – not to mention water and boats, I have to ask myself how I could have been so neglectful as to wait so long to come here? Perhaps I knew I’d rave about it after as much as I seem to be doing and, I guess it’s better to keep something wonderful in reserve rather than eat all our sweeties in one sitting? 

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I | Reflections of Threave Castle & the Ferry | 35mm – 720nm IR

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The tower was built by Archibald ‘the Grim’ in 1369 as a 30 metre high stronghold for the Black Douglases and for 21 years it was the seat of the very powerful Margaret Stewart, Lady of Galloway. It is accessed by boat across the River Dee, though when we visited, the crossings were not available. I guess we’re getting used to this now, however, the best views were indeed from the opposite bank and, as these frames contain a few of my favourite things, I can only hope that you will enjoy them as much as I do. The peace, the still of the water and the utterly gorgeous light. 

Not to mention – two cakes. Does life get any better than this?

R.

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II | Threave Castle on the Dee | 50mm – 720nm IR

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Breaking the Curse of Morton Castle: PT.V | 720nm Infrared | 35Chronicle Photography

28mm, 35mm, black & white, fine art, infrared, landscape, nature, photography, ruins, rural, skies, structures, summer, trees, waterscape

Until Our Paths Cross Again.


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X | Sentinel of Paradise.

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XI | Old Stone & New Buds.

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– Memento Vivere! – 
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Breaking the Curse of Morton Castle: PT.IV/V | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, ruins, rural, skies, structures, trees, waterscape

In Blissful Isolation.


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VIII | The Sheer Beauty of Solitude.

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IX | Nature Sharing Empathy, Perhaps?

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– Memento Vivere! – 
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Mono-Archives: PT.XIII | 35Chronicle Photography

black & white, fine art, infrared, photography, ruins, rural, skies, structures

Older Haunts | On Overcast, Almost Infrared Days.


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I | Dundrennan Abbey, nr. Kirkcudbright | 720nm IR | 1/220th – f7.6 – ISO:200 | Aug’ 2020.

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II | Dundrennan Abbey, nr. Kirkcudbright | 720nm IR | 1/200th – f8 – ISO:200 | Aug’ 2020.

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III | Dundrennan Abbey, nr. Kirkcudbright | 720nm IR | 1/380th – f8 – ISO:200 | Aug’ 2020.

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See also, the original post from which these frames were also shared, here.


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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Breaking the Curse of Morton Castle: PT.III/V | 720nm Infrared | 35Chronicle Photography

black & white, infrared, photography, ruins, rural, skies, structures

Rule No.1: Never Shoot into the Sun.


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VI | Of Course, Rules Can Be Stretched…

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VII | The Left-Hand Lens-Shade Method: With Practise, It Works!

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Memento Vivere…
R.
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Drumlanrig Castle – Revisited | PT.II | 35Chronicle

50mm, black & white, photography, rural, structures

Splendour in Stone.


After my last post of the stonkingly gorgeous Drumlanrig Castle, here are my final three frames which were made with my Sigma DP3 Merrill. Its 50mm [75mm equivalent] is probably my favourite of the three I have in my bag and, requires more thought to use for architecture and landscape compositions than the wider 30mm[45mm] and 19mm [28mm] lens versions. The micro-contrast of this lens and sensor pairing absolutely bite my face off on review for editing and the details punch back hard for good measure, too. This thing needs a little taming, I think. Now, the cage and chair are ready – if I could only find my whip?!

For all of your clicks and comments on my previous post, thank you so much! I hope you’ll enjoy these few longer FL frames. 

R.

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I | 1/160th – f5.6 – ISO:200

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II | 1/100th – f5.6 – ISO:100

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III | 1/80th – f5.6 – ISO:100

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Drumlanrig Castle – Revisited | PT.I | 35Chronicle

black & white, photography, rural, structures

Old Habits Die Hard.


Last week we took a spin in the new jalopy and headed for a place that not only do we both love, but also somewhere that I have so enjoyed making photographs for almost twenty years. Though my techniques have evolved moreso over the last ten years or so, sometimes, I still crave the simple, bare-bones approach to shooting. Drumlanrig Castle is as beautiful a place as any I have ever visited that can shine all by itself, with the simplest of photographic approaches. Some subjects need little work at all. The last time I photographed here was back in early November ’19 [Post No.166]. It was so good to be back, especially before the gardens open to the public again! All this space to myself… kid, sweetshop…

All frames: Sigma DP2 Merrill | 30mm [45mm Equivalent].

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I | 1/50th -f8 – ISO:125

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II | 1/80th – f5.6 – ISO:100

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III | 1/100th – f8 – ISO:100

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Old, Secluded Stone | 35Chronicle

35mm, black & white, full-spectrum, photography, ruins, rural, structures

The Temple of Cally Woods.


This one was another rare find… and again, I can’t take any credit! What can I say? Bumble finds ’em and I shoot ’em!

In 1779, a landscape gardener by the name of James Ramsay built this beautiful gothic ‘temple’ from which, at the time, fantastic views over Gatehouse and the open parkland of the Cally Estate could be breathtakingly enjoyed. Now, it stands hidden within the Cally Woods, a stone’s throw from the A75 yet, invisible from it. Surprisingly, however, it was found to be a mere two-minutes walk from a side-road – barely visible through the trees until we we almost upon it. Some work had been undertaken in around 2005 to restore this building and this was evident in some very obvious modern materials and techniques used, but its aura matches its era – and offered a very enjoyable half-hour for one particular gent. Oddly, its main facia and entrance to the south is identical to the west face, albeit that the doorway and windows on the west side are bricked up now. It seems a little odd and I wonder if Ramsay had changed his mind while building it or, perhaps, was it altered at some time in its future? One William Todd was a known resident here, for ten years, whilst he was in charge of drove cattle belonging to James Murray. I can’t imagine how cosy this place would have been with the open fire roaring. Of course, it would have had a roof, back then! 

