Gelston Castle – PT.III | 35Chronicle

black & white, infrared, Long Exposure, photography, ruins, rural, skies, structures, summer

Revisiting Old Haunts | 720nm Infrared, Long Exposure Series.


The spring of last year was a tremendously difficult time for me and, for those closest to me I think it must have been even harder. After a crazy-serious accident at work that rendered me flat on my back for almost twelve weeks due to multiple spinal and rib fractures, I absolutely needed to get out with my cameras again. For almost nine months afterwards and in so many ways, my entire being was in recovery-mode and eventually, even on crutches, I was able to make short trips out for the specific purpose of bagging even a few more frames – of all the things that made me feel whole and normal again, this was it. Barmy, don’t you think? Not long before that, though (and I think that this was a presiding reason for my increasing restlessness) – I had the amazingly good fortune to visit some truly beautiful places and one one of them was here, at the utterly stunning ruin of Gelston Castle, just a few miles from Castle Douglas. (My first post on Gelston is here, if you’d like to check it out). Oddly, for me, a second summer on-the-bounce has seen me confined (like almost everyone else lately) to quarters. My shutter finger gets very itchy when I know that I don’t have the freedom to exercise it and so, you can possibly imagine my joy when, just yesterday, Bumble and I visited Gelston again. This time, I wanted to do things a little differently and so, rather than just walk around for a half hour bagging IR shots that I probably have already snagged, the Big-Stopper came out of the bag and for once, I stopped being a lazy-arse, and brought the tripod along – probably for the first time in a lot of years. Here then, is one of yesterday’s frames from Gelston Castle – from the rear entrance to the ruin (that I would never have been able to get last year anyway, due to the sun being on the opposite side of the building once we’d arrived) and, whilst I would love to post a couple more right here, sadly, I’m still catching up on edits; soon, though.  

I do hope that you’ll enjoy this first frame, from what is for me a little bit of a different approach, though to many, not new at all, I am sure. Nonetheless, I hope it measures up. 

For now – thank you as always for visiting and, if this is your caper, I hope you’ll watch this space.

R.

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Gelston Castle Ruins – Rear Elevation | 720nm IR w/ Hoya R72 & 10Stop ND | Ricoh GXR LTFS Conversion | 24mm – 60secs – f18.0 – ISO:100.

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@35chroniclephotography
R.
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The Mono-Archives | PT.IV | 35Chronicle

black & white, photography, skies

To Air & Water.


We curse them for stealing the light, we use them in euphemisms for gloom, we extend them little patience and, we wish them away almost as soon as they appear; yet, on days like this, all I can ever hope for is that they stay a while, let them carry on changing their shapes and their shades. Let the lights and the darks morph continually, gently or violently – side by side and make me a picture; or perhaps two. What on earth (or, just above it) is there not to appreciate? In days gone by I have, as some of you have read and commented upon, referred occasionally to the presence of them in many frames that I might have considered far better without them. We live and we learn. Sometimes too, there is little need for any other elements.

Just the air and the water will do just fine. 

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I.

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II.

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[Both frames: GXR A12 M-Mount w/Leitz 90/4 MF]

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Thank you for visiting.
R. 

Is That a Fly in Your Vino, Dear? | 35Chronicle

black & white, candid, close-up, people, personal, photography, spring

Any Excuse…


My catalogue of shots is ever increasing lately and to be perfectly honest, it’s a little bit of a struggle keeping up with editing. Add to that the amount of time that I simply do not want to spend indoors when the weather is as glorious as it has been over the last couple of days and – you’ll have some idea as to how tricky it is to keep up; especially if you’re a photographer yourself. Sometimes, it feels as though it’s a never-ending wheel. Then the sun sets a little and, the wheel slows down a bit. Take today, for instance. 

