Edinburgh – An Infrared Exploration: IV | 35Chronicle Photography

black & white, cityscapes, infrared, photography, structures, urban

Closing Out…


I’m sharing with you now, the last of my IR frames from Edinburgh, taken during the latter part of November last year. I have to confess that street-shooting is something that I do find extremely difficult so I have always tended to focus on more obvious places or structures situated around them, rather than in them, per se – and in Edinburgh, there is certainly no shortage of buildings, places or objects of interest to keep someone like me happy.  During the course of the three days we enjoyed in the city, only our last day there saw the sun come out for any length of time (after the night of Storm Arwen) and so, pretty much all of my final IR edits came on that day, some two or so hours before we were to head home again. Needless to say, I was a bit like a child in a sweetshop, doing my best to take it all in before we left, revisiting a few spots at a slightly faster pace than normal before heading for the train. So, in closing out, here are my last few infrared captures from this wonderful city. I do hope you will enjoy them.

vb…

R. 

*
X: Scotland’s “Folly” / National Monument, Calton Hill | 1/125th – f7.6 – ISO:238 – 28mm

35chronicle.312 (1)

*
XI:  Moon over Jenners [I] | 1/190th – f7.1 – ISO:200 – 85mm

35chronicle.312 (2)

*
XII: From Market Street , Across Waverley Station | 1/125th – f7.5 – ISO:456 – 35mm

35chronicle.312 (4)

*
XIII: Moon over Jenners [II] | 1/125th – f7.1 – ISO:336 – 85mm

35chronicle.312 (3)

*
Follow Me on Instagram

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2022) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Edinburgh – An Infrared Exploration: III | 35Chronicle Photography

autumn / fall, black & white, infrared, photography, structures, urban

Looking Up, Again.


VII | To Calton Hill | 1/125th – f6.1 – ISO:200 – 70mm | 720nm IR

35chronicle.309 (2)

*
VIII | From the Steps to Waverley Station | 1/125th – f7.6 – ISO:336 – 28mm | 720nm IR

35chronicle.309 (1)

*
IX | Christmas Market-Goers Beneath the Scott Monument, Princes Street | 1/125th – f8.9 – ISO:383 – 24mm | 720nm IR

35chronicle.309 (3)

*
[PT.I in this Series…]
Follow Me on Instagram.

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Edinburgh – An Infrared Exploration: II | 35Chronicle Photography

black & white, infrared, photography, structures, urban

A Little City Grandeur.


*
IV | Ornate: Top of the Scott Monument on Princes Street | 1/125th – f7.7 – ISO:209 – 70mm – 720nm IR.

35chronicle.308 (3)

*
V | Nelson Monument, Calton Hill | 1/125th – f7.7 – ISO:383 – 50mm – 720nm IR.

35chronicle.308 (2)

*
VI | 10:04 AM – The Balmoral towards Princes Street [from North Bridge] |  1/125th – f7.7 – ISO:640 – 28mm – 720nm IR.

35chronicle.308 (1)

*
[PT.I in this Series…]
Follow Me on Instagram.

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Edinburgh – An Infrared Exploration: I | 35Chronicle Photography

autumn / fall, black & white, fine art, infrared, photography, structures

For ‘Camera-Widows’ Everywhere…


After the pandemic halted our plans for our usual annual pilgrimage to Edinburgh, last year, it was indeed incredible to be back there again just last week. November is a very busy time in our household, not least because of a special anniversary and, two birthdays – both mine and Bumble’s. To celebrate, the beautiful city of Edinburgh has been our chosen special place to head off to – just for a few (rare) days of adult-childishness. Of course, there is always so much going on here in Scotland’s capital and yet, I do always try my very best not to let my own photo-aspirations get in the way of time that is planned to be shared and not exploited, though Bumble does happen to be a very kind and patient camera-widow (my gratitude, she is aware of). Two years ago though, she would not have been quite so tested as the weather was very (awfully) typical for November and, I had had little chance to indulge my passions for infrared shooting around the city (though I was very happy to make a good number of pleasing night shots which I still enjoy on occasion).

*
I | The Fountain in Princes Street Gardens & Edinburgh Castle, Above | 1/140th – F6.7 – ISO:200 – 35mm – 720nm IR.

