Down by the River | PT.I | 35:Chronicle

black & white, infrared, photography, waterscape

The Nith | As Peaceful as it Gets.


Before I dash off to work for the night, I just wish to share a few frames, snagged on a gorgeous New Year’s Day during a walk through Dumfries. These images were taken during the same meander as those published in my previous post, but having a little bit of OCD – I like to keep things grouped, somewhat. (I really should get out of this habit!) I really hope you’ll enjoy these and, I wish you all a fabulous weekend.

R.

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I | Devorgilla Bridge | 50mm | 720nm Infrared. 

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II | Weir | 35mm.

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III | At Nunholm | 50mm | 720nm Infrared.

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2018 Photographic Review | 35:Chronicle

28mm, 35mm, 50mm, black & white, boats, close-up, colour, faux-colour, Indoor, infrared, landscape, macro, nature, personal, photography, review, skies, spring, structures, trees, waterscape

One Hundred to One.


Seeing as how this post happens to be my one hundredth, it’s actually ninety-nine into one . Since I began this blog back in March, I have also enjoyed the works and posts of so many of you and, if there could be more hours in a day, there would be many more besides, too, providing me with no less enjoyable learning, entertainment or, food for thought. I have also, over the last ten months, hoped to provide some interest in the field of photography, my own takes from various genres of our art-form which I feel so passionate about. Without the love for it, the desire to (hopefully) create something a little different on occasion or, the discipline to stay true, it’s all for nothing. Insosaying, I hope with all the passion that I have for various genres of photography, that my sincerity is not only intact but also, perhaps more importantly, unmistakably evident.

As this year now tick-tocks on to draw its last, making way for the next, I would like not only to thank you most sincerely for your input, your comments, clicks, follows and conversations, but to wish every one of you a very happy New Year for 2019. Your presence here is just as important as my own works, because without a reader, a word or a picture – would be pointless. Therefore, if you will forgive my indulgence, I would like to share with you all just some of my favourite frames from this inaugural year on 35:Chronicle.  I truly hope that you will enjoy them.

Wishing you all wonderful celebrations and, much happiness from the coming year.

Warmest regards,

Rob. 

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Snowdrops | 35mm.

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Telford Woz ‘Ere! | 720nm Faux-Colour Infrared | 35mm.

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Double-Masted | 720nm Infrared | 35mm.

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Bluebell | 35mm.

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Broom | 35mm.

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Milkbank House Ruins | 760nm Infrared | 28mm.

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Talla Reservoir | 760nm Infrared | 28mm.

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Talla’s Monitoring Station | 720nm Infrared | 50mm.

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How the Other Half Live | 720nm Infrared | 35mm.

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Sir Duncan Rice Library | University of Aberdeen | 28mm.

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Moonrise | 720nm Infrared | 85mm.

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Grandeur | 35mm.

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Happy New Year 2019, to You All!

R.


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Infrared Lucidity | PT.II | 35:Chronicle

35mm, black & white, infrared, photography, waterscape

Water & Old Stone | 720nm IR.


I.

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II.

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Closer Still(s) | PT.XI | 35:Chronicle

50mm, black & white, colour, macro, nature, personal, photography

Taking a Chill-Pill.


Heck, I can’t always take photography too seriously; without doubt it is and has been one of my biggest passions throughout the past twenty (plus) years of my life and, I dare say, by those who know me personally, I am known for it. But there’s another side to the seriousness of getting the image and that is, to simply get the camera out and just have a little fun with it – and to not worry or be so seriously preoccupied with perfect composition or, focus or, whatever else we look for. The truth told, I love to shoot freestyle, freehand, free-lensed and, I don’t do it anywhere nearly as often as I would like, and, I have been photographically rather lazy lately. I could make excuses about the weather or some-such, but I’d be spouting bollocks so, I’m not going to place a blame. I guess sometimes, we just need a little break from the – constant thinking? I don’t know if I am making any sense here but I promise, I’m not writing for the sake of it. 

For me, the real enjoyments of photography come from many aspects. It’s so engaging when you would want it to be, so technical in thought and deliverance at other times and yet, so passive and relaxing on occasion, too. Depending on any given genre, expectations, deadlines, or presenting difficulties, all are true. If you are yourself an enthusiast, you will know this already. But at the heart of every image is me, you, and how we see. I love to look; and see; and interpret; and steal a frame. What I don’t love – is to always feel like I’m overthinking because then, at some uncertain, invisible point of effort, a line gets crossed and, I don’t always enjoy it so much – especially when that line is completely bulldozed. Indeed, on such occasions, I can take a whole load of shit and know that I have before I have even depressed the shutter. Yet I do it anyway – like shutter-finger Tourette’s  Syndrome (hereafter referred to as SFTS). Damn, I hate it when I do that because not least, I know I’m just going to spend more time at home, after upload, deleting the crud. 

Most often, I find that when I’m making shots for the fun of it, with no actual goal in mind, when I don’t care so much about focus, or content – I tend to make images that I like, nevertheless. In opposition, as we all have – I have put so much effort and thought into a particular shoot or subject and come away with so much utter crap, it could make me cringe at the knowledge that my own brain decided that that capture was a good idea. Really? 

