A Little More Time: PT.I | 35Chronicle Photography

black & white, infrared, photography, rural, skies, structures, trees

“Until the Day Break.”


At just about the start of spring, or – the close of winter (depends, I suppose, as to whether you’re a glass half-full or half-empty kind of person, maybe?) Bumble and I found ourselves heading out towards the coast again, an impromptu, spur-of-the-moment hop in the jalopy to get out for a while. Some sunshine, sea air and, hopefully – a few shots. I’d packed my ‘minimum’ bag – basically, it consists of two of my GXRs with A16s (a standard and, a full-spectrum unit) and EVFs attached, one R72 and an ND1000 – a couple of spare batteries; that’s it. It weighs next to nothing and covers a huge amount of photographic ground, given the way I shoot. As we headed towards Rockliffe from Dalbeattie, dodging pot-holes on a full stomach after a spot of lunch in Kippford, the skies were clearing to reveal some gorgeous blue above, and, a few short-lived clouds, enough to keep them interesting should we stop for a couple of frames, for sure. As we approached the turn-off for Rockliffe, I spotted the clouds right over the small parish church on the corner and thought it might be nice to stop and set up for a few grabs. 

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I: “Until the Day Break.” | 15″ – f22.0 – ISO:100 – 28mm [GXR A16 LTFS + R72 & ND1000]

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This tiny, beautifully situated and, just as beautifully kept little church kept me amused for almost an hour; not least because even though, visually, the weather was gorgeous, the wind was blowing so much that it actually had my camera toppled over on its tripod twice. Had I not been paying attention during the longer exposures I was making at the time, I’d never have caught it in time to prevent almost certain damage. Still, whilst I had to let go of those particular frames, I am very happy to have come away with some very pleasing captures, almost ghostly after the non-relenting wind and, more pleasurable for me to look at, because of it.

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II:  Un-Still | 30″ – f22.0 – ISO:100 – 24mm [Kit: As Frame: I.]

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There’s an atmosphere here that, when viewing through alternative, non-visible light, is so eerie that I wonder if next time, I’ll visit with an extra ND in my bag! I hope very much that you’ll enjoy these few captures here, and in my next post. Thank you, as always, for reading and I wish you a fabulous weekend.

VB.
… R …
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A Child Walks into a Sweetshop… | 35Chronicle Photography

28mm, 35mm, black & white, fine art, history, infrared, photography, ruins, rural, skies, structures

The Vows We Make.


Okay, so it’s been a little while since I have posted here and, if you read my pages regularly, you may know the reason for this, yet another protracted hiatus. Just over a fortnight ago, Bumble and I finally tied the knot and so, all of the planning has come to fruition and, a new stage of life has begun. Except one. My most staunch supporter and friend who has followed me (and my cameras!) absolutely everywhere, the one who has exercised unimaginable patience and, made promises to me a long time before we got married. In fact, I don’t remember the actual words as I do remember her always being by my side. As we stood at the alter, we promised each other those things which every couple should, including, to always take care of each other; and, not ten days after we said it, came an opportunity to prove it! Of course, I am being very tongue-in-cheek here, in case you were wondering?! 

One of the most fun ways in which Bumble takes care of me is by trawling the web for previously unvisited and wonderful places; places that she knows will not only provide us both with a fabulous little jaunt for the day but will also provide me with some photographic subjects that will (she knows me so well!) see me dancing around like an impatient child in a sweetshop, trying to grab everything in sight. As I have said at least once before, she finds ’em and I shoot ’em! And, so it was on this particular day when she had previously come across Galloway House, near Newton Stewart; right on the coast at Garlieston, we excitedly packed the car with all my camera gear and some comestible goodies, and, headed west, (as they say). 

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I | 720nm Infrared | 24mm

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Galloway House was built in the 1740s for Lord Garlies, Alexander Stewart, who would later become the 6th Earl of Galloway. It is written that Robert Burns was denied entry to Galloway House on the grounds that the Earl did not agree with the poet’s politics, something that Burns would satirise in his poem, ‘Epigrams against the Earl of Galloway’: “What dost thou in that mansion fair, flit Galloway and find some narrow dirty, dungeon cave; the picture of thy mind.” Fair enough, I suppose? But in the Earl’s obituary, I wonder if Burns was a little harsh? “Perhaps there never was a nobleman more deservedly and sincerely regretted by so many distinguished families and connections, and by so many poor people, long employed, and supported by him.”