35chronicle.307 (1)

*

However, last week, despite the storm and the resultant high winds while we were there,  the light was often just perfect – and so, I made the best of it. I think. For certain, any of the frames from this series that I will post up would have been just lovely under visible light, but IR brings about a whole different feeling for me, when I look at them and, still remembering the buzz of the place, the huge crowds of people and the noise – somehow, I still feel the same excitement when I review what I came away with, once we got back. To think that it took me so many years to get the whole point of alternative-wavelength shooting before it really started to fire me up inside, is utterly unthinkable to me now. All the time I am trying to learn how to use infrared light to even better advantages to my shooting – I guess it’s more than just a bug, for me. Just when I think I have made the best IR frames that I ever will, I find frames that please even more.

*
II | St. Andrew’s & St. George’s Church [1784], George Street, Edinburgh | 1/190th – F8.0 – ISO:200 – 24mm – 720nm IR. 

35chronicle.307 (2)

*

Insosaying, I also hope that this series will bring about at least a little pleasure, a feeling of something just a little bit different and, perhaps even a smidgen of inspiration to any of you interested in IR photography. (All frames in this series were made with my trusty Ricoh GXR A16 LTFS conversion (thank you again, Amar!) with a front-mounted R72 and, very gently massaged in LR, for those who may be interested). 

Wishing you all a splendid weekend ahead and, huge thanks for reading.

R.

*
III | Old Calton Burial Ground, to Calton Hill, Edinburgh | 1/200th – F4.2 – ISO:200 – 35mm – 720nm IR.

35chronicle.307 (3)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Abbotsford House, Melrose | 720nm Series: PT.II/II | 35Chronicle Photography

black & white, history, infrared, rural, structures

A Few More Takes: A National Monument.


*
IV| 1/540th – f7.5 – ISO:200 – 35mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

35chronicle.305 (2)

*
V | 1/110th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

35chronicle.305 (3)

*
I | 1/380th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

35chronicle.305 (1)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Abbotsford House, Melrose | 720nm Series: PT.I/II | 35Chronicle Photography

black & white, history, infrared, people, photography, rural, structures

Great Scott!


*
I | 1/350th – f7.5 – ISO:200 – 35mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

35chronicle.304 (1)

*
II | 1/270th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

35chronicle.304 (2)

*

There is a special ‘something’ about the Scottish Borders when the sun is even only half out. From home, it takes barely and hour and a half to get there and so, at the beginning of this month we planned a whistle-stop visit with an overnight stay on the outskirts of Melrose; I had a few places on my list – two of which, my lenses would be extremely interested in! The first was here, at Abbotsford House; the famous home of the infinitely more famous late Sir Walter Scott – poet, novelist, playwright, historian, antiquarian, judge (to name just a few of his accolades, that is). It can be said that Scott can be largely held responsible for Scotland’s national and international identity;  there’ll be no argument from me on that one.

Though it is now a visitor attraction should not take away from the fact that Abbotsford is of huge historical importance to Scotland and, it is more a monument than a house. Not only this, it is also utterly breath-taking; outside and in. The restrictions still placed upon us by Covid however, meant that during our visit to Abbotsford – there was a blessings and a curse. The obvious blessing was the reduced amount of visitors as a result of lengthy timeslots between admissions; this meant a great deal to me personally because as with any time that I visit a place of interest, I always prefer to capture without the obvious element of tourism and favour making frames which concentrate solely (inasmuch as can ever be possible) upon my subject, without avoidable distractions within the frame itself. Conscious exclusion is a big part of how I prefer to compose and so this was indeed a welcome blessing. As for the curse – most of the interior of the house (in fact all, above the ground floor) was inaccessible by visitors and so, we were constrained to a very few rooms downstairs. This is not to say that what remains on view to the public is not of interest. I have seldom witnessed or enjoyed such eclecticism or marvelled at such broad tastes and collections. Though I am sure curators had a difficult time of putting everything together (it is impossible to know and even more difficult to conceive as to whether the house’ interiors have been preserved in their ‘natural’ state – yet, I doubt it very much given the huge passage of time since Scott’s death in 1832) – it is both wondrous and romantic to spend time taking it all in. Though I have never read his works, I really do feel that I should. I do feel a niggle in my side, edging me towards a few more books for my Kindle!

