An Old Sentinel: PT.II | 720nm Infrared & VIS | 35Chronicle Photography

35mm, 50mm, black & white, fine art, history, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Dunskey Castle: A Little More Time.


In December of 2019, I saw for the first time and photographed – the gorgeous ruins of Dunskey Castle near Portpatrick. The original post can be found here: Post No.170. Of course, when the weather is good for IR shoots, as it was in my original post, I’ll always reach for my infrared equipped cameras first but even when the light drops, as it did here right before sunset, if the subject is good and the conditions are favourable, IR isn’t always necessary in order for me to come away with a sense of achievement or pleasure from capturing the realisation of an image in my head before I even got there. Here, I wanted to concentrate on getting some longer exposures of the castle ruins at different focal-lengths and combine my use of infrared and visible light. So, as Bumble unpacked the chairs and the late evening picnic she’d lovingly prepared earlier, I set up my equipment and polished off my Big Stopper ND. I hope that I have done this wonderful place a little more justice than I managed on my first visit; and if I haven’t – I still have the beautiful memories of a cliff-top picnic at sunset, on the edge of the world with my bestie! Worth it!

Time passes like clouds, over us all – even the stone won’t survive forever and, I feel a poignant sense of relief in that sometimes, we can get to slow time down to a stop – and watch it in replay again and again, in a still.

R.

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I | 35mm. 30″. f21.0. ISO:200 – 720nm IR.

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II | 24mm. 60″. f22.0. ISO:100 – VIS.

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III | 50mm. 30″. f22.0. ISO:200 – 720nm IR.

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Threave Castle: PT.II/II | 720nm Infrared | 35Chronicle Photography

35mm, autumn / fall, black & white, boats, fine art, history, infrared, landscape, nature, photography, ruins, rural, structures, waterscape

Shifting Perspectives – On a Mirror.


Following on from PT.I here at Threave Castle, I would like to share my final two frames from this gorgeous, secluded, sun-drenched spot. Though the river surface was as still as a mirror’s, the undercurrent was very slowly shifting the ferry round at its bow towards its port-side and added an attractive new angle to the scene. As the undercurrent pulled the ferry round, I shifted towards its stern and lined it up with the bank as much I could (before actually falling into the river) in order to capture this beautiful scene. Wooden jetties – very slippery when wet! I also wanted to share the closer shot of the castle itself – a very simple composition and a fetching reflection. I do hope you’ll enjoy it too. 

Thank you so much for reading and I wish you a fabulous weekend!

R.

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III | Shifting Perspective: On & Across the Dee | 35mm – 720nm IR.

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IV | On a Mirror: Closer to the Walls | 85mm – 720nm IR.

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Threave Castle: PT.I/II | 720nm Infrared | 35Chronicle Photography

35mm, 50mm, black & white, boats, fine art, history, infrared, landscape, photography, ruins, rural, structures, waterscape

The Day of Two Cakes [PT.II]


As I make the transition from days to nights today, I find that I have a little time to share a few images, straight out of the final edit stage that I was able to grab on Friday last week; a day of glorious sunshine and the whole day with which to enjoy it! Bumble and I decided to head out to Threave Castle at Castle Douglas both as one last go at getting out before my run of shifts commenced and, as a treat for our youngest, Flynn. We called it ‘The Day of Two Cakes – Part II’. We’ve done this before with the kids – we head somewhere for a visit and a few shots then head to a nice café for lunch and cake, and in the afternoon we do it all over again. It’s a way to keep their attention I guess and gives them something less arduous to look forward to. Believe me, it works! Anyhow – Threave was our first stop and I cannot understand why I have never shot or even visited here in the twenty plus years that I have been living in South West Scotland. It’s such an obvious place to come and see and given my penchant for castles, ruins and the odd infrared landscape shot(!) – not to mention water and boats, I have to ask myself how I could have been so neglectful as to wait so long to come here? Perhaps I knew I’d rave about it after as much as I seem to be doing and, I guess it’s better to keep something wonderful in reserve rather than eat all our sweeties in one sitting? 