With all of this preamble out of the way, I decided, with plenty of time to kill today and, though the weather was not playing ball (I was hoping to get a little more of a tan on my chrome-dome – uh… no!) – to faff around with my favourite body & prime combo and, make a few frames; just to see what I might come away with. No, given the images I have posted here, you’d be forgiven and absolved for thinking that I have actually been yapping on for the sake of it, because technically these images are not fabulous, or varied. They are indeed unimaginative, poorly composed, a tad soft, but do you know what? Today, I don’t care. Today, I made some photographs; and I like ’em! Moreover, I hope you will too. Yes, I shot close without a tripod – I was chilling

By the way, the first image in this post is great in colour, because it really looks to me like a camouflage-act and, it may have been, in the mind of the Hoverfly. I wasn’t going to post it in colour because I really do prefer the mono-shot (moreover because I have genuine dislike for the colour orange for some barmy reason that I can’t explain) – but I caved in, and have included it at the end of this post. You’ll see what I mean when you get there, if, that is, you haven’t nodded-off already. Okay – time to wake up. It’s picture time!) Thanks so much for reading and I hope you have a great week ahead. 

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Montbretia & Hoverfly | 50mm – Handheld.

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Montbretia | 50mm – Handheld.

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Camouflage? | 50mm – Handheld.

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[There’s a photographer in India called Rajeev Virmani – he makes some beautiful environmental flora photographs and I have to say, he has nowhere near enough followers for the work he puts in and puts out here on WP. Please, if you like the genre, do take a look at his images. He has an intimate and opportunistic approach that may well appeal to many. I don’t know him but I do love so many of his images. If you have a little time, you may enjoy a peek!]


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Harbouring Light | Infrared | 35:Chronicle

35mm, black & white, boats, infrared, photography, skies, waterscape

Downtime at the Waterside | 35mm / 720nm IR


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II.

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III.

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Thank you.

Either Side of the Day | 35:Chronicle

35mm, colour, landscape, photography, skies, sunrise, sunset, waterscape

Shades of Blue & Gold.


To the East.

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To the West | I.

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To the West | II.

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Thank you.

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Current Alternate | 35:Chronicle

35mm, black & white, colour, nature, photography, spring, sunset, trees, waterscape

Ups & Downs.


Intending to head out and catch the sunset over the water – hoping for its often noted millpond stillness, I found myself a tad disappointed on arrival. Though not choppy, there was just too much movement on the surface this evening and, though the sunset was utterly beautiful, I found that the calming of the waters just wasn’t worth the wait. After an hour, loss of light and, several insect bites, I gave it up for the night; but, not before making a few frames. (I’m easily consoled.)

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I.
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II.
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III.
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IV.
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Infrared Lucidity | 35:Chronicle

35mm, black & white, infrared, landscape, nature, photography, spring, summer, trees, waterscape

Monochrome Waterscaping | 720nm Infrared.


I. From a Bridge:

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II. To a Bridge:

35Chronicle.017 (2)720nm IR | 35mm

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At the Water’s Edge | 720nm Infrared | 35:Chronicle

35mm, black & white, boats, faux-colour, infrared, photography, waterscape

Messing About with Boats

There are few things I love better, when it comes to shooting, than water, boats and, photographing in infrared. Shooting IR – processing IR – I love it. Combining all of these makes, for me, a perfect photographic scenario. When the sun is shining and I can head out and find some bold, interesting subjects, surround them with blue-silver water or lush backdrops – it’s as close to my version of a perfect day as I am ever going to get. I don’t always get it spot-on but in truth, I never worry too much about that when I’m enjoying simply being out and making pictures. So, a few frames here will, I hope, display my ‘happy’ and hopefully, you’ll enjoy them too. 


Albatross | IR

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Moorings | IR

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Accord | Mono-IR

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To the Trees | PT.I | 35:Chronicle

35mm, black & white, faux-colour, infrared, landscape, nature, photography, trees, waterscape, winter

An Ode to the Giants


When photographing a landscape, it’s impossible to get away from them and, thank heavens for this. They are the true giants of the land; not only this –  they are the protectors, the meeting places and the homes of a myriad of different species of insects, birds and mammals. Trees, while often undervalued and ignored by many, play not only a vital role as part of nature’s grand design, but they shape our land and, our skies. All of these truths are fairly rudimentary and obvious, however, I wonder how many of us truly, truly appreciate their value?

For as long as I’ve being photographing, I’ve been drawn to the trees. Such a uniformly natural and perfunctory design, largely very similar if not always in shape, colour or dimensions, and it has always been a challenge for me to photograph them in a variety of ways, using not only the same technique or approach each time I frame and expose. Realising in photographic form their stature, their place and importance within a scene, their mimicry or even how they fit inside such a scene, is much more difficult than I used to think it was. It does take some work and, often a lot of thought. Therefore, what this post is intended to be – is an ode, an appreciation of a genus much taken for granted. I hope to have portrayed such with at least some degree of justice.

For the so many times I have scrumped in, climbed up, picnicked under, carved my initials into, swung from, and yes, even made love below the shading boughs of – this is my knowing and sincerely appreciative nod, to the trees. 

We thank you, wholeheartedly.


Inside-Out | 720nm Infrared

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Swan Lake [I Just Couldn’t Resist, I’m Sorry!] | 720nm Infrared

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The Braves

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General Cluster | 720nm Infrared

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