For now, here are my first few chosen infrared exteriors taken at Abbotsford House and, I can only hope that they bring even a little, light-hearted enjoyment. As always, thank you so much for reading!

R.
*
III | 1/380th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

35chronicle.304 (3)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Mono-Archives: PT.XIV | The Draw of ‘Sleepy-Hollow’ | 35Chronicle Photography

black & white, fine art, infrared, photography, rural, skies, structures, summer, trees, waterscape

The Mill on the Fleet: 720nm Infrared.


In July this year, I made another visit to one of my favourite stop-offs and, I am surprised that I hadn’t shared a couple of frames from my last jaunt to Gatehouse’s Mill on the Fleet sooner than this. The last time I had actually posted from The Mill was almost a year ago and so, I am happy to put this right, today. Though a popular and often a busy small town, Gatehouse offers some absolutely stunning scenery and, beautiful walks right from its heart; and none more tranquil or evocative than the views from the bridge, alongside the old mill. A perfect day for some alternative wavelength photography, such as it was – what else could I have done? The light and the clouds played right into my hands and, I have seldom seen this view look quite so haunting, or breath-taking. 

Thank you, as always for stopping by my pages and, I do hope you’ll enjoy these two frames from one of my all-time favourite spots. 

R.

*
I | The Mill | 1/310th – f6.0 – ISO:200 – 28mm – 720nm IR

35chronicle.303 (2)

*
II | The Mill on the Fleet | 1/190th – f8.0 – ISO:200 – 24mm – 720nm IR

35chronicle.303 (1)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

An Old Sentinel: PT.II | 720nm Infrared & VIS | 35Chronicle Photography

35mm, 50mm, black & white, fine art, history, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Dunskey Castle: A Little More Time.


In December of 2019, I saw for the first time and photographed – the gorgeous ruins of Dunskey Castle near Portpatrick. The original post can be found here: Post No.170. Of course, when the weather is good for IR shoots, as it was in my original post, I’ll always reach for my infrared equipped cameras first but even when the light drops, as it did here right before sunset, if the subject is good and the conditions are favourable, IR isn’t always necessary in order for me to come away with a sense of achievement or pleasure from capturing the realisation of an image in my head before I even got there. Here, I wanted to concentrate on getting some longer exposures of the castle ruins at different focal-lengths and combine my use of infrared and visible light. So, as Bumble unpacked the chairs and the late evening picnic she’d lovingly prepared earlier, I set up my equipment and polished off my Big Stopper ND. I hope that I have done this wonderful place a little more justice than I managed on my first visit; and if I haven’t – I still have the beautiful memories of a cliff-top picnic at sunset, on the edge of the world with my bestie! Worth it!

Time passes like clouds, over us all – even the stone won’t survive forever and, I feel a poignant sense of relief in that sometimes, we can get to slow time down to a stop – and watch it in replay again and again, in a still.

R.

*
I | 35mm. 30″. f21.0. ISO:200 – 720nm IR.

35chronicle.299 (1)

*
II | 24mm. 60″. f22.0. ISO:100 – VIS.

35chronicle.299 (3)

*
III | 50mm. 30″. f22.0. ISO:200 – 720nm IR.

35chronicle.299 (2)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Threave Castle: PT.II/II | 720nm Infrared | 35Chronicle Photography

35mm, autumn / fall, black & white, boats, fine art, history, infrared, landscape, nature, photography, ruins, rural, structures, waterscape

Shifting Perspectives – On a Mirror.


Following on from PT.I here at Threave Castle, I would like to share my final two frames from this gorgeous, secluded, sun-drenched spot. Though the river surface was as still as a mirror’s, the undercurrent was very slowly shifting the ferry round at its bow towards its port-side and added an attractive new angle to the scene. As the undercurrent pulled the ferry round, I shifted towards its stern and lined it up with the bank as much I could (before actually falling into the river) in order to capture this beautiful scene. Wooden jetties – very slippery when wet! I also wanted to share the closer shot of the castle itself – a very simple composition and a fetching reflection. I do hope you’ll enjoy it too. 