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I | Reflections of Threave Castle & the Ferry | 35mm – 720nm IR

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The tower was built by Archibald ‘the Grim’ in 1369 as a 30 metre high stronghold for the Black Douglases and for 21 years it was the seat of the very powerful Margaret Stewart, Lady of Galloway. It is accessed by boat across the River Dee, though when we visited, the crossings were not available. I guess we’re getting used to this now, however, the best views were indeed from the opposite bank and, as these frames contain a few of my favourite things, I can only hope that you will enjoy them as much as I do. The peace, the still of the water and the utterly gorgeous light. 

Not to mention – two cakes. Does life get any better than this?

R.

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II | Threave Castle on the Dee | 50mm – 720nm IR

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Ribblehead Viaduct: PT.II | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, rural, structures, summer

Look Back, Before You Leave.


When arriving here at the viaduct, it’s so easy to forget to look around at the landscape. It really is that jaw-dropping. If I was a walker (as in, a keen rambler) I would have already known the name of the flat-top hill behind us as Pen-Y-Ghent, one of the Three Peaks so popular with enthusiasts. Suffice to say, though, I love this landscape so much that I am even thinking about a trip here for a few days, after a visit to a reputable outdoor clothing shop! 

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IV.

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VI.

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Thank you all for your clicks and kind thoughts and comments and, I do hope you’ll enjoy these last few IR frames from Batty Moss! 

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– Memento Vivere! – 
R.
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Ribblehead Viaduct: PT.I/II | 720nm Infrared | 35Chronicle Photography

black & white, infrared, landscape, photography, ruins, rural, structures

An Ode to ‘Batty Moss’.


We ended up here by a kind of accident, really. So far off the beaten track and so far from home, you’d be excused for questioning such a statement. But I’d listed a camera outfit on a popular sales app and ended up meeting the buyer (Hi, George – if you’re reading!) down the road in Cumbria. We simply decided to make a day of it and take the RF for a bit more of a spin. A glorious, hot day, stunning views – roof down; it was as perfect a day for a run as any I can ever remember.

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I.

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Ribblehead, or Batty Moss Viaduct at Ribblehead in North Yorkshire is, as you might imagine, strewn with history – both good and bad. Work commenced on the foundations in 1870 and through re-design issues and financial problems, the final key-stone wasn’t placed until the end of 1874. It was opened as a single-track line in 1876 and despite many attempts to close the line as early as the 1980s, it remains open today as a result of increasing passenger numbers on the Settle to Carlisle line and, huge petitions to save it. During the construction of the viaduct, some one-hundred or so of the two-thousand (plus) workforce died either as a result of construction related injuries, fights or – smallpox. The land around the viaduct itself is now a scheduled ancient monument as the remains of the three settlements and construction camps (Batty Wife Hole, Sebastapol and Belgravia) are situated here. Its architect was the renowned John Sydney Crossley who died some three years after the line opened to the public.

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II.

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During our visit to the viaduct, I did my best to compose to exclude the scores of cars and smoking BBQs below many of the twenty-four arches and humming drones above them; this place is an absolute magnet when the sun’s out! As with most things in life though, patience is a virtue and occasionally I was able to get clear views of this magnificent structure. An absolute treat.

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III.

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I hope you’ll have enjoyed these first few frames and I wish you all a fabulous week.

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– Memento Vivere! – 
R.
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Eleven Arches: PT.III | 850nm Infrared | 35Chronicle Photography

black & white, fine art, landscape, photography, rural, skies, spring, structures, trees

When the Chill Thwarts Spring.


After the thoughtful, wonderful responses I received to PT.II last week, I have to say that I am a little bit unsure as to how I can even think of topping it. Holding back on frame one was never an option (I get far too excited at grabbing shots like that and have the shameless, breaking-strain of a Kit-Kat when it comes to showing just what can be achieved with alternative wavelength photography on a good day) and so, with a slight concern for posting a bit of a ‘come-down’, I nonetheless have pleasure in sharing my last chosen three from an absolutely fabulous hour shooting this awesome structure that is the Kinclair Viaduct. I am grateful that the spring here has started so cold as it has this year; the growth of the foliage has been slowed down somewhat and, were that not so, I’d have struggled to make the stonework as prominent as I was indeed able to do for fighting my way through the dense leaves and branches (thinking here mostly about this top image). As a compromise, from higher up – I’ve seen beautiful and eerie hanging gardens – even if in retrospect; (thank you, Janet!)

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IV | Dodging Traffic | 850nm IR | 24mm – 1/125th – f8 – ISO:703.

