Carnsalloch House, Kirkton | 35Chronicle

black & white, full-spectrum, photography, ruins, rural, structures

Black & White Heaven | A Full-Spectrum Photographic Adventure.


14th August 2020.

It all started with a half-hearted faff-around on the web, looking for some more interesting, old and abandoned places nearby worthy of a visit and, a photo-sesh. I’ve taken my cameras to so many wonderful old and [seemingly] forgotten places over the past many years that I might well at some point have thought that I may have ticked off a good many of them but still, I love to be proved wrong and, surprised. Last week, I got another such surprise when Bumble stumbled upon a short article about Carnsalloch House, near Kirkton. Passing me her ‘phone, she asked, “How about this old place? It’s not far, either!” I took a look and, feeling that familiar pang of excitement, a huge smile now lay wide across my face. Tomorrow, we would go. The BBC weather app was called to duty and, the day was consigned.

Not even two weeks prior, I had sent off a couple of A16 lens units for my trusty GXR outfit, to my good and clever friend, Amar. One was for a simple sensor clean and, the other for another LTFS [full-spectrum] conversion. Only a few days later they arrived back and, I was extremely keen to put them both through their paces again – dedicating one for LTFS [UV + VIS + IR] shooting and, the other for 720nm IR; this would save me swapping out mounted lens filters as the light changed. I know too that Amar is very keen to see results from his labours and, who can blame him? With that said, all of the frames I will be sharing over this series were shot on both units and, with nothing else. Anyhooz, back to Carnsalloch House…

The Old Stable Building:

24mm | 1/125th | f6.3 | ISO:1467 | VIS.

35chronicle.233 (1)

24mm | 1/125th | f6.3 | ISO:209 | LTFS.

35chronicle.233 (4)

When we arrived at first, we thought we’d found the house. Poking around outside and comparing the few shots we’d found on the ‘net had us befuddled and actually scratching our heads because the shots definitely didn’t correspond to the building we had arrived at. It was certainly a grand building but there were too many differences to ignore. This wasn’t the place. Still, it was worth a good look and so we carefully found an easy way inside. After a quick look around, it was clear to see from the original ceiling height, the sheer cubic footage of each room and the huge arched entry doors front and rear that we were actually inside the old stable building. The Austin Maestro ‘Tandy’ van (made between 1982 and 1995) that stood just as derelict as the building itself, looked no bigger than a child’s toy in here. Vandals have visited and, revisited over the years – fires have been set and spray cans have been emptied and this once, clearly magnificent building, now lies in complete ruin with no hope of rescue. After an hour or so, with the afternoon moving steadily on, we decided to look for the locally famous crypt. Quite how many know of it is unknown to me but there are very few images to discover online and, in true fashion, I decided that I wanted to change that. What I had seen of it had me feeling very edgy, and keen to push on and – find it. Looking around the old Johnston Estate, we followed what appeared to be a promising trail to where we believed it might have been an ideal place to build such a thing. Only a five minute walk from the old stable building, we came across the instantly recognisable Carnsalloch House.

28mm | 1/125th | f6.8 | ISO:591 | LTFS.

35chronicle.233 (2)

28mm | 1/125th | f6.8 | ISO:351 | LTFS.

35chronicle.233 (3)

Carnsalloch House:

24mm | 1/500th | f8 | ISO:200 | LTFS.

35chronicle.233 (5)