Thank you so much for reading and I wish you a fabulous weekend!

R.

*
III | Shifting Perspective: On & Across the Dee | 35mm – 720nm IR.

35chronicle.298 (2)

*
IV | On a Mirror: Closer to the Walls | 85mm – 720nm IR.

35chronicle.298 (1)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Threave Castle: PT.I/II | 720nm Infrared | 35Chronicle Photography

35mm, 50mm, black & white, boats, fine art, history, infrared, landscape, photography, ruins, rural, structures, waterscape

The Day of Two Cakes [PT.II]


As I make the transition from days to nights today, I find that I have a little time to share a few images, straight out of the final edit stage that I was able to grab on Friday last week; a day of glorious sunshine and the whole day with which to enjoy it! Bumble and I decided to head out to Threave Castle at Castle Douglas both as one last go at getting out before my run of shifts commenced and, as a treat for our youngest, Flynn. We called it ‘The Day of Two Cakes – Part II’. We’ve done this before with the kids – we head somewhere for a visit and a few shots then head to a nice café for lunch and cake, and in the afternoon we do it all over again. It’s a way to keep their attention I guess and gives them something less arduous to look forward to. Believe me, it works! Anyhow – Threave was our first stop and I cannot understand why I have never shot or even visited here in the twenty plus years that I have been living in South West Scotland. It’s such an obvious place to come and see and given my penchant for castles, ruins and the odd infrared landscape shot(!) – not to mention water and boats, I have to ask myself how I could have been so neglectful as to wait so long to come here? Perhaps I knew I’d rave about it after as much as I seem to be doing and, I guess it’s better to keep something wonderful in reserve rather than eat all our sweeties in one sitting? 

*
I | Reflections of Threave Castle & the Ferry | 35mm – 720nm IR

35chronicle.297 (1)

*

The tower was built by Archibald ‘the Grim’ in 1369 as a 30 metre high stronghold for the Black Douglases and for 21 years it was the seat of the very powerful Margaret Stewart, Lady of Galloway. It is accessed by boat across the River Dee, though when we visited, the crossings were not available. I guess we’re getting used to this now, however, the best views were indeed from the opposite bank and, as these frames contain a few of my favourite things, I can only hope that you will enjoy them as much as I do. The peace, the still of the water and the utterly gorgeous light. 

Not to mention – two cakes. Does life get any better than this?

R.

*
II | Threave Castle on the Dee | 50mm – 720nm IR

35chronicle.297 (2)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Ribblehead Viaduct: PT.II | 720nm Infrared | 35Chronicle Photography

black & white, fine art, infrared, landscape, nature, photography, rural, structures, summer

Look Back, Before You Leave.


When arriving here at the viaduct, it’s so easy to forget to look around at the landscape. It really is that jaw-dropping. If I was a walker (as in, a keen rambler) I would have already known the name of the flat-top hill behind us as Pen-Y-Ghent, one of the Three Peaks so popular with enthusiasts. Suffice to say, though, I love this landscape so much that I am even thinking about a trip here for a few days, after a visit to a reputable outdoor clothing shop! 

*
IV.

35chronicle.285 (1)

*
V.

35chronicle.285 (2)

*
VI.

35chronicle.285 (3)

*

Thank you all for your clicks and kind thoughts and comments and, I do hope you’ll enjoy these last few IR frames from Batty Moss! 

*
– Memento Vivere! – 
R.
*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Ribblehead Viaduct: PT.I/II | 720nm Infrared | 35Chronicle Photography

black & white, infrared, landscape, photography, ruins, rural, structures

An Ode to ‘Batty Moss’.


We ended up here by a kind of accident, really. So far off the beaten track and so far from home, you’d be excused for questioning such a statement. But I’d listed a camera outfit on a popular sales app and ended up meeting the buyer (Hi, George – if you’re reading!) down the road in Cumbria. We simply decided to make a day of it and take the RF for a bit more of a spin. A glorious, hot day, stunning views – roof down; it was as perfect a day for a run as any I can ever remember.

*
I.