The house itself has been extended by successive earls and its gardens are open and varied; a true pleasure to walk around despite the often-place unkempt nature of them. Much work still goes on to maintain the grounds for the public who visit, I gather. Galloway House has also been used as a convalescence hospital during WWII and, as a residential school for children from Glasgow (between 1947-1976) with the view that those children would benefit from a more rural education. Since then, the house has had many different owners and, once again it’s on the market. Originally up for £1.5m – it’s now up for grabs for a shade under £600k – a mere snip of its original asking-price. But what a snip it will be for someone. I could have shot here all day, soaking up its romance, its history and of course – its utter beauty; and what’s more, if it hadn’t been for a Bumble – I’d never have known it existed. What a treat!

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II | 720nm Infrared | 35mm

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I hope you’ll enjoy these first few frames from Galloway House and, I wish you all a very happy Easter. As always, thank you for stopping by my pages. I’m off to the kitchen, after all, I do still have my vows to fulfil! 

VB,
… R …
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III | 720nm Infrared | 24mm

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The Water Cure: PT.III | 35Chronicle Photography

black & white, boats, colour, photography, rural, sunset, waterscape

Golden-Hour Reflections: Kirkcudbright Marina.


When I review shots like these, I ignore the question… “why do I come back here, time and again, year on year?” Not only is Kirkcudbright one my most favourite places here in Dumfries & Galloway, but the walk down and along the floating pontoon at the marina always fills me with joy every time I take it, knowing that I’m going to make a few more frames here. Many of these boats seldom seem to leave their moorings; I am certain that over the years, when I have shot here before, not one of these crafts has been missing for any frame I have made and, even when I don’t shoot, I do come back often. And that’s okay by me – when the water is as still as this, the more masts, the better. Of course, though I usually shoot for black and white, you can’t have the golden hour without a little colour… so, here goes! 

Thank you for reading my pages, have a wonderful weekend and I apologise for the protracted hiatus; I do have a valid excuse – as will undoubtedly be revealed in the coming weeks! 

VB…
R.
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I: 1/240th – f8.0 – ISO:200 – 35mm

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II: 1/450th – f8.0 – ISO:400 – 70mm

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III: 1/350th – f8.0 – ISO:400 – 200mm

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Portpatrick: A Little More Exposed: PT.II/II | 35Chronicle Photography

black & white, boats, full-spectrum, landscape, photography, rural, skies, structures, waterscape

From the Clifftop…


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IV: Closed for Business | 30″ – f17.0 – ISO:100 – 35mm [LTFS +ND1000]

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V: Pools | 1/1050th” – f8.0 – ISO:100 – 70mm

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VI: Portrait of Portpatrick | 60″ – f22.0 – ISO:100 – 24mm – [LTFS +ND1000]

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Portpatrick: A Little More Exposed: PT.I/II | 35Chronicle Photography

black & white, full-spectrum, Long Exposure, photography, rural, skies, waterscape

Infrared or Full-Spectrum?


A trip out to Portpatrick on Monday of this week and we were assured of some decent chances of sunshine throughout the middle of the day which sadly, as you’ll now know, did not come. (I really do need to stop relying on BBC’s Weather App!) Nonetheless, though I was hoping for some more chances to shoot a few IR frames here, as the clouds loomed over us and, flatly refused to leave (I did ask nicely, honest!) – I consoled myself instead with some long-exposures with my LTFS converted GXR (still my favourite sensor/lens unit after all these years). The winds were around 40-50mph on top of the cliff so, keeping the camera steady on its three spindly legs was tricky, at best. A good number of shots were ruined that way but, I kept going and was reprieved enough to be able to at least come away with a small handful of captures. It’s all I ever hope for, if I’m truly honest. While the strongest of the sun’s light escaped me today – I remain happy that I managed to leave with a few frames I’d not caught before, from this beautiful little coastal town on this western shore of the peninsula.

