Hexham Abbey | PT.II | 35Chronicle

35mm, black & white, Indoor, photography, structures

A Little More Light-Play | Pushing the Ricoh GR


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IV | Ricoh GR 1/10th [H/H] – f3.5 – ISO:3200 – 35mm Internal Crop

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This little camera never, ever fails to astound me. After all I wrote about it [here] there was still one aspect of it that I never properly tried out. As a rule, I have seldom, if ever – shot at equivalent film-speeds of faster than ISO: 1600; not on any camera and certainly not seriously (save for occasionally with the incredible Nikon offering, the Df, which is  a whole different beast altogether). However, when the light drops and one finds oneself tripodless (say, through poor preparation, perhaps) the only way to get the shot, sometimes, is to bump up the ISO and, without anywhere suitable to rest my GR during the making of these frames, handheld was the only way to go. 1600 wasn’t cutting it as, even with reasonably steady hands and good stance, most of the frames were just coming out a little too soft due to that smidgen of camera movement.  Therefore, 3200 was the only way to get them. Without realising it, I was on a test mission after which I would find myself thoroughly delighted. My initial thoughts were simply that it’d be better to get the shots than not. 

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V | Ricoh GR 1/10th [H/H] – f2.8 – ISO:3200 – 35mm Internal Crop

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I’ve always enjoyed the grain that appears in the GR’s images, especially at around 800-1600; it’s light, almost organic in appearance and lends a feel to a composition that instead of destroying it or breaking it up, actually appears to add more warmth and cohesion instead. To me, it harks back to when I used to enjoy shooting Ilford HP5 on an old ME Super, all those years ago – and to be honest, on most occasions, grain is such an integral part of the frame that I rarely even see it; and that’s exactly what happened here when I started editing these shots. I couldn’t even see it. You’d be forgiven for thinking that these have all undergone a major repertoire during processing but in truth, I really don’t enjoy spending too long in LR and so, these are very lightly processed and NR hasn’t even been touched. Exposures are a breeze and accurate with the GR and after having shot with it for so many years, I’m fortunate to be able to feel like it’s really an extension of my hand and, it has seldom let me down. Whilst for some types of composition, clean, pristine is more desirable – it’s not always what I’m looking for and I am moving quickly away from the ‘keeping it sharp and clean’ school of thought. Insosaying, if the light is good, I’ll be happy come what may. I think that no longer being pointlessly critical is going to open up a whole new wave of ideas that I am already very keen to exploit. It doesn’t just do it in black and white, either; colour frames come up pretty nice too!

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As always, thank you so much for reading my pages and I do hope you’ll enjoy these few captures of Hexham’s gorgeous abbey. [PT.I can be viewed here].

-R-

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VI | Ricoh GR 1/45th [H/H] – f2.8 – ISO:3200 – 35mm Internal Crop

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Hexham Abbey | PT.I | 35Chronicle

black & white, colour, photography, structures

Light-Play | Outside vs Inside…


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I | Ricoh GR 1/60th – f5.0 – ISO:400

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II | Ricoh GR 1/15th [H/H] – f2.8 – ISO:3200

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III | Ricoh GR 1/15th [H/H] – f2.8 – ISO:3200

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(…no comparison!)

Happy New Year, all!

– R –


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Edinburgh Nightscapes | PT.I – Final Postcards from the Recovery Position | 35Chronicle

black & white, full-spectrum, night / low-light, personal, photography

Multiple Exposures, Perhaps?


In a way, I suppose that blogging is as much about diarising as it is about simply sharing what we do, think, or feel, sharing who we actually are – adding little pieces of ourselves to a community that in some way might appreciate it, and give back too. For me, it’s about all things – including the sometimes more personal side of my own life. Though I am not one to purposefully overshare (believing instead in the sacred and private aspects of life) I would like to share these few words, inspired by someone very, very special who has been here for me tirelessly and in every conceivable way – throughout my recovery from multiple spinal (and other less serious) fractures and injuries, back in April. It’s been a winding road thus far – and the fact that I can share these words and images with you all, is a testament to many, many people, and yet most of all, one.  It’s about as real as it gets but I don’t often share like this, so you’ll please forgive me for opening up this way. Photography for me, is so important – probably my biggest ‘thing’. But it’s not – everything.

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‘Tis the Eve’.

‘Tis the eve’ of my return to work,
Though much to do, no blogging I’ll shirk.
With broken bones, through healing too,
Small takes on a life, I’ve shared with you.

As I look now to brighter times,
Routines return, lay-ins subside;
And, before my mindset changes tack,
Special memories are skipping back.

Many of them circle my mind,
But, the fondest here, I think you’ll find,
A recent jaunt, a cold birthday weekend,
In celebration of my love and, my friend.

For these frames you see were only made
Of patience, love and a care that stayed,
That helped me heal in body and mind,
And to keep me giving, of the very same kind.

– R –

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I | Over Princes Street Christmas Market & Waverley Station from Edinburgh Castle. The Light-Beam, Shining from the Castle to Nelson’s Column on Calton Hill. | 0.5″ – f7.6 – ISO:400 – Ricoh GXR A16 LTFS Conversion [Unfiltered].

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II | Waiting to Cross – Edinburgh | 1/25th” [Handheld] – f4.8 – ISO:3200 [No NR] – Ricoh GXR A16 LTFS Conversion [Unfiltered].

