A LITTLE MORE TIME: PT.II | 35CHRONICLE PHOTOGRAPHY

black & white, fine art, history, infrared, photography, rural, skies, structures, trees

Still Un-Still… | 720nm Infrared – Long-Exposures


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III: Un-Still [II] | 30″ – f22.0 – ISO:100 – 27mm | 720nm IR

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IV: Un-Still [III] | 30″ – f22.0 – ISO:100 – 27mm | 720nm IR

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A Little More Time: PT.I | 35Chronicle Photography

black & white, infrared, photography, rural, skies, structures, trees

“Until the Day Break.”


At just about the start of spring, or – the close of winter (depends, I suppose, as to whether you’re a glass half-full or half-empty kind of person, maybe?) Bumble and I found ourselves heading out towards the coast again, an impromptu, spur-of-the-moment hop in the jalopy to get out for a while. Some sunshine, sea air and, hopefully – a few shots. I’d packed my ‘minimum’ bag – basically, it consists of two of my GXRs with A16s (a standard and, a full-spectrum unit) and EVFs attached, one R72 and an ND1000 – a couple of spare batteries; that’s it. It weighs next to nothing and covers a huge amount of photographic ground, given the way I shoot. As we headed towards Rockliffe from Dalbeattie, dodging pot-holes on a full stomach after a spot of lunch in Kippford, the skies were clearing to reveal some gorgeous blue above, and, a few short-lived clouds, enough to keep them interesting should we stop for a couple of frames, for sure. As we approached the turn-off for Rockliffe, I spotted the clouds right over the small parish church on the corner and thought it might be nice to stop and set up for a few grabs. 

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I: “Until the Day Break.” | 15″ – f22.0 – ISO:100 – 28mm [GXR A16 LTFS + R72 & ND1000]

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This tiny, beautifully situated and, just as beautifully kept little church kept me amused for almost an hour; not least because even though, visually, the weather was gorgeous, the wind was blowing so much that it actually had my camera toppled over on its tripod twice. Had I not been paying attention during the longer exposures I was making at the time, I’d never have caught it in time to prevent almost certain damage. Still, whilst I had to let go of those particular frames, I am very happy to have come away with some very pleasing captures, almost ghostly after the non-relenting wind and, more pleasurable for me to look at, because of it.

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II:  Un-Still | 30″ – f22.0 – ISO:100 – 24mm [Kit: As Frame: I.]

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There’s an atmosphere here that, when viewing through alternative, non-visible light, is so eerie that I wonder if next time, I’ll visit with an extra ND in my bag! I hope very much that you’ll enjoy these few captures here, and in my next post. Thank you, as always, for reading and I wish you a fabulous weekend.

VB.
… R …
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2021: A Photographic Review | 35Chronicle Photography

28mm, 35mm, 50mm, autumn / fall, black & white, candid, cityscapes, close-up, fine art, full-spectrum, history, Indoor, infrared, landscape, Long Exposure, nature, people, personal, photography, portraits, review, ruins, rural, skies, spring, structures, summer, trees, urban, waterscape

Doesn’t it Come Around Quickly?


It is hard to believe that it’s this time of year again, the year almost over, the shortest day has passed and, I’m sitting here at my laptop – pondering over my favourite frames from 2021; a year of lockdowns, socially-distanced days out, home-schooling, trip disappointments and yet gratitude in abundance. A new grandchild has graced us, three weddings are in the offing (Bumble & I included!), health is good and I have been busier than ever. This may explain why my posts this year have been a little more frugal than previous years but, I have so enjoyed every opportunity that I have had to get out and make frames. I’ve learned quite a bit too and, changed a few aspects of my shooting and editing routines which, have pleased me greatly, too. In the coming year I hope to move slightly away from IR shooting – or rather, I want to engage further with more visible-light photography and, to also forge my creative aspirations a little more. How that’s going to work out, I have no ide as yet, but we’ll see how it pans out. My reasoning is simple, I am a staunch enemy of stagnation and whilst infrared light is a huge passion, I’ve been allowing myself to indulge so much that I have been experiencing rather more complacency than I would like. It’s again time for a little shift. Does that mean I am disappointed with my work this year? Not exactly. But there’s more – and I need to dig inside for it. I thought I’d be a natural after all these years, but therein lies the message; one can never stop trying to be better. And I need to shoot more.

As I say at the end of every year (because it’s true) – I am so grateful to each and every one of you for reading and visiting my pages. For all of your clicks and comments, your shares, follows, and other contributions you have made to my pages (hard to believe that it’s been almost four years already!) – I am ridiculously grateful because, without you, there’d be no point and my pages would be little more than an online diary. I am also inspired by so many of you, not that I always get or am able to find the time to let you know in person (that seems to be very selfish on my part and I must and will try harder) and often wonder at the amazing amount of talent that exists, often to share for the simple joy of sharing. I am sure that’s why we all do it and I hope that we can all continue to do so, around the many mayhems of life. So, for one last post of ’21, I would like to share my favourite frames of the year, one shot from each month – in the hope that you too will enjoy this little revisit. 