The house has been empty since 2000 or thereabouts and since then, it too has been the target of arsonists and vandals. Built in 1759 (there is a stone depicting this on the outside wall of the north wing) Carnsalloch was once a palladian two-storey mansion house; an A-listed building (as of May 1959) that first belonged to Alexander Johnston[e] of Carnsalloch – a London chemist. Along its timeline, the house has had many extensions built (and destroyed by fire) and, for its latter years since 1960 it was run by the Leonard Cheshire Foundation (a UK health and welfare charity). It is reportedly the most haunted house in Scotland and has even raised questions and concerns about the sighting of ‘the ghost of’ a Great Dane – standing at a first floor window to the east of the pillared entrance. Believe what you will, but there are those who have wandered the area with dog treats in hand, hoping to find the pooch and, lure it to safety. I have no idea as to whether the canine (apparition or not) was ever located or indeed, seen again. Suffice to say, we met nor encountered no Grey Lady, or a seemingly semi-see-through Scooby-Doo! Largely, due to the extensive damage and vandalism, this once gorgeous building was not so much of a treat to walk around as we would have hoped. Entry on our part would have been extremely dangerous (and probably quite stupid, too) and so, we took a look only around the outer building itself. The weather too was closing in a tad and after just a few frames, we headed back to the car for a re-group. It was time again to re-consult the oracle. We just had to find the crypt.

The Johnston[e] Chapel & Crypt:

24mm | 1/125th | f6.3 | ISO:591 | LTFS.

35chronicle.233 (6)

It was almost impossible to find any useful information about the Crypt. Nothing we could find could tell us where the heck it was situated but one search made us think that it could be in the vicinity of Kirkton Kirk itself. Time was still on our side (just) and so, we set off again. Barely a mile on, we stopped and looked around the church, looking for signs and familiar landscapes from images we’d found that would point us in the right direction. Nothing. We scratched our heads again and, while I was checking my batteries and cards, Bumble showed me her ‘phone again. I was now looking at a small map of Cemetery Wood. There was a red pointer marked only some fifty yards from the road out of Kirkton. We excitedly spun around again.

The light was fading as the clouds moved in and, seemingly there was nowhere to stop anywhere near the wood. Checking the road behind, between the bends as we approached the sharp left near the entrance to the wood itself, Bumble spied the small patch of ground just off the road and right around the bend and made straight for it. Parked. Now to find the crypt. Climbing over the gate, eyes peeled – no sign. Observing the light under densely foliaged and closely-neighboured trees I was beginning to worry that even if we found the crypt, I’d have little useful light under which to shoot it. Certainly IR was not going to be a choice. We walked towards a high mound and there, through the murk, was the corner outline of what was clearly a beautiful and ornate stone structure. We hurried forward and climbed the earthy slope. Stood right in front of us – was the crypt.

24mm | 1/125th | f6.3 | ISO:436 | LTFS.

35chronicle.233 (7)

Out of interest, one of the shots I’d seen on the web (of the Johnston[e] Crypt) was in fact an IR shot, taken by someone on a converted Nikon pocket camera of some sort. A slight hint of jealousy that someone had stolen a little thunder from me, sure – but, whimsical and no more. I was determined to capture this place reflecting its mood and setting. LTFS turned out to be absolutely perfect for this part of the trip due to the light conditions and, it enabled me to capture wavelengths impossible to do so with any of my visible light set-ups, thus keeping my Tv higher and ISO lower than usual. The frames of the crypt may have you realising that I was back in hog-heaven and, you’d be right. I was beside myself. The chapel and crypt were built in around 1850 and, have also suffered multiple break-ins, vandalism, roof damage due to a fallen tree – gables and ornate roof stones scatter the ground around it and as resting place, it has been desecrated horrendously. Seeing it, taking it all in just for what it is now – renders a feeling of noticeable sadness. But to be able to capture it like this – I am almost speechless now. I am still stunned that we even found it. Rather, I didn’t! It’s okay though.

24mm | 1/125th | f6.3 | ISO:295 | LTFS.

35chronicle.233 (8)

24mm | 1/125th | f6.3 | ISO:766 | LTFS.

35chronicle.233 (9)

It was my intention to post a few images at a time and over a few posts – you know, break it up a little bit? I never like to over-indulge or test a reader’s resolve or patience. Ever. But for some reason, I just want to get these frames out there. A little bit of a back-story, perhaps but without the means to yet find out more about Carnsalloch – this is the best I can do right now. I do hope that you’ve enjoyed these frames. They have been extremely pleasurable to make and mean a little more to me than some of my other works. If you have stuck with me through all of this – wow; and… thank you!