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Anyhooz – this is my last post from Pinmore and will be, I’m sure, my last for a good long while. As spring warms up a little now – I have plenty of other places to discover and the viaduct will be relegated like the rest of my work to date, to my archives; nonetheless, I have much to think about with regards to composition and light if I am to feel as good about what I am still to achieve if these few frames remain the benchmark I have currently set for myself. Holy moly, this is so much fun! 

And summer is on the way…

…goodie!

R.

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V | Convergences | 850nm IR | 24mm – 1/125th – f8 – ISO:734.

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VI | Into a Floating Paradise | 850nm IR | 24mm – 1/125th – f8 – ISO: 476.

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[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 850nm IR Filter]


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Eleven Arches: PT.II | 850nm Infrared | 35Chronicle Photography

black & white, fine art, full-spectrum, infrared, landscape, photography, rural, skies, structures

Kinclair Viaduct, Pinmore – Revisited.


Just about three years ago (give or take a month) I first shot the amazing, grand, utterly imposing viaduct just south of Pinmore on the Newton Stewart to Girvan road. I had to check my files from back then, some of which I posted in No.30, to recall which cameras I took with me on that shoot. Made on my old GR and X100T cameras, I came away with some very pleasing black and white images caught on a less than perfect day for contrast and I also recall that even the sky was so flat and diffused that the resulting frames rendered it featureless. But, I had travelled a very long way in order to shoot this iconic structure and vowed always, to go back. Maybe, I’d give it my IR treatment next time? Alright, so that was a rhetorical question!

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I | Kinclair Viaduct | 850nm IR | 24mm | 1/125th – f8 – ISO:400

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Of course I always intended to do that, so when the sun came out yesterday, Bumble and I headed off, westwards towards the A714, and north-west of Newton. In fairness, we’d been planning it for a couple of days (it’s not prudent to put any faith in the weather forecast anywhere in Scotland, more than forty-eight hours in advance; any of you who live here or have visited for more than a day, will understand exactly what I’m talking about!) When it came to the shots I’d make – I had thought to shift up from 720nm and decided that 850nm would give me a little more contrast under good light. I’d need that extra light to keep my film speed down and my shutter speeds up negating my need for the three-legged thing. As you can see from the frames here, I got very lucky with the light. One pair of frames in particular (No.I in this post and No.VI to come in the following share) did have us scrabbling upwards through tricky dense foliage in order to get the height and length I needed to grab the shot I had always imagined I would take on my first visit – a few minor abdominal wounds today remind me that the climb was well worth it and without that little extra effort, I would have come away knowing that the shot was there for the taking and I did nothing to get it – but it’s here, and the wounds will heal. Please do click the link to my original post and compare, because I truly believe that from the ground, these are the best IR shots I could possibly have made on any day such as this.

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II | Two of Eleven | 850nm | 24mm | 1/125th – f8 – ISO:911 (!)

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Dedications:

To my long-suffering and ever encouraging, Bumble – I thank you for getting into my scrapes for the sake of art! What else can I say? To all of you who visit and revisit my pages, click, comment and get involved – thank you all so much. The best that I can hope is that you will enjoy some of these captures – enough to come back. I utterly love what I do and take none of it for granted; and so – I keep doing it with the same passion and love that I felt when I first discovered what was even possible. To my good friend, Amar – your creations still help me make some of my most pleasing and dramatic work and in this regard, words fail me. Thank you, my friend! 

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III | Woodburn Cottage | 850nm IR | 35mm | 1/80th – f6.3 – ISO:200

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Until PT.II – I do hope you’ll enjoy these few frames and, I wish you all a very happy and healthy weekend ahead.

R.

[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 850nm IR Filter]


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Postcards from the Recovery Position | PT.II | 35:Chronicle

35mm, black & white, infrared, photography, ruins, rural, structures

Gelston Castle [PT.I] | 720nm Infrared.


To date, no ruin has ever taken my breath away on a first encounter as much as Gelston Castle did, on this day, one month ago.  As I understand, it is not under the umbrella of any protective organisation and, stands on land now being run as holiday accommodation, in the village of Gelston, between Castle Douglas and the Palnackie to Auchencairn road. Completed around 1805, designed by Richard Crichton (a pupil of Robert Adam) Gelston Castle was built by Sir William Douglas, of Castle Douglas.  During WWII, the house was requisitioned in order to care for handicapped boys evacuated from Glasgow and, once this use had ceased, it was de-roofed, never to be inhabited again. 