For the most part, since finishing my last run of shifts I have been itching to get up to my office and work on the shots I snagged at Ellen’s 100th. Then – I remembered that the little ‘un wanted to go out on his scooter this morning and of course, there’s home-school to fit in too. Furthermore, I wanted to spend a little time in the garden (can you hear me retrospectively searching for any old excuse, already?) and have a tidy up; or perhaps I’d just crack open a bottle of beer and get a little more colour on the ol’ napper instead. Anything, anything to remain outside. I mean, unless one has a sun allergy, who (who doesn’t have to remain indoors) would want to be inside on a day like this? So, as Bumble took her wine and her book into the garden, I ran upstairs to grab a camera. Maybe I’d grab a few frames around the garden, seeing as how it’s looking lock-down lovely lately (as I am sure many more are, during the current situation!)

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I | I’m Sure There’s a Fly in This?!

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As time goes by, I am finding that my shooting arsenal is growing – I am pretty sure that whatever I could possibly want to photograph, I have the gear for it. But what did I reach for? My old GXR A16 full-spectrum conversion, that’s what. I mention it often, I know (sorry ’bout that!) but mostly in relation to Luminous Tone Full-Spectrum or infrared frames that I have grabbed with it. Not today though. You see, in it’s native form, with its own IR-blocking filter in place, it’s normal to whack a UV at the front of the glass too. It’s the norm nowadays isn’t it? However – with a unit that has had that blocking filter removed (and nothing has replaced it, of course) if you want to shoot normal / visible light only, one has to use a UVIR Cut filter on the front of the lens and, this is where the fun starts. Because the UVIR Cut filter blocks out UV and IR so well (I use a Tiffen filter, if it matters) for some reason, it seems far better at blocking out those undesired wavelengths than stock internal filters and thus, lends itself to far more sharpness and contrast than the standard lens unit with the same shooting settings. As a predominantly black and white photographer, this is a real bonus. This particular camera has to be the punchiest black and white camera I have ever shot with. Anyway, I brought it outside for a little playtime.

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II | I Know it’s in Here Somewhere!

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Obviously, when I came down again to join Bumble in the garden, there were other shots to be caught. I didn’t get any frames outside of the courtyard, but I did snag these – and clearly, I just couldn’t resist sharing them. I sincerely hope that you have all been enjoying great weather, perfect health and – plenty of happiness. It’s important to have a little fun! I hope you’ll enjoy these few captures which clearly do conclude happily… 

-R-

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III | Sorted! [The Face of a Part-Consumed Fresh Glass…]

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Thank you for visiting.
R. 

 

New Lanark | PT.IV – The Ties That Bind | 35Chronicle

black & white, full-spectrum, Indoor, photography

Only Our Methods Have Changed.


This is to be the final part in my New Lanark photo-series – from this beautifully preserved cotton mill, once alive with workers and currently, one of the six UNESCO World Heritage Sites in Scotland. As I alluded to in PT.II – I decided to shoot around the entire site with my Ricoh GXR A16 LTFS conversion which, on gloomy days such as these lets in a lot more light and conserves detail in appreciably more dynamic range than a standard set-up. The only true trade-off (far moreso outdoors) is a little contrast (mostly due to available infrared light pollution) but in post, this is never actually a problem.

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As I wandered around New Lanark, taking in the old, cobbled walkways, living-quarter museums, restored façades and the breathtaking, surrounding scenery, it occurred to me that even though so many years have passed since the days of industry here at the mill, we really don’t do anything all that differently to the ways in which they were always done. Everything is linked in just the same ways – only the tools or the methods have changed. From wall-ties, to marriage ties, the daily bread we break together, the comforts and necessities of home and, even the bell that calls us from slumber and to our workplaces. No, not much has changed, at all.

I am reminded here of a line which Douglas Adams once wrote (in reference to L.P Hartley’s opening of ‘The Go-Between’): “The past, they say, is now truly like a foreign country. They do things exactly the same, there”. 

-R-

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XI | Comforts of Home | GXR A16 LTFS 1/75th – f4.2 – ISO:1600 – 35mm.