I do hope you’ll enjoy them. 

R.

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I: 13″ – f14.0 – ISO:200 – 85mm [LTFS + ND1000]

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II: 30″ – f12.0 _ ISO:100 – 50mm [LTFS + ND1000]

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III: 15″ – f14.0 – ISO:200 – 28mm [LTFS + ND1000]

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The Tranquillity of Scotch Mist | 35Chronicle Photography

black & white, boats, Long Exposure, photography, rural, waterscape

“What’s This, Then?!”


Typically, the phrase is meant to refer to something difficult to find or that which may even not exist. I remember as a young boy, my mother saying to me on many occasions when I had been told to go and find a particular something and failing dismally to locate it, “Well, what’s this then? Scotch mist?!” as she’d already put her hand on it, waved it mockingly in front of my face or simply pointed right to it. It was her stock phrase for such things, I suppose, picked up no doubt from her Yorkshire born and bred father. But in remembering what it means, I struggle to figure out on days like this, why it’s used at all, because when that drizzly fog is hanging in the air, it’s everywhere. But it’s not rain. It lightly touches your skin, freshens the lungs and even concentrates sound – you can’t ignore it. When we made a trip to Garlieston Bay at the west of the county just a few weeks ago, there was no escaping it, and it was, truthfully, eerily beautiful. I have seldom absorbed tranquil like it, passed so few people on their coastal walks, or seen polished mirrors of slack water reflect so little colour from the sky. I know though, whenever we head back, there’ll be cloud, rain, or blistering sunshine – maybe I won’t see it like this again; maybe that’s the point? But I would be so glad to see it again – with or without my camera. 

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I: Garlieston Bay | 1/45th – f8.0 – ISO:100 – 50mm

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II: The Crow | 30″ – f9.0 – ISO:100 – 85mm

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III: Tranquillity | 1/40th – f9.0 – ISO:100 – 85mm

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Edinburgh – An Infrared Exploration: IV | 35Chronicle Photography

black & white, cityscapes, infrared, photography, structures, urban

Closing Out…


I’m sharing with you now, the last of my IR frames from Edinburgh, taken during the latter part of November last year. I have to confess that street-shooting is something that I do find extremely difficult so I have always tended to focus on more obvious places or structures situated around them, rather than in them, per se – and in Edinburgh, there is certainly no shortage of buildings, places or objects of interest to keep someone like me happy.  During the course of the three days we enjoyed in the city, only our last day there saw the sun come out for any length of time (after the night of Storm Arwen) and so, pretty much all of my final IR edits came on that day, some two or so hours before we were to head home again. Needless to say, I was a bit like a child in a sweetshop, doing my best to take it all in before we left, revisiting a few spots at a slightly faster pace than normal before heading for the train. So, in closing out, here are my last few infrared captures from this wonderful city. I do hope you will enjoy them.

vb…

R. 

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X: Scotland’s “Folly” / National Monument, Calton Hill | 1/125th – f7.6 – ISO:238 – 28mm

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XI:  Moon over Jenners [I] | 1/190th – f7.1 – ISO:200 – 85mm

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XII: From Market Street , Across Waverley Station | 1/125th – f7.5 – ISO:456 – 35mm

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XIII: Moon over Jenners [II] | 1/125th – f7.1 – ISO:336 – 85mm

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Note to Self: Take TWO Tripods… | 35Chronicle Photography

35mm, black & white, Long Exposure, night / low-light, photography, structures

A Light in the Black.


Back in November 2019, I first shot this gorgeous building under beautiful winter sunshine with my IR gear and last posted it here near the end of May, last year. I was extremely happy with my frames then and, I do have a couple of them mounted and framed, hanging on the wall in the hallway. Only the best of my work makes it that far and it has to be said, on a slightly different subject – printing is  definitely the way to go. For years I just… didn’t. Then I got the bug a few years back and now I simply can’t stop going through my archives for more. Still, after going through those frames recently and chatting with Bumble about perhaps getting out at night for some more considered longer exposures, she suggested that we might make a trip back to  the church in question (set amongst some stunning grounds, I might add) and shoot it at night. It was lit-up, apparently? Well, this was news to me. But an instant pang of excitement had me sorting out my bag for night shooting, the very same day. Three evenings later, when the weather was more favourable and the bustle of Christmas celebrations were over, we headed out for the short drive to the Crichton University Campus to make a few more frames. 