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I | Rear Elevation | 35mm | 720nm IR | X100-IR.

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Those of you who are regular readers of my pages will know that whenever the sun is out, if I am shooting beneath it, my IR cameras are the first tools I’d reach for. On this day however, conditions were unpredictable at best. This meant that I required around two to three hours to make enough images to cover my wish-list, at least, as frequent and prolonged cloud-cover tested my patience somewhat. With that said, I could have wandered around here for many more hours than I did. A beautiful monument, some of the most fabulous, fine architecture I have seen of late and, a lovely spot for just being what it is amidst stunning countryside views. 

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II | Front & Side Elevation | 35mm | 720nm | X100-IR.

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Shooting these old ruins is becoming a bit of a habit of late – one I am happy to continue to immerse myself in, I must say. When I am back on my feet, I’m going to go a-hunting again!  Though I must remain patient – another ten weeks or more, I can’t wait.

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III | Rear Elevation Between Tall Trees | 35mm | 720nm IR | X100-IR.

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Postcards from the Recovery Position [PT.I]
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Fujifilm X100 720nm IR Conversion | First Outing | 35:Chronicle

35mm, black & white, infrared, photography

‘X’ Hits the Spot.


To begin, this isn’t a review. I dare say there will be thousands of them out there for the basic / standard camera anyway so what would be the point? But if you enjoy IR photography and have ever wondered if a a great fixed-lens, single focal-length camera is worth converting, I may be able to persuade you. Please bear with me.

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I | 35mm | 1/170th – F8 – ISO320 | 720nm IR.

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Okee-dokee – this might seem like a bonkers time of year to try out a new IR set-up and, you’d be forgiven for believing so. Winter infrared photography was something that I never really considered either, until recently which, in itself, is completely barmy seeing as how I have been shooting IR for over twelve years now. One might be forgiven for asking me (rather sternly, I might add) what the heck I’ve been playing at? Still, I have discovered the joys of shooting infrared all year round and, it’s a knowledge that I am utterly delighted to have. Naturally, (after the brightness of the spring and summer months here in the Northern Hemisphere) during autumn, after deciduous trees lose their leaves, hunting for interesting, engaging rural scenes and subjects with any kind of visual impact under infrared wavelengths can sometimes be a little tricky, however, ignore the stereotyping for this kind of alternative wavelength photography and it’s not difficult to see that with good, undiffused sunlight and an interesting subject – there’s no time of year that renders IR photography a pointless pursuit. It merely requires a change of outlook and, not a lot else. [View post #101 for an example – caught on New Year’s day.]

For around eight years now, I have been a Fuji-X shooter. I can’t say that I have been exclusive to this system during this time but, there have been very few months over this period (comparably) where I’ve not had one in my bag or more importantly, in front of my leading-eye. Another favourite system of mine over this entire time has also been Ricoh’s GXR (APS-C) system . Both outfits in their various guises have served me terrifically in not only visible light photography but also for IR and full-spectrum. The GXR has been a mainstay for me in alternative wavelength shooting and without my good friend, The Doctor, down in Guildford, I’d have known none of these systems. Every single conversion I’ve ever wanted, he has patiently created for me and I can take nothing away from him when it comes to my own enjoyment of the genre. However, the bag was getting heavier (again) and like most photographers, I needed to ‘spring-clean’ my gear and, rethink. That’s when I asked my good friend, once more, if he might create what was to become one of my personal Holy Trinity of cameras. Of course, because I am writing this, you know already that he came through, in style.

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II | 35mm | 1/180th – F8 – ISO320 | 720nm IR.