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XII | Ties – Two Different Kinds | GXR A16 LTFS 1/290th – f5.5 – ISO:200 – 85mm.

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XIII | Necessities of Home | GXR A16 LTFS 1/125th – f4.0 – ISO:1600 – 24mm.

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XIV | Alarm Bells | GXR A16 LTFS 1/200th – f8.0 – ISO:200 – 85mm.

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New Lanark | PT.III – On the Rooftop | 35Chronicle

black & white, full-spectrum, photography, rural

Robert! Enjoy Scenes!


Alright , so this post is a really just for a little fun and probably a little bit of an artistic (or perhaps, lazy) cop-out on my part – a few more shots from an overcast day’s visit to New Lanark late last year (see PT.I for a little more information on this UNESCO World Heritage Site) – this time, from the award-winning roof garden and focusing on the centrepiece – the water-feature. In the woodwork surrounding it is carved this: 

“The ever-changing scenes of nature afford not only the most economical, but also the most innocent pleasures which man can enjoy”. (Robert Owen  A New View of Society:  Third Essay, 1813.)

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VII | Robert | GXR A16 LTFS 1/640th – f7.6 – ISO:200 – 28mm

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As the weather and poor light were slowing down my Tv on my standard camera, I decide to keep shooting with my full-spectrum set-up, without any external filtering and took a walk around the fountain. I was then able to keep my ISO down and , as the clouds thinned a little, snag a little IR pollution too. In order to emphasise feelings of my own relevance of being in this beautiful place, I decided to select and capture just three words. I think that they sum it up, perfectly. 

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XIII | Enjoy | GXR A16 LTFS 1/570th – f4.2 – ISO:200 – 35mm

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XIX | Scenes | GXR A16 LTFS 1/310th – f4.2 – ISO:200 – 35mm

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Ironically and unbeknown to me, whilst I was wandering round and grabbing a few frames, Angela was grabbing her own on her iPhone! So, shot four – can’t possibly be mine, but I love it and it stays! I won’t divulge her exact title for it, but it involves a frog (possibly even, a toad?!) and a prince; I can say no more! 

– R –

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X | A Frog & a Prince (I’ll Let You Work it Out!) | iPhone 7+ | ©ACB

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Closer Still(s) | PT.XXV | Wilt in Nowhere | 35Chronicle

35mm, black & white, close-up, colour, fine art, macro, nature, photography, still life

Oh, I’ve Missed this Caper!


We all have our favourite genres when it comes to photography; me – I love IR and alternative wavelengths, people, waterscapes and boats and of course, if you’ve been reading me for a while, close-up & macro photography. As I was sitting at dinner with my family this evening it occurred to me that it’s been simply ages since I set-up to shoot any close subjects and, this was all because of one wilting Gerbera Daisy in a vase on the opposite side of the kitchen. 

As a predominantly black and white shooter, I was shall we say, uncharacteristically jolted into thought by its colour and the way in which it had drooped forward away from the rest of the bunch as if reminding me that I’ve lost touch with the finer details; and so, after clearing up, I excitedly pulled all the gear I needed, downstairs, and set up in the kitchen to photograph this forlorn but  beautiful little flower, perhaps not too many days away from being destined for the bin but not yet completely void of its former form; certainly worth a few shutters.

(Sorry for nicking the title from Tom Sharpe – it just, fitted.) I hope you will enjoy these few eagerly processed frames. This is about as hot off the press as it gets… 

– R –

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I | Ricoh GXR A12 33mm [50mm Equiv] Macro | 1/12th – f8.0 – ISO:100.

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II | Ricoh GR w/Hoya +10 Close-Up | 1/12th – f8.0 – ISO:100 | 35mm Internal Crop.

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III | Ricoh GR w/Hoya +10 Close-Up | 1/30th – f8.0 – ISO:100 | 35mm Internal Crop.