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I: Splendour | 20″ – f16.0 – ISO:400 – 35mm

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Dodging late-evening dog-walkers and the occasional runner, I set up my tripod (the base plate I had already screwed to the bottom of my camera before leaving the house, with no issues at all – or so I thought) and when clamping it to the head, the darn thing refused to lock in. The lever had become extremely loose (somewhere between the house and taking it out of the car!) and simply wouldn’t sit back in place. Now, this may all seem irrelevant but if you can imagine trying to keep the camera level and still while it’s perched precariously over five feet from the ground while a very stiff breeze whipped around it, you might understand my slightly nervous disposition at the time. Self-timer engaged, I decided to just go for it and would let the cards (rather than my camera and lens) fall where they may; and so, I got very lucky, the laws of gravity were favourable to me and, I was able to come away with a few very pleasing captures. Next time, I’ll keep a spare set of legs in the boot!

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II: Reflection of Human Nature? [The Ground Lights on the Right of Frame Flickered Out for Just Long Enough for this Capture] | 10″ – f14.0 – ISO:400 – 35mm

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As an aside, (on editing) – because my version of LR doesn’t support later Fuji RAF files, I have always used Adobe DNG Converter to process my RAFs to DNG for editing, and when I was able to get these new files transferred to my laptop just a few days ago, I did just the same thing again. I started to go through the DNGs one by one and remembered then, a conversation I had had with fellow photographer and work colleague about converting Fuji’s RAFs and, his conclusion was that Iridient’s X-Transformer seemingly handled the files noticeably better and that I should give it a go. Okay, so I downloaded and tried out the demo version on my latest captures and simply could not believe the difference. All this time (years, in fact) I had been guilty of a ridiculous injustice to my own work and the difference in quality and detail is such that I feel ashamed at myself for having allowed such a mistake. The difference is instantly noticeable even at 50% and will, I am sure, improve print quality. With all that said, I am happy to share these few grabs and hope that you’ll enjoy them. (Rest assured, I have given myself a very stern talking-to!)

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III: Splendour [II] | 15″ – f16.0 – ISO:400 – 35mm

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I wish you all a very happy, healthy and prosperous ’22, thank you again for reading and please feel free to leave any comments you wish. 

VB…
R.
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Edinburgh – An Infrared Exploration: III | 35Chronicle Photography

autumn / fall, black & white, infrared, photography, structures, urban

Looking Up, Again.


VII | To Calton Hill | 1/125th – f6.1 – ISO:200 – 70mm | 720nm IR

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VIII | From the Steps to Waverley Station | 1/125th – f7.6 – ISO:336 – 28mm | 720nm IR

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IX | Christmas Market-Goers Beneath the Scott Monument, Princes Street | 1/125th – f8.9 – ISO:383 – 24mm | 720nm IR

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[PT.I in this Series…]
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Edinburgh – An Infrared Exploration: II | 35Chronicle Photography

black & white, infrared, photography, structures, urban

A Little City Grandeur.


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IV | Ornate: Top of the Scott Monument on Princes Street | 1/125th – f7.7 – ISO:209 – 70mm – 720nm IR.

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V | Nelson Monument, Calton Hill | 1/125th – f7.7 – ISO:383 – 50mm – 720nm IR.

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VI | 10:04 AM – The Balmoral towards Princes Street [from North Bridge] |  1/125th – f7.7 – ISO:640 – 28mm – 720nm IR.

