Corsewall Lighthouse: PT.I | 720nm IR & LTFS | 35Chronicle

black & white, full-spectrum, history, infrared, landscape, photography, rural, structures, waterscape

The Light & the Dark.

The hotel at the lighthouse had been on our list of places to visit for a little while now, not least because it promotes itself as wedding venue too and, given recent engagements (ahem!) and our fondness for the west of our county, we made the journey during a three day stay in Portpatrick. The coastline is simply stunning here and even though the weather was extremely moody at best (and howling at its worst) there was no way that we were going to forego this particular jaunt. Looking out from the mouth of Loch Ryan it is hard to even contemplate why anyone would wish to look in any other direction, no matter what the elements.

Built around 1816-1817, the fully functioning tower is still run by the Northern Lighthouse Board, however, since automation in 1994 – the rest of the buildings were converted into a hotel. Word has it that in 1817, Corsewall’s Principle Light Keeper had fallen asleep on duty which caused the light to fail for a time, to the detriment of passing ships heading towards the coastline, and so therefore, he was subsequently and severely demoted. In November of 1970, Concorde flew over Corsewall Lighthouse on a trial flight and when passing the tower, it shattered many panes of glass around the light. Later flights by Concorde would not cause the same phenomena. Sadly though, at the time of our visit the whole place was closed due to the effects of Coronavirus and ensued restrictions and, we were unable to enter. Instead, after a lovely walk around the place and taking in the views, Bumble sought protection from the ever worsening elements inside the car, and why not? Nobody wants to get soaking wet or freezing cold on their birthday!

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I |  The Hotel & Tower [720nm IR]

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As I walked Bumble back from the hotel itself towards the car, having wandered around the tower and the foghorn together so that I could grab a few frames, we were met by a lady in her 4×4 who, having sped down the hill stopped alongside us on approach to the building and wound down her window to speak to us. Then, she asked the one question that is guaranteed to irk me more than any other when I am making my frames. “Can I help you?” she asked. Well, “I don’t know, can you take over shooting for me if I should suddenly forget how to do it?” I wanted to reply. Instead, I refrained from sarcasm and exchanged politely with her until she explained that she owned the place and was popping in to check her emails. Why would I even care about that? In truth, I think our presence triggered off a sensor or we were on camera perhaps, prompting her expedient arrival from her nearby abode. I mean, I can see how a couple like us would put a lot of fear into someone – especially when you take in the evidence – holding hands, the odd cuddle to dispel the cold of the gusts, the picture taking. Of course. I once again prepared to endure the worsening elements – for the sake of art, you understand. I mean, why else?

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II |  ‘Round the Rugged Rock the Ragged Rascal Ran [LTFS]

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Getting here though, was a bit of pain the derriere – and I am surprised that anyone planning a wedding or reception would make the trek if they knew beforehand how the final part of their journey would pan out, should the weather turn sour. This is definitely a fair-weather destination if you wish to remain – unsavoury. Imagine if you will, donning your finest finery, having washed and polished the car (as such an occasion would suggest as appropriate) and turning out as pristinely as you possibly could before setting off. Your journey to within a mile or two of Corsewall may be largely uneventful, perhaps even wonderful, then the heavens open as you approach the back roads, past the farms, through as much cow-sh*t as it’s possible to spread across the hugely pitted and pot-holed tracks that wind around and down towards the tower. Imagine too, all of that muck sprayed up both sides of your previously pristine jalopy, as you pray that you won’s split a rim or two in any of the deeper craters who’s depth and severity are sinisterly hidden beneath copious quantities of shit and water. (You can tell I’m a little precious about my car now, can’t you?!) So – let the nightmare begin! How to arrive? Or, how not to! Perhaps save it for the sunshine?

Despite high winds and a decent amount of rain, I somehow managed to snag a number of shots both in IR and in LTFS (full-spectrum) when the light started to fade – that I am actually very happy with. Sorry about all the back story and though not every shoot I go on isn’t as romantic as they might appear to be, I hope too that you’ll enjoy these first few frames of (really) a beautiful and picturesque corner of South West Scotland. 