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2019 Photographic Review | 35Chronicle Photography

black & white, boats, close-up, colour, Indoor, infrared, landscape, macro, nature, night / low-light, people, photography, portraits, review, ruins, rural, skies, still life, structures, summer, trees, waterscape

As the Days Begin to Lengthen.


This time last year I was preparing my first ever photo-review here at 35Chronicle and, at the time, I could never have professed to have known just what a year 2019 was going to be for me. In every sense of the word it’s been an amazing year, and – a traumatically difficult one for the large part. Suffice to say that if you are a regular reader of my pages, you’ll know a little of what I’ve been up to and, subjected to and – you might also realise that as well as those closest to me who have kept me going throughout the year since spring, my love of all things photographic have been my main non-pulsatile impetus to get back out there and, get better. Better in health, at life, at shooting – just, better; in any way I can.

Despite some difficulties in getting back out there (you try shooting whilst holding on to your crutches while your camera bag is threatening to slide forward under the weight of the gear – with the express intent of taking one of your legs from underneath you!) I have enjoyed many excursions this year. Insosaying, I have done my best to represent each month of 2019 (by date of publishing) with what I feel is the one shot that truly made the cut. My cut. I hope I have done enough.

Of course, the whole reason I am writing any of this is because, well – you are reading it. As such, I need to say a massive thank you to a huge amount of people who have been with me this year and without whom, my 2019 would have turned out rather different and probably not as good. Therefore, to loved ones, to friends, to everyone here on WP, and to everyone who has been of support to me throughout the year, I thank you, from the bottom of my heart. You all know who you are and I forget not one of you.

Please do enjoy this selection of just some of my favourite frames of this year and I hope you’ll join me again in 2020. It’ll be great to see you again. (To H – thank you and please forgive me for my shameless and blatant use of your sign-off. It fits perfectly, expresses my intent to a tee and I truly can’t think of or find a better way to say it. I promise to only use it this once!)

See you on the flip-side, folks!

In Metta.

– Rob –


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January 2019 | Moss after Rain.

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February 2019 | The Wellspring – Kirkcudbright | 720nm IR.

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March 2019 | Thirlstane Arch – Powillimont, Southerness | 720nm IR.

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April 2019 | Dundrennan Abbey [AKA: The Day of Two Cakes!]| 720nm IR

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May 2019 | Angela.

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June 2019 | Gelston Castle | 720nm IR.

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July 2019 | River Nith to Greyfriars | 720nm IR.

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August 2019 | Angela & her Machines.

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[Just After] September 2019 | The Kelpies – Falkirk | Late Dusk.

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October 2019 | Light Muse (Sic!)

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November 2019 | Edinburgh, from the Castle.

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December 2019 | Paisley James – 4 Hours Old.
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Happy New Year 2020, to You All!

X

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New Lanark | PT.II – Outside the Machines | 35Chronicle

black & white, full-spectrum, night / low-light, photography, rural, structures

I am Automation.


From PT.I – a little more mono / full-spectrum fun in a few frames from inside a couple of the workshops. The ISO and Tv values might suggest use of a standard VIS light camera, however, the lack of natural light was a real issue, though reasonably easily overcome by LTFS and a steady hand, despite the distinct lack of UVIR infiltration. Despite a higher ISO in combination with what is essentially, technologically speaking, an ancient camera – I am delighted with the level of detail and contrast in these frames. I do hope you’ll also enjoy them, for what they are.

– R –

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IV | The Donkey Engine | LTFS 1/45th – f4.8 – ISO:1600 – 35mm.

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V | Back-End of a Donkey [Engine] | LTFS 1/75th – f5.5 – ISO:1600 – 85mm.

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VI | Spinning & Reeling | LTFS 1/30th – f7.5 – ISO:1600 – 35mm.

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[All images in this New Lanark series – snagged with a Ricoh GXR A16 LTFS (from ~280nm to ~1300nm) internal conversion, unfiltered.]