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III | Moonrise from Edinburgh Castle, with Light-Beam to Nelson’s Column. | 0.5″ – f8 – ISO:1600 – Ricoh GXR A16 LTFS Conversion [Unfiltered].

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Now, we can move on.
X


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The Kelpies – After Sunset | 35:Chronicle

black & white, night / low-light, photography, structures, waterscape

Horses in the Sky.


It’s simply not possible to visit these mind-blowing structures by day and to not return after sunset to see them in their dazzling, alternative guise. After the child-like exuberance I enjoyed while photographing them with my two IR cameras earlier in the afternoon, I suffered yet more of it with the anticipation of returning after  sundown, to shoot them again, this time lit up from their insides against a darkening, moody evening sky. A few expletives leap to mind when I remember just what I thought to myself as the Kelpies began to shine – and only seemed to intensify.

Oddly, I did not take a tripod with me, trusting instead that my Df would handle the low-light pretty well (especially as I was only ever intending to capture them for black and white) therefore, all of these frames were snagged hand-held, 28mm at ISO:6400. I’ve included a colour frame original from shot one, at the end. I really do hope you’ll enjoy them!

[Thanks, Alena, for the sub-heading – by far the funniest comment I’ve received in a long while, I can tell you!]

R.

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III.

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IV.

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For Angela.

My first break away since the big breaks! Without you, these shots wouldn’t have even happened. For your patience and, my motivation – thank you!

X.

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INTERNAL AFFAIRS | PT.IV | 35:CHRONICLE

35mm, 50mm, black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.II


IV | Grandeur.  [X100T: 35mm – 1/12th – f2.8 – ISO:1600 – +0.7 – Matrix]

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V | Light. [GXR A16 (Full-Spectrum): 85mm – 1/125th – f5.5 – ISO:1600 – Matrix]

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VI | Blue II. [X100T: 35mm – 1/9th – f2.8 – ISO:1600 – +0.7 – Matrix]

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VII | Lantern. [GXR A16 (Full-Spectrum): 50mm – 1/30th – f4 – ISO:1600 – Matrix]

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(St. Giles’ – PT.I)
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Internal Affairs | PT.III | 35:Chronicle

35mm, black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.I


We’re all running short of time at this end of the year, so, let me say this off the bat in case you don’t have time yet to read to the end of the post – to all of you who read and follow my pages, I would like to wish you all a very happy Christmas and,  I extent my warmest thanks for your support, your comments and, your valuable time ever since I started my little blog, back in March. It’s been a superb journey thus far and, I hope to get at least one more post in before Hogmanay!

On Friday of last week, I had occasion to visit Edinburgh. As it’s that time of year again, I do like to get to Princes Street and do the whole Christmas Market thing, kind of a tradition and as I didn’t get to visit last year, I was very keen to get there before this Christmas kicked off, proper. Now, I resisted the temptation to shoot all things Christmassy so please do forgive me for the lack of tinsel, Santa-hats, seasonal pullovers, mistletoe and the like. Instead, I again only wanted to capture the feel of the place at this time of year. With that said, the images I have chosen for this post may feel a little off-piste or, at the very least, somewhat off-topic. The thing is, I’m not religious nor do I have any great love of this time of year, however, I do enjoy its essence, and – different things mean different things to different people. So, instead of capturing the shiny and commercial side of the season, per se, I decided instead to simply wander and shoot. 

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I | Blue. [X100T: 35mm – 1/13th – f2.8 – ISO:1600 – +0.7 – Matrix]

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Sadly however, the weather was bloody atrocious, nothing but dull light, blanket grey skies and drizzle for most of it, which, made things a little tricky, as is oft’ the case under such conditions when you’re wielding a camera. I decided then, that West Parliament Square would be a great place to grab some serious frames – at the Cathedral of St. Giles. In my bag I carried two cameras – my X100T and, my Richoh (True Full-Spectrum converted) GXR – see my Light Waves page for more info on TFS if you’re not au-fait with it). The Fuji handled outdoors just fine but, being a habitual ISO:1600 maximum shooter, it was sluggish here. I did grab a good number of frames with it inside St. Giles’ and in fact, two of them are right here – but when I really struggled, the GXR’s completely unhindered sensor came into its own. Especially when the light became really difficult. Of course – shooting in mixed light with a full-spectrum camera makes things extremely tricky when it comes to colour reproduction but it’s forte is really black and white output anyway – so, I was in my element. Shutter speeds were almost twice as fast as the standard Fuji when my ISO and Av were the same. A nice little bonus when shooting hand-held indoors and, it certainly helped me in keeping a few frames a little less shaky, shall we say? 

As an aside, the X100T frames have a rather HDR look about them, which I am surprised at. After extremely minimal processing from RAW (RAF converted to DNG) and not even two minutes consideration I am, though I do not enjoy HDR images, very pleased with the results here – and the subject matter does seem to pop, rather nicely.  

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II | Ornation. [GXR (TFS): 24mm – 1/25th – f4.0 – ISO:1600 – -0.3 – Matrix]

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III | Yes, I Probably Looked a Right Berk Laying on my Back on the Cathedral Floor for this One – but, I Don’t Care! [X100T: 35mm – 1/13th – f2.8 – ISO:1600 – +0.7 – Matrix]

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I hope you will enjoy these few frames, that you have a splendid Christmas, however you’re celebrating and, I hope to be here again with you before the New Year! 

Have a fabulous time, all! 

R.


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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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