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III |  The Tower & Foghorn [LTFS]

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Thank you ever so much for reading and I do hope that you are keeping safe and well.

Until PT.II – toodle-pip!

R.

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Lockdown Blues | 35Chronicle

35mm, black & white, colour, people, photography, portraits

It’s Can’t be Easy, Being Seven!


Two weeks of lockdown before the school Easter holidays commenced and guess who’s had his fill of it all, already? Homeschool is tougher than he’d bargained for, he’s not allowed to visit the new local play-park, the shops have all run out of his favourite sweeties and through it all, I keep sticking my new GR III in his face! It’s tough, being a little ‘un, I can see that. To make matters worse, my Windows 10 laptop has all but died on me after a recent Windows Update (thanks for nothing, Mr. Gates – or whoever is running the show at Microsoft, now) and I have had to find a complete new way of processing, editing and saving my shots. To top it all, I have to use the WP app my iPad – which is not as simple as it should be and I can see a few corrections to formatting in Safari, coming right after I publish this. Anyhooz, all is not lost – it’s all about adapting, I guess.

Speaking of adapting, I know I said I wouldn’t do it, but yes, I did – and I am loving the latest iteration of Ricoh’s GR. All of these frames were captured on it at my favoured 35mm internal crop mode and to round off on a good note – young Flynn was only feigning in shot one. He’s coping just fine and can even tell the time now! Onwards!

Though I am certain that nobody has ever pegged the GR series as a serious portrait tool, I reckon it’ll pass. Keep smiling, keep well and, I hope you’ll appreciate the annoyance I have had to endure this afternoon to bring you these! One has to laugh, eh?!

R.

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The Water Cure, Perhaps? | 35Chronicle

35mm, black & white, infrared, nature, photography, skies, waterscape

It Has Been Said…


… that to aid in the finding of true inner peace, one must be able to enjoy the calm of a sizeable area of water for at least thirty minutes, each day; I can’t possibly know how true this really is, but hey, it works for me. Therefore, here – I wish to share four separate frames with a watery theme, caught with three different cameras, all at my favoured 35mm FoV.

I do hope that you and those you love are all well and, that you’ll enjoy these few captures. 

R.

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I.

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II.

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III.

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IV.

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Edinburgh – From Calton Hill | 35Chronicle

black & white, cityscapes, photography, ruins, structures

Scotland’s Folly [& Other Views].


Back in December, I posted a number of night-shots from around Edinburgh – all taken on the evening before these frames were snagged. Weather-wise, the morning after was miserable, however, I was undeterred. We’d had a wonderful evening celebrating Angela’s birthday the night before and so despite the cloud and the drizzle, our spirits remained perky. Therefore, after breakfast, we walked to Calton Hill, to see what we might see and, here – are just a few of those captures. 

In all honesty, the very last thing we expected to see was an Oriental wedding trio – bride, groom and their photographer, standing right in front of one of Edinburgh’s most famous monuments (the unfinished – known as ‘Scotland’s Folly’) and it would have been completely remiss of me to ignore this almost Vettriano-esque moment, albeit from more of a distance. (I have no idea how the young bride kept her shoes clean for the shoot?) Looking out over the city, too (despite the very poor light) from such a vantage point is a real buzz. In better weather, I could have  spent a good many hours up here; and on another day, I plan to do just that. 

Thank you, as always for reading my pages and I do hope that you’ll enjoy these captures.

-R-

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I | The Wedding Trio | Ricoh GXR A16 | 35mm – 1/125th – f6.7 – ISO:1234[!]

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II | Chimney | Ricoh GXR A16 | 70mm – 1/125th – f6.7 – ISO:703[!]

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III | To the Castle | Ricoh GXR A16 | 24mm – 1/125th – f7.1 – ISO:617[!]

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… and yes, the ISOs are correct! (Why do you think I love shooting with this thing?!)