In closing this one, I would like to thank Amar for yet again creating for me another wonderful piece of technology – my leading eye is very fortunate, my friend. I remain in black and white Nirvana! Thank you, my friend!

To the R&D and marketing peeps at Pentax Ricoh – thank you for making what Ricoh must have believed was a bit of a mistake at the time – poppycock! This thing rocks – still!

Of course, equally, to my bestie and lifetime sidekick, Bumble – who seems to have as much passion for what I do as I do. Now there’s a rarity and one worth looking after. Cheers darlin’!

R.
24mm | 1/125th | f5.9 | ISO:456 | LTFS.

35chronicle.233 (10)


HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. All images are resized prior to posting.
Feel free to join me on Instagram (click below) and, thank you for visiting.
@35chroniclephotography

The Kelpies – After Sunset | 35:Chronicle

black & white, night / low-light, photography, structures, waterscape

Horses in the Sky.


It’s simply not possible to visit these mind-blowing structures by day and to not return after sunset to see them in their dazzling, alternative guise. After the child-like exuberance I enjoyed while photographing them with my two IR cameras earlier in the afternoon, I suffered yet more of it with the anticipation of returning after  sundown, to shoot them again, this time lit up from their insides against a darkening, moody evening sky. A few expletives leap to mind when I remember just what I thought to myself as the Kelpies began to shine – and only seemed to intensify.

Oddly, I did not take a tripod with me, trusting instead that my Df would handle the low-light pretty well (especially as I was only ever intending to capture them for black and white) therefore, all of these frames were snagged hand-held, 28mm at ISO:6400. I’ve included a colour frame original from shot one, at the end. I really do hope you’ll enjoy them!

[Thanks, Alena, for the sub-heading – by far the funniest comment I’ve received in a long while, I can tell you!]

R.

*
I.

35chronicle.161 (1)

*
II.

35chronicle.161 (3)

*
III.

35chronicle.161 (2)

*
IV.

35chronicle.161 (4)

*

For Angela.

My first break away since the big breaks! Without you, these shots wouldn’t have even happened. For your patience and, my motivation – thank you!

X.

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

The Gardens of Drumlanrig | 720nm Infrared – PT.II | 35:Chronicle

35mm, black & white, infrared, photography, rural, structures, summer, trees

Light of Heart.


To find Drumlanrig so void of people on a gorgeous day like this is a rarity, a real rarity in fact. Perhaps it had something to do with the different timings of the school summer holidays between Scotland and England because from past experience, this place is usually teeming with people at this time of year. However, I complain not a bit simply because it did mean that I could exercise complete selfishness without a hint of guilt. Therefore, a few more IR frames from a place I love. To my mind – there’s no better way to see it. 

R.

*
IV.

35chronicle.158 (3)

*
V.

35chronicle.158 (2)

*
VI.

35chronicle.158 (1)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

The Gardens of Drumlanrig | 720nm Infrared – PT.I | 35:Chronicle

28mm, 35mm, black & white, infrared, photography, rural, structures, summer, trees

Hog Heaven – An Alternative View.


Back in early April this year, we visited Drumlanrig Castle, near Thornhill. You may remember, if you’re a regular reader, that at the time, I was shooting with my then newly internally converted 720nm IR GR [PT.III of original series]- and, what I really wanted to capture were the beautiful gardens here. Sadly, April is a little early and the groundsmen were still working their fingers to the bone in preparing these fabulous grounds for the public and, some shots of the castle itself were the best that I could steal. Once they were open however, we went back – and, what a glorious day it was to wander around and to play with light again. 

Don’t be misled by a gentle introduction – this place is stunning in any light and, I hope to do Drumlanrig’s gardens justice over coming posts. I only hope you’ll enjoy them.

R.

*
I.

35chronicle.156 (1)

*
II.

35chronicle.156 (2)

*
III.