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New Lanark | PT.I – Overview(s) | 35Chronicle

black & white, full-spectrum, photography, rural, structures, waterscape

1786 [& the Legacies of Dale & Arkwright].


One of six UNESCO World Heritage sites in Scotland, New Lanark is situated approximately twenty-five miles south-east of Glasgow, on the River Clyde. Once a thriving cotton mill (using water powered spinning machinery) and now a tourist attraction, many of the old workers’ homes are now tenanted apartments however, the old mill buildings are beautifully maintained with much of the old machinery and the whole village makes for a truly fascinating visit.

More info. can be found here.

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I | Boxing Hares in the Roof Garden | LTFS 1/500th – f5.6 – ISO:200 – 35mm.

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Because the overhead conditions were unfavourable, extremely overcast and damp, I took along my LTFS camera outfit to make the most of any and all available light (UV, VIS & IR). Being able to take advantage of the availability of those extra wavelengths is a real bonus under such conditions and keeps the ISO down too, which I prefer, of course. What I hope to show over the coming posts from New Lanark is just how versatile a good true full-spectrum set-up is, for black and white work specifically and, how there really isn’t a photo-scenario where its benefits can’t be exploited. I’ll move outside and inside and aim to show you another world, not that far removed from our own, but with subtle nuances not always instantly apparent or appreciated, still, that I hope will either please, or inspire; or both, perhaps. If I fail in both regards, then I need to work a little harder, methinks.

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II | Little Touches (Roof Garden to the Church) | LTFS 1/500th – f5.3 – ISO:200 – 70mm.

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I’ll shortly be preparing my 2019 Review for posting during the next couple of days, but in the meantime, I hope you are all enjoying yourselves over this festive season and, as always, thank you so much for reading my pages. I hope you’ll enjoy these first few frames from what is a very special place. 

– R –

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III | The Clyde – from the Water-Wheel to the Caul | LTFS 1/290th – f5.3 – ISO:200 – 70mm.

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[All images in this New Lanark series – snagged with a Ricoh GXR A16 LTFS (from ~280nm to ~1300nm) internal conversion, unfiltered.]


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Edinburgh Nightscapes | PT.I – Final Postcards from the Recovery Position | 35Chronicle

black & white, full-spectrum, night / low-light, personal, photography

Multiple Exposures, Perhaps?


In a way, I suppose that blogging is as much about diarising as it is about simply sharing what we do, think, or feel, sharing who we actually are – adding little pieces of ourselves to a community that in some way might appreciate it, and give back too. For me, it’s about all things – including the sometimes more personal side of my own life. Though I am not one to purposefully overshare (believing instead in the sacred and private aspects of life) I would like to share these few words, inspired by someone very, very special who has been here for me tirelessly and in every conceivable way – throughout my recovery from multiple spinal (and other less serious) fractures and injuries, back in April. It’s been a winding road thus far – and the fact that I can share these words and images with you all, is a testament to many, many people, and yet most of all, one.  It’s about as real as it gets but I don’t often share like this, so you’ll please forgive me for opening up this way. Photography for me, is so important – probably my biggest ‘thing’. But it’s not – everything.

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‘Tis the Eve’.

‘Tis the eve’ of my return to work,
Though much to do, no blogging I’ll shirk.
With broken bones, through healing too,
Small takes on a life, I’ve shared with you.

As I look now to brighter times,
Routines return, lay-ins subside;
And, before my mindset changes tack,
Special memories are skipping back.

Many of them circle my mind,
But, the fondest here, I think you’ll find,
A recent jaunt, a cold birthday weekend,
In celebration of my love and, my friend.

For these frames you see were only made
Of patience, love and a care that stayed,
That helped me heal in body and mind,
And to keep me giving, of the very same kind.

– R –

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I | Over Princes Street Christmas Market & Waverley Station from Edinburgh Castle. The Light-Beam, Shining from the Castle to Nelson’s Column on Calton Hill. | 0.5″ – f7.6 – ISO:400 – Ricoh GXR A16 LTFS Conversion [Unfiltered].

