Of Sir Walter Scott [1771-1832] | 35Chronicle Photography

black & white, fine art, full-spectrum, history, night / low-light, people, photography, structures

Scotland’s Image-Maker. 


Following on from my last two posts from Abbotsford House, I feel it’s only right to share some frames of the man himself – insofar as it can be possible given the passage of time. At Abbotsford, a striking bust of Scott stands at the head of the room as one exits his study from where he wrote much of his work. As for the Playmobil character – I have no idea as to why it was even there but felt it humourous enough to simply leave it there. In hindsight, I think I should have moved it away before making that shot – still, I like it enough. But by far my favourite of the two shared here, is this first frame – of Scott and his Deerhound, Maida, both relaxing beneath the Sir Walter Scott Monument on Princes Street, in Edinburgh. That this utterly astounding and beautifully ornate monument happens almost certainly to be my favourite structure to have ever even seen, let alone photographed (yes, you may have seen it feature once or twice in much older posts, here) is no coincidence. In any case, I do hope you’ll enjoy these frames.

R.

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I | Scott & Maida Beneath His Monument, Princes Street, Edinburgh | 1/25th – f5.6 – ISO:3200 – 28mm – LTFS Full-Spectrum.

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II | Bust of Scott w/Life-size Playmobil Character, Abbotsford House, Melrose | 1/80th – f5.6 – ISO:3200 – 50mm – LTFS Full-Spectrum.

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III | The Head of the Room, Abbottsford House | 1/40th – f4.0 – ISO:3200 – 24mm – VIS

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Hexham Abbey | PT.II | 35Chronicle

35mm, black & white, Indoor, photography, structures

A Little More Light-Play | Pushing the Ricoh GR


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IV | Ricoh GR 1/10th [H/H] – f3.5 – ISO:3200 – 35mm Internal Crop

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This little camera never, ever fails to astound me. After all I wrote about it [here] there was still one aspect of it that I never properly tried out. As a rule, I have seldom, if ever – shot at equivalent film-speeds of faster than ISO: 1600; not on any camera and certainly not seriously (save for occasionally with the incredible Nikon offering, the Df, which is  a whole different beast altogether). However, when the light drops and one finds oneself tripodless (say, through poor preparation, perhaps) the only way to get the shot, sometimes, is to bump up the ISO and, without anywhere suitable to rest my GR during the making of these frames, handheld was the only way to go. 1600 wasn’t cutting it as, even with reasonably steady hands and good stance, most of the frames were just coming out a little too soft due to that smidgen of camera movement.  Therefore, 3200 was the only way to get them. Without realising it, I was on a test mission after which I would find myself thoroughly delighted. My initial thoughts were simply that it’d be better to get the shots than not. 

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V | Ricoh GR 1/10th [H/H] – f2.8 – ISO:3200 – 35mm Internal Crop

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I’ve always enjoyed the grain that appears in the GR’s images, especially at around 800-1600; it’s light, almost organic in appearance and lends a feel to a composition that instead of destroying it or breaking it up, actually appears to add more warmth and cohesion instead. To me, it harks back to when I used to enjoy shooting Ilford HP5 on an old ME Super, all those years ago – and to be honest, on most occasions, grain is such an integral part of the frame that I rarely even see it; and that’s exactly what happened here when I started editing these shots. I couldn’t even see it. You’d be forgiven for thinking that these have all undergone a major repertoire during processing but in truth, I really don’t enjoy spending too long in LR and so, these are very lightly processed and NR hasn’t even been touched. Exposures are a breeze and accurate with the GR and after having shot with it for so many years, I’m fortunate to be able to feel like it’s really an extension of my hand and, it has seldom let me down. Whilst for some types of composition, clean, pristine is more desirable – it’s not always what I’m looking for and I am moving quickly away from the ‘keeping it sharp and clean’ school of thought. Insosaying, if the light is good, I’ll be happy come what may. I think that no longer being pointlessly critical is going to open up a whole new wave of ideas that I am already very keen to exploit. It doesn’t just do it in black and white, either; colour frames come up pretty nice too!

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As always, thank you so much for reading my pages and I do hope you’ll enjoy these few captures of Hexham’s gorgeous abbey. [PT.I can be viewed here].

-R-

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VI | Ricoh GR 1/45th [H/H] – f2.8 – ISO:3200 – 35mm Internal Crop

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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Hexham Abbey | PT.I | 35Chronicle

black & white, colour, photography, structures

Light-Play | Outside vs Inside…


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I | Ricoh GR 1/60th – f5.0 – ISO:400

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II | Ricoh GR 1/15th [H/H] – f2.8 – ISO:3200

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III | Ricoh GR 1/15th [H/H] – f2.8 – ISO:3200

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(…no comparison!)

Happy New Year, all!

– R –


HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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