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[PT.I in this Series…]
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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Edinburgh – An Infrared Exploration: I | 35Chronicle Photography

autumn / fall, black & white, fine art, infrared, photography, structures

For ‘Camera-Widows’ Everywhere…


After the pandemic halted our plans for our usual annual pilgrimage to Edinburgh, last year, it was indeed incredible to be back there again just last week. November is a very busy time in our household, not least because of a special anniversary and, two birthdays – both mine and Bumble’s. To celebrate, the beautiful city of Edinburgh has been our chosen special place to head off to – just for a few (rare) days of adult-childishness. Of course, there is always so much going on here in Scotland’s capital and yet, I do always try my very best not to let my own photo-aspirations get in the way of time that is planned to be shared and not exploited, though Bumble does happen to be a very kind and patient camera-widow (my gratitude, she is aware of). Two years ago though, she would not have been quite so tested as the weather was very (awfully) typical for November and, I had had little chance to indulge my passions for infrared shooting around the city (though I was very happy to make a good number of pleasing night shots which I still enjoy on occasion).

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I | The Fountain in Princes Street Gardens & Edinburgh Castle, Above | 1/140th – F6.7 – ISO:200 – 35mm – 720nm IR.

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However, last week, despite the storm and the resultant high winds while we were there,  the light was often just perfect – and so, I made the best of it. I think. For certain, any of the frames from this series that I will post up would have been just lovely under visible light, but IR brings about a whole different feeling for me, when I look at them and, still remembering the buzz of the place, the huge crowds of people and the noise – somehow, I still feel the same excitement when I review what I came away with, once we got back. To think that it took me so many years to get the whole point of alternative-wavelength shooting before it really started to fire me up inside, is utterly unthinkable to me now. All the time I am trying to learn how to use infrared light to even better advantages to my shooting – I guess it’s more than just a bug, for me. Just when I think I have made the best IR frames that I ever will, I find frames that please even more.

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II | St. Andrew’s & St. George’s Church [1784], George Street, Edinburgh | 1/190th – F8.0 – ISO:200 – 24mm – 720nm IR. 

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Insosaying, I also hope that this series will bring about at least a little pleasure, a feeling of something just a little bit different and, perhaps even a smidgen of inspiration to any of you interested in IR photography. (All frames in this series were made with my trusty Ricoh GXR A16 LTFS conversion (thank you again, Amar!) with a front-mounted R72 and, very gently massaged in LR, for those who may be interested). 

Wishing you all a splendid weekend ahead and, huge thanks for reading.

R.

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III | Old Calton Burial Ground, to Calton Hill, Edinburgh | 1/200th – F4.2 – ISO:200 – 35mm – 720nm IR.

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Of Sir Walter Scott [1771-1832] | 35Chronicle Photography

black & white, fine art, full-spectrum, history, night / low-light, people, photography, structures

Scotland’s Image-Maker. 


Following on from my last two posts from Abbotsford House, I feel it’s only right to share some frames of the man himself – insofar as it can be possible given the passage of time. At Abbotsford, a striking bust of Scott stands at the head of the room as one exits his study from where he wrote much of his work. As for the Playmobil character – I have no idea as to why it was even there but felt it humourous enough to simply leave it there. In hindsight, I think I should have moved it away before making that shot – still, I like it enough. But by far my favourite of the two shared here, is this first frame – of Scott and his Deerhound, Maida, both relaxing beneath the Sir Walter Scott Monument on Princes Street, in Edinburgh. That this utterly astounding and beautifully ornate monument happens almost certainly to be my favourite structure to have ever even seen, let alone photographed (yes, you may have seen it feature once or twice in much older posts, here) is no coincidence. In any case, I do hope you’ll enjoy these frames.

R.

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I | Scott & Maida Beneath His Monument, Princes Street, Edinburgh | 1/25th – f5.6 – ISO:3200 – 28mm – LTFS Full-Spectrum.

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II | Bust of Scott w/Life-size Playmobil Character, Abbotsford House, Melrose | 1/80th – f5.6 – ISO:3200 – 50mm – LTFS Full-Spectrum.

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III | The Head of the Room, Abbottsford House | 1/40th – f4.0 – ISO:3200 – 24mm – VIS

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Abbotsford House, Melrose | 720nm Series: PT.II/II | 35Chronicle Photography

black & white, history, infrared, rural, structures

A Few More Takes: A National Monument.