35chronicle.156 (3)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

Morton Castle: Reprise | PT.II | 35:Chronicle

50mm, black & white, landscape, nature, photography, ruins, rural, skies, structures, trees

Clouds (& Their Silver Linings).


*
IV | A Morton Kind of Mood.

35chronicle.154 (1)

*
V | King of Clubs.

35chronicle.154 (3)

*
VI | Proud.

35chronicle.154 (2)

*
Morton Castle: Reprise | PT.I
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

Morton Castle: Reprise | PT.I | 35:Chronicle

50mm, black & white, landscape, nature, people, personal, photography, ruins, rural, structures, trees

Wind & G.A.S are Not the Same.


I seem to have developed (no pun intended) a propensity for posting late at night, recently – probably because I am still taking regular daytime naps to get me out of pain and it’s better than woofing the narcs that I’m currently prescribed. So, I am more awake at night than I am for most of the day, just lately. It’s not an impossible cycle and I’ll shake it soon, I know. Truthfully, I am feeling great presently and am looking forward to getting truly back to life and furthermore, I am  no longer having to endure most of the awful side-effects of the drugs, some of them rather embarrassing to say the least but, nonetheless, on grounds of utter propriety – unmentionable. A clue could be in the sub-heading, I guess. (If you read on with your tongue in your cheek – that’d be better than taking the rest too seriously. Stuff just – happens, you know?)

Onwards.

Back in February, I visited Morton Castle on a day which initially promised gorgeous blue skies inset with a clear and bright low winter sun – ideal for some IR shots of this utterly beautiful ruin. That was at around the time we had set orff! By the time we arrived, however, the clouds had moved in and the rain (known in Scotland as ‘smirry‘ – fine, light drizzle, really) began to descend and I ended up shooting the whole lot with my standard X100T. (See post I of III – here). There would be no infrared frippery on this particular day. No matter, but with that said, I wasn’t completely happy with the frames I came away with; compositionally I was very happy, but the ‘T’ buggers about with micro-contrast and smears finer details to the point where I just couldn’t live with it. A beautifully usable camera, fabulous lens but, it had to go. Either my software didn’t like its RAWs or, there was simply something about the ‘T’ that seemed to no longer agree with me. At all. Maybe I simply outgrew it, which may have been different if they’d kept the sensor from the very first X100. (Now that one was a peach!) I digress. 

Within just over two months of those initial shots at Morton, I found myself incapacitated, hospitalised, and then convalescing flat on my back for the following two and a half months with around eight or nine fractures to my spine, ribs and foot, a little internal bleeding and more pain than I could have comprehended possible at that time. What else was I to do to cheer myself up – other than to buy a new camera? Apart from the obvious things, photography was right up there on the list of things I was missing the most. Probably joint second, I’d say. I knew I wouldn’t be able to shoot it right away but I could spend weeks familiarising and reading up on it’s features so that when the day came where I could get out and play with it, I’d be more than ready; and so, that’s what I did. I bought the camera I have spent the past five years or so drooling over and, buggered the expense sideways. After all, I might not have even existed anymore – I jest not when I say that it really was that close, at the time of the incident. Hang it all. The Df arrived within a couple of days and the ‘T’ was history. I felt no remorse or pain. Not even a twinge. Move on. 

It’s not really G.A.S (gear acquisition syndrome) though – I guess that I have enough equipment to shoot pretty much any way I choose to. No, this was about something different entirely. I no longer wanted a camera that would mess about with the detail during shot processing, even in the RAWs – just a tool that would record what it sees and let me decide on output. Full-frame or not, I couldn’t care less (apart from the fact that this thing shoots clean even in the (photographically speaking) dark) – but I have been proved that I waited five years too long. What a plonker. But this isn’t a review (yawn!) – I only wish to post up my first frames from it, taken on a day that started out dismal, and pretty much remained that way, just last week. Low photographic expectations led me to something I didn’t expect – I love these frames, but not as much as being out there again. Despite the clouds, it was the finest of days. For life and, for loved ones.

