In the Eyes of Beholders | 35Chronicle

black & white, candid, colour, people, personal, photography, portraits

Bumble’s ‘New’ Camera.


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The Water Cure, Perhaps? | 35Chronicle

35mm, black & white, infrared, nature, photography, skies, waterscape

It Has Been Said…


… that to aid in the finding of true inner peace, one must be able to enjoy the calm of a sizeable area of water for at least thirty minutes, each day; I can’t possibly know how true this really is, but hey, it works for me. Therefore, here – I wish to share four separate frames with a watery theme, caught with three different cameras, all at my favoured 35mm FoV.

I do hope that you and those you love are all well and, that you’ll enjoy these few captures. 

R.

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III.

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IV.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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Closer Still(s) | PT.XXVIII | Tulips [Mono.]

35mm, black & white, close-up, macro, nature, night / low-light, photography

Moving Out, Moving In.


Keeping to recent changes in ideas that I’ve been having about how I photograph, process and publish (basically, I am feeling the need to shake things up a little after a winter ‘lull’) – I decided that, whilst I continue to shoot in RAW and JPG, I would for a while concentrate solely on working with OOC JPGS with as little processing as I could let myself get away with, no matter what my subject matter.

A couple of days ago I took some time out with my X100S to shoot these beautiful yellow tulips in my newly put-together macro-studio (aka: the Black Room, aka: the cupboard under the stairs!) and after an hour or so playing with various exposures, I emerged back into the light of the middle landing with some pleasing frames. After uploading to Lr – checking my spot-metered exposures, I set to work in editing my chosen keepers. Here, are the three finalists, processed from the resultant JPGS, with minor tweaks to contrast, clarity and shadow depth, with just a hint of split-toning for a tiny smidgen of warmth. 

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I | 1/10th” – f8.0 – ISO:200

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II | 1/8th” – f8.0 – ISO:200

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III | 1/4th” – f8.0 – ISO:200

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Of course, at the sizes I’ve chosen to upload (I never upload full-resolution frames) – for web-viewing, the difference may be a little more difficult to appreciate when it comes to RAW versus JPG IQ however, when considering that all frames were exposed at ISO:200, I really don’t think that (aside from the obvious processing latitude advantages of trickier RAW exposures) there really would not have been all that much to shout about. I still don’t know the answer to that one either – I haven’t even looked at the RAWs yet. These frames please me that much. 

Thank you so much for reading my pages and, I hope you too will enjoy these captures.

– R –

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.

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Closer Still(s) | PT.XXVII | 35Chronicle

35mm, black & white, close-up, colour, fine art, macro, nature, photography

Purple Heart [Tiger] Lily | PT.II


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IV | Fuji X100S – 35mm [equiv] – 1/4th – f11 – ISO:400.

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V | Fuji X100S – 35mm [equiv] – 1/8th – f5.6 – ISO:400 [w/Hoya +10].

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[From a Little Further Back:]
VI | Fuji X100S – 35mm [equiv] – 1/20th – f2.8 – ISO:800.

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VII | Fuji X100S – 35mm [equiv] – 1/60th – f5.6 – ISO:3200.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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Closer Still(s) | PT.XXVI | 35Chronicle

35mm, black & white, close-up, colour, fine art, macro, nature, photography

Purple Heart [Tiger] Lily | PT.I


Ask anyone who knows me and they’ll all tell you just how easily pleased I am. I’ve never been one to want much, not in the grand scheme of things at least and I have always gone by the adage that “enough, is as good as a feast”; and I absolutely believe this. It is relevant because when it comes to photography, I have always been happy with and, tried to make the most of the tools at my disposal (most usually – my camera and my legs) but some things require a little more planning.

Macro and close-up photography has been a passion of mine since I first picked up a camera, almost twenty-five years ago. That passion has not only stayed with me ever since but it has continued to grow. The longer I go between these more intimate shooting sessions, the more it grows and, the more I seem to enjoy it when I finally make it back. For the past few years, I had been making do with an old lamp table for my close-up set-ups; I had fashioned a matt black card base on the table with two joined 12″ high-sides of the same material, clamped lights, mirrors, clamps, desk tripod and, a couple of torches for ad-hoc light-painting during those longer exposures. This week though, something changed.

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I | Fuji X100S – 35mm [equiv] – 1/12th – f5.6 – ISO:400.

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A few weeks before new year, Ang had decided to have a clear-out of the under-stairs cupboard on the first floor. Great idea I though – we could decorate it and make her a lovely, secluded and private office space in there (whilst secretly wanting to snatch the space for myself, you understand). I was thinking maybe some cosy lighting, a decent bluetooth speaker, a new desk and chair, even some pictures on the wall – you know? A space I’d be utterly jealous of, for sure. Still, this was all a while ago and sometimes, as I said, things change. 

At Christmas, I received a very nice portable light-tent. Lights, stands, backdrops, colour gels – yup, all there. The trouble was that we had nowhere to properly set it up and though it’s indeed designed to be portable, once I set something like this up, I’d prefer it to stay there and I can quickly set back up again any time I have a new or interesting subject. That’s when the suggestion came back to me: “What about the under-stair cupboard?” My eyes must have lit up as soon as those words left her lips!

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II | Fuji X100S – 35mm [equiv]- 1/4th – f11 – ISO:200 [w/Hoya =10].

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At the beginning of this week, we measured up; on Tuesday we bought the wood and the paint and I constructed the worktop to be fitted, as well as starting the paint-job.  On Wednesday, the last coat of matte-black went on all the surfaces and by that evening, it was dry enough to set it all up. Could I wait to get in there and shut the door? Could I, buggery! Now, I know that light-tents aren’t a new thing, but I’ve always indulged myself on a shoestring – not for any other reason than the fact that I was simply able to. But to have a dedicated little space where it can all happen, is a real treat. I don’t care if Harry Potter didn’t care much for his – I’m loving my cupboard! Yes, I’m sure that I must sound like an idiot to most of you but this is big stuff to me. A useful man-cave at last! (And yes, I also realise that I’m rambling a tad!) Anyway, I’ll shut up now and let you (I sincerely hope) enjoy a few of the very first frames from the newly crowned (tongues firmly in cheek, you understand?) Studio 35C. 

As always, thank you for visiting my pages and, I wish you all a great weekend ahead.

-R-

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III | Fuji X100S – 35mm [equiv]- 1/8th – f5.6 – ISO:400 [w/Hoya =10].

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018-2020) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
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