I hope you’ll enjoy these few grabs and, thank you again for reading.

R.

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I | To the Trees [Ricoh GR III – VIS] | ISO:1600

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II | The South Entrance [Ricoh GR III – VIS] | ISO: 800

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III | The West Wall [Ricoh GR III- VIS] | ISO: 640

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IV | The South Entrance [Ricoh GXR – LTFS] | ISO: 673[!]

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V | Roofless [Ricoh GXR – LTFS] | ISO: 2810[!]
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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

GETTING OUT [AHEM!] – LESS | PT.II | 35CHRONICLE

black & white, fine art, full-spectrum, infrared, nature, photography, rural, skies, winter

The Freezing of Time & Tide.


Moving on from my last post, sharing a few grabs from a beautiful coastal spot not far from home over a week ago, I mentioned that on a brighter day, we would return with the munchkins, a small picnic and flasks of tea, coffee and soup! I would also take my IR and LTFS gear along and give Sandyhills ‘the treatment’… jeez, this place screams out like it’s begging for it, I can tell you! Anyway, after checking the forecast for the coming week after our first visit, Wednesday looked like it was to be the best for shooting and, for access, the tide times app gave us a window of around two hours prior to sunset which would enable us to safely get back to the caves and, the Needle’s Eye again. We arrived at a completely empty beach just around lunchtime – not even a dog-walker in sight. We had the whole place to ourselves. I would never have imagined that, even though it was so bitterly cold, that this place would be so empty of people, considering the space here and the fact that sensible outdoor pursuits are still permitted as long as distancing is observed. Still, not a soul for the most part of the time we spent here. A real rarity.

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In my bag, I had my trusty pair of LTFS converted GXRs – one set-up for 720nm IR and the other for VIS using a Tiffen UVIR cut on the front of the lens. This latter set-up, I find, yields noticeably sharper results than a standard VIS camera configuration, which I put down to the (potentially) complete eradication of extraneous wavelengths other than those within the VLS from reaching the sensor. If the light had been poorer and less, I might have removed the UVIR altogether and shot full-spectrum for the extra light it would have gathered (and conversely – softness, due to UVIR light pollution) but, the light played ball and remained (almost) where I wanted it to be.

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II.

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One thing I have never seen in my life, though I have lived many years on or near a coast in the UK – is a frozen, receding tide; yet, here it was right in front of us. Stunning, beautiful and, almost other-worldy. If I were not such a fan of Attenborough, I’d have been even further taken aback. Now though, I am reminded of our youngest who, on this day, when he was warned about the lack of grip beneath his feet as he walked behind us, suddenly called out… “Wait! I shouldn’t step on… WHAAAAAAAAAAAAT???! You can guess, perhaps, the position we found him in, the moment he’d finished asking the question! Honestly, to say I pissed myself is a bit of an understatement. The penguin-dive and slide were a nice touch, too!

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III.

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Further along the beach, in a deeply recessed rock at the entrance to one of the caves, we sat together on the sand, we ate and drank, we laughed and marvelled at the space around us; the breeze didn’t touch us at all and the sun was by now warm enough that it had us removing our jackets. It was like the world and all its problems didn’t exist – if only for a couple of hours. It was indeed a blissful day. Photography isn’t always just about making photographs, because, I truly believe that the moments between the frames, those feelings that you just can’t capture in a still are always on the outside edge of every single capture – hidden in memory.

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Enjoy your moments – and capture them, however you can.

R.


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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Getting Out [Ahem!] – Less | PT.I | 35Chronicle

35mm, 50mm, black & white, fine art, nature, photography, rural, skies, structures, waterscape

Romancing the Stone.


These frames are from our first visit to the small hamlet of Sandyhills, around a week ago. It was a little impromptu but the weather was fair and, as Stickola Nurgeon had promised the people of Scotland that despite the still current Tier 4 restrictions, we could indeed, still venture out for legitimate exercise without the fear of being questioned or arrested [hurrah and huzzah!] – so, Bumble and I hopped in the car and headed off for a stroll on the beach. I have been itching, you see, to get my 5D3 out into the open and put it through its paces a little (and a little is all it can get right now, obviously) so this was a perfect opportunity not only to get a little time in free air but also to, hopefully, snag a few frames. We’d been reading about this local-ish spot, famed for its caves and one particular arched rock, known as the Needles Eye (accessible only at low-tide) – the words ‘kid’ and ‘sweetshop’ leap to mind. But there’s a reason this is PT.I – you see, this place is so picturesque that we decided to visit again, later in the week and, we took the nippers on our sequel visit, under glorious low winter sun and blue skies; of course, this meant that I would give this place the IR treatment I so knew that it deserves (however, more on that in the next post). There’s a romance here that’s impossible to ignore. For now though, I do hope you will enjoy these captures from a beautiful part of Dumfries & Galloway’s coastline. Keep well, stay safe and thank you!

R.

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III.

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V.

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[All Frames: Canon 5D III | EF 24-105mm / f4]

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.