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The only X100 model that I’ve not owned / shot with is the ‘F’. Sure, I wanted one but I’m not the kind of chap to always want the newest sensor, hardware – anything, really. I desire a certain kind of output (most usually for black and white) and this is why I have stuck with Ricoh for so, so long. (Out of interest, if indeed you are interested, another of my Trinity happens to be my GR (1st APS-C model) for this very reason – as well as a few other important ones, too). As the X100 line evolved, so did the X-Trans sensor and, no matter how much I liked future iterations of that sensor, I could never get away from the fact that the first iteration was, for me anyway, more organic in output. I don’t give a monkey’s **** about MP – just show me some output-quality and good all-round performance and I’ll be on my knees, but while the first model in this line was a little less refined, hardware-wise, when I was thinking about a dedicated 35mm FoV IR conversion, I couldn’t think of any other camera that would or could fit the bill better than this one. I couldn’t imagine, after a couple of years using and experiencing the files from the ‘S’ too, that either that or the ‘T’ would come close to the rendering of the first, under IR light. There were issues with the latter two’s sensors in my opinion. There were other, practical reasons also for sticking with the line.

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III | 35mm | 1/340th – F8 – ISO320 | 720nm IR.

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For a start, it uses the same batteries (predictably) as my main 35mm FoV squeeze, the X100T. It weighs about the same and, whilst the button layouts are a tad different, I can interchange pretty quickly between the two of them without having to take my eye away from the viewfinder. I’ve used both of them for more than long enough to know them pretty well and, as I found out today, using them in unison on the same shoots, is a breeze. Also, they weigh so little as to render them perfect for that kind of caper. Naturally, all the accessories and filters are interchangeable too; (I don’t use many but, it’s an obvious bonus). 

Over a fortnight had passed after I received my X100 IR conversion and with work commitments and poor light on free days keeping me back, today was a true gift.  To say that I have been itching to get out and play with it is a veritable understatement. I also know that there are others who read my pages and sometimes contact me on the subject too, who may also be interested in what or how I shoot or process. I have been a little lazy on the subjects of techniques, I know – and I guess I have always figured that there are so many photographers who like to pass on that kind of knowledge that perhaps the world doesn’t need yet another one; besides, everyone  finds their own path eventually, either by investigation, tuition or, dogged experimentation (or as I call it, constant faffing around with my equipment – ahem!) That is not to say that I am not happy to help or join anyone who wishes to learn or share information – insomuch as my experience may allow, so please, do feel free to drop me a line or a comment if you wish. 

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IV | 35mm | 1/180th – F8 – ISO320 | 720nm IR.

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Clearly, I have not yet explored the possibilities of this new conversion, spring is a while away yet, but I can honestly say that if these few frames, taken just an hour before the Golden Hour on a cold, sunny, winter’s day in Kippford are anything to go by, it’s going to be another very enjoyable year in photography. Thank you for reading, thank you, Amar (again!) and, I hope you’ll all enjoy these few inaugural frames. (Please click the infrared tag for other IR posts, if you’re interested.)

R.

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A Stop-Gap, Perhaps? | 760 & 715nm Infrared | 35:Chronicle

black & white, infrared, landscape, photography

Either Side of 35.


As I am now on the verge (pardon the pun, please?) of re-commencing my photographic passions with entirely different systems, both of which feature fixed 35mm (FoV) lenses, I thought it might be nice to reflect a little on the two IR systems that I enjoyed last year. Both of them are either side of 35 and, of different wavelengths to the 720nm I will from here-on, be concentrating – and, my anticipation of getting back out there is again heightened by such reflection. 

These few frames were taken around Megget Water; either of, from or, towards Megget Dam, (not far from St. Mary’s Loch) in South West Scotland – during July of last year. Most frames that I had posted of Megget last year concentrated mainly on the reservoir itself, but there are clearly other views. I simply cannot wait to go back in the spring. I might even remember to pack my heaviest tripod and a Big-Stopper, next time! 

R.

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I | From | 28mm | 760nm Infrared.

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II | Towards | 50mm | 715nm Infrared.

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III | Of | 28mm | 760nm Infrared.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Memories: Of Longer Days | 720nm Infrared | 35:Chronicle

black & white, infrared, landscape, photography

As the Winter Solstice Approaches.


Already, I miss the higher sun, the longer days and, of course, my photo-walks around this rural haven that I call home. These few frames were among the last infrared captures I had made not too many weeks after the segue from summer, to autumn. Yes, I do miss my IR walks. The sun, the warmth, the solitude and, the searching – for the almost ethereal – are to me, those things that I enjoy most about it. As I look forward to next year’s spring, I shall embrace these shorter, darker, colder days – for their own challenges will become my own; but, I long for the light. If only to see scenes like these through my viewfinder again. 

R.

I | Repentance Tower.