*Wink!*

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INTERNAL AFFAIRS | PT.IV | 35:CHRONICLE

35mm, 50mm, black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.II


IV | Grandeur.  [X100T: 35mm – 1/12th – f2.8 – ISO:1600 – +0.7 – Matrix]

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V | Light. [GXR A16 (Full-Spectrum): 85mm – 1/125th – f5.5 – ISO:1600 – Matrix]

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VI | Blue II. [X100T: 35mm – 1/9th – f2.8 – ISO:1600 – +0.7 – Matrix]

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VII | Lantern. [GXR A16 (Full-Spectrum): 50mm – 1/30th – f4 – ISO:1600 – Matrix]

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(St. Giles’ – PT.I)
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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Internal Affairs | PT.III | 35:Chronicle

35mm, black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.I


We’re all running short of time at this end of the year, so, let me say this off the bat in case you don’t have time yet to read to the end of the post – to all of you who read and follow my pages, I would like to wish you all a very happy Christmas and,  I extent my warmest thanks for your support, your comments and, your valuable time ever since I started my little blog, back in March. It’s been a superb journey thus far and, I hope to get at least one more post in before Hogmanay!

On Friday of last week, I had occasion to visit Edinburgh. As it’s that time of year again, I do like to get to Princes Street and do the whole Christmas Market thing, kind of a tradition and as I didn’t get to visit last year, I was very keen to get there before this Christmas kicked off, proper. Now, I resisted the temptation to shoot all things Christmassy so please do forgive me for the lack of tinsel, Santa-hats, seasonal pullovers, mistletoe and the like. Instead, I again only wanted to capture the feel of the place at this time of year. With that said, the images I have chosen for this post may feel a little off-piste or, at the very least, somewhat off-topic. The thing is, I’m not religious nor do I have any great love of this time of year, however, I do enjoy its essence, and – different things mean different things to different people. So, instead of capturing the shiny and commercial side of the season, per se, I decided instead to simply wander and shoot. 

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I | Blue. [X100T: 35mm – 1/13th – f2.8 – ISO:1600 – +0.7 – Matrix]

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Sadly however, the weather was bloody atrocious, nothing but dull light, blanket grey skies and drizzle for most of it, which, made things a little tricky, as is oft’ the case under such conditions when you’re wielding a camera. I decided then, that West Parliament Square would be a great place to grab some serious frames – at the Cathedral of St. Giles. In my bag I carried two cameras – my X100T and, my Richoh (True Full-Spectrum converted) GXR – see my Light Waves page for more info on TFS if you’re not au-fait with it). The Fuji handled outdoors just fine but, being a habitual ISO:1600 maximum shooter, it was sluggish here. I did grab a good number of frames with it inside St. Giles’ and in fact, two of them are right here – but when I really struggled, the GXR’s completely unhindered sensor came into its own. Especially when the light became really difficult. Of course – shooting in mixed light with a full-spectrum camera makes things extremely tricky when it comes to colour reproduction but it’s forte is really black and white output anyway – so, I was in my element. Shutter speeds were almost twice as fast as the standard Fuji when my ISO and Av were the same. A nice little bonus when shooting hand-held indoors and, it certainly helped me in keeping a few frames a little less shaky, shall we say? 

As an aside, the X100T frames have a rather HDR look about them, which I am surprised at. After extremely minimal processing from RAW (RAF converted to DNG) and not even two minutes consideration I am, though I do not enjoy HDR images, very pleased with the results here – and the subject matter does seem to pop, rather nicely.  

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II | Ornation. [GXR (TFS): 24mm – 1/25th – f4.0 – ISO:1600 – -0.3 – Matrix]

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III | Yes, I Probably Looked a Right Berk Laying on my Back on the Cathedral Floor for this One – but, I Don’t Care! [X100T: 35mm – 1/13th – f2.8 – ISO:1600 – +0.7 – Matrix]

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I hope you will enjoy these few frames, that you have a splendid Christmas, however you’re celebrating and, I hope to be here again with you before the New Year! 

Have a fabulous time, all! 

R.


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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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