35chronicle.284 (1)

*

Ribblehead, or Batty Moss Viaduct at Ribblehead in North Yorkshire is, as you might imagine, strewn with history – both good and bad. Work commenced on the foundations in 1870 and through re-design issues and financial problems, the final key-stone wasn’t placed until the end of 1874. It was opened as a single-track line in 1876 and despite many attempts to close the line as early as the 1980s, it remains open today as a result of increasing passenger numbers on the Settle to Carlisle line and, huge petitions to save it. During the construction of the viaduct, some one-hundred or so of the two-thousand (plus) workforce died either as a result of construction related injuries, fights or – smallpox. The land around the viaduct itself is now a scheduled ancient monument as the remains of the three settlements and construction camps (Batty Wife Hole, Sebastapol and Belgravia) are situated here. Its architect was the renowned John Sydney Crossley who died some three years after the line opened to the public.

*
II.

35chronicle.284 (2)

*

During our visit to the viaduct, I did my best to compose to exclude the scores of cars and smoking BBQs below many of the twenty-four arches and humming drones above them; this place is an absolute magnet when the sun’s out! As with most things in life though, patience is a virtue and occasionally I was able to get clear views of this magnificent structure. An absolute treat.

*
III.

35chronicle.284 (3)

*

I hope you’ll have enjoyed these first few frames and I wish you all a fabulous week.

*
– Memento Vivere! – 
R.
*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Eleven Arches: PT.III | 850nm Infrared | 35Chronicle Photography

black & white, fine art, landscape, photography, rural, skies, spring, structures, trees

When the Chill Thwarts Spring.


After the thoughtful, wonderful responses I received to PT.II last week, I have to say that I am a little bit unsure as to how I can even think of topping it. Holding back on frame one was never an option (I get far too excited at grabbing shots like that and have the shameless, breaking-strain of a Kit-Kat when it comes to showing just what can be achieved with alternative wavelength photography on a good day) and so, with a slight concern for posting a bit of a ‘come-down’, I nonetheless have pleasure in sharing my last chosen three from an absolutely fabulous hour shooting this awesome structure that is the Kinclair Viaduct. I am grateful that the spring here has started so cold as it has this year; the growth of the foliage has been slowed down somewhat and, were that not so, I’d have struggled to make the stonework as prominent as I was indeed able to do for fighting my way through the dense leaves and branches (thinking here mostly about this top image). As a compromise, from higher up – I’ve seen beautiful and eerie hanging gardens – even if in retrospect; (thank you, Janet!)

*
IV | Dodging Traffic | 850nm IR | 24mm – 1/125th – f8 – ISO:703.

35chronicle.275 (1)

*

Anyhooz – this is my last post from Pinmore and will be, I’m sure, my last for a good long while. As spring warms up a little now – I have plenty of other places to discover and the viaduct will be relegated like the rest of my work to date, to my archives; nonetheless, I have much to think about with regards to composition and light if I am to feel as good about what I am still to achieve if these few frames remain the benchmark I have currently set for myself. Holy moly, this is so much fun! 

And summer is on the way…

…goodie!

R.

*
V | Convergences | 850nm IR | 24mm – 1/125th – f8 – ISO:734.

35chronicle.275 (2)

*
VI | Into a Floating Paradise | 850nm IR | 24mm – 1/125th – f8 – ISO: 476.

35chronicle.275 (3)

*

[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 850nm IR Filter]


HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Eleven Arches: PT.II | 850nm Infrared | 35Chronicle Photography

black & white, fine art, full-spectrum, infrared, landscape, photography, rural, skies, structures

Kinclair Viaduct, Pinmore – Revisited.


Just about three years ago (give or take a month) I first shot the amazing, grand, utterly imposing viaduct just south of Pinmore on the Newton Stewart to Girvan road. I had to check my files from back then, some of which I posted in No.30, to recall which cameras I took with me on that shoot. Made on my old GR and X100T cameras, I came away with some very pleasing black and white images caught on a less than perfect day for contrast and I also recall that even the sky was so flat and diffused that the resulting frames rendered it featureless. But, I had travelled a very long way in order to shoot this iconic structure and vowed always, to go back. Maybe, I’d give it my IR treatment next time? Alright, so that was a rhetorical question!