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II | Waiting to Cross – Edinburgh | 1/25th” [Handheld] – f4.8 – ISO:3200 [No NR] – Ricoh GXR A16 LTFS Conversion [Unfiltered].

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III | Moonrise from Edinburgh Castle, with Light-Beam to Nelson’s Column. | 0.5″ – f8 – ISO:1600 – Ricoh GXR A16 LTFS Conversion [Unfiltered].

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Now, we can move on.
X


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Internal Affairs | PT.V | 35:Chronicle

black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.III.


This is to be the final part of my St. Giles series. In all honesty, I could have gotten way more value out of my £2 photo-pass that I purchased upon entry. I could easily have whiled away more hours here than the one that I did. Watching, looking, shooting, looking. The light was poor though, a very dull and overcast sky affording less quality and intensity through stained-glass – so diffuse that my fixed lens camera of choice made it much more difficult to grab a steady shot, the later the afternoon became. Insosaying, I grabbed my low-light camera. Actually, it’s primarily my weapon of choice for much of my IR compositions, but, removing the UVIR Cut filter from in front of the lens element, I was able to gather twice as much light as my primary, fixed-lens camera. Shot in true full-spectrum, capturing all available light (from UV-A through VIS to IR) renders even sharp details a little softer due to invisible lightwave pollution but I still think these make the grade. I hope you will enjoy these last few captures.  

R.

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I | The Dark Exit.

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II | Symmetry Divine.

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III | Symmetry Divine [II]

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Closer Still(s) | PT.XVII | Orchid [Colour PT.II] | 35:Chronicle

close-up, colour, macro, nature, photography

Splash & Dash.


Before I head out to work, I want to quickly send up a final post of my images from this beautiful flower, still basking in low, early winter-sun from behind my living-room window. Any of you who read my pages even semi-regularly will know that my joy lays moreso with black and white photography, but it cannot be argued that sometimes, a combination of colours and shades that so beautifully complement form – can be the sole reason that a frame should be captured in the first place. I still can’t make up my mind, when it comes to this orchid, as to which output I prefer. But then, do I have to decide? Perhaps, not. There’s room for both, I think. 

I do hope that you will enjoy these captures, and, that you have a great weekend ahead of you. 

R.

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I | 33mm f8.0

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II | 33mm f8.0

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III | 33mm f4.0

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[To view other posts in this series, please click the ‘orchid’ tag].

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Closer Still(s) | PT.XVI | Orchid [B&W PT.II] | 35:Chronicle

black & white, close-up, macro, nature, photography

Light, Shadow & Form.


This is the penultimate post in this latest series of images from the humble orchid, which resides and, seems to be thriving, happily in my living room. I cannot say that I prefer the colour frames previously posted in PT.XV – for the light, shadow and form which I feel when I see these frames in black and white, grabs my attention without any distraction. The qualities which for me, make this subject so beautiful, are not enhanced one iota by their colour. I wonder how many might feel or see the same. If I have done any justice to this little flower in these few captures, then, maybe you will?

R.

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I. [33mm f8.0]

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II. [33mm f14]

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III. [33mm f8.0]

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[To view other posts in this series, please click the ‘orchid’ tag].

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Back-lit Orchids | 35:Chronicle

black & white, close-up, colour, Indoor, nature, personal, photography

Is Three Really a Crowd?


Okay – forgive me, please! This is my third post on-the-bounce of the same photographic subject. I promise, I really was not intending to rip the arse out of this, however, the host plant from my last two posts was happily perched on my living-room window-sill, soaking up some of that gorgeous, bright stuff this afternoon – and, I just couldn’t resist a few casual frames of this beautiful plant. (Oddly, I have made some frames in colour today, that I am actually pretty happy with. Who’d have thunk it?!)

I’ll probably not be able to post again until almost the middle of next week, therefore, I’ll leave you with this smidgen of sunshine and, wish you all a fabulous weekend! 