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II | Ploughed.

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III | Above & Beyond.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Let the Shadows Lengthen | 720nm IR | PT.II | 35:Chronicle

autumn / fall, black & white, infrared, landscape, photography

Under a Low, Autumn Sun.


Walking around my home-turf is a real joy on evenings like this and, it is my express intention to squeeze every single IR frame that I can this year, out of this beautiful, peaceful landscape. I know just how lucky I am – and, I hope this notion comes across in my frames. The lowering sun does make composition a little more of a thoughtful, slowed-down process but, that’s how I work naturally anyway. A little slower? Who cares? In a place like this – why would I need to rush, anyway?

(I am aware of the cardinal sin that no serious photographer should ever commit, even unwittingly, in the second frame – however, I’m not a fan of removing elements, so, it stays. It shouldn’t take you long to find it. To help you, try thinking along the lines of “Where’s [the] Wally”! Anyhow, I hope you’ll enjoy these two compositions.

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I | 50mm – 720nm IR.

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II | 85mm – 720nm IR.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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To the Trees | PT.III |35:Chronicle

autumn / fall, black & white, infrared, landscape, photography

An Almost Frantic Race.


The light is fading, the sun is getting lower and the clouds are coming in thick and heavy lately. It’s that time of year when I always feel the rush – to get out when the sun is shining and, to make as many infrared frames as I can of the beautiful scenery around me, before time takes the light away again, at least it will – for a while. The yearly cycle of the seasons waits for no-one. Whilst I am sure there will be glorious days to come before next year’s spring, before the leaves fall, now is the only chance I have to capture some lovely IR light in the foliage and, the landscape. It’s a rush I feel every single year around October, and have felt ever since I first became completely enamoured with infrared photography. 

I have a few more frames in store from recent wanderings – but for now, I am just going to share these two. I really hope you like them.

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I | 720nm IR | How the Other-Half Live.

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II | 720nm IR | Into the Sun.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Place Your Bets? | 720nm IR | 35:Chronicle

35mm, black & white, infrared, landscape, nature, photography

Hawk, Otter & Salmon.


Double-Prey | 35mm | 720nm Infrared.

35chronicle.068

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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While the Sun Shines | PT.III | 35:Chronicle

black & white, infrared, photography

After the Wheels Stopped Turning.


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IX. | 28mm [760nm Infrared]

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As the baling season is almost a week past done here, I figured it was time to post the series’ final frames that I would like to share with you. This one is slightly more image-heavy than I had initially intended for this last post of the series to be, only because I found a couple more frames worthy of publishing than I thought I’d have before I started the shoots but also, because I don’t see the worth in stringing out the subject matter over more than a few posts – otherwise things get predictable or, worse still, a bit boring. So, what I’m going to show here are three more frames from my GXR’s 28mm 760nm conversion and also, three from the same camera’s A16 24-85mm TFS (true full-spectrum) conversion with a 720nm (Hoya R72) filter on the front element. This combined lens & sensor conversion has no filters at all in front of the sensor (not even a standard 330nm Schott glass) which, in simple terms means that with no filters on the lens’ front-element, the sensor gains around an extra two and a half stops of light (under daylight conditions or – UV, Visible & IR artificial lighting systems) – which is superbly beneficial for black and white shooting. (More detailed information can be found on my Light Waves page, if you require any).

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X. | 28mm [760nm Infrared]

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XI. | 28mm [760nm Infrared]

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Here though, using the R72 means that there’s no benefit of extra stops, but still, the difference between the frames captured at 720nm have a distinctly different feel (by way of contrast and highlights) to those captured at 760nm with the 28mm prime. I’m trying not to decide on a favourite look because I really do enjoy the output from both units but for me, the 760 wavelength edges it. Nonetheless, the A16’s conversion is going to be vastly more versatile in different lighting conditions and situations than the A12, with a usable zoom range and, the ability to use many more lens-mounted filters for light-wave play and, unfiltered low-light monochrome work. I’m really looking forward to making more images with it and experimenting with deeper contrast infrared, for sure, but in the meantime, I do hope you’ll enjoy these last frames of this particular mini-series. 

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XII. | 50mm  [720nm Infrared]

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XII[B]. | 85mm  [720nm Infrared]

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XIV. | 85mm  [720nm Infrared]

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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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