*
I | Kinclair Viaduct | 850nm IR | 24mm | 1/125th – f8 – ISO:400

35chronicle.274 (1)

*

Of course I always intended to do that, so when the sun came out yesterday, Bumble and I headed off, westwards towards the A714, and north-west of Newton. In fairness, we’d been planning it for a couple of days (it’s not prudent to put any faith in the weather forecast anywhere in Scotland, more than forty-eight hours in advance; any of you who live here or have visited for more than a day, will understand exactly what I’m talking about!) When it came to the shots I’d make – I had thought to shift up from 720nm and decided that 850nm would give me a little more contrast under good light. I’d need that extra light to keep my film speed down and my shutter speeds up negating my need for the three-legged thing. As you can see from the frames here, I got very lucky with the light. One pair of frames in particular (No.I in this post and No.VI to come in the following share) did have us scrabbling upwards through tricky dense foliage in order to get the height and length I needed to grab the shot I had always imagined I would take on my first visit – a few minor abdominal wounds today remind me that the climb was well worth it and without that little extra effort, I would have come away knowing that the shot was there for the taking and I did nothing to get it – but it’s here, and the wounds will heal. Please do click the link to my original post and compare, because I truly believe that from the ground, these are the best IR shots I could possibly have made on any day such as this.

*
II | Two of Eleven | 850nm | 24mm | 1/125th – f8 – ISO:911 (!)

35chronicle.274 (2)

*
Dedications:

To my long-suffering and ever encouraging, Bumble – I thank you for getting into my scrapes for the sake of art! What else can I say? To all of you who visit and revisit my pages, click, comment and get involved – thank you all so much. The best that I can hope is that you will enjoy some of these captures – enough to come back. I utterly love what I do and take none of it for granted; and so – I keep doing it with the same passion and love that I felt when I first discovered what was even possible. To my good friend, Amar – your creations still help me make some of my most pleasing and dramatic work and in this regard, words fail me. Thank you, my friend! 

*
III | Woodburn Cottage | 850nm IR | 35mm | 1/80th – f6.3 – ISO:200

35chronicle.274 (3)

*

Until PT.II – I do hope you’ll enjoy these few frames and, I wish you all a very happy and healthy weekend ahead.

R.

[All frames: Ricoh GXR LTFS Full-Spectrum Conversion & Front Mounted 850nm IR Filter]


HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Postcards from the Recovery Position | PT.II | 35:Chronicle

35mm, black & white, infrared, photography, ruins, rural, structures

Gelston Castle [PT.I] | 720nm Infrared.


To date, no ruin has ever taken my breath away on a first encounter as much as Gelston Castle did, on this day, one month ago.  As I understand, it is not under the umbrella of any protective organisation and, stands on land now being run as holiday accommodation, in the village of Gelston, between Castle Douglas and the Palnackie to Auchencairn road. Completed around 1805, designed by Richard Crichton (a pupil of Robert Adam) Gelston Castle was built by Sir William Douglas, of Castle Douglas.  During WWII, the house was requisitioned in order to care for handicapped boys evacuated from Glasgow and, once this use had ceased, it was de-roofed, never to be inhabited again. 

*
I | Rear Elevation | 35mm | 720nm IR | X100-IR.

35chronicle.139 (2)

*

Those of you who are regular readers of my pages will know that whenever the sun is out, if I am shooting beneath it, my IR cameras are the first tools I’d reach for. On this day however, conditions were unpredictable at best. This meant that I required around two to three hours to make enough images to cover my wish-list, at least, as frequent and prolonged cloud-cover tested my patience somewhat. With that said, I could have wandered around here for many more hours than I did. A beautiful monument, some of the most fabulous, fine architecture I have seen of late and, a lovely spot for just being what it is amidst stunning countryside views. 

*
II | Front & Side Elevation | 35mm | 720nm | X100-IR.

35chronicle.139 (3)

*

Shooting these old ruins is becoming a bit of a habit of late – one I am happy to continue to immerse myself in, I must say. When I am back on my feet, I’m going to go a-hunting again!  Though I must remain patient – another ten weeks or more, I can’t wait.

*
III | Rear Elevation Between Tall Trees | 35mm | 720nm IR | X100-IR.

35chronicle.139 (1)

Postcards from the Recovery Position [PT.I]
*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*