I hope you’ll enjoy these.

R.

*
I | Across Morton Loch.

35chronicle.153 (1)

*
II | Brothers.

35chronicle.153 (2)

*
III | [A Bit of] Morton Castle.

35chronicle.153 (3)

*

This post is so gratefully dedicated to everyone who has been here for me in deed, word, or thought over the past couple of months – colleagues, friends, healthcare professionals, well-wishers and fellow bloggers and, most lovingly dedicated to my loved ones, whose patience, warmth and love know no conceivable bounds. Lucky isn’t the word.

To my Angie, to Corbs & to Flynn. X

*

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

 

Postcards from the Recovery Position | PT.VIII | 35:Chronicle

35mm, black & white, photography, ruins, rural, structures

Drumcoltran Tower [PT.III]


Okee doke, this is to be the last in my ‘Postcards’ series – no point kicking the backside out of it; (otherwise it just gets boring). Though I did get out and shoot a lot before I ended up rather incapacitated, I have been as productive as I can be of late and, will have some newer, more recent material up soon. Still, with regards to Drumcoltran Tower, I feel that despite three posts, there’s more to capture here and, when I am back on my feet, I absolutely intend to return and shoot again under even better light.

You’ll notice, if you have read Drumcoltran Tower [PT.II] – that I have chosen to post a similar first shot from the parapet and over the neighbouring farm, taken under visible-light conditions as opposed to the original IR frame in PT.II. I guess I still cannot decide which  I prefer. Nonetheless, the whole place has a wonderful feel which, I fully intend to exploit again in the near future. 

R.

*
VII | From the Parapet.

35chronicle.147 (1)

*
VIII | From the 3rd ‘Floor’.

35chronicle.147 (2)

*
IX | Stone Steps by Window.

35chronicle.147 (3)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

Postcards from the Recovery Position | PT.IV | 35:Chronicle

black & white, infrared, photography, ruins, rural, structures

Drumcoltran Tower [PT.II]


*
IV | From the Parapet | 35mm | 720nm Infrared.

35chronicle.141 (1)

*
V | From the Third ‘Floor’ | 21mm.

35chronicle.141 (3)

*
VI | Without: Within | 21mm.

35chronicle.141 (2)

Postcards from the Recovery Position [PT.I]
*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

Postcards from the Recovery Position | PT.II | 35:Chronicle

35mm, black & white, infrared, photography, ruins, rural, structures

Gelston Castle [PT.I] | 720nm Infrared.


To date, no ruin has ever taken my breath away on a first encounter as much as Gelston Castle did, on this day, one month ago.  As I understand, it is not under the umbrella of any protective organisation and, stands on land now being run as holiday accommodation, in the village of Gelston, between Castle Douglas and the Palnackie to Auchencairn road. Completed around 1805, designed by Richard Crichton (a pupil of Robert Adam) Gelston Castle was built by Sir William Douglas, of Castle Douglas.  During WWII, the house was requisitioned in order to care for handicapped boys evacuated from Glasgow and, once this use had ceased, it was de-roofed, never to be inhabited again. 

*
I | Rear Elevation | 35mm | 720nm IR | X100-IR.

35chronicle.139 (2)

*

Those of you who are regular readers of my pages will know that whenever the sun is out, if I am shooting beneath it, my IR cameras are the first tools I’d reach for. On this day however, conditions were unpredictable at best. This meant that I required around two to three hours to make enough images to cover my wish-list, at least, as frequent and prolonged cloud-cover tested my patience somewhat. With that said, I could have wandered around here for many more hours than I did. A beautiful monument, some of the most fabulous, fine architecture I have seen of late and, a lovely spot for just being what it is amidst stunning countryside views. 

*
II | Front & Side Elevation | 35mm | 720nm | X100-IR.