R.

I.

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II.

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III.

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[To view other posts in my recent series, please click the ‘orchid’ tag].

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Closer Still(s) | PT.XV | Orchid | 35:Chronicle

35mm, close-up, macro, nature, photography

On Expiration (or, Breathing Out).


V.

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Before I write about the content of this post, I would first of all like to extend something to all of you who read and, follow my pages. I am never quite certain as to just why the the number ‘100’ is quite so significant, however, for some reason, it seems to be the case – for, yesterday, 35:Chronicle received its 100th follower. It’s not a number that I was waiting for, and, whilst I love statistics (though I don’t view them as often as I used to) – I do this for the love of it, the passion for photography and writing, if you like. Not only this, but to read so much wonderful work by so many of you, it’s a perfect way to relax, learn and engage the grey-matter simultaneously!) Nonetheless, whilst the number is just that, I wear a smile – one of gratitude to every single one of you who read my pages, enjoy any of my images, click, comment and, get involved even in the smallest of ways.  When I started 35:C back in March, I had no idea that I would be read by so many, or, from so many countries around the world. Today, I am so grateful to everyone who has contributed to these pages and, to you all, I would like to extent my most grateful thanks and, I hope you will return for a long time to come. I also wish to thank my friends who read my pages, offering encouragement and critique, and, whilst they are not WP members (they’ll come around, one day!) your input is utterly appreciated. To Amar, the thinker and the doer, I extend my deepest personal gratitude for the support, technical wizardry, patience and constructive criticism that you tirelessly provide. You’re the best ideas-man out there, barring none; and a good friend.

Without you all, these pages would be little more than an online diary. So, from me – a huge and warm thank you. You’re all completely (bloody) fabulous! This post is dedicated to each and every one of you.

R.

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VI.

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If you happen to love the colour yellow, this post is also for you. In truth, my frames would have been processed only in black and white were it not for their sunny disposition. The orchid’s form was in fact the reason that I wanted to capture them at all; their almost skin-like texture, their alien, possibly even deep-sea-like centres and, smooth curves. The black and whites speak to me – but how I exhaled in relief when, after only the smallest amount of processing (admittedly, I don’t do much) I looked at these frames. They are not perfect, they’re taken with old equipment but, they work for me.

I had spent the main part of the day preparing and constructing a macro-table in the corner of my spare room, a task which, if you saw it, looks like it should have only taken a few hours – instead, it took the entire day. With matte black covering (I used rolls of framing-card) on the table itself, and using a deconstructed, white plastic soft box, I created a high-ish walled corner which I also covered with the same card, clipped into place. Using a fisherman’s angled fly-tying clamp, a couple of small free-standing mirrors, clamped side lights, an overhead lamp, and an assortment of tripods of varying sizes and purposes, I was good to go. Rather than wait for the following day to shoot them, I waited for dark, doused all the lights I didn’t want, save for those on the table and, set to work. 

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VII.

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One thing that I do believe in when shooting anything to which you’re probably not going to return any time soon, or, ever – is – to shoot the hell out of it and from every angle you want. Use different depths of field, change lens-to-subject distance, exploit your subject to the maximum. Cut off from it’s host stem, this flower would last maybe two days in a shot glass full of water, at most. Therefore, I spent almost two hours with it. Just shooting. Recomposing. Re-shooting – and, loop! It’s a process that I become totally absorbed in; the rest of life disappears for a while, during which time my respect for the subject becomes all that is important to me. Casual has it’s time and place – but it’s not here. Some things are just too beautiful for that.  I hope that these elements come across in these frames.

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VIII.

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Thank you, always, for taking the time to view my pages. I am more grateful than I can write. 

[Frames V, VI, VIII – Ricoh GXR w/A12 33mm 2.5 Macro. Frame VII – Sigma SDQ w/18-35mm 1.8 Art, at 35mm]

[To view other posts in this series, please click the ‘orchid’ tag].

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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