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January 2021 | Flynn: By {Kindle) Fire Light!

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February 2021 | Infrared Rainbow: Sandyhills Beach.

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March 2021 | Metal Bridge on Disused Portpatrick to Dumfries Line, at Parton [720nm Infrared]

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April 2021 | The Caul on the River Nith, Dumfries [720nm Infrared]

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May 2021 | Pinmore Viaduct [720nm Infrared]

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June 2021 | Boomer: Paper, String or Tin-Foil Will Do Just Fine!

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July 2021 | A London Skyline from the Thames [LTFS Full-Spectrum]

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August 2021 | Southerness Lighthouse [720nm Infrared]

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September 2021 | Turret: Penrhyn Castle, N.Wales [720nm Infrared]

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October 2021 | Dunskey Castle, Nr. Portpatrick [720nm Infrared, Long Expo.]

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November 2021 | Abbotsford House, Melrose [720nm Infrared]

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December 2021 | The Fountain, Princes Street Gardens & Edinburgh Castle [720nm Infrared]

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To my family, I am utterly blessed – what more can I say? It’s been a manic yet a wonderful year with a lot of plans either fulfilled or yet to become and, through it all (stop singing, Bumble – I know what you’re doing!) each and every one of you have indulged me as I truly hope I’ve reciprocated. When the world is in the mess it is right now, you are all the one reason I keep to feel the happiness that I do. 

To all of you who read and contribute to my pages (and hopefully enjoy some of my work, too?) – I hope that you have all had a wonderful holiday and, I wish you all the very best for 2022. Thank you so much for sharing and being a part of what I do. 

Warmest wishes to you all…

R.

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An Old Sentinel: PT.II | 720nm Infrared & VIS | 35Chronicle Photography

35mm, 50mm, black & white, fine art, history, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Dunskey Castle: A Little More Time.


In December of 2019, I saw for the first time and photographed – the gorgeous ruins of Dunskey Castle near Portpatrick. The original post can be found here: Post No.170. Of course, when the weather is good for IR shoots, as it was in my original post, I’ll always reach for my infrared equipped cameras first but even when the light drops, as it did here right before sunset, if the subject is good and the conditions are favourable, IR isn’t always necessary in order for me to come away with a sense of achievement or pleasure from capturing the realisation of an image in my head before I even got there. Here, I wanted to concentrate on getting some longer exposures of the castle ruins at different focal-lengths and combine my use of infrared and visible light. So, as Bumble unpacked the chairs and the late evening picnic she’d lovingly prepared earlier, I set up my equipment and polished off my Big Stopper ND. I hope that I have done this wonderful place a little more justice than I managed on my first visit; and if I haven’t – I still have the beautiful memories of a cliff-top picnic at sunset, on the edge of the world with my bestie! Worth it!

Time passes like clouds, over us all – even the stone won’t survive forever and, I feel a poignant sense of relief in that sometimes, we can get to slow time down to a stop – and watch it in replay again and again, in a still.

R.

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I | 35mm. 30″. f21.0. ISO:200 – 720nm IR.

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II | 24mm. 60″. f22.0. ISO:100 – VIS.

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III | 50mm. 30″. f22.0. ISO:200 – 720nm IR.

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Mono-Archives: PT.VII | 35Chronicle Photography

black & white, fine art, infrared, Long Exposure, nature, photography, ruins, rural, skies, structures

The Way They Move…


Gelston Castle: Long Exposure 720nm IR | 60″ – f22 – ISO:100

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The Lighthouse at Southerness: Long Exposure 720nm IR | 30″ – f22 – ISO:100

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Loch Ettrick | 720nm IR [Long Expo’] – PT.I | 35Chronicle

black & white, boats, infrared, landscape, Long Exposure, nature, photography, rural, skies, summer, trees, waterscape

“Today, the Weather Will Consist Mainly of Horse-Flies, Cloud, Kayaking Intruders & Occasional, Infrequent Outbreaks of Sunshine”. (That’ll Do!)


I’m really struggling to find time enough to sit and write, lately. You may or may not have noticed and perhaps, it’s a nice change for readers to not have to feel guilty for all the ‘scanning’ we have to do when we do our best to keep up with all of the posts we follow and digest, in a meaningful way. A way that does justice to the incredible quality of works that are so regularly posted. Well, today, I have to write. I’m sorry. But I am starting to feel that distancing of connection with what I love to do so much and that which often lends context, most acutely comes down to words. Sometimes a frame by itself cannot be its own justification. This one almost achieves that, for me – but only because I was there shooting it. Still, my sub-header pretty much covers it. What it doesn’t portray, however, are the little yet frequent internal struggles I am having to do something a little different with my cameras. Ideas that have been explored and exploited for as long as any of us can remember are thus, still a little new to me and, as confident as I am at many genres of photography, long exposures still make me scratch my head as to how best to go about it. In this case, as with the previous recent frames that I have posted, I am winging it. Timing as best I can to achieve good exposure and some decent movement within the frame where it can move the eye and the mind. But slow-moving clouds are still just that, even over the course of a minute with the shutter open and so, we come to the water to hopefully save the day. The water came through in fine style. 