35chronicle.139 (3)

*

Shooting these old ruins is becoming a bit of a habit of late – one I am happy to continue to immerse myself in, I must say. When I am back on my feet, I’m going to go a-hunting again!  Though I must remain patient – another ten weeks or more, I can’t wait.

*
III | Rear Elevation Between Tall Trees | 35mm | 720nm IR | X100-IR.

35chronicle.139 (1)

Postcards from the Recovery Position [PT.I]
*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

 

Dundrennan Abbey | 720nm IR | PT.II | 35:Chronicle

black & white, infrared, photography, ruins, structures

900 Year-Old Details.


*
V | Entrance Gate -720nm Infrared | 35mm.

35chronicle.134 (1)

*
VI | Fraction – 720nm Infrared | 28mm.

35chronicle.134 (3)

*
VII | Fraction [II] – 720nm Infrared | 21mm.

35chronicle.134 (4)

*
VIII | Fraction [III] – 720nm Infrared | 28mm.

35chronicle.134 (2)

*
[Dundrennan Abbey | 720nm Infrared – PT.I]
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

Dundrennan Abbey | 720nm IR | PT.I | 35:Chronicle

black & white, infrared, photography, ruins, structures

On Days Like These.


I. | The Abbey – 720nm Infrared | 35mm.

35chronicle.133 (1)

*

Okay, okay! I have a thing about old buildings and magnificent, ancient stonework. It could be worse. Instead of cameras, I could have a PS or an Xbox (whatever they are – but hear that they are also quite popular?) 

*
II. | From an Outer Doorway – 720nm Infrared | 28mm.

35chronicle.133 (2)

*

Over the last almost twenty years, I have visited and revisited Dundrennan Abbey on more occasions than I can remember. Mary, Queen of Scots spent her last night in Scotland, here, before being escorted across the Solway Firth by the English, to Carlisle Castle where she would spend the next nineteen years as a prisoner before being executed, in 1587. Whether for the scenery, the history, or both – I have never tired of shooting here. Two days ago, I visited again and, with my IR converted GR in hand – spent around an hour making a few more frames. The groundsman (Pete) was also on site, fixing the ol’ place up a bit, ready for the spring and summer onslaught of visitors, but mostly, I had perfect ‘alone’-time to wander round and grab a few angles that I had missed over previous visits. Here, I wanted to simply show a few frames of some of Dundrennan’s beautiful arches – in a tad more detail, with each shot.

*
III. | Through an Interior Arch – 720nm Infrared | 28mm.

35chronicle.133 (3)

*

Shooting in IR under ideal conditions (bright sunshine and few clouds) really does bring out the contrast and utter magnificence of places like this – and I have no doubt that there are more just like this, waiting for me to capture. As spring and summer progress, I know already that I am going to have a very busy season indeed, not just for having so many places to shoot, but in the first instance – being able to visit them and soak up so much atmosphere, history and enjoying too, a complete change of pace. On days like these, there’s truly nothing better. 

R.

*
IV. | Zenith – 720nm Infrared | 21mm.

35chronicle.133 (4)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

Drumlanrig Castle [720nm IR] | PT.III | 35:Chronicle

35mm, black & white, infrared, landscape, photography, rural, structures

The Last of the First | Ricoh GR Infrared.


To say that I love shooting with an IR-converted GR is an understatement. As Drumlanrig has been its initial proving-ground, I know all too well that I will have to return when spring has worked its magic, and the leaves have returned to complete the effect. More than likely, I will also be looking to compare outputs between this wonderful conversion and, my converted X100 – I know already it’ll be a very close call. Furthermore, as the gardens to the house will soon be open again to the public (on my recent visit, the groundsmen were working furiously to prepare them) I feel extremely excited to know that I will have much more time here, to explore again – and yes, shoot to my heart’s content, should conditions be fair. Hopefully, photographically speaking- I will be able to do this place much more justice. I’m not there yet, but my shutter-finger is twitching already at the prospect; and my impatience is becoming increasingly apparent. Anyway, I hope you’ll enjoy these two frames as much as I have. 

R.