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IV| 1/540th – f7.5 – ISO:200 – 35mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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V | 1/110th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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I | 1/380th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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Abbotsford House, Melrose | 720nm Series: PT.I/II | 35Chronicle Photography

black & white, history, infrared, people, photography, rural, structures

Great Scott!


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I | 1/350th – f7.5 – ISO:200 – 35mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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II | 1/270th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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There is a special ‘something’ about the Scottish Borders when the sun is even only half out. From home, it takes barely and hour and a half to get there and so, at the beginning of this month we planned a whistle-stop visit with an overnight stay on the outskirts of Melrose; I had a few places on my list – two of which, my lenses would be extremely interested in! The first was here, at Abbotsford House; the famous home of the infinitely more famous late Sir Walter Scott – poet, novelist, playwright, historian, antiquarian, judge (to name just a few of his accolades, that is). It can be said that Scott can be largely held responsible for Scotland’s national and international identity;  there’ll be no argument from me on that one.

Though it is now a visitor attraction should not take away from the fact that Abbotsford is of huge historical importance to Scotland and, it is more a monument than a house. Not only this, it is also utterly breath-taking; outside and in. The restrictions still placed upon us by Covid however, meant that during our visit to Abbotsford – there was a blessings and a curse. The obvious blessing was the reduced amount of visitors as a result of lengthy timeslots between admissions; this meant a great deal to me personally because as with any time that I visit a place of interest, I always prefer to capture without the obvious element of tourism and favour making frames which concentrate solely (inasmuch as can ever be possible) upon my subject, without avoidable distractions within the frame itself. Conscious exclusion is a big part of how I prefer to compose and so this was indeed a welcome blessing. As for the curse – most of the interior of the house (in fact all, above the ground floor) was inaccessible by visitors and so, we were constrained to a very few rooms downstairs. This is not to say that what remains on view to the public is not of interest. I have seldom witnessed or enjoyed such eclecticism or marvelled at such broad tastes and collections. Though I am sure curators had a difficult time of putting everything together (it is impossible to know and even more difficult to conceive as to whether the house’ interiors have been preserved in their ‘natural’ state – yet, I doubt it very much given the huge passage of time since Scott’s death in 1832) – it is both wondrous and romantic to spend time taking it all in. Though I have never read his works, I really do feel that I should. I do feel a niggle in my side, edging me towards a few more books for my Kindle!

For now, here are my first few chosen infrared exteriors taken at Abbotsford House and, I can only hope that they bring even a little, light-hearted enjoyment. As always, thank you so much for reading!

R.
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III | 1/380th – f8.0 – ISO:200 – 24mm – 720nm IR | Ricoh GXR A16 LTFS Conversion w/Hoya R72

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If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.

Mono-Archives: PT.XIV | The Draw of ‘Sleepy-Hollow’ | 35Chronicle Photography

black & white, fine art, infrared, photography, rural, skies, structures, summer, trees, waterscape

The Mill on the Fleet: 720nm Infrared.


In July this year, I made another visit to one of my favourite stop-offs and, I am surprised that I hadn’t shared a couple of frames from my last jaunt to Gatehouse’s Mill on the Fleet sooner than this. The last time I had actually posted from The Mill was almost a year ago and so, I am happy to put this right, today. Though a popular and often a busy small town, Gatehouse offers some absolutely stunning scenery and, beautiful walks right from its heart; and none more tranquil or evocative than the views from the bridge, alongside the old mill. A perfect day for some alternative wavelength photography, such as it was – what else could I have done? The light and the clouds played right into my hands and, I have seldom seen this view look quite so haunting, or breath-taking. 

Thank you, as always for stopping by my pages and, I do hope you’ll enjoy these two frames from one of my all-time favourite spots. 

R.

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I | The Mill | 1/310th – f6.0 – ISO:200 – 28mm – 720nm IR

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II | The Mill on the Fleet | 1/190th – f8.0 – ISO:200 – 24mm – 720nm IR

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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © Rob Lowe | 35Chronicle Photography  (2018-2021) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.