For years I have marvelled at the talents of photographers who have taken long-exposure photography to ever new heights and, whilst in no way could I hope to emulate some of the most incredible work that I have had the good fortune to view, I hope at the very least to be able to grasp the concept with the little knowledge that I do have and, put it to the test in making some frames of my own. Here, at the Loch-side, I was granted a gift, when eight year-old Flynn, on his first outing in a Kayak since he was four years old, drifted slowly into my frame. I made no attempt to ward him away (he was having so much fun, bless ‘im!) and, as I view the shot, I am bloody glad that I didn’t and, that he did. If only the shutter had remained open for another few seconds though? Nonetheless, happy accidents win the day and I have a frame to be delighted with. 


Loch Ettrick [I] | 720nm IR w/Hoya R72 & 10-Stop ND | Ricoh GXR A16 LTFS Conversion | 24mm – 60” – f22 – ISO:100.

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Although I am all too aware that conditions on this day weren’t perfect for this kind of exploration, I intend to keep going and will take my camera with me whenever and wherever I can in the hope that I will discover for myself, what to look out for and how to play with it. In the meantime, the cleg bites on my shoulders are reducing nicely and I can smile at great memories. I hope you’ll enjoy this one and, that you’ll have a great week ahead. 

R.


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GELSTON CASTLE – PT.IV | 35CHRONICLE

28mm, black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.V | 720nm Infrared – Long Exposure Series.


All About the Angles | 720nm IR w/Hoya R72 & 10-Stop ND | Ricoh GXR LTFS Conversion | 28mm – 60” – f22 – ISO:100.

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R.
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Orchardton Tower – PT.II | 35Chronicle

black & white, infrared, landscape, Long Exposure, photography, ruins, rural, skies, structures

Revisiting Old Haunts – PT.IV | 720nm Infrared – Long Exposure Series.


Cloudburst at Orchardton Tower, Palnackie | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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[PT.I: Here | Post: 135]

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If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
Feel free to join me on Instagram (click below) and, thank you for visiting.
@35chroniclephotography
R.
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The Lighthouse at Southerness – PT.II | 35Chronicle

black & white, fine art, infrared, landscape, Long Exposure, photography, rural, skies, structures, summer

Revisiting Old Haunts – PT.II | 720nm Infrared – Long Exposure Series.


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Southerness Lighthouse | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f22.0 – ISO:100.

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Gelston Castle – PT.III | 35Chronicle

black & white, infrared, Long Exposure, photography, ruins, rural, skies, structures, summer

Revisiting Old Haunts – PT.I | 720nm Infrared – Long Exposure Series.


The spring of last year was a tremendously difficult time for me and, for those closest to me I think it must have been even harder. After a crazy-serious accident at work that rendered me flat on my back for almost twelve weeks due to multiple spinal and rib fractures, I absolutely needed to get out with my cameras again. For almost nine months afterwards and in so many ways, my entire being was in recovery-mode and eventually, even on crutches, I was able to make short trips out for the specific purpose of bagging even a few more frames – of all the things that made me feel whole and normal again, this was it. Barmy, don’t you think? Not long before that, though (and I think that this was a presiding reason for my increasing restlessness) – I had the amazingly good fortune to visit some truly beautiful places and one one of them was here, at the utterly stunning ruin of Gelston Castle, just a few miles from Castle Douglas. (My first post on Gelston is here, if you’d like to check it out). Oddly, for me, a second summer on-the-bounce has seen me confined (like almost everyone else lately) to quarters. My shutter finger gets very itchy when I know that I don’t have the freedom to exercise it and so, you can possibly imagine my joy when, just yesterday, Bumble and I visited Gelston again. This time, I wanted to do things a little differently and so, rather than just walk around for a half hour bagging IR shots that I probably have already snagged, the Big-Stopper came out of the bag and for once, I stopped being a lazy-arse, and brought the tripod along – probably for the first time in a lot of years. Here then, is one of yesterday’s frames from Gelston Castle – from the rear entrance to the ruin (that I would never have been able to get last year anyway, due to the sun being on the opposite side of the building once we’d arrived) and, whilst I would love to post a couple more right here, sadly, I’m still catching up on edits; soon, though.  

I do hope that you’ll enjoy this first frame, from what is for me a little bit of a different approach, though to many, not new at all, I am sure. Nonetheless, I hope it measures up. 

For now – thank you as always for visiting and, if this is your caper, I hope you’ll watch this space.

R.

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Gelston Castle Ruins – Rear Elevation | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f18.0 – ISO:100.

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R.
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