*
V | Drumlanrig Castle | 720nm IR | 35mm Internal Crop / 4:3 – 250th – f8 – ISO:100

35chronicle.132 (1)

*
VI | Lined | 720nm IR | 35mm Internal Crop / 4:3 – 125th – f7.1 – ISO:100

35chronicle.132 (2)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

Drumlanrig Castle [720nm IR] | PT.I | 35:Chronicle

35mm, black & white, infrared, photography, structures

About Turn | Ricoh GR Infrared.


Each of us has the right to change our minds. (That’s my excuse and, I’m sticking to it!) Insosaying, last month, I wrote a post about my newly converted GR – to 450nm, internally. The idea was that I’d be able to choose my preferred wavelengths for split-spectrum or infrared photography, but, things have been simplified rather, thanks to a few unwelcome dust-spots on its sensor. (Every cloud, an’ all that?) I arranged for the sensor to be cleaned and, in the interests of keeping the camera compact (without having to use the filter adapter for mounting an IR filter over the lens) I opted to have the internal 450nm glass removed and replaced with my preferred 720nm glass, instead. This has turned out to be a monumentally productive decision. 

*
I | Drumlanrig Castle, Thornhill | 720nm IR | 35mm Internal Crop / 4:3 – 180th – f8 – ISO:100

35chronicle.127 (1)

*

These two frames are the first that I’m publishing from this new conversion and, after what started out as an uncertain day for IR captures – I have to say that I am utterly blown away by what this GR-720nm can resolve. Compared to my X100 conversion, I definitely see more details in the GRs shadows, though the Fuji does have better overall dynamic range and, controls the highlights a little better. The GRs files do look more organic to me (which is why I have always loved them for black and white work) and, in such compact form, no longer having to use the filter adapter to capture frames like this, it’s ridiculous how little I have to carry in order to get results such as these. Happy? Pahhh… doesn’t even come close!

R.

*
II | Drumlanrig Castle | 720nm IR + ND500 | 35mm Internal Crop / 4:3 – 8″ – f16 – ISO:100

35chronicle.127 (2)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

 

Morton Castle Ruins, Scotland | PT.III – Finale | 35:Chronicle

35mm, black & white, landscape, photography, ruins, structures, waterscape

Its Place in Time.


At the risk of posting somewhat predictably of late, I can safely say that this is to be the last in my recent series of images taken at Morton. Since visiting, despite the awfulness of the weather and light-conditions at the time, it should be of no surprise that I fully intend to return to the ruins as soon as I possibly can; hopefully when conditions are far more conducive to my intentions, perhaps. Such a place is somewhat of a rarity – though local landscapes are abound with dilapidated historical and dare I say, romantic relics, however, Morton has a situation, a place-in-time so to speak, that can render one utterly speechless simply for the sight of it. Though I did try to capture the site from a number of angles and perspectives which might express just how romantic this place is, I know that I can do better. Finer weather would be a real treat, though. Yes, I shall certainly return – and, it won’t be a day too soon. 

*
VII. | Morton Castle & Loch | 35mm.

35chronicle.114 (1)

*
VIII. | East-Side D-Turret | 35mm.

35chronicle.114 (3)

*
IX. | East-Nor-East [II] | 35mm.

35chronicle.114 (2)

*

I very much hope that you’ll have enjoyed this series. 

R.


(For more images in this series, simple click on the ‘morton castle’ tag.)
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

Morton Castle Ruins, Scotland | PT.II | 35:Chronicle

35mm, black & white, landscape, photography, ruins, structures, waterscape

Solitude.


Occasionally, words only serve to get in the way. 

R.

*
IV. | Morton Castle | 35mm.

35chronicle.113 (1)

*
V. | Morton, from the Dam [II] | 35mm.

35chronicle.113 (2)

*
VI. | Westerly, over Morton Loch | 35mm.

35chronicle.113 (3)

*
(For more images in this series, simple click on the ‘morton castle’ tag.)
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*